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Tentaclii

~ News and scholarship on H.P. Lovecraft (1890–1937)

Tentaclii

Monthly Archives: November 2018

Robert E. Howard’s “The Hyborian Age” in audiobook

30 Friday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts, Podcasts etc., REH

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Another audio experiment. This time it’s an experiment with the voice of a human reader, rather than a generated TTS robo-voice.

Text: Robert E. Howard’s “The Hyborian Age” (c. 1930s), in which Howard recounts the historical background for Conan.

Source: A full reading of “The Hyborian Age” in the form of the April 2018 public-domain Librivox recording. The Librivox reading was done by a young reader named ‘Klaatu’ whose voice I felt was not quite suited to the weight of the material. I added some pauses to this audio, for pacing, and I also had to remove one section in which a few lines of text had been repeated twice but not excised.

Task: To use the free audio software Audacity to try to change this higher Librivox voice down to a more suitably deep “Wayne June” style, if possible. Listeners to H.P. Lovecraft audiobooks will be familiar with Wayne June’s deep gravelly voice. More bass could of course be approximated on-the-fly in real-time with the likes of AIMP and its pitch-shift and bass-boost options, but here I wanted to see if a better result could be had by using the power of Audacity and its specialised plugins.

Workflow:

1) I added a “Wayne June” effect in Audacity with the free RoVee VoiceChanger plugin. Settings used are seen on the screenshot…

2) The result was certainly rather “Wayne June”, but was slightly ess-y in my high-response headphones. I then de-essed in Audacity, with the free Spitfish De-esser plugin.

3) There was some “bass bubble” on the pitch shifted reading. I tried the addition of suitable background music, as a subtle form of masking.

Conclusion: Successful, but not entirely so… mostly due to a little ‘more bubble than gravel’. A slightly lighter touch on the RoVee VoiceChanger settings might be tried next time. However, the level of the success suggested that longer audiobooks on Librivox could be “Wayne June-ised” with relatively little effort, and with more aesthetic success than pitch-shifting and bass-boosting in AIMP.

The result: A reading of R. E. Howard’s “The Hyborian Age” on Archive.org. 55 minutes.

Friday “picture postals” from Lovecraft: Wilbraham Academy

30 Friday Nov 2018

Posted by asdjfdlkf in Picture postals

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Entrance to Wilbraham Academy, Mass. Note the curiously Eastern looking sculpture on the frontage, with the light-globe resembling a turban.

“I tarried eight days in Wilbraham, picking up many strange legends of great interest to me, since both Mrs. Miniter and Miss Beebe are expert in the curious folklore of that archaick region. I am at this very moment introducing one, as subsidiary colour, into a weird novelette I am writing. [This would become the famous “The Dunwich Horror”, set just east of Wilbraham and heavily inspired by the district.] I visited all the church­yards and burying places, and inspected the pleasing village of Wilbraham proper, where still flourishes the old academy founded in 1825.” — H.P. Lovecraft, “Observations on Several Parts of America”, in Lovecraft’s Collected Essays, Volume 4: Travel.

Have you enjoyed Tentaclii this month?

30 Friday Nov 2018

Posted by asdjfdlkf in Odd scratchings

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I hope you’ve enjoyed, and perhaps even profited, from reading Tentaclii this month.

I count 76 blog posts sent into the luminiferous aether during November 2018. With a total of 20,000 words, not counting the PDFs (such as my free chapter on Lovecraft and Zimbabwe). Some posts were quite substantial, and had new discoveries about the lives of those in the Lovecraft Circle. There was also a short (but very popular) post which surveyed the Black Friday sales.

If you can help me out with a $ or two per month via Patreon, please, then it would help greatly with the ginger-beer supply needed to fuel Tentaclii through another month of blogging.

Recommending Tentaclii in social media, and linking here, is also very useful.

Thanks again for reading!

“Borges leitor de Lovecraft”

29 Thursday Nov 2018

Posted by asdjfdlkf in Odd scratchings, Scholarly works

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Added to my Open Lovecraft page…

* R. F. de Medeiros, “Borges leitor de Lovecraft”, Nau Literaria, Vol 4. No 1, 2008. (In Spanish. “This article analyzes J. Borges’ short story ‘There are more things’, seeking to unveil the way in which the writer assumes the authorial identity of H. P. Lovecraft, realizing what he calls a ‘posthumous tale’ by the American writer”).

There appear to be no MP3 audiobook readings of this short story online, only someone reading the story’s Wikipedia entry (such fun…). There’s one commercial physical CD from Penguin from 2010, of all his fictions. But oddly Borges appears to have nothing in English translation on Audible. Apparently the Penguin recording is tinny and the reading rather fast, so one might want to rip from CD to files and then use AIMP to pitch-shift, equalise the sound and slow down the speaker.


