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Tentaclii

~ News & scholarship on H.P. Lovecraft

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Category Archives: Historical context

Glenn Lord Symposium 2022

18 Monday Jul 2022

Posted by asdjfdlkf in Historical context, REH, Scholarly works

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The opening 20-minute paper in the Glenn Lord Symposium 2022, now online at YouTube, is an illuminating one covering the first phase of topics under discussion in the R.E. Howard / Lovecraft letters. Starts at 3:50 mins. More video recordings are appearing on the same channel.

Also, a new related text article on “Robert E. Howard’s Philosophy of History”.

‘Picture postals’ from Lovecraft – Chatham

15 Friday Jul 2022

Posted by asdjfdlkf in Historical context, New discoveries, Picture postals

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In Selected Letters Vol. V we encounter Lovecraft writing a late letter to Kleiner. Lovecraft recalls a “Chatham” as a key landmark from early in his New York City years…

the quaint familiar landmarks (Scotch Bakery – Chatham – 78 Columbia Heights, etc.)

This is not footnoted in the first edition of the Kleiner letters. No other reference to a “Chatham” occurs in Letters I have access to.

However the 1925 Diary comes to the rescue with… “Ph. Sug. Ho. Chatham Sq.” and one other mention of “Chatham”. The mention of “Sq.” led me to Chatham Square. This was a very major NYC transport intersection, with the Elevated railway there having fine views of the city skyline… along with less welcome chilly gusts.

Here we see one platform of the Chatham Square’s Elevated twin-platform station in the 1930s, as superbly photographed by Arnold Eagle. Presumably “Chatham” was where Lovecraft frequently met up with some of his Circle who were coming in on the Elevated, before they headed elsewhere.

And here we see a Chatham Square platform in the 1940s, and some of the rainy street below.

Notes on the Selected Letters of H.P. Lovecraft, Volume V

11 Monday Jul 2022

Posted by asdjfdlkf in Astronomy, Historical context, New discoveries

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Notes on the Selected Letters of H.P. Lovecraft, Volume V.

The time is 1934-37.

* Lovecraft was using his old cleaned telescope for local observations again, in early 1935… “Last Sunday evening I was all ready to watch the occultation of the Pleiades, but clouds malignly intervened.” (Page 107). He does not give the location, but presumably somewhere open and near his home.

* He saw a large exhibition of Hokusai prints from Japan… “a splendid lecture & special exhibition pertaining to my favourite Hokusai, & the entire [Art Museum, Providence] quarterly bulletin was devoted to the subject of Japanese prints. (Page 127). The Museum had acquired a large set. “Hokusai’s Cranes on Snow-Laden Pine was one of the things I especially liked in the exhibition” (Page 127). This seems to be ‘Cranes on Branch of Snow-covered Pine’…

* He was back at Jake’s in Providence in early 1935…”we descended [College Hill] to “Jake’s” – the famous stevedore [dock-worker] restaurant at the foot of the hill which Wilfred B. Talman (then a Brown student) discover’d in 1926 and introduced to the gang. Here have gorg’d such dignitaries as W. Paul Cook, James Ferdinand Morton, Donald Wandrei … and now Robert Ellis Moe. This is the joint where good food is serv’d in such fabulous quantities. We chose sausage-meat and johnny-cakes, with stupendous bowls of short-cake (R.E.M. banana; H.P.L. peach) and whipped cream for dessert.” (Page 126).

* He was amused by a S.F. League spoof publication, Flabbergasting Stories. The… “S.F. League & its members have [a] mimeographed parody on the science fiction magazines – Flabbergasting Stories. It is really extremely clever & witty — Sterling showed me a copy.” (Page 151).

* By April 1935 he accepted the presented evidence for some form of vegetative life living on Mars… “We can no longer dispute the independent existence of protoplasm on different worlds, since vegetation on Mars has been well authenticated by direct visual & photographic evidence.” (Pages 153-54).

* Lovecraft records that… “in idly reflecting on my correspondence list the other day, I discovered that the praenomenon [Christian name] most numerously represented is none other than Robert – Barlow, Bloch, Howard, Moe, Nelson.” Who was Robert Nelson? He’s in the volume Lovecraft’s Letters to Robert Bloch, as Robert Nelson (1912-1935), since new letters were discovered in 2012. His weird poetry and other work is now collected in Sable Revery: Poems, Sketches and Letters by Robert Nelson.

* He also recalls that… “Clarke Howard Johnson [1851-1931, 49 Westminster St.] Chief Justice of the R. I. Supreme Court was my grandfather’s best friend and executor of his will.” (Page 166). No photo can be found.

* Beyond the lake-pines around Barlow’s Florida homestead were real English oaks… “Bob’s [Barlow’s printing] cabin across the lake is virtually finished, & last week I cut a roadway from the landing to the cabinward path. This edifice is ideally located in a picturesque oak grove – not the live-oak of the [U.S.] south, but the old-fashioned, traditional oak of the north & of Old England.” (Page 182).

