Chaosium book wranglers, with added cats

Chaosium has an interesting new interview video which looks at how Call of Cthulhu and other RPG books are put together, both in the past and today. The blurb uses “TTRPG” which is just industry-speak for = Tabletop Role-playing Game.

Elsewhere, Dave Higgins has a new player-review of Call of Catthulhu RPG. I think I may have spotted this back when it was a Kickstarter, but it’s expanded a bit since then…

the entire game is based in genuine cat behaviour seen through the lens of affection, creating a pervasive sense of whimsy, the rules based around play-acting veer even more strongly into the humorous.

For real-cats, ‘Strange Maps’ has the latest on the fast-changing picture of the great European house-cat migration in pre-history. Domesticated felines were in Poland in 6,000 B.C.

Plant Monsters of Amazing & Astounding

Just the thing for a dull Monday, Plant Monsters of Amazing Stories and Plant Monsters of Astounding. Both new illustrated surveys by G.W. Thomas at Dark Worlds Quarterly, with his survey of Thrilling Wonder Stories still to come.

There was also a survey of Plant Monsters in Weird Tales back in 2020, and a brief look at The Earliest Plant Monsters in 2019. Also to be found at Dark Worlds are various surveys of the subject in pre-Code comics.

New: Crypt of Cthulhu #114 (July 2022)

The Pulp Super-Fan makes an initial survey of Robert M. Price’s Lovecraftian collections. Since Price’s podcasts have become scarce, I was unaware of his two collections of his own Mythos fiction, in 2019 and a follow-on in 2020.

His main 588-page book one can now be had as an affordable ebook, Blasphemies & Revelations. While the shorter companion of the following year, Horrors & Heresies, still seems to be in paperback only.

A look at his Amazon page also reveals… ahaa… what’s this… Crypt of Cthulhu #114 (July 2022) on Amazon as an ebook. Yes, a substantial new issue of Crypt came out in summer 2022 and is the first since 2019. Who knew? Includes a look at “Lovecraft and Cinema in his Day”, and an interview with David E. Schultz, among others.

The earlier #113 issue is still the latest listed over at the PDF downloads page.

I’ve updated my recent survey of ‘Lovecraft in 2022’ with the new information on Crypt. I’ve also added there the news about Derleth slipping into the public domain in Canada, now that this is confirmed (their new 2023 ’70-year law’ is not retrospective). Idle notion: what if Robert M. Price were to re-write Derleth’s ‘Lovecraft collaborations’ as they should have been… now that would be something to behold!

New book: S.T. Joshi’s Horror Fiction Index

S.T. Joshi’s new Horror Fiction Index is published

a listing of nearly 3,300 single-author horror collections from 1808 to 2010. The print edition is a whopping 741 pages, containing a list of the collections (arranged alphabetically by author, and chronologically within a given author’s books) with their tables of contents, followed by indexes of names, collection titles, and story titles (nearly 30,000 of them).

It’s a ‘story finding-aid’, so far as I’m aware, and thus doesn’t also list prefaces, scholarly notes (or not), etc. Now available in paperback and ebook. I was pleased to be able to supply two of his ‘unknown contents’ listings. Joshi reports than only ten such ‘unknown’ collections remained un-solved by the time the book went to print. Hopefully someone will now pick this up and produce an expanded second edition in due course.

Boston and Boylston St.

This week on ‘Picture Postals from Lovecraft’, more Boston pictures. Rectified, cleaned and toned.

Firstly another contender for the Boston subway which is depicted toward the end of the dreamlike prose-poem “Nyarlathotep” (1920), in which a column of people…

filed down a weed-choked subway entrance, howling with a laughter that was mad.

This is the subway inbound entrance that sat beside the Boston Public Library, seen here in 1915. Suitably gothic and Lovecraftian, more so than the one seen last week. Lovecraft almost certainly knew this Library entrance after 1919.

Then there’s his “Pickman’s Model” (1926), in which the artist depicts a scene in the Boston subway and names the station…

There was a study called ‘Subway Accident,’ in which a flock of the vile things were clambering up from some unknown catacomb through a crack in the floor of the Boylston Street subway and attacking a crowd of people on the platform.

Here is a picture of the subway station itself. It may have had two platforms, one for the subway…

And another where the Elevated train came down and in, to meet the subway at a wooden platform…

Elevated -to- subway platform.

