Lovecraft’s many after-lives

International Journal of Role-Playing is now up to 12 annual issues. It was located in the Netherlands but has now moved to a new home and URL in Sweden. Published in English.

The latest issue (2022) has “Recomposing Lovecraft: Genre Emulation as Autopoiesis in the First Edition of Call of Cthulhu”. This suggests that the new fusing of sub-genres in the then-new game, built atop Lovecraft’s Mythos, was a response to… “perceived threats to the American way of life during the early Reagan Era”.

Also, new on Archive.org, “The Developing Storyworlds of H.P. Lovecraft”. Found in a 2014 collection from the University of Nebraska. This discusses Lovecraft’s inherent “transmedia adaptability” and the ever-growing range of new fan-work and products based around his Mythos.

The new journal The Incredible Nineteenth Century: Science Fiction, Fantasy, and Fairy Tale has published its first issue. Two articles, plus book reviews. Online now, in open-access. The journal has a gushing but useful summary review of a book, re: Lovecraft’s commercial and fannish after-lives. This review would fit well with a reading of the above two articles.

New in audio

A Henry S. Whitehead Weird Tales double-feature audio reading, new on LibriVox. “The Shadows”, and “The Projection of Armand Dubois”.

A couple of months ago Horrorbabble also did “Lovecraft Less Travelled: 7 Obscure Stories” on YouTube, which includes “The Evil Clergyman”. I always associate this posthumous dream-fragment (1933, 1939) with Whitehead. Who as you’ll recall was also a man of the cloth.

And, catching up with recent SFFAudio podcasts. I see they recently had “Time Pussy” by Isaac Asimov. A back-of-the-magazine tall-tale from Astounding, April 1942. Very short, and somewhat macabre, but… 4D cats!

Still puffing along…

As a youth Lovecraft read every issue of Railroad Men’s Magazine (1906-). I had no end-date for the title, and had thus idly assumed it was a defunct title by the time he wistfully recalled it. But no. Rolling around the tracks on Archive.org comes a new scan of Railroad Man’s Magazine, still puffing along in August 1930. Perhaps a revival of the old title, though, under a slightly different name?

It’s then amusing to think that this could have been a market Lovecraft might have entered, and that (in an alt. timeline) all we might now have from him would be a series of railroad ghost stories c. 1910-1925 set on the fog-bound coastlines of New England. Or perhaps fantastical Lost Race tales of railroads being pioneered through the Arctic wastes, across unexplored mountains, or deep under the earth.

Public domain in 2024

What goodies do we seem to have entering the public domain in January 2024?


70 years:

For nations under ‘the 70 year rule’, the author must have died in 1953. At the current Wikipedia list of such, the major names are the poet Dylan Thomas (Under Milk Wood, though not the LP recording) and Hilaire Belloc (Cautionary Tales for Children and much more). Also the screenwriter Herman J. Mankiewicz (writer on The Enchanted Cottage).

With a little digging I find, for 1953 deaths…

* Gordon MacCreagh, the horror, adventure and travel writer, real-life adventurer and U.S. navy pilot. His White Waters and Black (1926), a book on an expedition up the River Amazon is said to be… “regarded by many as one of the great travel books”. Author of at least five horror stories, a contributor of stirring tales to Adventure and Argosy, and he appears to have produced well over 150 stories in all. There seems potential for a ‘best of’ book, if such does not already exist.

* Sir Arnold Bax. Master of the King’s Musick during the Second World War. Known for the romantic Celtic tone poem “Tintagel” and others. But I find he also… “wrote poetry and short stories set in Ireland under the name of Dermot O’Byrne”. The tales were described at the time as… “studies of romantic life in the West of Ireland to-day”.

* T.F. Powys. One of the Powys brothers, he wrote Christian fantasy stories and novels. Now very obscure, even to Christians. But he attracted a healthy amount of academic and critical interest in the 20th century.

