Three more books of Letters in progress

S.T. Joshi’s Blog has updated, and the new post makes me aware of a new two volume Czech translation I hadn’t heard about…

I have received a most distinctive item—nothing less than a Czech translation of my edition of The Annotated Revisions and Collaborations of H.P. Lovecraft.

He also gives titles of three forthcoming Letters volumes, presumably set for 2021-22…

Letters to Hyman Bradofsky and Others; Letters to Woodburn Harris and Others; Letters to Richard F. Searight and E. Hoffmann Price.

The pursuit of Perkins

In the spring and summer of 1934 Lovecraft appears to have been tracing his maternal Perkins ancestry into the English Midlands and the Welsh Marches. He wrote to Morton as from “Perkins Manor” in early March of that year. A letter dated 1st August 1934 to Edward H. Cole is catalogued in the archives as providing merely… “genealogical information on the Perkins family”. Presumably this is now in the volume of Cole letters, but I don’t currently have access to that book. Elsewhere in the letters we learn from Lovecraft that… “Perkins … didn’t reach R.I. [Rhode Island] till the 18th century” and it’s implied that he settled in “the Bay”. A letter to Barlow (O Fortunate Floridian, page 94) sees Lovecraft reveal more, with dates… “John Perkins (1590-1654) of Newent, Gloucestershire, who settled in Ipswich, Mass., in 1633. … son John Jr. (1614-1700)” also a forebear for Lovecraft, via John Jr.’s son Sam.

There was some local interest in this branch of the family, as Lovecraft tells Morton of the local Providence… “soulful poetess friend of my aunt’s — Miss Ada Perkins [who] was over [visiting in person] last week and calling up ancestral data”. Sadly it appears that Miss Perkins has left no trace in the online record, save that she may have had two sisters. It also appears from the same passage in the Morton letter that John Perkins (1590-1654) had arrived on the ship Lyon, and that a book then newly-added to the Providence public library had yielded up to Lovecraft the name of the wife of John Perkins, one “Judith Gater”. By this time Lovecraft’s “Perkins notes” had become a “stapled-together” bundle.

His pursuit of Perkins then merged into kitten-naming in his shared courtyard garden, which helped enshrine the sequence of the Perkins family-tree in print…

[I] called the little fellows “Newman Perkins” and “Ebenezer Perkins” after ancestors of my own — for I have a Perkins line. When the black kitten appeared, I went back along my Perkins ancestry and called him Samuel, after a forebear who fought in King Philip’s War in 1676. If there are any more kittens later on, I shall probably keep going back along my Perkins line (which is traceable to 1380 in Shropshire and Warwickshire) for names — John being the next in order.

A kitten name, ‘Sam Perkins’, then made it into one of the fantastical stories of his correspondent Duane Rimel. Lovecraft writes… [I] “was pleased to see his name in your new story!”  Poetry on the same kittie was also penned by Lovecraft himself, to be found in the new Cat Book.

The Perkins name also inspired a pen-name, with Lovecraft naming himself “Inspector Theobald-Perkins” during the assiduous hunt for a stamp-stealing clerk in a rural Post Office (a correspondent had sent a scarce and desirable stamp as postage, but it had been peeled off and replaced). By the Autumn and start of 1935 Lovecraft was styling himself “Theobaldus Perkins, Gent.” when writing to Morton as from “The Georgian Citadel”. By 1936 he was styling himself “Theobaldus Perkins-Field”, presumably reflecting another branch in the family-tree, perhaps newly discovered or documented.

Today such meanderings in Lovecraft’s life might seem fruitless. Certainly there is no use of a Perkins in his own fiction, unless one counts two spurious and passing uses (a hardware store in “Ermingarde” and a tiny bit-part in a Heald ghost-written tale). Still, spending a few minutes following such a burning and sustained interest on Lovecraft’s part can sometimes lead to new discoveries. Historians well know that the ‘irrelevant’ can become ‘relevant’ in the blink of an eye. Although here my only discovery was that the local Providence poetess “Miss Ada Perkins” was a visitor and friend of the family in the early 1930s, and had the Perkins family line in common with Lovecraft. Unfortunately she appears to have left no poetry or portrait.

Fiverr – how to find your ‘Favorites’ page

Fiverr may be far from perfect but it still has many useful low-cost sellers, especially useful for writers, researchers and small publishers, if you’re willing to dig through the listings and make some test purchases. I recently had a very useful UserScript written for $10. $5 for the script and another $5 to fix the not-quite-right regex bit. When you type a phrase in DuckDuckGo, the resulting script auto-wraps it “in quote marks”. No need for “keyboard yoga” 300 times a day. It’s now free on GreasyFork. You’re welcome.

