Tavik Frantisek Simon

Tavik Frantisek Simon (1877-1942)

Brooklyn Bridge, New York (1927)

“I had seen it in the sunset from a bridge, majestic above its waters, its incredible peaks and pyramids rising flowerlike and delicate from pools of violet mist to play with the flaming clouds and the first stars of evening. Then it had lighted up window by window above the shimmering tides where lanterns nodded and glided and deep horns bayed weird harmonies, and had itself become a starry firmament of dream, redolent of faery music, and one with the marvels of Carcassonne and Samarcand and El Dorado and all glorious and half-fabulous cities.” — “He” (1925) by H.P. Lovecraft, based on a longer description given in a letter, of sitting with Loveman watching the sunset after a long day of walking in May 1922.

Under the Brooklyn Bridge, New York (1927)

“… the lapping of oily waves at its grimy piers and the monstrous organ litanies of the harbour whistles.” — “The Horror at Red Hook” (1925)

New York Public Library (1927)

The library now has a notable archive of letters by Lovecraft.

“Lovecraft began reading Providence in Colonial Times at the very end of July 1925. Since he could not check the book out of the New York Public Library [he] had to read it in the genealogical reading room during library hours” — S.T. Joshi, H.P. Lovecraft: a life (1996).

New York at Night (1927)

“the horror tales of deep and dark chasms have their realistic counterpart in descriptions of the cavernous streets of Manhattan.” Unknown article including some commentary on Lovecraft in Landscape: Volumes 15-16 (1965).

Seventh Avenue at Night, New York (1929)

“Loveman, Howard and FBL dropping in at a cafeteria on Seventh Avenue for coffee and doughnuts, a rather stocky figure arising from a table near the door. “Howard, how are you? Sam didn’t tell me you were in New York!” — Marginalia, 1944.

Marina Warner on The Arabian Nights

Lovecraft was a big fan of the The Arabian Nights in his youth, and he’d no doubt be pleased to hear the the foremost British writer on myth and fairytale has written a 500-page book about it. Independent scholar Marina Warner‘s Stranger Magic: Charmed States in the Wake of the Arabian Nights is due to be published by Chatto & Windus in the UK, and Random House in the USA. Seems they’re going to try and get it out for the New Year book token market.

“A dazzling history of magical thinking, exploring the power of The Arabian Nights and its impact in the West, and retelling some of its wondrous tales. […] Translated into French and English in the early days of the Enlightenment, this became a best-seller among intellectuals, when it was still thought of in the Arab world as a mere collection of folk tales. For thinkers of the West the book’s strangeness opened visions of transformation: dreams of flight, speaking objects, virtual money, and the power of the word to bring about change. Its tales create a poetic image of the impossible, a parable of secret knowledge and power. Above all they have the fascination of the strange — the belief that true knowledge lies elsewhere, in a mysterious realm of wonder. […] With startling originality and impeccable research, this ground-breaking book shows how magic, in the deepest sense, helped to create the modern world, and how profoundly it is still inscribed in the way we think today.”

Marina Warner can be heard discussing The Arabian Nights on BBC Radio 4’s highly recommended In Our Time programme (UK access only, those outside the UK try here).

Current trends in fantasy/SF publishing

The bull-o-meter nudges the top end of the scale in some of the opening publisher quotes in The Library Journal‘s new cover article on the fantasy/SF renaissance. But otherwise it’s an interesting survey of the ‘big publisher’ trends in the mad scramble from Sept to Xmas. The highlights…

* Gritty ‘dark fantasy’ infiltrates the sort of over-padded fantasy epics that you can stop a door with. But who wants to slog through a 3,000 page trilogy full of ‘grim’, in the current climate?

* A new trend for historical/fantasy desert settings, Arabian Nights style. Interesting. I could imagine a lot of Lovecraftian elements could creep in there, if done well. There’s certainly a lot of public domain material to mine for authentic descriptions and background.

* Growth “in the male urban fantasy market”. That sub-genre must have completely passed me by. Sounds like it’s a 20-something target market, for guys afraid their manhood will shrivel up and fall off if they read about faeries and elves?

* Authors who write about zombies are moving them into political satire and comedy. Best place for them. They’re such dull monsters, the only thing left to do is poke fun at them.

* Steampunk continues to flounder about looking for fresh settings and twists, judging from the article.

* New galactic-spanning space adventures have become very rare, as 50-something SF authors churn in a mire of near-future gloom and angst. Publishers will be republishing their old “upbeat” space epics, to compensate.