* George Manning-Sanders. British story writer, novelist and playwright. Had a widely acclaimed first novel, Drum and Monkey, but is now forgotten. Drum was “a novel about a dealer in second-hand oddments, and his ambitions for his young son.” His stories were published in the daily press, and seem likely to be human ‘real life’ stories of Britain in the 1930s.

Also of possible interest…

* Charles R. Knight, a major dinosaur artist and painter of prehistoric man in his environment. Inspired Harryhausen. “First published in 1946, Charles R. Knight’s Life Through the Ages” is apparently a major artistic study of humans in the Stone Age.

* “Gordon Jennings, who died in 1953, was a master of special effects” for the movies “who almost single-handedly elevated the art from its primitive beginnings”. The War of the Worlds, When Worlds Collide and many others. He doesn’t appear to have published anything on the craft of special effects, but some readers of Tentaclii may know different.

* H.J. Massingham. British nature writer. Died 1952, thought some say 1953. Any uncertainly on the date will be cleared by 2024.


The U.S.A.

All the films, books and other works published in 1928. Below are some of my picks. Some of these titles here may already be public domain, due to the author’s death date.

Edgar Rice Burroughs, The Master Mind of Mars (Barsoom series), and Tarzan, Lord of the Jungle (book version).

S. Fowler Wright, Deluge. His huge best-seller. Influenced John Wyndham and John Christopher.

E.E. ‘Doc’ Smith, The Skylark of Space (serial version).

Weird Tales and other pulps for 1928. Of possible interest in WT are Wandrei’s “Sonnets of the Midnight Hours” series, re: a new illustrated edition. Munn’s tale “The Werewolf’s Daughter” also enters the public domain via WT, thus completing the release of his three linked ‘Werewolf’ novels (the first two being Werewolf of Ponkert, and Return of the Master).


Ethel Owen, Hallowe’en Tales & Games. Games to play and tales to tell, for children in middle childhood. Wife of Frank Owen (“The Wind that Tramps the World”), the Weird Tales contributor.

Wild Animal Interviews and wild opinions of us. Sounds like a potential source for a new graphic novel or children’s picture-book.

The Giraffe in History and Art. Unusual.


And finally, I noticed some 1928 books that H.P. Lovecraft might have read, or at least browsed in the public library:

H.B. Drake, The Shadowy Thing. A novel praised by Lovecraft.

Virginia Woolf, Orlando: a biography. He must have read reviews, at least.

The Polar Regions in the twentieth century.

The Book of Polar Exploration.

G.B. Harrison, England in Shakespeare’s day. By a Cambridge lecturer. Published in New York.

The Story of the Spectator 1828-1928.

Hare, London in bygone days.

Boys and Girls of Colonial Times.

The Roman World. Knoph edition, New York.

The Rise of American Civilization: Volumes One and Two.

The History of British Civilization.

Oswald Spengler, The Decline of the West: Volume Two. In English. I seem to recall he had only ever read Vol. 1, but he would have seen reviews of Vol. 2.

Vathek. John Day Co. edition, New York. With Introduction, and fine illustrations.

The Day After To-morrow: What is going to happen to the world? A good brisk survey of Lovecraft’s possible future-world, as it would have seemed at 1927-28. Published by Doubleday, so not a crank book. Note the focus on glands, suggesting Lovecraft was not alone in his interest.

On Archive.org as The Day After Tomorrow. Note that the contents-page’s page-numbers are awry.

Ice Cream (the first manual and handbook)


50 years:

In the few nations that follow the 50 year rule, J.R.R. Tolkien. The only notable nation there is New Zealand. But it was reported a while back that NZ bureaucrats have done some shifty shifting about, inside a trade treaty, so as to make it 70 years from 2024. Thus Tolkien may well not be going into the public domain there.

FHTAGN in English

The German Lovecraftians report, of their open-source ‘original Lovecraft’ FHTAGN role-playing game, that…

Dean Engelhardt […] has now translated the FHTAGN game world into English, made his own minor adjustments and published it as The Open Cthulhu Mythos SRD (System Reference Document) (2023).