* Extensive reading preceded each trip to a new place… “Every time I take a trip I read up as extensively as possible on the places I’m going to see — so that when I get there, each site and object will have some meaning for me.” (Page 188).

* “I’ve felt only one earthquake in the course of my existence – the shock of Feb. 28, 1925, when I was in New York.” (Page 207). Apparently… “one of the most powerful earthquakes of the 20th century”, the Charlevoix–Kamouraska earthquake. It originated under the St. Lawrence River Valley in Canada, which may interest Mythos writers if that location has not already been used.

* The autumn/fall of 1935 was very mild and prolonged, and Lovecraft was fortunate to spend two weeks in New York City during this fine spell. He stayed with Donald Wandrei at 155 West 10th Street… “The brothers have taken a very attractive four-room flat in Greenwich Village — at 155 West 10th St., above a rather well-known ‘bohemian’ restaurant called Julius’s.” (Page 210). Donald’s brother was away during the stay, and so Lovecraft had his room. Thus Lovecraft was for two weeks in a flat above one of the most famous gay bars in history. A bar still going today and now numbered as 159.

The bar on 1940s.nyc, here cleaned and colorised.

* In 1935 the John Hay Library has “frequent exhibitions there (books & reliques of literary or historic interest) which I usually see.” (Page 216). Such as one on the poet Horace along with a lecture (Page 218).

* His Christmas tree was delivered, rather than netted and then personally slung over a shoulder before being manfully hefted up the hill from the Market Place… “Our Christmas tree arrived yesterday, but will be kept in a cool closet to prevent deterioration”. (Page 218).

* Lovecraft had once been a regular reader of the magazine The Black Cat, which folded just before Weird Tales appeared on the stands. Morton was seeking to collect a complete run in 1936, and Lovecraft remarked… “Hope ya kin get your Black Cat file. I used to buy that reg’lar-like, and recall the swell weird stuff it had.” (Page 227). Which means he would have seen Arthur Leeds stories in it, before he encountered any members of the Circle including Leeds. That assumes though that he read the magazine past early summer 1914. Leeds was hailed as “new to our readers” in the May 1914 issue. We know Lovecraft began to “notice” the magazine in 1904, but seemingly not the cessation date for his interest in it.

* In his final years he was writing to a “Frederic Jay Pabody” about Atlantis. Ten such letters came up for sale in 2016 and are now found complete in Letters to C.L. Moore and Others.

* His Uncle had translated Virgil… “Some day I wish I could get his Virgil published — a blank verse translation of everything but the Eclogues which (together with other mss. of his) I have always carefully treasured.”. (Page 329). Sadly it appears that these works have been lost?

* In his younger days he saw the stage actor Robert Mantell play… “Horatio, Iago, Mercutio, Bassanio, Edmund, and Faulconbridge” in Providence. (Pages 340 and 350). This means he saw performed Hamlet, Romeo and Juliet, The Merchant of Venice, King Lear, and King John. He elsewhere implies that he saw Richard III with the players using the 18th century Cibber version.

* His Remington typewriter gave “non-visible writing”, i.e. as the typist he could not see what was being typed onto the page. (Page 267).

* “The first comet I ever observed was Borelli’s — in Aug. 1903. I saw Halley’s in 1910 — but missed the bright one earlier in that year by being flat in bed with a hellish case of measles!” (Page 282).

* “The especial glamour of spangles [i.e. small sparkles of light] probably comes from a synthesis of different pleasant associations — the stars, the rising sparks of a comfortable fire, precious stones, &c.” (Page 328). Sunlight on clear purling water, too.

* October/November 1936. “I haven’t had a new suit of clothes since 1928.” (Page 337). “I have reduced nourishment to $2 and $3 per week” to economise. (Page 364).

* Talking of the future… “I would advocate the improvement of backward groups through education, hygiene, & eugenics.” (Page 323). What does he mean here? Not what modern leftists mean, who have since sought to conflate 1930s eugenic practices and ideas with mass murder in Nazi death-camps. But Lovecraft explicitly told his correspondent that he did not mean death. He was speculating about a possible future “within the next half-century”, and stating that he would not wish some future state to “starve & kill off the weak”. Though he was highly doubtfully about the chances of any human “improvement” happening via scientific breeding, what he envisioned was evidently more a ‘eugenics for health’ programme of sterilisation and contraception. Such ideas were relatively common at the time, not least on the left, and in Lovecraft’s words were widely “agreed” on… “It is, for example, agreed that hereditary physical disease & mental inferiority ought not to be transmitted — hence within the next half-century the sterilisation of certain biologically defective types will probably become universal throughout the western world, thus cutting down the prevalence of idiocy, epilepsy, haemophilia, & kindred inherited plagues.” Similarly his use of the word “hygiene” has a different meaning than today, being a 1920s and 30s euphemism for various forms of birth-control and venereal disease prevention (e.g. condoms) under the control of the users. At that point in time, mass routine abortion of babies appears to have been unthinkable as a eugenic method.