* There’s a gap in the market for smart optimistic young-adult hard SF, which will increase as the economic recovery starts.

The biggest news is probably that Neal Stephenson is back with a new novel, Reamde, in September. It’s another 1000-page doorstopper. I don’t mind the size and I really enjoyed Anathem — but it seems that Reamde is more like Cryptonomicon which while gripping was forgettable. No news of any new book from Stephen Baxter, sadly.

Clinton St. in colour, 1941


Lower Clinton Street, Near East River, NYC, 1941. Is this the right Clinton St. for Lovecraft?

More here


The present-day location of Lovecraft’s “dismal” room at 169 Clinton Street. It was then on the fringes of the Red Hook slum area. The Brooklyn Heights blog explains…

“Lovecraft’s description of 169 Clinton, at the corner of State Street, as “at the edge of Red Hook” may seem odd to Heights residents today, but in the 1920s “Red Hook” included all or much of what we know now as Cobble Hill and Carroll Gardens, as well as what we now call Red Hook.”

Berkeley Square restored

The 2011 H.P. Lovecraft Film Festival will be showing a restored print of Lovecraft’s favourite movie, the time travel feature Berkeley Square (1933).

“This movie was considered by many to be lost […] This will be the first time this print has been screened, and probably the first time the movie has shown anywhere in decades.”

The Dunwich Horror theatre show, London

New theatre production of “The Dunwich Horror”, set to be staged this Autumn in London England…

“This production has been in development for over a year, from a script completed after extensive work-shopping. The premise was to keep extant as much of the text from the original story as possible, while opening up the piece to an engaging theatrical experience. The production will take place as part of the London Horror Festival at the Courtyard Theatre [Hoxton, London UK]”

No dates or box office yet, but the Festival dates are 25th Oct – 27th Nov 2011.

Spawn of the Green Abyss

This sounds fab. S.T. Joshi’s fave mythos stories collected in one volume (forthcoming)…

Spawn of the Green Abyss

“The House of the Worm” (1933) by Mearle Prout.
“Far Below” (1939) by Robert Barbour Johnson.
“Spawn of the Green Abyss” (1946) by C. Hall Thompson.
“The Deep Ones” (1969) by James Wade.
“The Franklyn Papers” by Ramsey Campbell.
“Where Yidhra Walks” by Walter C, DeBill, Jr.
“Black Man with a Horn” by T.E.D. Klein.
“Nethescurial” by Thomas Ligotti.
“Black Brat of Dunwich” by Stanley C. Sargent.
“The Phantom of Beguilement” by W.H. Pugmire.
“…Hungry…Rats” by Joseph S. Pulver, Sr. (new in this edition).
“Virgin’s Island” by Donald Tyson (new in this edition).

Lovecraft Annual 2011 now shipping

Shipping now, the Lovecraft Annual No.5 (2011).

Locked Dimensions out of Reach: The Lost Stories of H. P. Lovecraft

Cosmic Maenads and the Music of Madness: Lovecraft’s Borrowings from the Greeks

Blacks, Boxers, and Lovecraft

On H. P. Lovecraft’s “The House”

From Bodily Fear to Cosmic Horror (and Back Again): The Tentacle Monster from Primordial Chaos to Hello Cthulhu

Lovecraft and I

Lovecraft and the Sublime: A Reinterpretation

Lovecraft: A Gentleman without Five Senses

Endless Bacchanal: Rome, Livy, and Lovecraft’s Cthulhu Cult

“Cool Air,” the Apartment Above Us, and Other Stories

Lovecraft’s “The City”

Lovecraft and the dragons

In 1926 the Bronx Zoo exhibited some captured “dragons” (250-pound carnivorous Komodo dragons), which Lovecraft and his circle went along to see…


From Wonders of Animal Life, circa 1930s.

Interestingly, the dragon exhibition also directly inspired King Kong


From: King Kong: the history of a movie icon from Fay Wray to Peter Jackson, by Ray Morton.

They don’t seem to have directly inspired Lovecraft, unless perhaps you count the description of Cthulhu…

“a scaly, rubbery-looking body, prodigious claws on hind and fore feet” — “The Call of Cthulhu”.

Lovecraft may also have seen evocative photos of their habitat in the magazines…

“Ugly roots and malignant hanging nooses of Spanish moss beset them, and now and then a pile of dank stones or fragment of a rotting wall intensified by its hint of morbid habitation a depression which every malformed tree and every fungous islet combined to create.” — “The Call of Cthulhu”.