New Fossil

The latest issue of The Fossil is out now July 2014, #360. Including a detailed round-up of snippets of news on the status of various collections of amateur journalism items from the Lovecraft period, which are very slowly starting to get some basic indexing work done on them…

Joseph Ditta, Reference Librarian at The New York Historical Society’s Patricia D. Klingenstein Library, replied to an inquiry about their collections. “Our collection of amateur periodicals is fairly sizable, filling 28 boxes on 12 shelves. It is not cataloged, unfortunately, but in 2010 an intern went through most of the collection and created a spreadsheet listing the titles found in each box. Her list does not include holdings information, or dates, and she stopped at the second box of ‘S’ titles. Still, this partial list includes over 1,500 titles, which gives some sense of the extent of the collection.”

Library of Congress’s [amateur journalism] collection … After viewing Excel spreadsheets that Ivan Snyder and Tom Parson are in the process of creating to track their collections, I created one that lists the 6,804 publications held by the LoC. Although it is preliminary, I would be glad to share a copy upon request”

It seems the LoC’s ‘X Collection’ PDFs (on archive.org) were created simply as an initial index to their boxed collections of pamphlets and emphemera, to aid physical retrieval for scanning when an item is requested by a scholar. Presumably as individual items are scanned on request, the scans will then start to pop up on Archive.org. Inklings is perhaps one of the journals runs it would be most interesting to have in full.

Also included in The Fossil issue #360 is “A Visit to Haverhill” by David Goudsward, which covers almost the same ground as Goudsward’s recent book. And David M. Tribby on the “United APA: Gone But Not Forgotten”, the United Amateur Press Association being Lovecraft’s amateur alma mater.

On H.P. Lovecraft’s 124th birthday

Lovecraft has inadvertently become rather fortunate, posthumously, in the timing of his birthday. The rush to Halloween now comes so early that, at least in terms of new commercial products and their ever-bubbling pot of publicity, it now seems to start around 1st Sept — a full two months before the actual date. So one wonders if we’re moving toward a situation where the 20th of August will effectively serve as the “starting gun” for Halloween?

But here we are for 2014. Happy 124th birthday HPL, wherever your dark shade lurketh in Providence. What free presents or cool tributes have pitched up on ye Great Interwebs, so far today?

* Pete von Sholly has painted a very handsome new triptych portrait in oils…

triptych 1-3 OIL

* A big Lovecraft Readathon at the Providence Public Library. Also a big slide-show ‘sitting tour’ of Providence which is… “a joint production of Hamilton House, The H.P. Lovecraft Archive, and The Lovecraft Arts and Sciences Council”.

* The city of Phoenix, Arizona stages a big arty Lovecraft party. Play ‘Pin the tentacle on the shoggoth’, anyone?

* 2014 Second Life H.P. Lovecraft Festival, in the online world of Second Life.

* Queen City Gallery, Buffalo, USA, has a Lovecraft themed art show to celebrate the 124th birthday.

* A free tabletop role-playing game adventure for HPL’s birthday, ‘The Serpent Ring’ for the Unbelievably Simple Roleplaying (USR) game system.

* Geoff Gillan’s “The Machine King” is a free “Chaosium Dreamlands book”, launched for the birthday under Creative Commons, that has not seen the light of day until now. It’s for the Cthulhu by Gaslight role-playing game…

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* The Voice Before the Void has completed an audio reading of “Bothon” by Henry S. Whitehead with H.P. Lovecraft (published Amazing Stories, 1946).

* Very possibly a fake, but a nice birthday fake if that’s the case…

birthday

Update:

* Dakota Rodeo visits the Arthur H. Goodenough house with her sister and friend, for H.P. Lovecraft’s birthday, and makes interior photos.

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Update:

Jason S. Voss of Arizona made a new portrait for the birthday, “Lovecraft: Explorer of Strange Worlds”, which seems to me to capture the flinty side of HPL’s character.

Jason_S._Voss_Lovecraft_Explorer_2014

Update:

NecronomiCon 2015 announced with guest details and more for this major Lovecraft convention of scholars and fans.

Literary Representations of the British Museum

An interesting and carefully crafted new undergraduate dissertation, “A Density of Meaning”: Literary Representations of the British Museum, 1818-1929, which may interest some readers and Mythos writers seeking background research…

Since its establishment in 1753, The British Museum has become one of the iconic museums of the world. It is the home of countless treasures of the ancient world, including the Elgin Marbles, the Rosetta Stone, and the Assyrian Lamassu. Due to the large shadow it casts, the British Museum appears in unexpected places, including literature. Various authors and poets have interacted with the British Museum in their writing, both upholding and reworking its different meanings and processes.”

