Songs from Lovecraft and Others

S.T. Joshi’s blog has updated. Among the news there are details of his own forthcoming…

Songs from Lovecraft and Others — a volume of my recent musical compositions, in which I have set poems by Lovecraft, Clark Ashton Smith, and others to music. I am now fine-tuning my scores (adding dynamic markings, breath marks, and other details). We will have an accompanying CD that features a computer-generated rendition of the compositions. My music notation software (MuseScore3) is capable of producing sound files that (in the case of choral works) can sing the notes (with a kind of “Ah” sound) but cannot articulate the words. But that seems good enough for our purposes.

Wonderful. I hope he also releases the source files under Creative Commons, so others can push the MuseScore3 files through different instrument and voice modules — and so get new sonics on the same pattern.

He also notes a curious resemblance of the actor playing Prince Philip (husband of our glorious Queen) in The Crown, to H.P. Lovecraft. Just in case you were seeking to cast an actor for an HPL bio-pic.

On Xuchotl

A new deep-dive by a R.E. Howard scholar into the question: “Red Nails”: Did Howard Create the City of Xuchotl From a Real-Life Inspiration? The case is unproven one way or the other, but it’s an interesting and well-illustrated investigation, and touches on a comment he made to H.P. Lovecraft.

LibriVox has a free audiobook of the long tale, at around 3.5 hours depending on how you nudge the playback speed. See also my R.E. Howard audio books for Conan in story-world order, to see where this story fits in the Conan timeline.

“Calling W5DAV, calling W5DAV…”

Here’s a snippet possibly of interest to some on a dull Monday morning, re: the mystery of ‘whatever happened to Winifred V. Jackson?’ after she collaborated with H.P. Lovecraft.

First, some background. The last known contact between Lovecraft and Jackson was July 1921, and Lovecraft’s wife Sonia apparently stated that she stole Lovecraft away from Jackson, re: marriage. A small-ad I found earlier suggests that Jackson was likely working for a New York advertising agency in 1920 and was then seeking an assistant. This seems to place her in New York City by that time. She was said to be living in Boston circa 1926 (see the booklet Ancestors and Descendants of Joshua Williams, 1927). Based on these slim filaments of evidence my feeling is that she was into New York City perhaps four years before Lovecraft, finding a living there in advertising. But that she probably did not ‘stick’ and returned to Boston. If she tried again in 1924, as Lovecraft did, is unknown. Even if she got back in, then she was likely out of the big city at about the same time as Lovecraft departed it.

But now a new discovery of data. In Spring 1935 and Spring 1936, two directory listings for a ham radio operator and their call-sign…

W5DAV — Portable, Winifred V. Jackson, 527 29th Av., Meridian, Miss.

Meridian was then a medium-sized city in Mississippi, 100 miles north of New Orleans. The American term is “city”, but it was not as big and grand as that makes it sound. The British would call it a large town. Number 527 has been swept away by a long ugly road flyover, and the fields opposite have vanished under now-shabby late-1950s industrial units. But 615 29th Av. remains near to the foot of the flyover on the same side of the Avenue, and the trim house (right) gives a flavour of what was lost. The setting might have reminded Winifred of her childhood place, which had been the sleepy and rural Great Pond, Maine.

Now the obvious objection is that Lovecraft’s Winifred was a Boston lady who died in “Mass.” in 1959. My research question is then: could the radio listing be a typo for “Meridian, Mass”? There is no such place in Mass., other than “Meridian St., East Boston”, and this Boston address has no possible “527 29th Av.” connected with it. The listing stands then, and appears unchanged for two years in the Mississippi section of the magazine. If this “Miss.” was Lovecraft’s Winifred, she presumably had an amateur radio station for access to more stimulating conversations than the edge of a Mississippi town could provide after sundown.

It certainly looks like this could be the same Winifred V. Jackson, still involved in amateur affairs but now of the amateur radio sort. It might be that — with her obvious talents — she was connected in some way with the town’s Meridian Star (1914-) newspaper. But that’s just a guess and we will likely never know, because The Library of Congress is missing the 1929-1936 run of that title.

But what was she doing in Mississippi, if she is indeed Lovecraft’s Winifred? Well, consider that in 1935 she was aged about 59 or 60. In the depths of the Great Depression the Social Security Act of 1935 had just set the U.S. retirement age to 65 years for citizens in private employment. She thus had a gap of some five years to fill, and perhaps even more if she had been in the habit of fudging her age downward (as was common in those days, e.g. Lovecraft’s friend Mrs Miniter). She might therefore have been a paid companion/secretary to some elderly amateur journalist, for a few years, and done some occasional work for the town’s newspaper. But my best guess is that 527 29th Av. was only an over-wintering address, a place for her and her elderly mother to avoid the brutal Boston winters. Meanwhile the Boston home could have been let out for cash, which would have been very welcome in the depths of the Great Depression.

There is oblique confirmation of this theory, from the 1930 U.S. Census. There is no Winifred + Jackson in Mississippi at that date, on two 1930 census search-engines (admittedly limited ones, as the full Census access appears to be paywalled). Thus I do not appear to have lighted on a young namesake who had grown up in Mississippi and happened to develop an interest in radio.

Some printing and typographic skills were involved in such hobbies, which again gives slight supporting evidence. For instance, here is a typical 1935 example of the sort that amateur radio hams would exchange by mail after long-distance conversations over the airwaves. Such cards would be hand-stamped on heavy blank postcards with rubber-stamps and coloured ink-pads, and with the call-sign prominent.

