The Unique Legacy of Weird Tales

The Unique Legacy of Weird Tales book of essays is now slated as due in hardback in October 2015. The R.E. Howard blog Two-Gun Raconteur has an interview with co-editor Jeffrey Shanks.

untoldweirdtales

CONTENTS:

Introduction: Weird Tales — Discourse Community and Genre Nexus

PART I: THE UNIQUE MAGAZINE: WEIRD TALES, MODERNISM, AND GENRE FORMATION

Chapter 1: “Something that swayed as if in unison”: The Artistic Authenticity of Weird Tales in the Interwar Periodical Culture of Modernism – Jason Ray Carney

Chapter 2: Weird Modernism: Literary Modernism in the First Decade of Weird Tales – Jonas Prida

Chapter 3: “Against the Complacency of an Orthodox Sun-Dweller”: The Lovecraft Circle and the “Weird Class” – Daniel Nyikos

Chapter 4: Strange Collaborations: Shared Authorship and Weird Tales – Nicole Emmelhainz

Chapter 5: Gothic to Cosmic: Sword and Sorcery Fiction in Weird Tales – Morgan Holmes

II. EICH-PI-EL AND TWO-GUN BOB: LOVECRAFT AND HOWARD IN WEIRD TALES

Chapter 6: A Nameless Horror: Madness and Metamorphosis in H.P. Lovecraft and Post-modernism – Clancy Smith

Chapter 7: Great Phallic Monoliths: Lovecraft and Sexuality – Bobby Derie

Chapter 8: Evolutionary Otherness: Anthropological Anxiety in Robert E. Howard’s “Worms of the Earth” – Jeffrey Shanks

Chapter 9: Eugenic Thought in the Works of Robert E. Howard – Justin Everett

III. MASTERS OF THE WEIRD: OTHER AUTHORS OF WEIRD TALES

Chapter 10: Pegasus Unbridled: Clark Ashton Smith and the Ghettoization of the Fantastic – Scott Connors

Chapter 11: “A Round Cipher”: Word-Building and World-Building in the Weird Works of Clark Ashton Smith – Geoffrey Reiter

Chapter 12: C. L. Moore and M. Brundage: Competing Femininities in the October, 1934 Issue of Weird Tales – Jonathan Helland

Chapter 13: Psycho-ology 101: Incipient Madness in the Weird Tales of Robert Bloch – Paul Shovlin

Chapter 14: “To Hell and Gone”: Harold Lawlor’s Self-Effacing Pulp Metafiction – Sidney Sondergard

Sonia H. Davis papers now open at Brown

Brown University Library News has announced that the Sonia H. and Nathaniel A. Davis papers (MS.2012.003) are now available for research at the John Hay Library. Perhaps this is actually a re-announcement, I’m not sure, but it seems worth noting. There’s a PDF guide to the collection.

Sonia-and-NathanielSonia and Nathaniel circa 1936.

Interestingly, Sonia’s new husband (after Lovecraft)…

“Nathaniel [A. Davis] founded Planetaryan, a humanitarian organization devoted to world peace, for which Sonia was the chief administrator.”

Planetaryan was incorporated 14th June 1938, a little over a year after Lovecraft’s death, and its formal incorporated name was the “American Defense Society, of The United States”.

Co-founded with a Luther Burbank apparently. Could this be the ‘plant wizard’ Burbank, who so usefully genetically modified over 800 useful plants including our now-standard potato, and thus saved the world from hunger? Perhaps not, since he had died in 1926 shortly after being hounded by a national firestorm of hatred whipped up by evangelical Christians. Though I’d guess that it is possible that Planetaryan might have been founded a little before Burbank’s 1926 death, and only incorporated in 1938? Neither Google, Google Books nor Hathi can provide a quick answer to that question. One item that did turn up was a 1st Nov. 1937 letter from M.H. McIntyre, Secretary to the U.S. President, referring to Planetaryan as “a world-wide inter-racial organization”, which suggests it existed before its 1938 incorporation. Much later the Enciclopedia Judaica Resumida refers to it as “pacifist” organisation. The Jewish Yearbook 1945-46 calls it a “peace society”.