This is now a pay-what-you-want Open Game License book on the DriveThruRPG store.

There is however still scope for a book designer / illustrator to swoop in and help out…

This PDF contains the text of a full set of game statistics describing the creatures, rituals, and artefacts from Lovecraft’s original Cthulhu Mythos. In OGL terms it is a “System Reference Document” (or SRD). [It is not yet] presented in a fully illustrated and typeset form as you would expect from a core RPG rulebook.

Which means…

[It is not an] all-in-one Cthulhu Mythos RPG corebook (which traditionally cover both rules and “world” in the one volume)

As it stand it may thus interest purist Mythos writers as well as gamers, being only about Lovecraft’s creations and with only a core of RPG mechanics currently added.

At the Smithsonian

I’ve been looking again through the Smithsonian’s collection of online pictures, now they number some 4.5 million. That compares with 2.5 million at launch.

A few finds…

1) There was a Ward Manor in Red Hook, NYC, of all places. Which may be of interest to Mythos writers. It evidently had antiquarian pretensions and ‘had a lake in the ravine’ in its near 1,000-acre grounds. At the time Lovecraft was in New York it was essentially disused by the owner who preferred to live on Long Island. One recalls the mysterious preserved estate in Lovecraft’s “He”. It was purchased from him in 1926 and fitted out as a children’s home, seemingly after Lovecraft had left the city and returned to Providence. All of which could be setting it up for a role in a Mythos story or RPG.

2) The month of May in the back-alleys of Columbia Heights. The locale was where Hart Crane and Loveman lived.

3) Provincetown waterfront, seen from the sea.

I stopped off at Boston for an all-day boat trip to Provincetown, at the tip of Cape Cod. This village I found to be somewhat overrated, but the sail – my first experience on the open sea out of sight of land – was well worth the price of the excursion. To be on limitless water is to have the fantastic imagination stimulated in the most powerful way. …” (24th September, 1930

Just over a year later he wrote “The Shadow over Innsmouth”.

4) Brown University Dept. of Mathematics, the “Great Dodecahedron”. Not the Trapezohedron of “Haunter”, but might Lovecraft have seen a range of such models on a visit with Morton? Including a Trapezohedron? Though doubtless Brown was not alone in modelling such things for display, and they would also have been seen in various museums of science and in magazines such as Popular Mechanics etc.

5) My various searches failed to discover an early ‘faery’ skyline of New York from near the Brooklyn Bridge, seen somewhat as Lovecraft had encountered it. The closest I could find at the Smithsonian was this nocturne by Johann Berthelsen, c. 1913.

6) A nice find. A vivid sketch-recording of “Snowstorm in the Village” (1925). Being Greenwich Village, New York City. Evocative of the harsh winters in New York City in those days. Lovecraft moved to his Red Hook room just a day or so before the biggest snowstorm in living memory hit the city (1st-3rd January 1925), so this is the same snowstorm. The central railway seen here is ‘the Elevated’, which Lovecraft often mentions in his New York letters.

This led me to this fine lithograph by Ellison Hoover, held elsewhere, depicting a circa late-1930s snowstorm. In the middle-ground is one of the key New York City libraries which Lovecraft frequented. I seem to recall this library was where he researched a lot of Supernatural Literature during the winter months of 1925/26. I find that New York also saw several very heavy record-breaking snowstorms in February 1926, though Lovecraft’s letters to his aunt at this time don’t mention any problems arising from these.

“… the flickering of the monstrous lights”

Entry dates and full rules for the H.P. Lovecraft Film Festival, now available.

No “romantic comedies”, I see. They’re banned. Aww. Lovecraft wrote at least one of those (“Sweet Ermengarde”). But it seems the gore-loving masses must be forever deprived of a hilarious makeover for his “Ermengarde”. Imagine a tentacle-filled moustache-twirling Perils of Pauline silent-movie -style big-screen romp.

