Sea-creatures in cinema

France has a new National Maritime Museum and its opening blockbuster exhibition examines…

“the representation of the seas and sea-creatures in cinema”

The show is open now in Paris, and runs until 5th May 2024. It covers the entire history of film from the first silents to the latest SFX. There’s also a 320 page catalogue.


Also of interest, the Korshak Collection visits Florida, for a gallery exhibition running 8th March – 28th April 2024…

The Korshak Collection features works by pioneering artists from over a century of published science fiction, horror, and fantasy. These original adventure and fantasy illustrations appeared on the covers and pages of timeless novels, and in classic pulp magazines from the 1930s through 1960s such as Amazing Stories, Weird Tales, Fantastic Adventures, and Wonder Stories.

HPL photoreal – a quick test

Lovecraft in 3D + Stable Diffusion. Made by taking the Meshbox 3D Lovecraft poseable figure (purchase | free face expression presets) for the Poser software, improving the skin a bit by tinkering with materials, and then doing a quick simple render in Poser with a 50mm virtual camera (a 50mm lens is best for portraits).

Then I used this quickie render from Poser in a ControlNet (simple ‘canny’ and ‘depth’) for AI image generation. Which in InvokeAI 3.0 and Stable Diffusion 1.5 produced a photoreal mugshot…

Then slight Photoshopping to fix the hair (little duck-tail quiff: ‘AI say no’), desaturate the skin a little, and vignette. And… the proof-of-concept portrait was done. It’s a bit ‘waxworks figure from del Toro’s basement’ if you look at it for too long. Fish-eyes too (he’s going to Innsmouth soon). But it’s reasonable for a first test without any work on the expression or pose.

LORA links

More ‘style LORAs’, plugins for AI models, new in the last ten days or so. Plucked from among the daily tidal-wave of LORAs for individual game and anime characters. These are for use with a suitable AI model, plugged into desktop software such as InvokeAI or ComfyUI.

SyFyEye1 – v2.0. Big sci-fi landscapes, with large planets / moons in the sky, veering towards ‘wallpaper’ rather than old-school space-art.

The above might be used in combination with the also-new Grand Scale LORA.

The Shadow v1.0. The pulp character.

Aliens from “Mars Attacks”.

Horror Manga in the modern b&w manga style. Looks a bit toony, but you might be able to push it more towards a Junji Ito look. Perhaps in combo with the new Junji Ito LORA, even.

Book cover with face. Possibly of special interest to RPG makers needing artwork.

Alfred Bestall Style, creator of the British comics character Rupert the Bear. Also looks useful for a ‘1930s vintage artwork’ look with suitably muted printed colours, rather than the garish colours of modern reprints. However, to ‘de-age’ faded paper prints and old paintings a bit, you might look at the White Papper LORA.

By the way, the latest power-metric for AI image-making speedsters is… “cats per second” (CPS). Several new tweaks / modules have recently enabled near real-time AI generation of images. At the same time the power-draw is going down. These things will be running in a display panel on the side of your breakfast toaster before long. Or perhaps first in a nude-y camera, given the interests of most AI users.

In the Japanese Gardens

Given the dreary weather, for this week’s ‘Picture Postals from Lovecraft’ post it seems suitable to revisit one of Lovecraft’s favourite places. The Japanese Gardens at the Brooklyn Botanical Gardens, if only in b&w. These had opened in 1915…

… and were thus barely a decade old when Lovecraft encountered them in the mid 1920s.

Here we see a Lovecraft-alike writing near the bridge of the Japanese pond, with its bronze storks.

These are apparently from circa 1925, and are thus as Lovecraft would have seen it.

The place was also open in winter, when the hot-houses would have been the main draw. But after a fresh fall of snow the Japanese Gardens would also have had a certain allure. New York had several record-breaking snow-storms during Lovecraft’s time there. Again these pictures are from near to the time that Lovecraft was in New York City.

Popular Magazine

Popping up on Archive.org, a scan of The Popular Magazine for July 1908. Let’s take a look at what might have appealed to Lovecraft. Joshi has him regularly reading… “Street & Smith’s Popular Magazine around 1905–10″.

Cover: finishing from the deck of a crowded passenger boat. Hmmm, somewhat lacking in fish-monsters.

Looking at the contents, things get more interesting the further toward the back one goes. There one finds items such as…

THE WHITE MAN’S GIFT. A tale of stirring adventure on the Patagonian pampas.

THE WHITE VEIL OF MYSTERY. Tells of the coming of two ships to a strange rock in the ocean.

TALES OF THE LOST LEGION. A Series.

Otherwise, conventional historical sea adventures, modern business tricks, mining and gold in the west, prehistoric adventure.

Even the above three pale when looked at more closely. For instance “White Veil” has nothing of “the bells of faery” about it. “The Lost Legion” is not about Ancient Romans and not set in northern England, but is a ‘lost race’ tale in America.

There are also a number of half-page fillers, such as this which brings to mind “The Dunwich Horror”…

THE two heaviest boys in the world live on a farm in Texas, and, although their united ages do not exceed fourteen years, their combined weights total 360 pounds. The elder boy—William Ashcroft — looks a veritable mountain of flesh … At five years of age he was as large as a full-grown man.

Otherwise it’s difficult to see what Lovecraft saw in it, based on this one issue, though it did sometimes carry more unusual material. September 1907, also on Archive.org, seems equally lacking in any Weird Tales type material. My guess is he picked it up for the sequel to Haggard’s famous She in early 1905, and soon after bagged a discounted three-year subscription. It certainly was good value, 224 pages a month for 15 cents.

Limbo and companions

In a recent survey of AI LORAs, I found one that made images that resemble the style of the ground-breaking Limbo videogame. Some readers might be curious about the look of the game. So here’s my four-page survey of the small but perfectly-formed sub-genre of such games, from DAL #49 (the ‘Mono’ issue, May 2020).

It’s likely a few more have appeared in the last three years, though I don’t recall spotting any in PC Gamer or Edge.