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Tentaclii

~ News and scholarship on H.P. Lovecraft (1890–1937)

Tentaclii

Monthly Archives: April 2025

HPLinks #35 – a different Alcestis, Hobbes and other philosophy, magic detectives, Brown, modernism, Moebius, pop-ups and more…

24 Thursday Apr 2025

Posted by asdjfdlkf in HPLinks, Lovecraftian arts, Scholarly works

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HPLinks #35.

* The HPLHS Store now has the new Alcestis book version in stock…

… not only had the pair of them written a new prologue for the piece, but also presented after that a version of the play itself that was substantially different from other known translations, so we consulted with a classics scholar. In the end, instead of the lovely but simple pamphlet containing Sonia and Lovecraft’s version of Alcestis, we originally intended to produce, we are creating a casebound volume containing an explication of all of the new discoveries about this piece in the form of a paper by Helios Editor/Publisher N.R. Jenzen-Jones and classics scholar Carman Romano; Sonia and Lovecraft’s edition of Alcestis, complete with their prologue, and newly commissioned illustrations by several of our favorite artists.

* “Music for a blind idiot god: towards a weird ecology of noise” (2024). On “the horror of noise” in Lovecraft and others. Freely available for download.

* In the latest issue of the open-access journal Diaphonia, “Uma interlocucao entre estado hobbesiano com “O mito de Cthulhu” na literatura de H.P. Lovecraft”. It’s an awkward title to translate but, with reference to the abstract, this would about cover it: ‘A discussion between the absolutist Hobbesian state and the totalitarian sovereignty of Cthulhu as described in H.P. Lovecraft’s “The Call of Cthulhu”. Freely available online.

* A new contribution on ‘The Weird’ from Graham Harman, a leading philosopher in the field, “Weird Fallibilism: Feyerabend, Lakatos, and Justified True Belief” (2024). Freely available for download. Drawing on Lovecraft, he suggests the description of ‘weird fallibilism’ for a situation in which… “1) truth never corresponds to reality, and (2) objects never correspond to their own qualities”.

* A review in the new edition of Mythlore of the academic book Magic, Magicians and Detective Fiction: Essays on Intersecting Modes of Mystery (2025). The review is freely available online.

* The new academic book Deviant Landscapes: A Journey to Exotic and Imaginary Places and Spaces (2025). Intriguing title, but the only somewhat relevant chapter appears to be “Atmospheric Narrative Landscape, Stimmung and Place-Making in Edgar Allan Poe’s “Silence — A Fable””. Stimmung is German and means broadly ‘mood/atmosphere’.

* The recent visit by S.T. Joshi made me aware of the wider Weird Fiction Collections at Brown University. It’s not just the Lovecraft letters.

* Brown University Master of Fine Arts student Roman Johnson is reported to have been given the latest S.T. Joshi Fellowship by Brown University. No details yet about his research topic or aim.

* A Masters dissertation for Texas State University, “Our Eyes are Yet to Open: H.P. Lovecraft and Modernist Horror” (2023). Freely available online. The abstract shows a clear focus and the author examined the essays and letters as well as three tales…

examines Lovecraft’s essays and correspondence to highlight his concerns and philosophical perspectives with his modernist contemporaries. [A study of three tales shows that] Lovecraft’s fiction exhibits various themes and techniques associated with literary modernism more prominently than one might initially assume. [Integrating aspects of early modernism] allowed him to express his fears and philosophical viewpoints about modernist concerns through terrifying and cosmic imagery.

* Robert Silverberg on HPL’s “gloriously overwrought” Shadow Out Of Time, an article extracted to HTML from Asimov’s Science Fiction magazine (December 2005).

* Now on Google Books with a preview, the new biography Robert E. Howard: The Life and Times of a Texas Author.

* In the field of vintage comics appreciation, Deep Cuts has a new long post. Finding that there was an Italian edition of the Heavy Metal magazine ‘Lovecraft special’. The images shown reveal that the cover used an enlarged and coloured version of that issue’s fine b&w Moebius drawing. The long post has exhaustive details of the different editions, and many interior page and details. Here’s a good cover image I snagged from eBay, where collectors will still find several copies of the Italian edition for sale.

