“Lovecraft, mon amour” in full on YouTube

The French stage-play Lovecraft, mon amour as a 90 minute recording on YouTube. YouTube will auto-translate the subtitles to an English which is often rather puzzling or garbled (even the best ‘AI auto-translate’ is still poor, at present). Looking back through my Tentaclii posts, I don’t seem to have spotted an English translation in book form as yet, with which one might follow along.

Posted as a kind gift for Lovecraft’s Birthday, I assume.

Tolkien Gleanings issue 6

Now available, my free PDF Tolkien Gleanings, issue 6 (2023) for Tolkien scholars and academics. At just 56 pages this is not as large and magazine-like as the previous issue 5. This new issue just collects and proof-reads my Gleanings blog-posts from June to August, and also has a gallery which surveys ‘walking trees’ in Edwardian arts and literature.

To get clickable Web links, you need the PDF rather than the Archive.org flipbook preview.

The new German ‘Fungi from Yuggoth’

A review in German, of the new Fungi from Yuggoth German edition…

The German versions of the poems are not literal translations, but adaptations that author, actor and theatre director Frank Dukowski put together over many years of work. Here it was particularly important for Dukowski to maintain the form of the respective poem [and] Dukowski’s interpretations are closer to the original work than a literal translation ever could be. […] The Lovecraftian poetry is loosened up and framed at the same time by black-and-white illustrations by Jorg Kleudgen.

Pictures of Eddy’s bookshop on Weybosset

At the risk of boring regular readers of Tentaclii, here are four more glimpses of the ‘Uncle Eddy’ bookshop on Weybosset in Providence. Readers of the Lovecraft Annual 2022 will recall my detailed article which revealed the bookselling uncle of Eddy Jr., a firm “favorite” for the book collectors in Lovecraft’s circle whenever they visited Providence. The largest used bookshop in Providence, for many years. In the article I was only able to furnish a bit of a poor picture-postcard…

I’ve since found four more glimpses of the site. Though only glimpses, not a straight-on picture of the doorway to the cellar bookstore.

First, an early image of the site (here outlined in red) from the archives of the Providence Public Library. Two distinctive domes are clearly seen. The nearer one on the far-left, and in the distance the old Beneficent Congregational ‘Round Top’ Church. These provide useful orientation.

Next a detail from another Public Library picture. Here we look the other way, and see only the distinctive domed building on the corner. Again, the doorway is outlined in red.

Next we again look toward the Round Top church. The bookstore entrance, or what would later be a bookstore, is obscured by a street fountain.

Here we look toward the Crown Hotel, and can just see the same distinctive dome on the corner building. The entrance is again obscured, by what might be a short telegraph pole.

While looking for pictures I did however stumble on a rare good front-view of a Providence ‘news-stand’ store, and in what might be the early 1920s. The Narraganset Smoke Shop, probably in Dorrance Street since an adjacent/above sign (seen on the wider picture) for “T.H. D’Arcy, Engraver” leads me to 86 Dorrance Street. Just around the corner from Weybosset Street. This hole-in-the-wall magazine, tobacco and candy store looks a likely prospect for a fellow wanting to bag a copy of the curious new magazine called ‘Weird Tales’. Here newly colourised.

“Illustrating the Grotesque” exhibition

The UK’s Heath Robinson Museum has an “Illustrating the Grotesque” exhibition, 23rd September to 10th December 2023. Focussing on his illustrations for The Works of Rabelais (1904, 2 vols., not on Archive.org), but probably also drawing on his earlier Poe work and others. The museum is in Pinner, about 12 miles north of central London.

Currently the Museum has an exhibition of Robinson, one the UK’s best-loved illustrators, “Illustrating Andersen & Perrault”.

Journal of Psychick Albion #2, and others

A quick scatter-gun round-up of some new British journals.

Undefined Boundary: The Journal of Psychick Albion has produced a second issue. Including a Bill Nelson interview. Both issues can currently be had as a bundle.

Wow, and what’s this… yes, it’s a Detectorists fanzine: Detectorists Bundle, Issues 1 – 4 from the same folk as Psychick Albion.

There’s also Strange Attractor Journal Five (Spring 2023), returning after a seven year break. Some of the contents are mentioned in the page for the London launch event.

And finally the Bacon Review has its first issue out. Not the ‘sizzling piggy’ type of bacon. The artist Francis Bacon, painter of the ‘Screaming Pope’ painting and all that.

Stickers ‘n suckers

A Lovecraft Telegram Sticker set. Some better than others, but pleasingly done. Telegram being a moderately successful Twitter competitor, keen on free speech. Perhaps I should try it, but it’s yet another service that doesn’t seem very friendly to users of desktop PCs. Presumably because mobile devices allow much more data-leeching than PCs? /Adopts clueless old man pose, scratches head…/ Anyway, nice stickers. Which I assume are used like ye olde emojis.

I don’t see any other Lovecraft sets, just this large one.

Rosa Mulholland’s The Walking Trees

The Irish fantasy writer Rosa Mulholland’s vivid fantasy for children The Walking Trees, now freely available in PDF at last. This is not the later handsome illustrated edition, which I find is utterly available except physically in a few Irish libraries. So my new assemblage from the original magazine serial will have to do for now. You’re welcome.

Also in ‘choice obscurities’, new on Archive.org is The Armchair Detective for July 1972, which considered “A. Merritt’s Mysteries”. Merritt being a Lovecraft fave. On the novel Creep, Shadow! (Argosy, August 1934) the author of the article writes…

The themes of the book — reincarnation, sympathetic magic through shadows, and the re-enactment of an ancient myth of Brittany — are methodically laid out and examined intellectually before the author proceeds to the action. There are flashes of the old poetic imagery, and some of Merritt’s finest writing is in the “shadowland” sequence. This book, which I consider to be one of Merritt’s finest works, is unusual in its pace and plot when compared to his other novels.