But it’s now not at all easy to find your page of saved ‘Favourite’ sellers on Fiverr. The page is still there, however. Rather than faffing about showing you the link in the interface (which may have changed by the time you read this in the future), here’s the actual URL. Just replace the YOUR_USER_NAME bit with your username.

https:// www.fiverr.com /users/YOUR_USER_NAME/lists/gigs-i-love

Friday ‘Picture Postals’ from Lovecraft: College St. demolition, 1935

This Friday ‘Picture Postal’ follows last week’s, which had the same location but looked toward the city. In 1935 old buildings on lower College Street, Providence R.I, were demolished. Here we see 32-34 College Street in the process of demolition.

The wheels of modernity were spinning up and the motor car was the future. Horse-yards, and the antiquarians and artists who might haunt them, were increasingly surplus to requirements. We can imagine that Lovecraft, who lived further up the street at No. 66, objected to the demolitions. As he had at the demolition of the Old Brick Row, and other regretful changes to the city’s fabric. Though I can find no evidence that he did so for the bottom of College Street. Given the state of some of the backs (24-28 seen above), and the need for grand schemes in the Great Depression, it might have been difficult to publicly call for their preservation. Such is the way of it. Someone in authority makes a quiet decision somewhere and a street or area starts to be neglected. 15 or 20 years later the place is in such a state that it ‘has’ to be demolished, and it’s by then difficult to argue in favour of preservation.

Here we see local artist Stacey Tolman’s drawing of one of the yard entrances in the former ‘Rosemary Lane’, or one very much like it, and another from the other side showing the last days of usage for horses.

Here we see the back courtyard of No. 32 (top) and No. 33 (bottom), with the motor car replacing the horse in the yard at No. 33.

Tolman had earlier painted this yard at No. 33 in happier days, with its calm bright scene poised between industriousness and a faint threat.

Today, cynical modern eyes might instantly see men gambling and idle slum-boys playing hoop, or might raise a lip at the ‘chocolate-box’ sheen common to the Rhode Island art of the period. But the men are looking over plans for a worthy new horse-carriage for the somewhat Lovecraft-like man standing by them. Sturdy working apprentices stand ready to fit an iron rim to a hand-crafted wheel. An industrious wife has hung out lines of washing and one can just see her fresh green herb-pots on the same platform. This is a picture of a living place at work, but threatened by time. A point Tolman has emphasised by having the fateful clock tower of the Courthouse peering over the rooftops, steadily striking out the hours.

Did Lovecraft know the courtyard? He comments on the matter in a letter of April 1925. His aunts had both sent him a sketch of the courtyard, presumably printed in the local paper. He was astounded that he had never actually seen this inner court… “in all the thousands of times I have passed up & down College Hill.” However, being thus aware of it, we can be fairly sure that he visited it at least once on his return to Providence.

The demolitions appear to have inspired Lovecraft’s ever-fertile imagination. Late in his life, in a bitter winter, he ventured out from No. 66 to visit with a local girl admirer. Her memoir later recalled…

“Did we know, he asked, his sombre eyes intent on our faces, that recently, when early buildings on Benefit Street and College Street were razed to make way for new ones, deep tunnel-like pits, seemingly bottomless and of undetermined usefulness, were discovered in the ancient cellars?” — memoir of a visit by Lovecraft in 1934, by Dorothy C. Walter.

It was, of course, a test to see how imaginative she really was. As Lovecraft wrote a few years later…

The bulk of the human race lives very little in the imaginative realm; hence can seldom grasp the goals, motives, & aspirations of anyone with whom subtle perspectives, symbolic associations, & obscure mental correlations form important emotional factors.


The end result of the demolitions, looking up the lower part of College Hill…

Studi Lovecraftiani catch-up

An item of news I missed in summer 2020, the release of a new issue of Studi Lovecraftiani, the leading Italian Lovecraft journal.

studi

No. 18 has…

* Cover painting by Matteo Bocci.

* A homage to the writer and friend Elvezio Sciallis, a narrator and story writer.

* Renzo Giorgetti looks at the symbolic and mythological basis of R’lyeh.

* Fabio Calabrese proposes a “fourth genre” of the fantastic: Lovecraftian fiction. Thus widening the field of fantastic literature.

* Sandro Mezzetto on “some sources of Lovecraft’s fiction”.

* Christian Lamberti on the Randolph Carter cycle.

* Davide Rossato surveys John Carpenter’s Lovecraftian cinema.