* Newly listed on eBay UK, Lovecraft’s Selected Letters: 1929-1931 from a UK seller and at a sensible £20 price. Though sadly there’s no ‘Click & Collect’ on offer, or I’d have had it. Still, some Tentaclii reader (with a big and accessible letter-box, able to take chunky books) may want it at that price.

* And finally, also on eBay and new to me, the Necronomicon Pop-up Book (2017) by ‘Skinner’ and Rosston Meyer…


— End-quotes —

“144. Hideous book glimpsed in ancient shop — never seen again.” — from Lovecraft’s Commonplace Book of story germs and ideas.

“To Whomsoever May Open This Book: This is set down as a Warning to you, Sir or Madam, that you are not to open this Book beyond the Place mark’d by a red Riband. It wou’d be better for you to throw the whole Book unopen’d into the fire; but being unable to do so myself, I cannot hope that you will. I do nevertheless adjure you to look nowhere in it beyond the Riband, lest you lose yourself to this World, Body and Soul; for truly, it is a Tomb for the Living.” — Lovecraft pens an original ‘book warning’, in his best circa-1780 style, in a letter to Morton of March 1937.


HPLinks #34 – Providence, Witch House, cosmic DC, Dexter Ward and more…

16 Wednesday Apr 2025

Posted by asdjfdlkf in HPLinks, Lovecraftian arts, Scholarly works

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HPLinks #34.

* In the new April 2025 issue of the academic journal Horror Studies ($ paywall), the lead article is “Dark Epiphany: The Lovecraftian in twentieth-century existential literature”.

* A call for papers from the British Fantasy Society. Their BFS Journal plans a special issue on ‘War in Fantasy’. I’m guessing that an article on “Dagon” and “The Temple” as wartime stories might have a chance? Or perhaps Derleth’s elaboration of the Mythos as a cosmic battleground?

* Newly published, issue 25 of the scholarly journal The Green Book: Writings on Irish Gothic, Supernatural, and Fantastic literature. A special issue on the author Le Fanu, it includes an overlooked poem by him and “a recently rediscovered monograph of Le Fanu written by his publisher”. Also a topographical article on his associations with places in Dublin.

* HorrorBabble has a new free audiobook of Lovecraft’s “The Dreams in the Witch House”. This is a new 2025 recording and also includes subtitles (presumably for those who like to ‘read along’, or perhaps who need to see words spelled as they are spoken?).

* New on YouTube, Ray visits “H.P. Lovecraft Locations in Providence, RI”. He offers a swift 13 minute tour, made with a more-or-less steady camera and deftly edited.

* S.T. Joshi has also been in Providence, and his latest blog post is “A Trip to Providence”. Joshi dived into the immense Clark Ashton Smith Papers at Brown, which he catalogued forty-five years ago, but which he can now survey with a more experienced eye. He found, among other items, more unpublished letters (now destined for the “forthcoming edition of Smith’s Miscellaneous Letters”), and nine unpublished juvenile stories.

* Joshi’s new blog post also notes that the Best Adventures of Solar Pons is appearing in two paperback volumes, with the first having already appeared. These are the Sherlock-alike stories penned by August Derleth. Looks very affordable and the tales are something I have wanted to read for a while now, but… at present Amazon UK is iffy about shipping to the UK and there’s no eBay listing.

* New this week. “From Beyond: Five DC Titles that Scratch that Cosmic Horror Itch”. It’s a glossy listicle, but one from DC Comics itself. As such it’s a useful survey of Lovecraftian themes in their titles, made even more useful by good page illustrations from the comics discussed (DC being notoriously touchy about others showing their interior artwork).

* Talking of comics, some readers may be interested in the newly published book Drawn to the Stacks: Essays on Libraries, Librarians and Archives in Comics and Graphic Novels (March 2025). Apparently the first such book on the topic. The contents list suggests it is heavily and predictably leftist, but also that it has a number of essays addressing specific weird and supernatural titles. Also of note are the new books Horror Comics and Religion: Essays on Framing the Monstrous and the Divine (2024), and Supervillains: The Significance of Evil in Superhero Comics (2025).

