Between Waterman and College Streets

A picture of a lithograph by Athos Zacharias, titled “Between Waterman and College Streets”, on College Hill in Providence, Rhode Island. What date was it made? Well, Zacharias was born 1927, so although spuriously dated “1900” on its record-page this is likely to be post-war graduation work made while at Rhode Island School of Design. Zacharias graduated from RISD in 1952.

Does it relate to Lovecraft and No. 66 College Street? Probably it’s just an abstracted architectural collage-in-drawing lithograph, though the title, choice of subject and precise position are all rather intriguing re: the possibility that it was meant to evoke the location and spirit of Lovecraft’s last home. The ‘monitor roof’ windows seen in the lower foreground don’t quite match those of No. 66, though, and the whitewash would have had to have peeled off the chimney-bricks between 1937 and 1951. But who knows, perhaps we can fancy that Zacharias read an early Lovecraft collection and then had the cultural-historical foresight to go try to make art at the site? The house was moved to a new site in 1959, so in circa 1951/52 it would still have been there.

Even if the drawing doesn’t show No. 66 in the lower-left then — as a slightly sinister artwork of spidery trees and eye-boggling shifts in building scales — it still unconsciously evokes something of Lovecraft. Also his tucked-away courtyard garden at No. 66, in the shadow of the John Hay Library.

Friday ‘Picture Postals’ from Lovecraft: down College Street

More vintage pictures of Lovecraft’s College Street, more or less as Lovecraft would have seen it was he briskly walked down the hill from his home at No. 66 and approached the lower part of College Street. He possibly used the right-hand side as seen here, as the convention of the Hill was apparently that the left sidewalk was the one used by Brown students. Using the right sidewalk would also presumably avoid any possibility that one would be jostled by unsavoury nautical-looking types outside the Courthouse. The Court buildings are seen on the left of the picture. Even if he habitually chose to turn left or right here, on his way to the commercial district, he would still have seen the view depicted.

Note the slightly sinister well-like manhole at the intersection, with a tight circle of bricks around it. How it might have glistened in the moonlight, and led to thoughts of what might lie beneath

“Did we know, he asked, his sombre eyes intent on our faces, that recently, when early buildings on Benefit Street and College Street were razed to make way for new ones, deep tunnel-like pits, seemingly bottomless and of undetermined usefulness, were discovered in the ancient cellars?” — memoir of a visit by Lovecraft in 1934, by Dorothy C. Walter.

You can also just about see one of two courtyard entrances a little further down. This wasn’t the same “one of those old-fashioned courtyard archways (formerly common everywhere) for which Providence is so noted” on the slope of Thomas Street, which there led into the courtyard in which Lovecraft met the cat ‘Old Man’ at night. But I have photos of these College Street back-courtyards which evoke similar courtyard spaces. Of which more next week.

When Lovecraft was about level with one of the back-courtyard entrances he would be poetically poised between its antique allure on the one hand (if the doors were open), and on the other hand a forward view which now soared up into a towering modernity…

It appears that he actually didn’t mind this view too much, despite his yearning for the pre-modern. Long before he moved in to No. 66 he wrote about how he found himself walking up this particular street one evening when it was growing dark, which he had apparently never done before at that time of day. And it suddenly occurred to him to stop and turn and look back, since it would give a dusk view of Providence that he had never seen before. The Industrial Trust building (the tower seen here) was recently built by that time, and he found himself rather enchanted by the view he saw — differing grids and planes of distant lights rising up toward the stars.

New Book: Robert E. Howard: A Closer Look (Starmont Guide, update)

An interesting item, new from Hippocampus. Robert E. Howard: A Closer Look, this being the old Starmont Reader’s Guide for Howard, but overhauled and updated for 2020. Done by the original authors too, which is nice…

“the authors have now prepared a radically expanded and updated version of their monograph, taking account of these new discoveries” [by Howard scholars]

The book is structured by character rather than by date, which makes sense for a Reader Guide. The book also surveys his poetry and other work. So it all looks very useful as an introductory guide. Amazon UK has no listing for it yet, but let’s hope it gets on there and perhaps also has a Kindle ebook edition in due course.

Call: Mysterium Tremendum #1

A call for content for Mysterium Tremendum, set to be “a quarterly chapbook” of poetry and fiction that is also open to non-fiction. It will aim to explore “the intersection between weird fiction/horror and the holy”. And they’re actually paying… “We’re paying flat fees of $50 for non-fiction”. For which your non-fiction nibbings will presumably have to be trembling with a numinous nimbus of the unnameable. Although it sounds as though the editor may favour “film studies” for such items.

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A riffle through Archive.org

The Pulp Western: a popular history of the western fiction magazine in America is new on Archive.org and possibly a survey of interest to readers, re: the current interest in both ‘the weird western’ and in re-working western plots for new science-fiction and fantasy tales. It appears to have a strong focus on the writers and artists rather than the readers. Only a one-hour loan though. Texas Ranger Despatch magazine had a review, and it seems it can be picked up fairly cheap in user paper form if you shop around for it.

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Another find was a magazine reprint of “Lurker in the Lobby #3” by Kennon James. The picture refers to Lovecraft’s one-time job as a cinema-booth ticket-clerk, which I seem to recall he took in order to save the cash for one of his antiquarian trips, circa 1929/30. I’ve never seen this one before.

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Lastly, also now on Archive.org, The Bookman for key ‘Lovecraft years’.  Again, with only a “one-hour borrow”.

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“The Alley Cat”

“The Alley Cat” by one Barmwold, 1924. Rather Lovecraftian, at least in the Letters cat-petting sense of the word. By the look of the hasty lines, it’s probably either a journeyman’s practice etching or the quick draft of a more advanced artist. The central European roofline and the black kitten also evokes “The Cats of Ulthar” quite well.

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“I am so fond of cats that I can’t help making a great deal of them, and they usually seem to recognise me as a sort of natural friend. I always play with them extensively — usually with a long, slender branch, or a spool or piece of paper on the end of a string. A hassock is a great aid to feline sport — using it as a screen or barrier behind which to draw… slowly and tantalisingly… the spool on which one’s furry playmate’s eyes are interestedly centred. Cats also enjoy tunnels formed of rugs or newspapers. One favourite pastime of theirs is to leap at anything which moves or bulges mysteriously beneath a covering — as a hand creeping under a rug and forming a curious moving mountain. Considerate attention always pleases a cat. I never evict one from a chair, or disturb his slumbers or repose. … Tones of voice are likewise influential. I always talk to cats individually, and in accents of such obvious friendliness that they seem to recognise me as a fraternity-brother. And I always acknowledge gestures of consideration on their part — talking pleasantly, stroking them, or scratching them gently under the chin when they jump in my lap, rub around my ankles, or otherwise express esteem.” — from a letter to Arthur F. Sechrist, 14th February 1937.

NecronomiCon 2021 / Hungary 2021 update

NecronomiCon snuggles a small moist tentacle around ‘August 2021’, and appoints the 2021 NecronomiCon Providence Poet Laureate.  Congratulations to Bryan Thao Worra.

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And over in Hungary, a post on that nation’s 2021 Lovecraft event.  I like their ‘Pencraft’ logo…

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And in Germany, a delayed 2020 Cthulhu Fest is now apparently set for 3rd – 4th April 2021. Appears to be a big metal music event, but also has readings and an exhibition.

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