So take your pick as to which one the “vile things” were emerging from and into. But the older wooden-slats one feels the more likely. Note the news-stand with magazines, albeit some 11 years before Lovecraft was (probably) sitting there and imagining ghouls emerging from the trackway.

Where They lurk…

Romances of the Archive

I stumbled on a rare book listing, which made me aware of a book of possible interest. Romances of the Archive in Contemporary British Fiction (2001) was claimed to have something on Lovecraft…

Authors addressed in this collection of academic papers extend beyond the British canon despite the subtitle, among them H.P. Lovecraft, Umberto Eco.

I then found the TOCs for the book, which revealed more. The book is a general survey written by a single author, and obviously written from the American academic left as it was at the end of the 90s (expect Foucault, et al). Several of the fiction authors are slotted into themed chapters, and I imagine there must be quite a few plot-spoilers. The author knows enough to consider that Lovecraft can effectively qualify as British, which is encouraging.

There’s since been an explosion in ‘critical archival studies’ in academia, focused on institutional gate-keeping, erasure and memory, the making of art-chives by artists, technological impacts on presenting the past, etc. But I can’t say I’ve ever heard of this early book on the topic.

The first half of the book looks interesting as a set of informative surveys useful for anyone writing on the theme of archives and libraries in the weird. Specifically tales featuring archival access and deep research as a key feature of the plot. Here are the main items in that part of the contents-list…

Romances of the archive, identifying characteristics : A.S. Byatt and Julian Barnes.

Wellsprings : Edmund Spenser, Henry James, H.P. Lovecraft, Josephine Tey, Umberto Eco.

History or heritage? : Penelope Lively, Barry Unsworth, Peter Ackroyd.

Time magic and the counterfactual imagination : Kingsley Amis, Lindsay Clarke, Lawrence Norfolk, Nigel Williams.

The book is not on Archive.org, as yet.


The Reading Room, Boston Public Library. The room opened in 1895, and was likely visited by Lovecraft when he encountered the city some 25 years later.

Down in the Crypt

This week Pulp.net catches up with Crypt of Cthulhu, and along the way brings news that…

it looks like Price has restarted the old Eldritch Tales fanzine that used to be published by Necronomicon Press, this one billed as #8 (properly Vol. 2, No. 8) in September 2022.

I have a personal buy guide for Crypt issues, to September 2018 when the PDFs became available. But there were a couple more issues after that.

Archive.org search results beta now live

Ugh. The new Archive.org search-results UI is here. Cramped, ugly, bad use of fonts and sizes, and ‘flashing and flickering’ as results load and scroll. And as I try workarounds I’m discovering more annoyances. It’s obviously never seen the touch of a designer or typographer. They’ve managed to make it worse, not better.

Update: There’s now a “return to legacy search” link that wasn’t there a few hours ago. Phew!

The gloomy 30s

An unusual new academic paper in Heliyon, “Sentiment analysis of Lovecraft’s fiction writings” (2023). The open-access paper looks at his fiction from 1905–1935, using software to find “emotion-inducing words” and then clustering these. Finds…

there exists an intimate connection between the emotions of fear and sadness in Lovecraft’s writings

… and that the darker tones deepen over time.

This was, most likely, strongly personal but not purely so. The entire cultural trajectory of the 1929-1935 period appears to have been bending that way. I say “appears” because I recall my old history teacher showing very clearly that this was not actually borne out in most people’s lives, at least for the employed in most of 1930s England. Until the war came, for many the 1930s was mostly a time of ‘getting on’ and moving up. New homes on Betjeman-esque suburban commuter estates, new motor-cars, new labour-saving devices, better health, better self-improvement opportunities, a surprising boom in incomes and pensions, much better shop-clothes for women and girls, and there were also the fine new art-deco cinemas and ice-cream. The weather was iffy due to some strong extremes, but people got through it. In my teacher’s view it was the intellectuals who were the miserable ones, infected by a virulent “we’re doomed!” pessimism and a dislike of the many opportunities for the upstart masses in this new modern world. The key book on the topic is the excellent and darkly amusing The Intellectuals and the Masses.

Also spotted in academia, a McFarland book due in June 2023. Horror and Philosophy: Essays on Their Intersection in Film, Television and Literature. Among other things this is said to have a chapter on Lovecraft, presumably centering around philosophical parallels in the perceived…

relationships between Jorge Luis Borges and H.P. Lovecraft