Call of Cthulhu in Japan and Korea

Polygon has a long industry-focussed article on Call of Cthulhu in the Far East, in nations such as Korea and Japan…

20% of Call of Cthulhu users play in a language other than English. That’s double the rate of other systems.

There’s also a thriving indie sub-culture…

You go to any game store [in Japan] that carries RPGs and there’s the Call of Cthulhu book, always in the top five weekly, monthly sales. No matter how many years have passed, it’s always there. And you turn to the right and there are three shelves of Cthulhu supplements written by people where not a single penny goes to them or Chaosium.”

Marblehead

This week on ‘Picture Postals’ a pleasingly poetic set of pen-and-ink views of Lovecraft’s beloved Marblehead, almost as if it were a small port in his Dreamlands. In high resolution and crisp.

And a postcard which may interest those who have an RPG game with a Marblehead setting in the 1890s to 1930s, and who want printable and adaptable props. A dramatic storm-cloud over the town, with space enough to paint in any manner of faint but monstrous apparitions.

News from Germany

The German Lovecraftians have published their handsome new book of the translated poetry, based around the “Fungi from Yuggoth”. It’s far more than just this poem-cycle though, and looks like a rather chunky book.

Also, their Lovecrafter annual publication… “will also be available as a PDF on DriveThruFiction”. #0, #1 and #2 are currently on DriveThruFiction, with more expected. Some back issues can also still be had in paper from their online store.

Sadly, they report there will be no English translation of their open source pure-Lovecraft RPG FHTAGN…

We have to stop our English translation with a heavy heart — the project is too complex and time-consuming for us to be able to handle it ‘on the side’.

Perhaps there’s now an opportunity there for an enterprising translator to step in and take it off their hands?

Lovecraft and surrealism

New on Archive.org, Cultural Correspondence #12-14 (1981)…

Some of [Frank Belnap Long’s] observations on the relationship between surrealism and the Lovecraft Circle were quoted in “Lovecraft, Surrealism & Revolution” in CC #10-11. The paragraphs below are excerpts from letters, published here with Mr. Long’s permission as a contribution to our symposium.”

The CC #10-11 article on Lovecraft, mentioned above, is also online.

Lovecraft’s letters in Spanish, for the first time

Javier Calvo has translated Lovecraft’s letters into Spanish, and apparently this is the very first time there has been such a book-length translation. The new book is evidently a ‘selected letters’, focusing on Lovecraft’s labour and growth as a writer…

Edited by Javier Calvo, based on a corpus of more than twelve thousand pages, this first volume, ‘Writing Against Men’, focuses on Lovecraft’s literary career: his projects, goals, successes, and failures; his relationship with his literary circle; and the birth of the momentous mythology of it.

Apparently this is the first of three planned volumes, something which seems almost certain given the strong interest in the man in the Spanish-speaking world. Said to be shipping in February 2023, and listed on Amazon.es under the title “Escribir contra los hombres. Cartas de H. P. Lovecraft, Vol. I”. The Amazon listing reveals that the first volume is a table-trembler at a hefty 544 pages. The price is 35 Euro, which converts to around $38.

Also in Spain, the leftist newspaper El Pais ($ paywall) had a weekend article on The Commonplace Book of H.P. Lovecraft. I can’t get past the paywall, but perhaps there’s also a new translation of the Commonplace Book in Spain, occasioning the new article?

Return to Copps Hill

This Friday ‘Picture Postals’ post is a sequel to my 2019 Copp’s Hill Burying Ground post.

Lovecraft wrote to Galpin and Belknap Long, in early February 1923. He told them of how, on the 14th of December 1922, he had travelled to Boston to stay with Cole and his delightful young family, in order to attend a Hub Club meeting. The following day he explored in the North End…

I proceeded to Hull-Street [from the nearby church], and up the steps to that fascinating necropolis which thro’ some singular fate I had never before seen — the Copp’s Hill Burying Ground. Here are interr’d some of the most illustrious Colonial dead of the Province, including the Mathers, who are interesting to me from my possession of Cotton Mather’s “Magnalia Christi Americana”. But the chief charm of the scene is in the entire broad effect; the bleak hilltop with its horizon of leaden sky, harbour masts, and Colonial roofs. In sight are many houses of the early 18th century, to say nothing of the rebel frigate “Constitution”, which defends the harbour from attack. Over the sod was a thin coat of snow, thro’ which the slabs peer’d grimly whilst black leafless trees claw’d at a sinister lowering sky. In fancy I could conjure up the Boston of the late 17th century with its narrow, hilly, curving streets and quaint wooden and brick houses.

I’ve now found more and better/larger pictures.

Copp’s Hill in winter, with snow on the ground as it was when Lovecraft visited.

Looking across to Charter St., ship masts just about to be seen beyond the house roofs.

Backs of Charter Street.

Another view which has a glimpse of a ship and also water, behind the houses.

Some of the skull gravestones Lovecraft would have seen…

Lovecraft later had Pickman paint a scene of…

“a dance on Copp’s Hill among the tombs with the background of today.” (from “Pickman’s Model”).

The grave of Cotton Mather.