Lovecraft’s devices

Propnomicon creates the Tillinghast Device from Lovecraft’s “From Beyond”.

Lovecraft’s devices are perhaps an under-considered part of his work. Off the top of my head I can think of…

* The time travel device and camera-like ray weapons in “Shadow out of Time”.

* The devices of Curwen (“Never before or since had he seen such instruments or suggestions of instruments as here loomed up on every hand through the burying dust and cobwebs of a century and a half”).

* The ‘mechanical’ and ‘canister’ aspects of the ending of “The Whisperer in Darkness”.

* The machines in “Cool Air”.

* The ray-projector in “The Evil Clergyman”.

* The cosmic telepathy device in “Beyond the Wall of Sleep”.

And probably there are others I forget now, and still more that are less central to the plots or to be inferred from the Commonplace Book or even the letters. I don’t recall ever seeing a pure Lovecraft RPG book (as opposed to a ‘Derlethian/wider-Mythos Lovecraft’ RPG book) collecting such things in one volume and giving them gamer stats etc.

Illustrated Call of Cthulhu

New on The HPLHS Store, and thus able to combine nicely with other orders, the English version of The Illustrated Call of Cthulhu

Every now and then we find a product that’s so fantastically great we must have it for our store. For some time we’ve been following online the progress of this illustrated version of The Call of Cthulhu by the French illustrator Francois Baranger. His illustrated book is finally done and is, quite simply, spectacular. We are delighted to share with you this new English edition by Fria Ligan and Design Studio Press.

It’s an oversized illustrated version with painted illustrations.

The same artist also has an “At the Mountains of Madness” book, done in the same format… but when last noticed here it was in French only. There’s also an interview with him in the recent book, Lovecraft: Au coeur du cauchemar, which could possibly be translated into English by someone at some point.

College Hill in the snow

An evocative picture of Prospect Street at night, after a snow-storm…

A Lovecraft-alike man seen walking through the Brown University gates…

There appears to have been very light snow or frost in this winter picture of 32 George Street, College Hill, the picture evoking some of the livelier houses that Lovecraft would have passed on his night-walks…

The glowing dials of a clock tower can be seen on the left through the trees.

Also, here’s a heavily over-painted card from out of Lovecraft’s area, but indicative of the trollies (trams on rails) which ran down the residential streets of the city in his time…

Alton H. Blackington

Bret Kramer of Sentinel Hill Press has noticed that a few of a series of “Yankee Yarns” New England folklore radio-broadcasts are now on Archive.org. They’re from Boston’s Alton H. Blackington, who broadcast 1933-53 and who would drive thousands of miles and interview many people to get his tales and get them straight. He also made such trips pay by being a newspaper photographer and running a New England stock-photo company. After finishing with radio he continued as a popular stage lecturer and published the best of the Tales in print as several volumes under the titles Yankee Yarns and More Yankee Yarns

A mine of ideas for the region’s fiction writers, as well as a repository of folk-life, I’d suggest. Perhaps even more importantly, a large chunk of his photography collection survived

“[the core of] the collection is the dozens of images of typically eccentric New England characters and human interest stories. Most of the images were taken by Blackington on 4×5″ dry plate negatives, however many of the later images are made on flexible acetate stock and the collection includes several images by other (unidentified) photographers distributed by the Blackington News Service. … His photographic vision extended to include hermits and eccentrics, skilled craftspeople, and the living relics of old traditions, including lighthouse keepers, whalers, and the last living town crier. … Blackington [had a] narrative eye and appreciation for the eccentricities of New Englanders and the vestiges of its long past”

… which raises the possibility of using some of it to help produce a new “Lovecraft’s places and faces” book, by pairing images related to or evoking Lovecraft’s travels with his letters and public-domain maps. Or perhaps a Ken Burns-style documentary made along the same lines, “panning and scanning” across such pictures.

Weekend project: get rid of the Google-gunk

Are you a search-dependent researcher who’s gurgling under the weight of all the Google-gunk? Then you need my new “Google Search in three columns: how to do it in 2020” linked guide. Works for Google Search, Books and News, and also has details on how to clean off all the gunk and junk cluttering search results, including News thumbnail images and the new favicons in Search. This is what you get on a desktop PC…

… with the gap being an unwanted result hidden by Google Hit Hider.