* A translation of an early “evaluation” on Lovecraft by Joseph Payne Brennan, being one of the first items of literary criticism of the fiction

* A translation of “HPL and the myths of scientific materialism” by John A. Buettner.

* Lovecraft on Poe’s places… “a full-bodied unpublished work by Lovecraft himself, translated here for the first time, where the Dreamer talks to us about the homes and places of Poe.”


And there’s more. No. 17, too. Since somehow it appears that Tentaclii also missed Studi Lovecraftiani in June 2019.  Following hot on the heels of a (perhaps late) January 2019 issue, which may be why I wasn’t looking for a summer issue in 2019.

No. 17 seems to have been about two-thirds a Ramsey Campbell / fiction / poetry issue by the look of it. But it also had unspecified… “essays and articles by Stefano Lazzarin, Renzo Giorgetti, Miranda Gurzo, Riccardo Rosati and others.”

A little further digging reveals some details on these items of non-fiction…

* Riccardo Rosati on HPL’s political thought, apparently comparing him with Evola.

* Stefano Lazzarin on ‘The Veiled Face: hyperbole and reticence in Howard Phillips Lovecraft’.

* Renzo Giorgetti on the importance of dreams as one of HPL’s sources of inspiration.

* Miranda Gurzo who sees “the mythology of Cthulhu as the symbol of the crisis of the modern world”, and suggests HPL’s possible sources in biblical Apocalypse imagery, re: The Book of Job.

* An examination of “Beyond The Wall Of Sleep”, which sounds like an English essay translated to Italian?

* A newly-translated 1937 poem by Lovecraft.

Open journal: AILIJ

AILIJ : Anuario de Investigaciin en Literatura Infantil y Juvenil (2001-2019, ‘Research Yearbook on Children’s and Young People’s Literature’). An open-access journal in Spanish. Recent issues seem to be rather aimed at classroom teachers and school librarians, But some of the many book reviews in each issue may interest, when viewed in in English auto-translation. For instance the review titled “Science fiction narratives for children and youth” in the 2018 issue.

Album: Resonant Echoes From Cosmos Of Old

Greek Lovecraft ‘mystical black metal’ band Prometheus release their second album, Resonant Echoes From Cosmos Of Old, on 23rd October 2020.

1. Gravitons Passing Through Yog-Sothoth

2. Azathoth

3. Astrophobos (lyrics by H.P. Lovecraft)

4. Resonant Echoes From Cosmos Of Old

5. [Un-copyable Greek title]

6. The Crimson Tower Of The Headless God


HeadBanger Reviews
has an early review

Prometheus has crafted something that instantly shows its quality … it’s a wonder to behold for any fan of black metal. That’s doubly so given the space theme, that has strong notes of Lovecraft that elevates things even further.

gree

John Crowley

It may interest some readers to know that John Crowley (Little, Big and Engine Summer) is now writing for Lapham’s Quarterly, publishing long articles that are free and public (for now). Recent essay topics include Winsor McCay’s Little Nemo in Slumberland; Hermann Hesse’s The Glass Bead Game; futurology; demonology; mortality; and the ability “to live in more than one time” without needing to reconcile these.

DocFetcher revived

Scholars using the genuine freeware DocFetcher, to search across and inside many indexed local documents, will have found that the latest Java update bjorks this useful desktop-search software. What’s needed to get it working again is a slight roll-back to Java SE Runtime Environment 8u251 (jre-8u251-windows-x64.exe) from April 2020.

The broken DocFetcher won’t otherwise be fixed, since the maker has taken the opportunity of the failure to announce that his next version will be ‘DocFetcher Pro’ for $50.

Until then commercial full-text desktop-search alternatives include Copernic Desktop (good, Google-like, but now only via an annual subscription) and dtSearch (very pro, a bit fiddly, very expensive). The newer pocket-money priced Recoll is also worth watching as it develops.

New Book: Letters To Rheinhart Kleiner and Others

Hippocampus has announced and has a page for the new and greatly-expanded edition of H.P. Lovecraft: Letters To Rheinhart Kleiner and Others. The “and Others” section includes, among others, “a small batch of letters and postcards to Arthur Leeds”. Although these still fill 100 pages. In all, there are over 200 pages of additional annotated letters to correspondents other than Kleiner. I suspect most have been published before, but they won’t have been annotated before. Shipping in October, apparently.

From The Photodramatist, December 1921. Kleiner’s light poem on ‘seeing the world’ via cinema news-reel and travel-short, which only a century ago was a relatively new media form and a new audience experience for much of America. The poem is not listed in the first Letters To Rheinhart Kleiner.