* He indicates what a possible 1940s ‘Romans in Africa’ tale or novel might have looked like, with Ancient Romans… “penetrating south into Africa beyond the mark set by Maternus, skirting the [River] Niger, threading through steaming jungles … and finally coming upon that Kingdom of Elder Horror whereof there survives today only the ruined masonry of the Great Zimbabwe.” (Page 375).

* He gives a useful starter reading list for Dunsany… “When I think of Dunsany, it is in terms of The Gods of the Mountain [a play], Bethmoora, Poltanees Beholder of Ocean, The City of Never, The Fall of Babblekund, In the Land of Time, and Idle Days on the Yann.” (Page 354).

* “My dream of the black cat city was very fragmentary. The place was built of stone and clung to the side of a cliff like some of the towns drawn by Sime for Dunsany’s stories. There are towns more or less like it in Spain. The place seemed to have been built by and for human beings aeons ago, but its present feline inhabitants had evidently lived there for ages. Nothing actually happened in this dream — it was just an isolated picture of the place, with the cats moving about in a rational and orderly manner, evidently in the performance of definite duties.”

* In his Mythos, cats are (probably) tentacle-tailed aliens from outer space… “the mysteries of those black outer gulfs whence surely the first terrestrial felines lithely sprang long ago when Mu and Hyperborea were young.” (Page 377).

* Shortly before he became ill and died, he at last saw a movie of which he could approve. (Pages 435-36). “A Midsummer Night’s Dream [released 1935] — and it was certainly no disappointment. The delivery of the lines was in nearly every case excellent; and though there were some cuts in the [Shakespeare] text which I lamented, these did not amount to more than the excisions common to all acting versions from the Restoration down. The music blended effectively with setting and dialogue, and the pageantry was excellently managed. Some of the elusively weird photographic effects connected with the haunted wood were incomparably fine. As the animating spirit of the grove, that little elf who played Puck certainly scored a triumph. In aspect and voice and demeanour he represented with utter perfection the bland, mischievous indifferentism of the traditional sylvan deity, while that shrill, eery, alienly-motivated mirth of his was the most convincing thing of its kind that I’ve ever seen.”

The movie seems to have had many sniffy reviews at the time, from critics who thought it too low-brow. But it won two Oscars due to a “grass-roots write-in campaign” from fans. For initial general release in October 1935 the movie was cut from 132 minutes to 117, but I don’t know what running-time Lovecraft saw more than a year later in Providence in early 1937. Could it have had a more fulsome public release, post-Oscars? Perhaps movie historians can answer that one. The movie finally had a good home release as a DVD in 2007, but it does not appear to have been otherwise restored. It appears to have been ignored by writings about Lovecraft and cinema, presumably because it was seen so late in his life. Nevertheless, it should be included in any future survey of his appreciation of the cinematic arts. I have to say that it certainly feels overlong when seen at its full length. The visual are indeed very fine, but the music and delivery are both far too strident. The music is written for the concert hall, not a movie, and the vocal delivery has that very fast and shrill (shrieked, at times) ‘screwball’ pace that is all to common in 1930s movies.


Well, that’s it for the Selected Letters. All five volumes are now done. I’ll now be catching up on my saved bundles of blog posts, tutorials, reviews and newspaper and magazine articles. After that I’ll be reading the Lovecraft Annual 2021, for an in-depth review before the 2022 Annual is released.

HPL ‘zine, 1972-74

10 Sunday Jul 2022

Posted by asdjfdlkf in Historical context, Lovecraftian arts, Scholarly works

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My thanks to Gregory for letting me know that Meade and Penny Frierson’s HPL ‘zine (1972-74) is now free and public on Fanac.org. 144 pages, plus three supplements together totalling around 170 pages. Supp. #1 is letters, in response to HPL.

It’s rich stuff, with HPL #1 fronted with memoirs as well as having fiction in the back. There’s also “HPL and Films” by Shea. Here are just a few biographical highlights:


Interview with Frank Belknap Long:

SCHIFF: What was your impression of him when you met him?

LONG: Well, he was sitting on the stoop outside Son­ia’s apartment. He was very stout at that time. He became stout briefly for about 2 or 3 years. He looked much older than he was – he was only about 32 at that time, but he looked 40 or more. I knew it was Lovecraft as I approached and he was very glad to see me and we went inside and I met Sonia for the first time. As I recall, we spent a very pleasant afternoon. … But he was not much given to relaxing, and being casually human or jolly. Back-thumping and a bone­-crushing handclasp were alien to his nature he had a very good voice for reading supernatural horror stories. You see, a horror story could hardly be read by a Babbitt or a guy who’s a Rotarian. His voice was that of a cultivated New Englander and it went very well with the stories. [On viewing old towns and sites, such as in Newport and Providence in summer] what a wonderful guide Howard was [when] touring these ancient by-ways. [Impressions of HPL] Every individual has qualities that are lost forever when he dies. You can’t bring them back by just describing them. I don’t think I’d attempt to — I’d simply say you get to know him best by reading his letters and his stories. He had the qualities that you usually associate with a man of genius.