Also added to Open Lovecraft:

* B. Siegel, “In Defense of Dagon: Intertextuality in “The Shape of Water””, 2018. (Detects influences from Lovecraft and the Bible in del Toro’s movie The Shape of Water).

* A. Barroso, “Fear and (non) fiction: Agrarian anxiety in “The Colour Out of Space””, 2018. (Masters dissertation for East Michigan University, 2018).

Decline of the West

29 Thursday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts

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I’d never seen this cover before, for Joshi’s Decline of the West…

Teoria dell’orrore interview

28 Wednesday Nov 2018

Posted by asdjfdlkf in New books

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Revista Pangea has a new interview in Italian with the editor of the book of translations on Lovecraft’s theory of horror, Teoria dell’orrore. The interview is too long to translate and a translation would anyway probably mangle the technical terms, but running it through Google Translate should give you the gist of it.

Paris in the springtime

28 Wednesday Nov 2018

Posted by asdjfdlkf in New books, Scholarly works

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A new blog post from S. T. Joshi. He’s planning to travel to Paris in May 2019, for the formal launch of Je Suis Providence, and he notes…

One of the people I hope to meet in Paris is Martine Chifflot, a professor at Universite Lyon who has just issued a charming little book, Howard, Mon Amour (Aigle Botte Editions, 2018). This slim (88 pp.) is a series of 23 scenes [from Lovecraft’s domestic life]

Ah, ‘Paris in ze springtime’…. nice. Hopefully with the scent of apple-blossom and coffee drifting down the boulevards, rather than (as currently seem more likely, from the news) the scent of petrol-bombs.

The book, at 88 pages and originally a play of “23 spooky and musical scenes”, sounds like it might make for the basis of an interesting graphic novel in English translation? The market for ‘Lovecraft’s life as graphic novel’ might seem to be becoming a little crowded, but the three we have so far seem only to have scratched the surface with broad surveys. There are ‘worlds within worlds’ in Lovecraft’s life that could be focussed down on in 120 pages.

Joshi also notes he has a screenplay in progress, which will focus down on Sonia and Lovecraft…

“The appearance of this book is very serendipitous, as it partly echoes the themes in my own screenplay of the film The Lovecrafts on which Ryan Grulich and I are currently working.”

del Toro’s partial ‘possible projects’ slate

28 Wednesday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts

≈ 3 Comments

del Toro has this week revealed a list of possible or shelved projects for which he has finished screenplays, in addition to the Mountains of Madness project that everyone already knows about…

SECRET PROJECT (UNTITLED)

SUPERSTITIOUS [at a guess – old school superstitions, such as ‘throw salt over your shoulder for luck’, become ‘real’ in some way?]

NIGHTMARE ALLEY [perhaps his Water-like take on the 1947 film noir set in a seedy carnival?]

HAUNTED MANSION [apparently a movie to be built around the Disney theme park attraction?]

THE HULK pilot [TV reboot]

THE BURIED GIANT [live-action sequel to The Iron Giant? or perhaps a movie of the great children’s book The Giant Under the Snow?]

THE COFFIN [? my complete guess would be a traditional Poe-style horror, with many del Toro twists?]

DROOD [presumably his take on Dickens’s The Mystery of Edwin Drood?]

LIST OF 7 (Mark Frost) [apparently it’s a 1993 occult murder mystery novel in the Sherlock vein, but one that spirals up and out into a sort of wild theosophical da Vinci Code. Sounds fun, though it seems there’s no graphic novel which is a pity. Not even an audiobook, other than a 1993 cassette-tape edition.]

Fungi from YouTube

27 Tuesday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts, New books, Podcasts etc.

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Just released for free, three sample tracks from the new 48-track album of Fungi From Yuggoth & Other Poems, read by William E. Hart.

I see that one can also buy any of the 48 tracks individually as Amazon downloads, including the longer poems such as “The Outpost” which I recently referred to here in my Zimbabwe post.

Inking practice with HPL

27 Tuesday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts

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A Lovecraft rough sketch that seems perfect for a bit of inking and colouring practice, with the likes of Krita. Brown has it at an even larger size in .JP2 format, but to make it manageable here and in Photoshop I’ve reduced it to 4k and 3Mb in .JPG format.

A detail at 100%…

From the Brown University Library H.P. Lovecraft Collection, with 131 items now online.