Sadly the author didn’t unearth that Lovecraft placed a copy of The Necronomicon in the British Museum Library (later known as the British Library). Lovecraft implies its presence there in “The Case of Charles Dexter Ward”…

Letters soon told of his safe arrival, and of his securing good quarters in Great Russell Street, London; where he proposed to stay, shunning all family friends, till he had exhausted the resources of the British Museum in a certain direction. [then followed] his departure for Paris, to which he had before made one or two flying trips for material in the Bibliotheque Nationale.” (“The Case of Charles Dexter Ward”, 1927)

In his “The History of the Necronomicon” he was privately more explicit…

Of the Latin texts [of The Necronomicon] now existing one (15th cent.) is known to be in the British Museum under lock and key” (“The History of the Necronomicon”, 1927)

Then he was more publicly explicit in “The Dunwich Horror”…

Correspondence with the Widener Library at Harvard, the Bibliotheque Nationale in Paris, the British Museum, the University of Buenos Ayres, and the Library of Miskatonic University at Arkham had failed to get him the loan of a book he desperately wanted” (“The Dunwich Horror”, 1928)

Lovecraft never had the funds to visit London for himself, but he heard from others as they passed through. Galpin, for instance…

The card from antique Londinium duly came, & filled me with envy at your opportunity to behold civilisation’s capital, if only for a single full day. If I were in Europe, I would devote not less than 2 or 3 weeks to London — & might not get outside of Britain at all. The British Museum card surely reveals one of my (or Klarkash-Ton’s or Sonny Belknap’s) extra-human monsters in disguise — indeed, I am positive that this entity reached Java as a relique of sunken Mu, or of the still more monstrous & fabulous R’lyeh! Thanks!” (Lovecraft, on receiving a postcard from the British Museum, 1932. Letter to Alfred Galpin, 28th August 1932)

javanshadowAbove: Javanese shadow puppet at the British Museum, possibly the sort of art Lovecraft was referring to.

Lovecraft and a World in Transition: content list

Full contents list for S.T. Joshi’s forthcoming book of collected essays on Lovecraft, Lovecraft and a World in Transition.


Contents

Introduction

I. Biographical Studies

Lovecraft and Weird Tales
Further Notes on Lovecraft and Music
Lovecraft’s Library
Lovecraft’s Revisions: How Much of Them Did He Write?
Lovecraft and His Wife
Lovecraft and the Films of His Day
The Rationale of Lovecraft’s Pseudonyms
Lovecraft and the Munsey Magazines
Barbarism vs. Civilization: Robert E. Howard and H. P. Lovecraft in Their Correspondence

II. Philosophical Studies

The Political and Economic Thought of H. P. Lovecraft
“Reality” and Knowledge: Some Notes on Lovecraft’s Aesthetic
In Defence of Dagon and Lovecraft’s Philosophy
Lovecraft’s Alien Civilisations: A Political Interpretation
Lovecraft and a World in Transition
Lovecraft and the “Big Issue”
H. P. Lovecraft: The Fiction of Materialism
Lovecraft and Religion
Time, Space, and Natural Law: Science and Pseudo-Science in Lovecraft

III. Thematic and Textual Studies

Autobiography in Lovecraft
Lovecraft’s Other Planets
Textual Problems in Lovecraft
The Structure of Lovecraft’s Longer Narratives
The Dream World and the Real World in Lovecraft
Topical References in Lovecraft
Humour and Satire in Lovecraft
A Guide to the Lovecraft Fiction Manuscripts at the John Hay Library

IV. Studies of Individual Works

Who Wrote “The Mound”?
On “The Book”
On “Polaris”
On “The Tree on the Hill”
Lovecraft and the Regnum Congo
The Sources for “From Beyond”
On “The Descendant”
What Happens in “Arthur Jermyn”
“The Tree” and Ancient History
Lovecraft and Dunsany’s Chronicles of Rodriguez
Some Sources for “The Mound” and At the Mountains of Madness
The Case of Charles Dexter Ward
Excised Passages from “The Thing on the Doorstep”

V. On Lovecraft’s Essays, Poetry, and Letters

“History of the Necronomicon”
“Supernatural Horror in Literature”
Two Spurious Lovecraft Poems
A Look at Lovecraft’s Letters
Lovecraft’s Fantastic Poetry
Lovecraft, Regner Lodbrog, and Olaus Wormius
Lovecraft’s Essays

VI. On Lovecraft’s Legacy and Influence

The Development of Lovecraftian Studies: 1971–1982
R. H. Barlow and the Recognition of H. P. Lovecraft
A Literary Tutelage: Robert Bloch and H. P. Lovecraft
Passing the Torch: H. P. Lovecraft and Fritz Leiber
Lovecraft at Last
The Cthulhu Mythos
The Recognition of H. P. Lovecraft, 1937–2013

Sources

Index


Lovecraft Annual No. 8

Lovecraft Annual No. 8 (2014) is now listed on the Hippocampus Press website.