Long’s letter in Supp. #3 adds a little more…

I can no more picture him so much as bending and tracing a Cabbalistic circle on the floor with a piece of chalk, even whimsically and half in jest, than I can imagine him draped across a bar in the last stages of alcoholic stu­por.

[HPL]”Wasn’t as prudish as is commonly assumed. In fact, he wasn’t prudish at all. But he was puritanic, which in many ways is quite a different thing. The early New England Puritans were the opposite of prudes – could be candid, even coarse, in the realm of sex. Prudery as we know it today, largely, came in with the Victorians. It constituted a Victorian hang-up and Howard loathed everything Victorian.

I’m sure old Mrs. Brundage’s drawings [for the later covers of Weird Tales] merely caused him to chuckle with wry amusement. He thought them commercially shoddy and flamboyant, but he never would have dreamed of tearing off the covers of WT.


Price has a long “Astrological Analysis” which should not be overlooked due to its esoteric nature. In his earlier 1949 “Stars” version of this Price had slipped in many perceptive biographical observations of HPL, among with the astrological flummery.

Followed by “Reminiscences” of HPL by Price, as transcribed from a 1971 convention panel which was sadly cut very short. An earlier speaker had been allowed to over-run and the convention lunch was looming. Not in Lovecraft Remembered.

The Puritan [HPL] was as much at home with the Vieux Carre crowd as he was in his sedate native Providence. One would have thought that he had spent all his life with wine-bibbers and people addicted to riotous living. Some say that he was at ease because he drank spiked punch, not realizing that it was spiked. This is error! We never served punch in the Vieux Carre. HPL needed no grog. The guests gathered about HPL. He held them fascinated. It was beautiful to see how he was charming them. They did not know who he was. He didn’t bother to tell them. His presence was enough.

Price makes it clear that at that time the New Orleans district was a mix of long-time residents as well as artists and writers, and it was far from being gentrified and thus un-liveable for ordinary “every-day standard folk”. He also distinguishes his area from the neighbouring district of brothels.


Supp. #3 has a letter from Price, but nothing is added. #3 also has the long “A MEMOIR OF JACK GRILL By George T. Wetzel”, Grill being a key early Lovecraft collector.


Also of interest at Fanac.org, Howard Phillips Lovecraft – Memoirs, Critiques and Bibliographies (1955).

Bradbury’s “The Exiles” (1950) – the Lovecraft version

06 Wednesday Jul 2022

Posted by asdjfdlkf in Historical context, Lovecraft as character

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My thanks to ‘Susmuffin’ for locating Ray Bradbury’s Martian story “The Exiles” (1950 version), featuring Lovecraft as a character. It appeared in Fantasy & Science Fiction, Winter/Spring 1950. Though a Mars story it is not formally part of The Martian Chronicles, being set long after the end of that cycle. By that time Mars has been abandoned by humans, but the first new colonists are now arriving and they encounter what might be Martian ‘ghosts’ in human form. Ironically, given the censorship theme of the story, the Lovecraft section was excised for later printings of the story.

I’ve extracted it in a printable plain-text form as a PDF, in the hope that a reader with a talent for voices might make it an audio recording for YouTube: Bradbury_The_Exiles_1950.pdf

New on Tentaclii in June 2022

02 Saturday Jul 2022

Posted by asdjfdlkf in Historical context

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Time for another monthly round-up for Tentaclii. As always, please try to support me via Patreon or an occasional PayPal donation or even an Amazon Gift Voucher. Also, please note that I may well be looking for additional regular-monthly paid work from September 2022. If anyone can use my talents for $500 a month, please enquire. Digital magazine production and historical research work are a speciality. At present I’m producing Digital Art Live magazine each month, and have been for years now. To contact me, just post a comment on Tentaclii and I’ll see it.

This month on Tentaclii, in ‘Picture Postals’ I took more deep dives into Lovecraft’s New York City: strolling along Willoughby / Fulton Street, Clinton Street, and also popping into Automats pre and post-Deco. In the most recent posts in this series I put the final touches to the discovery of Lovecraft’s favourite cafe and grocery in Brooklyn, with a useful map, the names of businesses and business-men surround the cafe, and new vintage photos of 169 Clinton Street. I think this burst of New York research is pretty much done now. It adds to the story of Lovecraft’s cafes, most of which turn out to have unusual characteristics or unusual characters who ran them.

I also posted research essays on Lovecraft and Haldeman-Julius’s censorship-busting “Little Blue Books” of the 1920s and 30s, and on Lovecraft’s passing adoration of the now-obscure French writer Remy de Gourmont at the end of his ‘decadent phase’. A question from a Patreon patron also resulted in the short essay “Lovecraft and E.E. ‘Doc’ Smith”. E.E. Smith being a contemporary cosmic tale-weaver but of a very different sort.

