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Tentaclii

~ News & scholarship on H.P. Lovecraft

Tentaclii

Category Archives: Lovecraftian arts

Center for Human Imagination grants

12 Monday Jan 2015

Posted by asdjfdlkf in Lovecraftian arts, Scholarly works

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The Arthur C. Clarke Center for Human Imagination has grants to…

support undergraduate student projects on imagination. Specifically, projects that will lead to a deeper understanding of imagination as a neuro-cognitive and socio-cultural phenomenon, as well as projects that apply imagination in novel and impactful ways are encouraged. Creative works (art, music, dance, theater, literature, etc…), technology development, or scientific study, in which the role of human imagination is foregrounded are appropriate for the funding. Projects that involve cross disciplinary collaborations are particularly encouraged, and all funded projects are expected to be featured in Clarke Center events and facilities per the timeline below. We anticipate awarding three grants this year.”

Opens 25th January 2015. Fleeing night-dream memories and their potential for having subtle impacts on everyday waking decision behaviors, that would be my choice of a topic. Which would also tie into Lovecraft’s interest in dreams somewhat.

Doc Savage convention 2015

11 Sunday Jan 2015

Posted by asdjfdlkf in Lovecraftian arts

≈ 2 Comments

Doc Con XVII will be a Doc Savage fan convention in Glendale, Arizona. Apparently set for 17th-19th October 2015.

No news since last summer, it appears, about Sony’s mooted Doc Savage movie. And, given the Sony hack, there may not be for some time. The job might be done better by a lavish 1930s costumed TV mini series, showing 6 x two-parters of the very best 181 original Doc books (1933-1949). And ideally with no modernising tweaks. A quick scoot around the Web suggests The Man of Bronze and The Polar Treasure are two likely candidates… but it seems there’s no handy list to be had with a title like: “The Six Very Best Doc Savage Novels, for those who really don’t want to slog through all 181 titles”.

Though a handy slog-free taster of Doc can be had from the quarterly Doc Savage magazine (1975-1977), oversize b&w ‘mature’ comics with extra-long stories. I remember being very fond of these, pieced together as a collection of used copies picked up from comic shops. They are collected in a huge hardback reprint Doc Savage Archives Volume 1: The Curtis Magazine Era which is apparently set for release 3rd February 2015 (according to Amazon USA, Amazon UK says 20th January).

Oh, and about that time when H.P. Lovecraft let Dent use his settings and monsters? Doc Savage: Madness from the Sea, perhaps…

230_Doc-400

IlluXCon

10 Saturday Jan 2015

Posted by asdjfdlkf in Lovecraftian arts

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IlluXCon, a fantastic art convention, 21st–25th October 2015 in Allentown, Pennsylvania.

illuxcon15

PulpFest 2015

10 Saturday Jan 2015

Posted by asdjfdlkf in Lovecraftian arts, NecronomiCon 2015, Scholarly works

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Pulpfest 2015 in Columbus, Ohio from 13th-16th August 2015. Pulpfest 2015 has announced a “H.P. Lovecraft and Weird Tales” theme for 2015. Pulpfest 2015 thus segways rather neatly with NecronomiCon in Providence on 20th-23th August 2015, making for a potential two-week Lovecraft love-in. Three weeks, even, if one were to stay on in Providence to peruse some of the rare treasures of the Lovecraft collection at the John Hay Library and visit some of Lovecraft’s places such as Marblehead.

2015-Postcard-Front

The Temple in Huddersfield

06 Tuesday Jan 2015

Posted by asdjfdlkf in Lovecraftian arts

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Should you be huddling in Huddersfield, England, this coming Friday…

Friday, January 9, brings something quite different to the Square Chapel audience – an atmospheric evening of horror and fantasy presented by Michael Sabbaton. His one-man show, The Temple, is based on H.P. Lovecraft’s undersea tale of possession and madness and tells the tale of what happens when a strange ivory, carved head comes into the possession of a submarine commander… The show starts at 8pm.”