* The new ‘post-apocalypse in the English countryside’ videogame, Atomfall, apparently has a touch of Lovecraft. The indie British-made game is described by DigitalSpy as a blend of…

Day of the Triffids by John Wyndham – whose name is given to Wyndham village in the game – and [the 1970s British TV series] Survivors, with some Wicker Man thrown in, and a bit of eldritch flair akin to something from H.P. Lovecraft’s The Colour out of Space.

* A new free reading of a long ‘El Borak’ desert adventure tale by R.E. Howard. “Hawk of the Hills” runs just over two hours, and has a good narrator.

* Robert E. Howard Days 2025: Events Schedule for June 2025. This year’s theme is ‘100 Years of Robert E. Howard’.

* Also R.E. Howard related, I note a minor update for the Stable Diffusion LORA plug-in Stygia, now at version 1.2. Designed for generating background images suitable for Conan tales set in Stygia or similar. These early (and arguably the most ‘creative’) SD releases are now very well supplied with LORAs and the tide is ebbing. Thus from now on I shall probably only mention Lovecraft / R.E. Howard / 1930s-noir SD LORAs in HPLinks — rather than in their own post.

* Talking of AI, AI 2027 is a dedicated and new ‘future scenario’ website, which actually goes out to 2030. Gripping, detailed, very lengthy and fairly plausible stuff which arises from serious think-tanking and war-gaming. Possibly of interested to Lovecraftians, in terms of the competing visions of future-AI as a blind tentacular all-devouring Lovecraftian monster, or a benign super-shoggoth that will “advance civilization by decades in a year or two”.

* And finally, I see from a current eBay listing there was a 1974 Signet mass-market U.S. paperback reprint of Lovecraft’s The Case of Charles Dexter Ward, although this was “abridged”(?) and the book padded by Derleth with several other tales by other authors. New to me…


— End-quotes —

“One long-destroyed tale [I wrote as a boy] was of twin brothers — one murders the other, but conceals the body, & tries to live the life of both — appearing in one place as himself, & elsewhere as his victim. (Resemblance had been remarkable). He meets sudden death (lightning) when posing as the dead man — is identified by a scar, & the secret finally revealed by his diary.” — Lovecraft to Kleiner, February 1916.

“[Dexter Ward] may get to 75 pages or so before its natural and logical conclusion appears. It centres around old Providence…” — Lovecraft to Donald Wandrei, February 1927.

“… of the tale now drawing toward its close [in its writing], and which I shall call either The Case of Charles Dexter Ward or The Madness out of Time. Like Midas of old, curs’d by the turning to gold of everything he touch’d, I am this year curs’d by the turning into a young novel of every story I begin. [… Ward ended up as 51,500 words, but… ] the typing of manuscripts of this length is utterly beyond the powers of a feeble old gentleman who loses interest in a tale the moment he completes it.” — Lovecraft to Frank Belknap Long, February 1927.


HPLinks #33 – Two Hearts, death and rebirth, mapping Lovecraft, Kitbash Kit, Cairn RPG as 1920s Lovecraft, and more…

09 Wednesday Apr 2025

Posted by asdjfdlkf in AI, HPLinks, Lovecraftian arts

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HPLinks #33.

* New from the HPLHS, Two Hearts That Beat As One is Sonia’s autobiography…

Businesswoman, milliner, writer, publisher, patroness — known to many as the woman who was married to famed ‘weird fiction’ writer H.P. Lovecraft — Sonia Haft Greene Lovecraft Davis was a woman of many names because she lived a rich and fascinating life. Scholar and editor Monica Wasserman, working with Helios House Press, is delighted to be publishing a beautiful case-bound hardcover edition of Sonia’s autobiography.

* Also new from the HPLHS, a set of HPLHS Vintage Prop Maps, including what appears to be a newly-made one showing the unexplored parts of the world at the start of the 1930s.

