Back to school… with Lovecraft

So, kiddies, it’s back to school on Tuesday 1st September. Here are a few suggestions for last-minute rush-orders for school stuff, to arrive Monday. All available now on eBay…


The H.P. Lovecraft shoulder bag for all your stuff, robust in black and blood red…

Gym-kit bag…

Stickers…

Cuddly ‘therapy Cthulhu’ doll…

Pencil and pens zip-case…

And matching cute sew-on-patch…

Rare tradez for schoolyard barter…

Sanity-check kit, for testing your xrazee new frendz…

Flag for your stand at the School Clubs recruitment fair…

Notepad for your Club rules and names…

Members’ pin-badge to entice potential Club members to become your minions…

A 3D printed Lovecraft bust, which your Club will diligently seek to smuggle into the School Trophy Cabinet…

A Hellish freebie…

This book chapter may well be the result of a time-limited public freebie from publisher Springer (they occasionaly do such things), so get it while you can if you’re interested. I can get both the full HTML and the PDF…

M. Ricciardi, “He Haunts One for Hours Afterwards”: Demonic Dissonance in Milton’s Satan and Lovecraft’s Nyarlathotep, chapter in the book The Hermeneutics of Hell, Palgrave Macmillan, 2017.

New New Pulp

The Pulp Super-Fan considers what should be in the next Who’s Who in New Pulp. I was surprised to read that Cirsova wasn’t listed under magazines. I thought that Cirsova Magazine #1 (Spring 2019) was a key recent moment and exemplar for New Pulp (of the sort that attempts to emulate the old magazines)? But perhaps the Who’s Who compiler considers the title to be a book series? I’ll take a look when I get around to fully reading the Kindle ebook version. I featured Who’s Who in the latest Digital Art Live magazine, but it probably needs a full review here at some point, paired with some of the other new and older books on pulp writing.

I’d add another suggestion for a future edition: writers who state they are interested in: i) licencing their plots and characters for production by comics publishers; and ii) writers interested in considering a ‘proposal for collaboration’ with indie comics artists; with a pointer to iii) an appendix outlining a brief standardised ‘approach package’ that artists should send to writers, to aid in easy evaluation of the proposal.

Friday ‘picture postals’ from Lovecraft: the night-view from Prospect Terrace

A night-view from Prospect Terrace, Providence, 1930s, as published in the city’s local newspaper.

The twilight is now getting too dim for writing—this [letter] being indited on Prospect Terrace, a small park not far from 10 Barnes [address of Lovecraft’s home], on the crest of the steep hill overlooking the spires & domes of the lower town out-spread to the west 200 feet [below]. The view from here is especially alluring & mystery-suggesting at sunset, & I not infrequently bring my work hither at such—& other—times.”   — Lovecraft letter to Toldridge, 12th August 1932.

There’s a long dot, just to the left of the tower, that I haven’t cleaned away. It could be an airship of the 1930s.

On the 1928 tower, and its effects at night, see the Christmas 2018 Friday ‘picture postals’ from Lovecraft: the Industrial Trust Building.

Call: Critical Approaches to Horror in Doctor Who

Robert F. Kilker at Kutztown University has a call-for-papers out for “Critical Approaches to Horror in Doctor Who, to form a book-length collection. The book will aim to be…

“a thoughtful examination of the ways Doctor Who operates in the horror genre, in its complication of generic definitions, its ideological work, and its relation to fandom.”

Studies of particularly famous ‘horror’ episodes seem to be especially welcome. There should be obvious scope for a discussion of Lovecraftian influences, present as late as “Heaven Sent” (Nov 2015) which drew heavily on both recently-discovered and published plot ideas from Lovecraft. Deadline for abstracts: 4th January 2021. There’s no mention of if the book will be Open Access or not, so I assume it’ll be a commercial academic book.

Call: Proliferations of Lovecraft: An Inclusive Interdisciplinary Conference

Proliferations of Lovecraft: An Inclusive Interdisciplinary Conference. 18th to 19th April 2021, Vienna, Austria.

“The organising committee welcomes proposals on any subject linked to Lovecraft’s thinking and writing.”

Although note that the conference is being run by an outfit called “Progressive Connexions” who have it pegged under their “Evil” category. So something tells me that “Inclusive” here doesn’t mean that Robert M. Price is going to be a keynote speaker, in the cause of promoting intellectual inclusivity. Still, it’s an interesting topic and well stated, and at least it’s set to happen. Deadline for abstracts: 2nd October 2020.

Poe’s hoaxes

“The Six Hoaxes of Edgar Allan Poe”. The final “Gold Rush” one was perhaps the most interesting, and then only for the motive…

My sincere opinion is that nine persons out of ten (even among the best informed) will believe the [hoax newspaper interview, a new way to cheaply ‘make’ gold] thus, acting as a sudden, although of course a very temporary, check to the gold fever, it will create a stir to some purpose.