I linked to a scan of the Lovecraft poem “New England Fallen”, new at the Brown Repository and not in the collected poetry. A new collection of mid 1960s sci-fi convention programmes being posted on Archive.org enabled me to put a face to Lovecraft’s biographer L. Sprague de Camp. I also found a small new 1923 item by Everett McNeil, “oldster” of the Lovecraft Circle, the non-fiction “The Feast of the Dead”.

I posted my lengthy “Notes on Selected Letters II: Part Two”; “Selected Letters III”, and “Selected Letters IV”. I’m now starting on the final Volume V, again making notes as I go. Relating to a recent ‘Picture Postals’ post, I was pleased to find evidence that Lovecraft did see the hothouses at the Brooklyn Botanic Gardens. The Letters also offered more evidence for his early love of florist’s shops and fine ornamental gardens.

New scholarly books noted this month included Ken Faig Jr, Pike’s Peak or Bust: The Life and Works of David V. Bush (Lovecraft’s major revision client in the 1920s); S.T. Joshi published The Parameters of the Weird Tale, with some Lovecraft-related essays not in his recent volume collected essays on Lovecraft; and also Cosmicism and Neocosmicism in H.P. Lovecraft (forthcoming). New in Spanish was H.P. Lovecraft: poesia fantastica completa (‘the complete fantastic poetry’). I suggested the need for a volume of Lovecraft’s maps, alongside the forthcoming mega-index to the volumes of Lovecraft’s Letters, and outlined a contents-list.

In the arts, the opera A Dream at the End of Time, a Lovecraft musical was staged in Los Angeles for a week’s run. Various forthcoming TV and movie adaptations of Lovecraft were noted. A number of new public-domain audio readings were linked, including The Strange World of Harry Houdini from 1920s issues of Weird Tales. The useful typewriter font ‘X Typewriter’ was found and linked.

In terms of free research materials, this month I found a run of the journal Old-Time New England, 1910-1981 on Archive.org. And as for research tools I made a home-brew mouse-gesture to fix the Opera browser’s problem with Google Search + spellcheck (only relevant if your browser can’t do spellcheck on search-terms you type into the Google Search box).

I was ill for two weeks this month, and so my Doctor Who Tom Baker watch or skip list was updated. Some months back I had stalled in my re-watch at the end of Season 14. But now I’ve also seen series 15, 16, 17 and 18 and have updated the watch/skip list accordingly. I’ve now also ferreted out the ‘watch’ list for the subsequent Doctor Who, Peter Davison (1981-84) which totals 11 stories.

That’s it for June, onward to July!

‘Picture Postals’ from Lovecraft: back to the old house…

01 Friday Jul 2022

Posted by asdjfdlkf in Historical context, Picture postals

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This week on ‘Picture Postals’, back to the city of Providence from New York. A restored and colourised 1971 picture of the sad fate of the site of Lovecraft’s final home, the house at 66 College Street. The roadway is just off-camera to the right.

Though it should be said that his house was at least moved and not destroyed, being slowly rolled through the streets of his city like a ominous rumbling monster. And at least the brutalist late-modernist block (the ‘List Building’ aka ‘List Art Building’, ’64 College Street’) seen here was to be used as an Art History building with an incorporated Gallery and studios. The worthy British art historian Kenneth Clark (Civilization) gave the opening address for the building, another factor Lovecraft might have approved of. Further, the building’s elevation and windows serve to preserve something of Lovecraft’s views across Providence to the west when the leaves are off the trees.

On the right one can see the back of the John Hay Library at Brown, with its back-terrace invisible from this angle. Today this holds Lovecraft’s letters and the Lovecraft Collection.

Lovecraft’s house stood about where the central elevated small block is, as seen here. With a back wing (not seen here) going further back…

As can be seen, by 1971 the quiet 1930s courtyard garden is now a two-part car-park divided by a central wall, but some of the trees and large shrubs on the left may have been retained. They may have once formed a border along which the K.A.T. roamed.

The building’s hilltop position, limited $3m budget and narrow plot required compromises. A page on the Brown website now observes that much of the building often has a dark and haunted feel, which seems most suitable for the site of H.P. Lovecraft’s house. It was largely designed for its incongruous external ‘look’, and was presumably deliberately intended to damage the coherence of the sense-of-place on College Hill. As a consequence…

“Room divisions are awkward and classrooms often artificially-lit … Long empty corridors feel abandoned and ghostly…”

Though a dark and spectral feel is perhaps a good thing. University managements have a tendency to turf out friendless and un-trendy humanities subjects like Art History from fine buildings — especially ones surrounded by leafy and westward hilltop views — for re-use as their own office space. I’ve seen it happen myself, at Birmingham. Monstrosity, gloom and strange angles have their uses, as H.P. Lovecraft could have told the current Art History Dept.