* Inklings-Jahrbuch 41: Defying Death: Immortality and Rebirth in the Fantastic, being the proceedings of a 2023 Symposium in Magdeburg, Germany. Now newly and freely available online. Includes, among others, “Death as a Character and Its Philosophical Depiction in Children’s Books” and “Immortality and Digital Rebirth in Science Fiction”.

* New in the open-access education journal Writing in Practice #9, the long article “Maps to Arkham: Lovecraft, Landscape and Visual Poetry”. Discusses creatively approaching Lovecraft via Situationist methods of walking in a city…

… his walking habits still embody a radical response to place and his negotiation of urban commercialism, coupled with a sense of alienation from the normal life of that environment, has fed into some of the fragmented visuals in ‘Maps to Arkham’. The sense of failure and the city are bound up in his fiction, much of which revolves around nightmarishly huge and hostile urban environments

* New on the Kitbash store, a Lovecraft Kit of 3D models of buildings, which you can then use royalty-free to assemble custom scenes for use with 3D digital artwork or games. A hefty price, but Kitbash are known for quality and they sometimes give away complete kits free — so it might be worth checking their store at Halloween 2025 for a freebie or two.

This Kit brings eerie New England streets to life, with shadowy apartments, a looming city hall, a forgotten library filled with forbidden tomes, and a museum hiding unspeakable artifacts. A solitary lighthouse stands against the dark, its beam barely piercing an endless mist. From dimly lit taverns to cursed houses, every corner whispers madness.

* Free on Itch.io from 2024, “a re-skinning of Cairn RPG, so that it takes place in a 1920s Lovecraft inspired world”. In a 71-page A5 PDF illustrated booklet for RPG gamers, which gives Cairn a comprehensive makeover. The adapted Creative Commons Attribution ShareAlike source, Cairn RPG is new to me but appears to be a streamlined game with very compact rules and thus suitable for absolute beginners. It has a strong fan-base and is popular because free/easy/fun. The description for its ‘Seven Silver Spheres’ introductory fantasy-forest adventure gives a flavour of a typical setting. I see the free ‘Barrow Delver’ is the game’s solo play ‘oracle’ and the free Cairn: Pocket Edition is a two-page at-a-glance wall-chart for the rules. There appears to be no AI-powered version of all this, at present, so you’ll need pens, paper and various gaming dice.

* Thomas Phinney’s Cristoforo font, free in .OTF format and free for any re-use. Be warned, however, that I think that ‘Call of Cthulhu’ done in this typeface would probably infringe a key Chaosium trademark. The font is a revival of Hermann Ihlenburg’s Victorian era typeface Columbus.

* Amazon UK is now listing the English translation of Gou Tanabe’s 194-page manga-style graphic novel of Lovecraft’s “The Colour Out of Space”. Due on 1st July 2025, from publisher Dark Horse.

* In Italy, the first issue of the new VersiPellis: rivista di miscellanea a tema fantastico e weird (February 2025) has, among others, the article “Lovecraft and Theosophy: an unconscious inspiration?”, and…

an editorial which makes it clear the desire to build a project that is not a simple container of stories or articles, but a meeting point between enthusiasts and scholars of the fantastic.

“23 pages of comics”. The editors are not averse to considering AI-assisted comics for publication, which may interest some.

* And finally, H.P. Lovecraft Ghibli edition, created with the new type of image generating AI. This works more like a Photoshop filter, in terms of being faithful to the input image, and need only a mimimal prompt for style rather than content. The image itself is not amazing, but works as a demo for the ‘style overlay’ technology behind it. This method of using existing images will change a lot of things in the creative world, once it’s open sourced and can easily be run locally on a PC. Currently, it’s only available as part of ChatGPT 4o.


— End-quotes —

“A drawing of myself by myself would have to be something like the accompanying enormity — which succeeds marvellously in looking like nobody I ever saw in or out of the mirror. I might get a job drawing portraits for Wonder Stories.” — Lovecraft to J. Vernon Shea, August 1931. Lovecraft includes a rough pen-sketch of his side profile.