“The Horror Of The Heights”

A new 39 minute reading of Sir Arthur Conan Doyle’s “The Horror Of The Heights” (1913). The blurb is via Wikipedia and has plot spoilers, the opening being… “The story is told through a blood-stained notebook, dubbed the ‘Joyce-Armstrong Fragment’.” Other aspects are quite Lovecraftian, although the writing isn’t.

If the reader is not to your taste, HorrorBabble has it on YouTube in a good steady British English reading, and there are other readings on Librivox here (40 mins), here (42 mins) and here (36 mins).

Archive.org has the original appearance in The Strand magazine 1913, complete with superb colour plates. I won’t show these here as they’re visual spoilers.

H.P. Lovecraft read a good deal of Conan Doyle, as a lad in his ‘detective phase’. Joshi states that… “he read every Holmes story published up to that time (circa 1903)” and that these formed a key template for his early boyish fiction writing. Lovecraft wrote that… “I used to write detective stories very often, the works of A. Conan Doyle being my model so far as plot was concerned.”

He later recalled he had dipped a toe back into new Holmes stories in 1908, but found these… “an odd (& rather mediocre) pair or series of tales” and thereafter gave up on Holmes. If he also sampled the best of the non-Holmes horror, ghost and weird stories of Conan Doyle appears to be uncertain.

A story by Doyle titled “The Horror Of The Heights” would certainly have attracted Lovecraft’s attention. Yet he would probably have not seen it in The Strand, but rather in Doyle’s non-Holmes 1918 book collection Danger! and other stories. This would surely have arrived in the Providence Public Library in multiple copies and then been noticed by Lovecraft once the initial rush of borrowing of it had subsided — perhaps circa 1919. But more likely the nature of this particular story might have been called to his attention by someone in his circle, at some point in the mid 1920s, before he fully formulated shoggoths. While it appears we have no evidence of such a reading that I know of, we do know that in 1924 Lovecraft was discovering overlooked items such as Wells’s collection Thirty Strange Stories (1897, read January 1924), and Wells’s classic The Time Machine (1895, read November 1924). He was also doing much ‘catch up’ reading for his essay Supernatural Horror in Literature, with the aid of the New York libraries, the many used bookstores, and the private libraries of friends. Could he also have been sampling the best “strange stories” of Doyle, Kipling and others at this time?

The Dexter Asylum

Hope Street English and Classical High School […] was a good mile from Lovecraft’s 598 Angell Street home, but there was no closer public high school to which he could have gone. [His route to school was long and] perhaps skirting the large property housing the Dexter Asylum (a home for the indigent), which obtruded along his path. […] The trip was not insignificant, as is perhaps reflected in the fair number of times during his first term of 1904–05 that Lovecraft reported late [attendance, in the school records]” — S.T. Joshi, I Am Providence.

Also known as the Dexter Hospital.

Witch-craft

A look at the cover that Greenwood gave The H.P. Lovecraft Companion in 1977, a first ‘high pass’ over Lovecraft’s work, written by a Sherlock Holmes fan and newspaper book-critic. The book is usually presented for sale without the dust-jacket, and when it is a nice copy it’s usually for sale at silly prices.

The first section surveys Lovecraft’s style and opinions of other authors. Then follows a section with brief summaries of nearly 60 stories. There’s an A-Z of key places, characters and monsters found in the fiction. Then a survey of the pantheonic monsters. The final part briefly outlines Lovecraft’s pantheon and surveys what he was known to have read re: the occult and witchcraft.

It’s long since been superseded and the book is probably most interesting today for the choice of the cover picture which taps into “Witch House”, rather than into “Cthulhu” and tentacles as would be the case today. Thus the subject matter and 17th century woodcut style would have framed Lovecraft’s ‘first glance’ academic library reception within the mid-70s interest in the New England witch trials. The smiling wizard and the frowning witch also implicitly make an appeal to the then-emerging gender studies crowd in academia, which again links to “Witch House”.

In the slicks

New on Archive.org, Writing For The Quality Market (1935) is a short but detailed book that lays out what the ‘quality’ or ‘slick’ magazine market was like in Lovecraft’s last years, complete with a great many tables that ‘scientifically’ assess the types of purchased stories and their characteristics. Obviously, short of making a return to his “Sweet Ermengarde” days, he wasn’t going to fit in.