Notes on H.P. Lovecraft’s Selected Letters, Volume 4

29 Wednesday Jun 2022

Posted by asdjfdlkf in Astronomy, Historical context

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Notes on H.P. Lovecraft’s Selected Letters, Volume 4.

The time is the early 1930s.

* As a child, circa 1896-7… “I made my mother take me to all the Oriental curio shops” in Providence. (Page 8).

* “I read French’s [supernatural anthology] Ghosts, Grim & Gentle, & have twice seen the anthologist. He is an old man – must be high in the 70’s – but very vigorous mentally.” The initial meeting was at ‘Uncle’ Eddy’s book shop, and presumably there was also one other meeting there by early 1932. Which suggests that Joseph Lewis French was a Providence resident rather than a visitor. (Page 15).

* “Cram’s ‘Dead Valley’ is great stuff, & makes me wish desperately I could get hold of his other weird stuff. Whitehead knows Cram personally”. This is Ralph Adams Cram, and the story is in his collection Black Spirits & White (1895). Evidently unavailable in the early 1930s even as a loan from Cook or some other weird collector. (Page 15).

* “I’m now helping Whitehead prepare a new ending and background for a story Bates has rejected. … I am having the bruise excite cells of hereditary memory causing the man to hear the destruction and sinking of fabulous Mu 20,000 years ago!” Whitehead’s “Bothon” (1947) carries the storyline in question, but has no trace of incorporation of Lovecraft’s actual language rather than his re-plotting. (Page 37).

* H.P. Lovecraft as a party gatecrasher while visiting New Orleans… at “the celebrated ‘Patio of the Palm’ at 612 Rue Royale, where a titanic Brazilian date-palm springs from the soil of a small court and spreads a strange glamourous green twilight over the whole expanse of flagstones, fountain, and prodigious water-jars. I hung around this place like a thief planning a large-scale cleanup [i.e. burglary], but was finally rewarded when a large party – evidently friends of the inhabitants – called and strolled about the patio and arcade with the gate open!” The implication, discreetly left unstated, is that Lovecraft swiftly tailed them through the gates. This was the Rue Royale, in the French quarter of New Orleans. It’s since been renamed as the less exotic “Royal Street”. No. 612 suffered severe hurricane damage in 1965, which sounds like it would have taken out any large palms. There appears to be no photos of the former garden, only the exterior. No. 612 is now the art gallery ‘Le Jardin’. (Page 46).

* “Stories often result from the oddest & most seemingly irrelevant ideas & glimpses. I am most often moved to composition by vague landscape, atmospheric, & architectural effects – either first-hand or in pictures – though stories, newspaper cuttings, dreams, & all sorts of other things have lain behind many of my efforts”. (Page 84). Harried academics often want a quick fix and hare off to suggest some ‘big name from the canon’ as an influence on the author. But, as Lovecraft says, that’s often not how it works.

* Lovecraft mentions a large public book sale, which might be thought to be the remainder of the stock of Uncle Eddy’s book shop. In October 1932… “Other recent purchases of mine (at an alluring remainder sale) are…”. (Page 90). However, Eddy did not die until April 1933, so that sale can’t be of his stock.

* R.E. “Howard is so used to violence [in Cross Plains] that he can hardly believe it when I tell him that there are no fights on the public streets of the East except in slums & gang-ridden areas.” (Page 125).

* “Some years ago Long and I attempted to explore the Fulton Fish Market section of New York [Brooklyn’s Fulton Street continues across the river] which is full of quaint scenes and buildings. Ordinarily I have about 50 times the vigour and endurance of young Belknap – but for once he had grandpa at a disadvantage! I don’t know where I left the lunch I had eaten an hour previously – for I was too dizzy to read the street signs! In the end I managed to stagger out of the stench without actually losing consciousness.” (Page 139).

* 1933. “Heard a fine lecture on Spinoza – whose contributions to philosophy I appreciate more & more as I get older – at Brown just before the cold spell. It was delivered under the auspices of the newly founded R.I. Philosophical Society – a thing I may join if I find membership worth the annual dollar. … I shall attend later lectures in the course – all dealing with aspects of philosophy”. (Page 140). Wikipedia has the Society as being founded in 1950. Obviously it was actually founded circa 1933, and then perhaps re-founded in 1950 after the war.

* “I liked [the story] ‘The Green Wildebeest’, & have it noted down for mention in any future edition of my [“Supernatural Literature”] article”. (Page 144) This was the opening tale of John Buchan’s collection of club stories The Runagates Club (1928). Buchan’s hero Richard Hannay recounts a mystical tale from his years on the South African frontier.