So he may actually have changed history there, very subtly. By ensuring that slightly less young men carrying ‘the gullibility gene’ were headed west from Boston, during those vital few weeks of spring 1849. The paper, The Flag of Our Union, was a popular cheap Saturday ‘family miscellany’ newspaper, then two years’ strong.

“he projects his own mind through space…”

S. T. Joshi’s revivified blog has a new post. Among other things, he reveals that he appeared by video feed at one of the recent big Mexican events for Lovecraft’s 130th birthday. I blogged about these some days ago now, re: my first round up of the Birthday doings. Joshi also notes the Russian Darker magazine has new translations of Lovecraft’s “Vermont – a first impression” and of Joshi’s own “Autobiography in Lovecraft”.

A few more facts on Arthur Leeds

After I had found new details of Arthur Leeds and the Canadian Army in the Bloch letters, another new biographical item has been found in the volume of Moe letters. In September 1930 Lovecraft remarked…

I’d like to see the old boy [Leeds] myself, & certainly hope he’ll look me up if his itinerant outfit traverses this part of the world. Hope his prosperity is permanent — he deserves some peace and freedom from anxiety after the long gruelling years of the past [post-war poverty in New York City]. But what a beastly shame his Old Cap Colliers were not waiting for him. (Letters to Maurice W. Moe, page 515)

From this it appears that Leeds likely departed New York City soon after the Great Depression hit, and went home to Canada. There he found that his precious childhood things had either been thrown out or given away. “Old Cap Colliers” indicates that Leeds had once collected this 1880s-90s dime novel series (a series, incidentally, whose plots and situations were later extensively mined to fuel the 1930s pulp character Nick Carter, Detective).

After that Leeds had evidently once again ‘run away with the circus’ in the form of setting off with some travelling theatre, but this time at a better salary and perhaps as the manager. That’s how I read Lovecraft’s comments, and the new data is bolstered by Lovecraft’s 1931 comment that… “Leeds has come on slightly better times, through his side-line of the drama”. It seems likely this travelling theatre working the eastern Canada / Chicago area, perhaps travelling alongside and shadowing a large circus and thus quite lucrative. That Lovecraft thinks of it as a “side-line” may indicate it was seasonal work.

But the Great Depression deepened and the job probably didn’t last more than a couple of seasons. S.T. Joshi notes that Leeds was back in Brooklyn, New York City, in June 1932. There he appears to have turned to dealing in used correspondence courses. At some point he began to live on the fringes of Coney Island, as I’ve detailed in another recent post. It would be logical to assume that he was able to pick up seasonal work at the famous Coney Island attractions, while having time to write in the winter.

All this augments my Leeds biography and photo, which is to be found in my book Lovecraft in Historical Context #4.

More 130th Birthday items

Spanish, Italian and other languages are now starting to appear in the search-engine indexes covering the last five days. Here’s what I’ve picked up by search so far, to add to my previous coverage of Lovecraft’s 130th Birthday…

* New in Italian, and published on Lovecraft’s birthday, the book Chi ha paura di H.P. Lovecraft (Who’s Afraid of Lovecraft?, Oakmond, 290 pages)…

An articulate monograph full of ideas, De Sio’s work is framed by two experts in this area — Gianfranco de Turris and Sebastiano Fusco — who, in the extensive preface masterfully meld all the points covered by the works of H.P. Lovecraft.

Oakmond Publishing have a page for the book and it’s shipping now.

* Pietro Sabatelli usefully rounds up about 20+ Italian blog links offering posts for Lovecraft’s 130th Birthday. Scroll down to the foot of his post, and look under this banner…

* The day was chosen to launch the ‘Biblioteca Lovecraftiana Fundamental’ the term being used for a new door-stopper book. Contos Reunidos do Mestre do Horror Cósmico (Tales Gathered, by the Master of Cosmic Horror, Ex Machina, 540 pages). The publisher is in Brazil, so I assume Portuguese for this weighty…

anthology containing all 61 short stories written by Lovecraft and published in various magazines between 1917 and 1935.

Photo of the Twin Islands

Back in May 2019 I posted here on the Twin Islands. They don’t appear on all maps, but they are on this one of Providence…

At that time I was unable to find an actual photo of them. The photo is now found, and it also looks like it has a date that more or less fits…

The cameraman was up on Fort Hill and the picture looks up the Seekonk which then curves around to the left and goes out of sight. As a strong lad Lovecraft was a keen rower in a boat on the Seekonk, and he went down past the bridge and landed on these islands…

I used to row considerably on the Seekonk … Often I would land on one or both of the Twin Islands — for islands (associated with remote secrets, pirate treasure, and all that) always fascinated me.” — Lovecraft letter to Rimel, April 1934.

Being rather tidal, presumably they had a quite Dagon-ish texture underfoot…

When at last I awaked, it was to discover myself half sucked into a slimy expanse of hellish black mire which extended about me in monotonous undulations as far as I could see, and in which my boat lay grounded some distance away. — “Dagon