Anyway, the deadlines are now available:

August 2023 (Providence): 30th May 2023.

October 2023 (Portland): 1st August 2023.

Rodell D. Sanford Jr.

Via eBay, some real non-AI illustration. Here de-curved and colour-cast corrected (to the extent that’s possible without damaging the picture’s night-time mood). Not also up-scaled. Artwork by Rodell D. Sanford Jr., for what appears to be the first edition of Chaosium’s Lurking Fears RPG adventure anthology (inc. a Florida adventure, which it’s possible the cover depicts).

And another, from 1982, a painting but looking like it’s from the same artist…

Inked

I had another play with AI image generation, this time tempted by the new “Ink v2” style-module at the mostly-free Dream by Wombo…

A bit closer to Lovecraft this time, rather than Nick Cage or 1920 silent movie-star Buster Keaton. Although a bit stiff and too much of a ‘the butler bid it’ feel, perhaps. That’s the problem with AI, the faces and heads often have a touch of the showroom dummy about them. But feel free to use this for your Lovecraftian projects, fanzines, blog posts debating AI, etc.

Howard Days 2023

The Silver Key has posted a long recap of the 2023 Robert E. Howard Days which have just successfully finished for this year. Also a “Howard Days Wrap Up” at the Rogues in the House podcast.

SpraguedeCampFan ran day-by-day posts, and his final one “Time to Come Home” has links to all the previous posts. There are abundant clear photographs.

Plus Savage journal entry #41 reports on a trip to Howard Days 2023, with photos.

The R.E. Howard Foundation has a post on “The journey of REH’s writing table: a piece of literary history”, on Howard’s lovingly restored writing table. This was a feature of this year’s Howard Days.

Wild Stars also has a set of pictures.

There was coverage in the local Brookhaven Courier, “Museum celebrates author Robert E. Howard”.

The Robert E. Howard Days: 2023 Events Schedule. No YouTube, podcast or audio files as yet, that I can find. I seem to recall that in previous years, the panel recordings surfaced online in due course.

Also in REH, and available along with the new affordable Collected Letters at Howard Days, I see we have a new edition of The Dark Man scholarly journal. ‘New’ since I last noticed it. Issue 13.1, January 2023 includes what appears to be a substantial survey of Conan’s predecessors. The issue is also interesting re: the editors being open to an essay on Tolkien.

I would assume that we’re moving toward the time of year when potential contributors for January 2024 should be thinking about what they might submit in the late summer?


Coming next, PulpFest 2023.

Forthcoming: Midnight Rambles: H.P. Lovecraft in Gotham

David J. Goodwin’s ‘Lovecraft in New York’ book has a title and a date. According to Amazon UK, Midnight Rambles: H.P. Lovecraft in Gotham will appear in Kindle and hardback on 7th November 2023, and is billed as a 272-page…

chronological micro-biography of Lovecraft’s New York years emphasizing Lovecraft’s exploration of the city environment, the greater metropolitan region, and other locales and how they molded him as a writer and as an individual.

I’ll no doubt be reviewing it when I get a copy, probably in the company of the other 2023-expected book on Lovecraft in Florida.

Also of possible interest, and to be published in the same month, A Lovecraftian Biography of H.P. Lovecraft by Osvaldo Felipe Amorarte. Billed as biography of “Lovecraft’s private life and, using his own writing style and atmosphere” to convey his “relationships, illnesses, disillusions and his own fear of the unknown”. Although it looks like it might be a work assisted by a ChatGTP-type AI re-writer, judging by the descriptions of the author’s previous books.

Still, it’s an interesting idea. Tell of Lovecraft’s life, with factual accuracy, but in a series of linked stories written in his own style. Writing convincingly with Lovecraft’s style and language is easier said than done, of course. But who knows what style-morphing wonders AIs may yet unfold?