* Lovecraft finds the movie version of Strange Interlude (1932, seen New Year 1933 with the Longs) to be “excellent”. It’s a cut-down of a four-hour play by Eugene O’Neill, apparently a high-pitched drama about family paternity secrets and a neurotic woman. I can’t see any likely influence on “The Thing on the Doorstep”, written August 1933. One of the characters is somewhat of a Lovecraft-alike, at least visually…

* From September 1932 Lovecraft, seeking to economise even further as the Great Depression gripped, started to use the cheap Carter’s Kongo Black ink. It only cost a “dime-per-2 oz.-bottle”. (Page 147).

* [as a youth] “I loved firearms & could scarcely count the endless succession of guns & pistols I’ve owned. I wish even now that I hadn’t given away my last Remington [rifle].” (Page 158).

* “Half the stories I wrote during that research period (when I was 14, 15, and 16) had to do with strange survivals of Roman civilisation in Africa, Asia, the Antarctic, the Amazon Valley, and even pre-Columbian North America.” (Page 336).

* He gives a hint about what his early destroyed stories might have been like, re: “a youthful mystery of my own … involving the name of Afrasiab. You doubtless recall the closing passage of Poe’s [story] “Premature Burial” … ‘but, like the Demons in whose company Afrasiab made his voyage down the Oxus, they must sleep, or they will devour us – they must be suffered to slumber, or we perish.’ … I wove all sorts of hideously fanciful images about that voyage, and made obscure references to it in many of my juvenile tales. … Only after years did I find out somehow that Afrasiab came from [Hakim] Firdousi’s great Persian epic [the Shah-Namah, which he cannot obtain and so] … I am still ignorant of Afrasiab’s frightful adventure with the daemons.”

Poe scholars cannot find this reference in the Shah-Namah, at least in English, and nor can I. Afrasiab is also to be found in Lovecraft’s story “The Nameless City”… “In the darkness there flashed before my mind fragments of my cherished treasury of demoniac lore … I repeated queer extracts, and muttered of Afrasiab and the demons that floated with him down the Oxus”. Also perhaps relevant is the reference to “Turanian-Asiatic magic” magic in “The Horror at Red Hook”, because Afrasiab was a semi-mythical Turianian king and also a deathless and magic-powered ‘super-villain’ of regional folklore. The sands anciently swamped the cities on the west of the river Oxus and — as Afrasiab was also considered a regional ‘drought-bringing demon’ — I guess the idea of his voyaging the Oxus might perhaps be connected with the natural historic drying of this liminal border landscape?

* “my absence of training in economics and sociology is really a deplorable handicap to me in my efforts to understand the trend of these tense times, when so much of the motivation of nations, as well as their internal problems, depends almost wholly on complex economic consideration.” (Page 169). “I myself, for example, am so ignorant of economics, engineering, finance, and other basic governmental essentials, that no really enlightened nation ought to allow me to vote or hold office.” (Page 224).

* “my old principal is in an insane asylum. The one where my young friend Brobst is now a nurse.” (Page 173) “My only exploration of a madhouse was last year”, that year being 1932, with Brobst at his institution. (Page 191). Lovecraft doesn’t say if he encountered his former headmaster on this visit.

* Lovecraft uses his old telescope (last seen being carefully cleaned in Vol. 3) in the summer of 1933… “Had my telescope out last night – pretty fair sky-vista here. Mars and Jupiter were so close together that I could get them into the same telescopic field with a 150-diameter eyepiece.” (Page 203).

* In the secluded St. John’s churchyard in Providence, Lovecraft would have shown visitors… “the impressive altar tomb [of the astronomer] John Merritt, the London merchant who came to Providence in 1750 & had the first coach, first astronomical telescope, & first globes in town.” (Page 276).

* His beloved Prospect Terrace was… “on my direct route downtown from 10 Barnes St.” (Page 273).

* Lovecraft concedes that religion does at least, behind the veneer of “fictitious heavenly authority”… “embody a vast amount of really useful precept – the massed experience of mankind worked out by trial & error” (Page 278). Yet “It would have been far better if we had kept our classical conception of ethics as a matter of beauty, good sense, & taste … for its survival would not then have been so imperilled by the decline of [the Christian] religion.” (Page 279).

* In the opening weeks of 1934 he reads Weigall’s Wanderings in Roman Britain (1926) and this overturns his previous conceptions of the likely ‘root historicity’ of the mythical King Arthur. Arthur is now deemed by Lovecraft no longer a Welsh “Cymric-speaking tribal chieftain”, but rather ‘the last of the Romans’ alive in the British Isles after the withdrawal of the Legions. (Page 292 onward). This is interesting in terms of its suggesting that Lovecraft had not seen book reviews of Weigall’s reputable book, which went through four editions. Nor it appears had he even heard of the idea being put forward, which might indicate that in the years 1926-1934 he was not really following British archaeology or Dark Ages history. This seem curious for one who had by then been corresponding with R.E. Howard on such topics for three years. Incidentally, note that a recent book on the main root possibility for a ‘Roman King Arthur’, i.e. deriving from a “Celtic-Roman Artorius”, fairly conclusively undermines the evidence for the idea.