The case is tantalizing but unproven. Yet if I am correct then it would be amusing to imagine that Lovecraft’s own dial-twiddling on the short-wave radio at that date might, accidently via a blip in the cosmic ionosphere, have once again brought Jackson’s voice to his ears.

The Typewriter and Popular Culture

The Swiss Maison d’Ailleurs science-fiction museum has two exhibitions on now and through the summer, one with a title that misses something in the translation but which is devoted to ‘The Typewriter and Popular Culture’.

It surveys… “the relationship between the typewriter and popular culture, from cinema to videogames to science-fiction literature.”

This is paired with the more fang-tastic ‘I, Monster’ exhibition on monsters, which collectors may wish to note has a full 256-page catalogue.

A new “Cthulhu” graphic novel

The Spring 2021 booklists are starting to emerge. Newly listed on Amazon UK, a new The Call of Cthulhu Graphic Novel by Dave Shephard, 2nd March 2021. This has a simple bold style and a modest price for a 144-page hardcover, suggesting it’s expected to sell well into the ‘young adult’ market.

Also newly listed, Alan Moore’s Providence: Deluxe Edition in official German translation, set to ship in sumptuous hardcover on 23rd March 2021.

Ker-twang!! It’s Cthulhu on guitar…

Popbreak has a new interview, “The Arkhams on ‘The Art of Psychobilly, H.P. Lovecraft & The New York City Scene'”. Psychobilly? I guess… kind of like toe-tapping washboard-rasping Rockabilly gone really wild in the backwoods and apparently with “over-the-top horror lyrics”. The slant of the interview and link to the latest wordy single makes them appear a bit dour, but on some random listening to their back-catalogue I like it. It’s more pulp fun than dour lecture, and they certainly evoke that late 1950s feel very effectively. The Arkhams evidently have lyrics that are more more rooted in individualism, pulp humour (“Hell’s Where All the Good Records Are”) and everyday spookiness, than straight “horror lyrics”. The feel of the music also sometimes veers nicely toward Chuck Berry or the famous instrumental hit “Telstar”, also from that period.

The two albums

25% of their output is said to be instrumental. There’s talk of a forthcoming “third album called Thunder Over Arkham“.

In related news, sea-shanties are said to be the hot thing among hipsters during our futile and never-ending lockdown, here in the UK. I guess it’s the ‘castaway’ feeling and the beards. If that’s you, you may enjoy The Curious Sea Shanties of Innsmouth, Mass. album.

In the same vein, new this month on Kickstarter and already funded is Dunsany Dreaming: An Eldritch Folk Album

“Dark, dreamy interpretations of author Lord Dunsany’s poetry, featuring original music and Nordic folk tunes.”

Rather more earthy sounds might be heard if one could rest a flint stylus on the pre-vinyl grooves of Phil Bell’s ‘Disc of Cad Goddeu’, an artefact fashioned from Rowan wood during the famous Battle of the Trees (allegedly) — and restored and displayed in January 2021 by the H.P. Lovecraft Historical Society.

Call: Norman Rockwell Museum

The Norman Rockwell Museum is seeking entries for an outdoor art exhibition

The Norman Rockwell Museum is seeking entries from artists working in all media for a juried outdoor exhibition of contemporary sculpture and installation art. The show, “Land of Enchantment: A Fantastical Outdoor Sculpture Exhibition,” opens 10th July 2021 in conjunction with the museum’s featured indoor exhibition, “Enchanted: A History of Fantasy Art”.

Phantasmagoria, the Fantasy World of the Magic Lantern

In Strasbourg, the exhibition “Phantasmagoria, the Fantasy World of the Magic Lantern”. A “Phantasmagoria” was a ghoulish sub-genre of the magic-lantern show and thus a likely progenitor of spiritualist fakery. Closing on 8th February 2021, though, if it’s even open in the lockdowns. But some may wish to enquire if there’s a catalogue or the possibility of bringing it to their city as a touring show.

See also the new book, Grand Illusion: Phantasmagoria in Nineteenth-Century Opera.

More on Winifred Virginia Jackson

Deep Cuts in a Lovecraftian Vein continues the ‘Her Letters To Lovecraft’ series with a look at the Winifred Virginia Jackson letters. Interestingly, we’re reminded that Lovecraft discovered she was an ardent Irish Nationalist who…

does secretarial work at the [Sinn Fein] offices two or three days every week without remuneration.

He had already had experience of these strong Irish sentiments in the Providence group of Amateurs he attempted to nurture. I can add that she was perhaps doing more than simply typing, as I’ve found she appears to have been working for a New York ad agency circa 1920. Seemingly as a copywriter, then in need of an assistant.

There might be an article for The Fossil in such trends. A wide survey of the overlap between amateurdom and political publications of various kinds (Irish Nationalist, Germanophile, Anglophile, varieties of Anarchism, Prohibitionist, early gay-rights, free-love and birth-control etc.) before the advent of hardline 1930s-style Communism and Nazism. Articles by Ken Faig in The Fossil have already covered some of the ground, as I recall.

Incidentally, Deep Cuts also has the 2021 posting schedule all mapped out. Impressive. July should be especially interesting, with a series of summer reviews of some obscure “Non-English Mythos Comics”.