Editorial

H.P. Lovecraft, Letters to Farnsworth Wright.

R.H. Barlow, “The Night Ocean”.

Dustin Geeraert, “Sanity, Subjectivity, and the Supernatural: Dreams of the Devil in Existentialism and the Weird Tale”.

James O. Butler, “Terror and Terrain: The Environmental Semantics of Lovecraft County”.

Phillip A. Ellis, “Two Poets and Beauty: H.P. Lovecraft and James Elroy Flecker“.

Kenneth W. Faig, Jr., “Lovecraft’s Third Meeting with David V. Bush”.

J.D. Worthington, “Echoes of a Warrior Poet: The Influence of Alan Seeger on Lovecraft”.

Reviews

Briefly Noted


Note that when the store says “SHIPS FREE WORLDWIDE WITH ANY OTHER PURCHASE” it seems to mean anything other than another Lovecraft Annual, since they all have that same rider. I checked, and found the checkout adding $17 extra shipping for two different Lovecraft Annual copies.

One wonders if the “Letters to Farnsworth Wright” include previously unpublished missives?

Home Brew

This is what Home Brew looked like. Lovecraft wrote the serial ‘shockers’ “The Lurking Fear” and “Herbert West – Reanimator” for the magazine, at the request of the editor who was also a fellow ‘amateur journalist’. It was a short-lived attempt to break out of amateur journalism and make a ‘free speech’ magazine that had some income and ‘crowd appeal’.

HomeBrew

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home-brew

The_Lurking_Fear_en_Home_Brew_

LurkOne

Lovecraft’s core classical reference works

Lovecraft’s three key recommendations for vital encyclopaedias of the classical world, given by him in Fritz Leiber and H.P. Lovecraft: Writers of the Dark (2004). All now online…

* Harper’s Dictionary of Classical Literature and Antiquities. Probably had by Lovecraft in the Second Edition, 1897. Owned by Lovecraft, but its whopping 1,700 pages explains why he was unwilling to mail it to Leiber as a loan. Lovecraft also called it… “a volume without which I could not exist”, suggesting another reason for not parting with it on loan. It is obviously an extremely comprehensive work, so much so that one has to wonder why Hypnos has only the most cursory four-word entry: “The god of sleep.”.

* Manual of Classical Literature : from the German of J.J. Eschenburg. Owned by Lovecraft in his grandfather’s 1846 edition.

* Baird’s The Classical Manual. Owned by Lovecraft. A sort of student equivalent of the above manual.

Glowing creatures

A visual taxonomy of glowing creatures, a new infographic made by Eleanor Lutz.

glowingEleanorLutz

absolutely marvellous firefly display … All agree that it was unprecedented, even for Wilbraham. Level fields & woodland aisles were alive with dancing lights, till all the night seemed one restless constellation of nervous witch-fire. They leaped in the meadows, & under the spectral old oaks at the bend of the road. They danced tumultuously in the swampy hollow, & held witches’ sabbaths beneath the gnarled, ancient trees of the orchard”. [Lovecraft went to bed afterwards, intending to dream the fireflies into…] “spectral torches, & about the lean brown marsh-things (invisible to mortal eyes) who wave & brandish them in the gloaming when the unseen nether world awakes.” — letter to his aunt Lillian, 1st July 1928, kindly supplied in transcript by David Shultz.

Chaosium’s contempt

Interesting snippet from Sandy Petersen, on the early history of Call of Cthulhu (tabletop role-playing game)…

I remember when I was [first] doing Call of Cthulhu at Chaosium, the people there had contempt for Lovecraft — they thought he was a hack writer — but they wanted me to work on the game. They were smart; they said ‘we don’t respect this property, but Sandy Petersen does, so he’s the better person to design it!’

Whitehead: Editoral Prejudice Against the Occult (1922)

EDITORIAL PREJUDICE AGAINST THE OCCULT (The Writer, 1922)

By Henry S. Whitehead.