* In 1933 he is still using his… “#2 Brownie which I bought 26 years ago – in far-off 1907. A sturdy two dollars’ worth!”. His early Box Brownie was one of the first mass-market ‘snapshot’ cameras.

* “I have for years been thinking of basing a tale on the celebrated Oracle of Trophonius – that yawning cave whose nighted revelations were such that none who had received them ever smiled again.” (Page 325).

* A dream indicates the possible date when Lovecraft discovered that he could see from his room the lads in the neighbouring frat house. This is evidenced in “The Haunter of the Dark” (“Students in the Psi Delta house, whose upper rear windows looked into Blake’s study…”). Lovecraft had moved into No. 66 College St. in May, and thus only in November would the leaves be off the trees to reveal previously concealed neighbouring windows — and views into them in the early evening before curtains were pulled. A November 1933 letter appears to offer confirmation of this view, and the strong impact of its revealing on Lovecraft… “Last week I had a very vivid dream of forming the acquaintance of a group of quiet, well-bred, and apparently wholesome young men, all of whom lived in quasi-bohemian apartments in ancient houses along a hill street in Providence which I had never before discovered”. (Page 235). Later used for the late and rather ponderous Derleth story “The Dark Brotherhood”.

* January 1934… “H.C. Koenig has for some time been lending me books on witchcraft from his remarkably extensive library.” (Page 347) Early in Vol 5. he remarks that he is continuing to get regular batches of such books from Koenig.

* Lovecraft appears to have first met his New York friend la Touche in 1924 and through Henneberger… “I met him in Henneberger’s suite at the Hotel Empire in N.Y. … the old-time wit & columnist La Touche Hancock” (Page 369).


And a little bit from Vol. 5, to go to the end of 1934:

* “No real civilisation wishes to change anyone’s opinion, except through rational arguments designed to make the holders of error see the error of what they have been holding.” (Vol. 5, page 13).

* For his long stay in Nantucket he roomed at the “Overlook”. (Vol. 5, page 25). This is now the ‘Veranda House’ at 3 Step Lane, Nantucket. It was known as the ‘Overlook’ from 1930-45. Named for its… “three spacious verandas on each of the three sides of the house, where patrons may enjoy the benefit of the sea breezes”.

The view.

The hotel. This was the cheapest he could find.

* He finishes 1934 with his aunt’s powerful radio set, as they listen by the Christmas tree to the hour-long British Empire Christmas broadcast of… “Etheric [short-wave radio] conversations between London & the uttermost reaches of our Dominions – Australia, Tasmania, Canada, India, South Africa, & so on – with other area sages from Scotland, Ireland, Liverpool, & a country place in the Cotswolds… & finally an address by the King. I don’t know when I’ve ever had a greater imaginative stimulus.” (Vol. 5, page 84). Live, the hour was an intricately coordinated triumph of radio engineering and clear evidence of the new medium’s global reach. The British Empire then still ruled a quarter of the world’s people, so Lovecraft’s fond cry of “God Save the King!” was no archaism.

Still from the excellent movie “The King’s Speech”.

Arthur Leeds in The Black Cat

28 Tuesday Jun 2022

Posted by asdjfdlkf in Historical context, Kittee Tuesday

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An Arthur Leeds crime one-pager from The Black Cat, March 1920. Newly on Archive.org.

And a longer railway tale in the May issue, “Over the Great Divide”.

The Letters of Edgar Allan Poe

27 Monday Jun 2022

Posted by asdjfdlkf in Historical context, Scholarly works

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Online for free, The Letters of Edgar Allan Poe in the revised two volume Gordian Press edition: Vol. 1 and Vol. 2 (both 1966).

Also, from the same worthy press and site, Poe’s collected Imaginary Voyages (1994). This is also on Archive.org “to borrow”, but here it’s free in full-text.

The Feast of the Dead

25 Saturday Jun 2022

Posted by asdjfdlkf in Historical context

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A newly discovered item from Everett McNeil, “oldster” of the Lovecraft Circle. Published in Comfort magazine, September 1923, a short syndicated item titled “The Feast of the Dead”.

In 1913 the same paper ran his long biography of Kit Carson. He had previously published the historical novel With Kit Carson in the Rockies; a tale of the beaver country (1909).

de Camp in 1966

23 Thursday Jun 2022

Posted by asdjfdlkf in de Camp, Historical context

≈ Leave a comment

A large collection of science-fiction convention programmes have recently arrived on Archive.org. Among these is the Tricon 1966 (a Worldcon, Ohio) convention booklet. This features a cover by Kelly Freas depicting Lovecraft’s first full-length biographer L. Sprague de Camp.

And another inside, an ink drawing by Joseph Wehrle.

And Progress Report 1 has a good photo, which I’ve enhanced a bit.

Incidentally, there’s a new blog dedicated to de Camp and his fiction, at Sprague de Camp Fan.

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