Arkham Angst

03 Saturday Jan 2015

Posted by asdjfdlkf in Lovecraftian arts

≈ 1 Comment

If Lovecraft had been filmed in the 1960s… the “Arkham Angst” poster-collage series by weißweißweiß in Germany.

lovecraftmovie

Sculpting Cthulhu in digital 3d

02 Friday Jan 2015

Posted by asdjfdlkf in Lovecraftian arts

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3dmotive has a new paid video tutorial course. Sculpting Cthulhu using the popular Zbrush 3d digital sculpting software…

sculpt

The Vanishing of Ethan Carter

01 Thursday Jan 2015

Posted by asdjfdlkf in Lovecraftian arts

≈ 1 Comment

Being widely hailed as one of the PC games of the year (warning: there’s a spoiler in the description at the end of that link), the videogame The Vanishing of Ethan Carter (26th Sept 2014) had until now escaped my attention. A weird murder-mystery adventure story, it appears to have sensibly avoided the use of the “Lovecraft, Lovecraft!! LOVECRAFT!!” marketing buzzword, and instead left that for reviewers to decide. The makers say rather that it is… “Inspired by the weird fiction stories and other tales of macabre of the early 20th century”. Be warned that the game is a short one, four-to-six hours apparently, though game geeks often don’t realise how fast they can buzz through games. Those less familiar with PC gaming and its numerous fiddly conventions may take a good few hours longer than that to play. Especially those flummoxed by a non-combat first-person detective puzzler story-game, which is said to offer little hand-holding in terms of game mechanics. As compensation for the relatively short length, it’s a walk-anywhere 3d ‘open world’ in a Vermont / New England -like autumnal landscape named Red Creek Valley…

screen

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“while not strictly a Lovecraft game [it] is one of the best examples of these themes for a long time” — Bleeding Cool.

“Somewhere in-between H.P. Lovecraft and Gone Home” — IGN.

“There’s a wonderful Lovecraftian pay-off for your toiling in the darkness [in one section of the game]” — Eurogamer.

[As with Lovecraft…] “most of that horror is derived from an eerie sense of dread created through [the slow revealing of] the presence of the alien and the weird in an otherwise familiar environment.” — PopMatters.

Danny van Ryswyk

01 Thursday Jan 2015

Posted by asdjfdlkf in Lovecraftian arts

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Delicious tentacular b&w 3d steampunkery from Danny van Ryswyk, via the Mark Ryden end of Pop Surrealism. Not safe for work…

WhiteRabbit

Happy Christmas from Tentaclii

19 Friday Dec 2014

Posted by asdjfdlkf in Housekeeping, Lovecraftian arts

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So the Yuletide season rolls around, for another year. Happy Christmas, and here’s a rather excellent illustration — which can serve as a Christmas card for readers…

ImagebyNELSONEVERGREENPicture: the UK’s Nelson Evergreen (the canvas name of Neil Evans).

‘Lovecraft audio before digital’: additions

18 Thursday Dec 2014

Posted by asdjfdlkf in Lovecraftian arts

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Additions to the ‘Lovecraft audio before digital’ gallery post. Many thanks to Dennis Weiler of Fedogan, for sending me more cover art from Lovecraft audio cassettes. Dennis writes of them…

“Our “Fungi From Yuggoth” is on [picture] 01, initially released in 1987 on cassette alone. As far as I know, it was the first HPL poetry recording ever released for sale. All of these J-cards are from cassettes in my possession. The R.M. Price recording is marked 1997, but I’ve no idea whether digital-format was released. It was a Necronomicon Press production, I think.”

J-cards 3 001

J-cards 4 001

J-cards 2 001

J-cards 1 001

“Strange and spacious realms”

18 Thursday Dec 2014

Posted by asdjfdlkf in Historical context, Lovecraftian arts, New discoveries, Scholarly works

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It appears I was correct about George Fitzpatrick, an Australian Lovecraft correspondent (see my Historical Context #4 and also Lovecraft Annual 2013). Drs. Brendan Whyte & Martin Woods of the National Library of Australia looked into the Fitzpatrick bookplate collection, seeking the Lovecraft bookplate. They found it…

“I instructed him to see if the HPL bookplate was in the Fitzpatrick collection, and indeed it is. Attached are photos of it and the card to which Fitzpatrick attached it. The verso of the card, presumably typed (rather poorly) by Fitzpatrick from notes sent by Lovecraft, reads:

GENESIS.

The georgian doorway with a suggestion of a tall flight of outside steps, serves a three-fold symbolic purpose. 1. The doorway quality of all books, whereby they serve to admit the reader to strange and spacious realms. 2. It typifies the urban scene in which he has spent his life, the quaint hill streets of Old Providence scarcely changed in a century and a half, 3- symbolises his personal antiquarian tastes.

ARTIST. Wilfred Blanch Tolman.”

A note in pencil on the side states: “Don[or]. Mrs G. Fitzpatrick. 7.12.[19]49”

I would agree that the typed card must be Fitzpatrick’s summary of a Lovecraft letter which had accompanied the bookplate to Australia, and which had been discarded. The words “The doorway quality of all books, whereby they serve to admit the reader to strange and spacious realms.” certainly sound like they could be Lovecraft’s own.

070

069

072

073

One wonders if this was the limit of the correspondence, or if there were later letters between the two men?

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