“I have a curious and anomalous sense of kinship with the hawk-nosed, broad-templed Roman physiognomy. […] All other non-Nordic physiognomies repel me violently but the Roman features […] as displayed in the realistic portrait statuary of the republican age [of Ancient Rome], produce in me a profound feeling of stirred memories and quasi-identity. I have the curious subconscious feeling not only that people around me once looked like that, but that I once looked like that. Which is rather amusing in view of the fact that I am actually the utter reverse of Roman in appearance — tall, chalk-white, and of a characteristic and unmistakable Nordic English physiognomy.” — Lovecraft to C.A. Smith, December 1933.

“It is said that the Belgian stratospherist Prof. Piccard cuts his own hair — but when I look at the result in newspaper portraits I feel I am the greater artist!” — Lovecraft to Morton, January 1933. In later years Lovecraft cut his own hair with clippers, to save money.


HPLinks #32 – fire, DOOM, theatre, Blackwood, London, and the 100th anniversary of Lovecraft’s travel-writing…

02 Wednesday Apr 2025

Posted by asdjfdlkf in HPLinks

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HPLinks #32.

* The German Lovecraftians report that the Miskatonic Theatre in Hamburg-Harburg “was completely destroyed in a fire on 9th March 2025”. This was billed as the only dedicated “horror theatre” in the world and one which had “staged many Lovecraft works”… .

Local news reports confirm the fire, and state that “The theatre was fully ablaze” when the fire brigades arrived. Four people suffered minor injuries, and a cat was bravely rescued from the second floor. The theatre had been previously targeted for the wholesale burglary of all gear and valuables, which the players had nevertheless recovered from. But, in the theatrical spirit of ‘the show must go on’, after the fire the… “last four performances of the theatre’s current play ‘The Whisperer in Darkness'” were moved to “a centrally located alternative location in Hamburg”. A subsequent ongoing crowdfunder has so far raised over $17,000 U.S., and the players plan to continue their “Lovecraftian repertoire in radio play format”. Donations are still welcome via GoFundme.

* Helios House Press is offering a new book version of the Lovecraft/Sonia stage collaboration Alcestis: A Play. New scans of this have also recently been added to the online Brown Digital Repository, and can be perused there for free.

* The latest Cormac McCarthy Journal compares the author with Lovecraft, in the article “Hinterland Horror: Geographical Extremity as Revelation in Blood Meridian and At the Mountains of Madness“ ($ paywall).

* This week The Pulp Super-Fan likes what he finds in a selection of issues of The Lovecraft Annual scholarly journal.

* S.T. Joshi’s blog has updated. He’s recently been in Providence doing research, and in new books he notes the arrival of the second volume of Blackwood stories. I see from the Hippocampus Press website that the next two volumes are due soon, and I’d guess they’re likely to arrive on the doorstep before midsummer at the latest…

A Descent into Egypt and Others: Collected Short Fiction of Algernon Blackwood, Volume 4 — May

The Wendigo and Others: Collected Short Fiction of Algernon Blackwood, Volume 3 — May

* A new public-domain LibriVox recording of “Solomon Kane’s Homecoming” by R.E. Howard.

* The latest H.P. Podcast ponders Asperger’s Syndrome & Lovecraft’s Universe.

* A sumptuous new Moebius paperback may interest Tentaclii readers. Due in April 2025 (delayed from January 2025), in an unusual format. In Arzak: Destination Tassili — Corpus Final, the words are in French but… all are removed from the artwork and placed on the facing page, thus leaving the artwork to shine alone. At the back of the 248-page book there’s also a pure wordless b&w version of the posthumous sequel (Moebius died half-way through creating it). Note that…

This is the first publication of any part of Tome 2 [i.e. the sequel, in 29 finished pages] in any form.

* The hit Lovecraftian videogame The Sinking City is being remastered in Unreal Engine 5, which is the latest version of the advanced ‘industry standard’ game-engine. For PC and also for other platforms. All owners of the original will get a free upgrade to The Sinking City Remastered when released.

* DOOM expert Nathan has kindly added four more Lovecraft DOOM II game expansion WADS (i.e. fan-created extra game-levels and makeover mods), in a comment on my “Lovecraft in DOOM II” post. He also annotates the titles with descriptions and comments.