Jean Monnet University Lovecraft symposium, January 2018

27 Tuesday Nov 2018

Posted by asdjfdlkf in Scholarly works

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Abridged translation of a report on a two-day symposium on Lovecraft, held in January 2018 at Jean Monnet University, Saint-Etienne, France.


Students, researchers, translators, publishers or writers of H.P. Lovecraft gathered at Jean Monnet University on the 29th and 30th of January 2018. The event was organised by Anne Bechard Leaute (Lecturer in English and Anglo-Saxon Language ​​and Literature) and Arnaud Moussart (Associate Professor), as well as by the CIEREC laboratory (Interdisciplinary Center for Studies and Research on Expression Contemporaine).

The first day took the form of a writing workshop led by the writer Francois Bon, translator of Lovecraft. Bon chose to build on Lovecraft’s “Commonplace Book”, aiming to have attendees begin thinking about the importance of ‘the fragment’, and Lovecraft’s ability to reduce stories to their simplest plot-germ while also retaining suggestiveness. Participants then adopted a Lovecraftian technique to attempt to produce their own fantastic stories [implied: from ideas in the “Commonplace Book”].

The second day began with the reading of different texts composed by the participants of the writing workshop. Then the presentation of papers opened, with a lecture by François Bon on the matter of translation. The archaism of certain syntactical structures, or the omnipresence of the semicolon, are all elements which must be the object of the greatest respect on the part of the translator of Lovecraft, and the translator must not attempt to ‘correlate the contents’. Because each sentence has its own unique function in the text, and thus it is useless to anticipate its role in the total construction of the new work.

Francois Bon explained that he considers the sum of Lovecraft’s writings as a vast ecosystem made up of correspondences, postcards, diaries, manuscripts, notes, drafts, many preserved in handwritten notebooks and letters written with the greatest care. He also sketched the portrait of Lovecraft as a man constantly on the move in summer, a man who happily recounts his diurnal excursions and travels to places from Narragansett to Mobile, from New York to Florida, all the while witnessing a modernizing America.

Olivier Glain, Lecturer in English Linguistics and Semiotics of the Arts at Jean Monnet University, presented a paper entitled “New England Dialect Events in Lovecraft”. Relying mainly on the new “The Shadow Over Innsmouth” [translation?] and more specifically on the dialect speech of Zadok, Olivier noted some variations not present in the actual local speech. This raises the possibility that Lovecraft was mixing several several dialects together for Zadok’s dialogue. Glain also suggested, among other things, that the character of Zadok Allen is not raucous in speech, which is surprising since it is one of the main features of New England. [“raucous” may be a mis-translation of a technical term used among dialect specialists? It might refer to the rolling of r’s rather than raucous shouting.]

Sophie Chapuis, lecturer in American literature at Jean Monnet University, spoke on the difficulties posed by the translation of the new “The Color Out of Space”. The task of the translator is complicated, due to the need to try to put into words what Lovecraft fails to say. Lovecraft uses what Gilles Menegaldo has called an “under-language” of syntactic breaks and interstices into which the monstrous eventually erupts.

Masters degree Communication student Robin Gire spoke on the sublime in Lovecraft, specifically in relation to adjectives such as “strange”, “ancient”, “hideous”.

Christophe Thill gave a 30 minute talk on “Coordinating a large-scale translation of a work on Lovecraft: the example of translating I Am Providence by S.T. Joshi”. Five pages of standards were devised, to enforce consistency across the translation of the thirty chapters, by multiple translators.

Jerome Dutel, lecturer in comparative literature at Jean Monnet University, presented a paper on Lovecraftian imagery today, mainly in pop culture. Entitled “My son! What did they do to you? The denaturing of Cthulhu” he looked at four parody caricatures of Cthulhu. Cthulhu has become a universally recognised character, and yet even in parody each use expands his power of popular suggestion and future incarnation.

The second day ended with the opening of the gallery exhibition “Objets-Pieges”, showing the completed artworks made by students on a Masters degree course. Their “Art Edition, Book of Artists” drew on Lovecraft’s “Commonplace Book”. The resulting works are protean and have various inspirations. A few even draw on the very concept of the “Commonplace Book”, rather than the book’s individual plot-germs, or draw on Lovecraft’s literary obsession with forbidden books, notebooks and fragmentary notes.

Pulpfest 2019

27 Tuesday Nov 2018

Posted by asdjfdlkf in Odd scratchings

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Advance registrations are now open for PulpFest 2019 (mid August in Pittsburgh, USA).

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H.P. Lovecraft's Poster Collection - 17 retro travel posters for $18. Print ready, and available to buy — the proceeds help to support the work of Tentaclii.

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