Researchers should note that Planetaryan appears to have been different from its namesake the American Defense Society, which had been founded in 1915. This namesake appears to have been a sort of ultra-patriotic anti-socialist organisation involved in lobbying and pamphleteering — I wouldn’t be surprised if we eventually discover the ultra-conservative Lovecraft to have once been a member of that one. So I wonder why Planetaryan was so named? Calling an organisation Planetaryan (which in the 1930s might be mis-understood as implying “Planet-Aryan”) and the American Defense Society could certainly have led to unfortunate political confusions in an era of rabid communism and socialism. Perhaps it was simply a political tactic, meant to forestall any possible re-use of the American Defense Society name for conservative purposes? Or had Nathaniel A. Davis perhaps been involved as an officer in the American Defense Society c.1915-, and then found himself in effective possession of the name at its demise — but with his political views changed? In this respect it is suggestive to find that the Brown guide to the Sonia H. and Nathaniel A. Davis papers states that he wrote unpublished patriotic poetry, poetry that was only published (by Sonia) after his death.

Update:

I’ve found out why Burbank might have been keen to promote a campaign group based around inter-racial marriage. He theoretically extended his very successful plant-breeding principles to hybridisation between races. In his child-rearing book The Training of the Human Plant (1907)…

“he argues for an extensive crossing of different races [in the hope that evolution and environment will eventually act to] combine the best traits in a single individual.” — Chris White, “Eugenics in the 20th Century”.

So we can probably assume that the group was indeed co-founded by the Luther Burbank.

Added to Open Lovecraft

* Diana E. Bellonby (2012), A Secret History of Aestheticism: magic-portrait fiction, 1829-1929. (A useful in-depth survey that traces this neglected story type from Walpole through Pater, to later overtly queer uses in Wilde and Orlando. Lovecraft’s work obviously draws here and there on this story tradition, but there is only a very glancing recognition of Lovecraft at the end of the thesis — “American writer H.P. Lovecraft produces two such works in “The Picture in the House” (1920) and “Pickman’s Model” (1927)” — the author being presumably unaware of “Hypnos” (portrait in sculpture), “The Temple” (portrait in carved ivory), “The Outsider” (mirror) and “The Trap” (mirror)).

* J.I.B. Crellin (2014), “Schizo-Gothic Subjectivity: H.P. Lovecraft and William S. Burroughs”. (PhD thesis for Manchester Metropolitan University, 2014. Attempts to use Deleuze and Guattari to open “new conceptual and methodological possibilities for Gothic criticism”, and then tests if this can yield new insights into Lovecraft and Burroughs).

* Scapegoat (2013), “The Sight of a Mangled Corpse: an interview with Eugene Thacker”, Scapegoat journal No. 5, September 2013. (Philosopher who has written on Lovecraft discusses the philosophical lineage of horror, and its relation to contemporary speculative thought).

Checked and repaired Open Lovecraft

Checked and repaired all links on the Open Lovecraft page. The following items have been carried away by night gaunts…

An Awe-ful Integrity: The Science-Fiction Horror of H.P. Lovecraft.

Perceptual and relational deictic shift and the development of ‘atmosphere’ in H.P. Lovecraft’s short story The Colour Out of Space.

The Genetics of Horror: Sex and Racism in H.P. Lovecraft’s Fiction.

Kosmicki horor, gotsko telo i tekst: H.P. Lovecraft “Senka nad Insmutom”.

The Cosmic Angle of Regarding: mathematics and the fiction of H.P. Lovecraft.

Le temps du reve Lovecraftien, ou l’elaboration d’un temps du mythe.

H.P. Lovecraft: a transient speck in wide infinity. (Lovecraft as a poet).

Os Mitos de H.P. Lovecraft e a cultura juvenil.

Antares issues 08 and 00.

Robert E. Howard and Weird Tales

Bobby Derie’s new essay “An Irreparable Loss: Robert E. Howard and Weird Tales, 1936″ scrutinises R.E. Howard’s publication history in regard to Weird Tales in 1935-36, interestingly delving into the financial intricacies and arrangements of the magazine.

“…it is likely that [William] Sprenger [the Weird Tales business manager] made the ultimate decision as to whom [among the writers] would be paid and how much; certainly he signed some of the checks.”

One hopes we may learn more of the Weird Tales finances and management in the forthcoming and final book of the Scarecrow Press / Rowman & Littlefield Studies in Supernatural Literature series, which according to S.T. Joshi is set to be…

“an anthology of essays on Weird Tales [magazine] edited by Jeffrey Shanks”.

I daresay that the focus of the essays will be on the writers and their fans, Brundage and other artists, and the demographics and geography of the readership. But a couple of thorough essays by business historians would also be very welcome.

WeirdTalesDecember1936
Picture: Cover of Weird Tales December 1936, published shortly after Howard’s death.

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