* I don’t normally note the various new Lovecraftian anthologies here, but I’ll make an exception for Into the Cthulhu-Universe: Lovecraftian Horrors in Other Literary Realities (April 2025). This has stories from a clutch of ‘name’ Mythos authors, who take the Mythos into other well-known “literary landscapes” (Tom Sawyer, John Carter of Mars, Alice in Wonderland etc).

* New in hardback and Kindle ebook, London Uncanny: A Gothic Guide to the Capital in Weird History and Fiction (2025). Lovecraft made a very close and extended study of ‘olde London’ at one point, for his own amusement, but sadly this mental time-travel was never used in fictional form.

* And finally, Lovecraft’s travel writing began 100 years ago in April 1925…

perhaps we should look back a few years, to his whirlwind one-day visit to Washington, D.C., on 11–12 April 1925 for the true commencement of his travel writing

This from S.T. Joshi, noting that we know that… “Lovecraft prepared at least one carbon copy” of an unusual and very long close-typed letter dated 21st April, to his aunt. Presumably to circulate among other colleagues. Thus April 1925 is the date at which his circulated travel writing began.


— End-quotes —

“I studied Old London intensively years ago, & could ramble guideless around it from Hampstead Heath to the Elephant & Castle!” — Lovecraft to Galpin, November 1933.

From Lovecraft’s early 1916 poem which imagines a decrepid bookshop in Old London, filled with the mouldering relics of the 18th century wits…

Where crumbling tomes upon the groaning shelves
Cast their lost centuries about ourselves.
Mine be the pleasure of the grimy stand
Where age-old volumes sleep on ev’ry hand.

[…]

What shades scholastic thro’ the twilight flit
Where Knapton’s sagging folios loosely sit!
The skull-capp’d dealer, crouching on his stool,
O’er the vague past can claim a wizard’s rule:
On his seam’d face the myriad wrinkles play,
And subtly link him to the yesterday.

[…]

Hail! sportive Rochester, bestir thy feet,
And mince in fancy o’er the cobbled street!
House after house appear in gabled rows,
And the dim room Old London’s spirit shews!
Upon the floor, in Sol’s enfeebled blaze,
The coal-black puss with youthful ardour plays;
Yet what more ancient symbol may we scan
Than puss, the age-long satellite of Man?
Egyptian days a feline worship knew,
And Roman consuls heard the plaintive mew:
The glossy mite can win a scholar’s glance,
Whilst sages pause to watch a kitten prance.

Outside the creaking door a nation boils,
And Progress crushes Learning in its coils.
The blessed Past in mad confusion fades,
And Commerce blasts Retirement’s quiet shades.
Unnumber’d noises, in demoniac choir,
Wake the curs’d Pit, and stir the seething fire.
A million passengers, in hast’ning heat,
Jostle their fellows, and disturb the street.

“18th century England probably averages as high as any combination of time and place for a person of my particular psychology. I would have lived as a country squire of liberal tastes, visited London occasionally, fought on the government side in 1715 and 1745, and been a Tory [conservative] in politics.” — Lovecraft speculating about his place in the society of 18th century England, had he lived in that period. To Robert E. Howard, September 1931.

“In Hyde Park [Corner in London] I beheld the nightly swarm of amateur orators whose soap-box eloquence provides so ample a safety-valve for social and governmental discontent. Around these hoarse and excited expounders of political, religious, ethical, economic, philosophic, and divers other doctrines there gathers regularly a hungry, ragged, argumentative horde such as Hogarth would have loved to draw. Each ardent prophet has his own private solution for his country’s ills and those of the world in general, and no two will commonly be found to offer anything like the same panacea. All, however, have their respective (if sometimes less than respectful) audiences, with whom they usually share a complete ignorance of the problems they discuss. No limit is placed on their radicalism of utterance, since it is a traditional British belief that free speech affords the safest possible vent for disturbed emotions and bewildered brains.” — Sonia’s London travelogue, in “European Glimpses” (December 1932), a travelogue heavily revised by Lovecraft and probably also enhanced in its opinions on English culture.



 

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