Said a famous editor not so very long ago in writing to one of his contributors : “but my dear fellow, if you are aiming to enlist against you the suspicion — nay, the actual enmity — of the average editor, send him a Ghost Story, a Fairy Story, or a Dream Story. If you want to be absolutely certain of such an effect, make it a Dream Story!” These three classes of stories may be said to merge into what is generally understood under the caption, “The Occult.” And “the occult” in this general sense of the term is banned by most magazines. Authors who “try one on an editor” are apt to get their tales back in haste; yet there is the well known fact that readers revel in tales of this general type! Moreover, there is hardly an author of note who has not done good work in this field, or at least tried his hand at “the occult.”

It is, for example, to “The Messenger” written in the golden nineties, that the partizans of Robert Chambers are apt to turn in his defence when pressed. It appears to be conceded that “The Mark of the Beast” is Rudyard Kipling’s high-water mark. Has any comparatively modern tale been reprinted more times than “The Phantom Rickshaw”? Does not Bram Stoker’s finger clasp relentlessly the edge of “the granite brink in Helicon” (Ezra Pound) because of “Dracula”? Possibly the editorial tradition noted is still laboring under the weight of the Gothic Ghost — the kind of ghost which rattled its chains in “The Castle of Otranto”; but Walpole was not a Mary Wilkins Freeman. The ghosts of the pre-Poe period arc quite hopeless unless as material for getting a Ph.D.! They are not the “ghosts” of Arthur Machen, or Rudyard Kipling; of M. R. James, or Algernon Blackwood. They are not even kindred to the “ghosts” of Elliott O’Donnell, Miss Freeman, George Adams Cram, or Ambrose Bierce, to say nothing of William Hope Hodgson and his “Carnacki,” or even W. W. Jacobs, who has to sandwich his “ghosts “in between tales of “Ginger Dick”and “Wappin Old Stairs” to get a hearing for them!

What real reader does not know “John Silence”? Who, once having dipped into “The House of Souls” would not set it down as the third of the five books to take into life imprisonment with him — or even the second, if he be a Baconian. It seems hardly necessary to adduce to-day’s enormous interest in spiritistic phenomena in this connection, although this would be a legitimate argument in favor of “the occult as showing which way the popular wind is blowing. The word “spiritism “at once conjures up the names of Sir Oliver Lodge and Sir Arthur Conan Doyle, as well as The Proceedings of the Society for Psychical Research. And it is a fact that there is just now growing up a generation of readers for whom the Doyle of “Sherlock Holmes” is an obsolescent figure, disappearing behind the Doyle who is championing spiritism.

Fairy Stories ! Howard Pyle ! Andersen ! The Grebruder Grimm! Andrew Lang! Why, the last-named dear old gentleman must have made a comfortable fortune with his kaleidoscopic catena of Fairy Books! It would be interesting to know what proportion of the constant readers of the Strand Magazine take it for the monthly fairy tale. Dreams! “Peter Ibbotson”! “A Dream of Armageddon”! “Gerontius”! “Dream Life” and “Reveries of a Bachelor”! “Dreams”! Du Maurier, H.G. Wells, Cardinal Newman, Donald G. Mitchell, and Olive Schreiner! Could any other common interest conceivably have brought together such a group of diverse intellects? Dreams make queer assortments of literary bedfellows. And it is simply because dreams have invaded the realm of scientific psychology as contrasted with literary, that Sigmund Freud has become one of the great ones of earth. Many of the intelligentsia, to whom Freud and his satellites Jung and Adler are restaurant-words (there being no longer households to have words among the “intelligentsia”), have never heard, say, of Jelliffe, or Janet, or Edward Cowles, all of them very much greater psychologists than Freud and his immediate following. Yet there is perhaps nothing today, not even excepting the late excitement about the League of Nations, which has so intrigued the popular mind as Freud’s Dream Psychology, and its concomitant psychoanalysis. From the day of Joseph, backward and forward, dreams and the occult have been fascinating people’s minds with the perennial lure of their mystery. Ghost Stories, Fairy Stories, and Dream Stories — the occult in fiction — have always been unfailingly alluring to the popular mind. The inventor of the ouija board is said upon sound authority to have made more than a million dollars from its sale!

In Erse and Choctaw, in the Hieroglyphics and in the Sumerian; in Kalmuck, and Finnish, and Hebrew, there are and always have been Ghost Stories, and Fairy Stories, and Dream Stories. They have been told and are being told — and read — from the bazaars of Oodeypore to the Steppes; from the lamaseries of Tibet to the Beach of Easter Island. In China, in Afghanistan, in Ireland, and down in Maine, people are positively clamoring for Ghost Stories and Fairy Stories and Dream Stories.

Why, why, do not the magazine editors give the people what they want?

Henry S. Whitehead.
FREDERIKSTAD, Virgin Islands.


Later re-worked as a chapter for The Free-lance Writer’s Handbook (1926).