Open journal: AILIJ

AILIJ : Anuario de Investigaciin en Literatura Infantil y Juvenil (2001-2019, ‘Research Yearbook on Children’s and Young People’s Literature’). An open-access journal in Spanish. Recent issues seem to be rather aimed at classroom teachers and school librarians, But some of the many book reviews in each issue may interest, when viewed in in English auto-translation. For instance the review titled “Science fiction narratives for children and youth” in the 2018 issue.

Album: Resonant Echoes From Cosmos Of Old

Greek Lovecraft ‘mystical black metal’ band Prometheus release their second album, Resonant Echoes From Cosmos Of Old, on 23rd October 2020.

1. Gravitons Passing Through Yog-Sothoth

2. Azathoth

3. Astrophobos (lyrics by H.P. Lovecraft)

4. Resonant Echoes From Cosmos Of Old

5. [Un-copyable Greek title]

6. The Crimson Tower Of The Headless God


HeadBanger Reviews
has an early review

Prometheus has crafted something that instantly shows its quality … it’s a wonder to behold for any fan of black metal. That’s doubly so given the space theme, that has strong notes of Lovecraft that elevates things even further.

gree

John Crowley

It may interest some readers to know that John Crowley (Little, Big and Engine Summer) is now writing for Lapham’s Quarterly, publishing long articles that are free and public (for now). Recent essay topics include Winsor McCay’s Little Nemo in Slumberland; Hermann Hesse’s The Glass Bead Game; futurology; demonology; mortality; and the ability “to live in more than one time” without needing to reconcile these.

DocFetcher revived

Scholars using the genuine freeware DocFetcher, to search across and inside many indexed local documents, will have found that the latest Java update bjorks this useful desktop-search software. What’s needed to get it working again is a slight roll-back to Java SE Runtime Environment 8u251 (jre-8u251-windows-x64.exe) from April 2020.

The broken DocFetcher won’t otherwise be fixed, since the maker has taken the opportunity of the failure to announce that his next version will be ‘DocFetcher Pro’ for $50.

Until then commercial full-text desktop-search alternatives include Copernic Desktop (good, Google-like, but now only via an annual subscription) and dtSearch (very pro, a bit fiddly, very expensive). The newer pocket-money priced Recoll is also worth watching as it develops.

New Book: Letters To Rheinhart Kleiner and Others

Hippocampus has announced and has a page for the new and greatly-expanded edition of H.P. Lovecraft: Letters To Rheinhart Kleiner and Others. The “and Others” section includes, among others, “a small batch of letters and postcards to Arthur Leeds”. Although these still fill 100 pages. In all, there are over 200 pages of additional annotated letters to correspondents other than Kleiner. I suspect most have been published before, but they won’t have been annotated before. Shipping in October, apparently.

From The Photodramatist, December 1921. Kleiner’s light poem on ‘seeing the world’ via cinema news-reel and travel-short, which only a century ago was a relatively new media form and a new audience experience for much of America. The poem is not listed in the first Letters To Rheinhart Kleiner.

Between Waterman and College Streets

A picture of a lithograph by Athos Zacharias, titled “Between Waterman and College Streets”, on College Hill in Providence, Rhode Island. What date was it made? Well, Zacharias was born 1927, so although spuriously dated “1900” on its record-page this is likely to be post-war graduation work made while at Rhode Island School of Design. Zacharias graduated from RISD in 1952.

Does it relate to Lovecraft and No. 66 College Street? Probably it’s just an abstracted architectural collage-in-drawing lithograph, though the title, choice of subject and precise position are all rather intriguing re: the possibility that it was meant to evoke the location and spirit of Lovecraft’s last home. The ‘monitor roof’ windows seen in the lower foreground don’t quite match those of No. 66, though, and the whitewash would have had to have peeled off the chimney-bricks between 1937 and 1951. But who knows, perhaps we can fancy that Zacharias read an early Lovecraft collection and then had the cultural-historical foresight to go try to make art at the site? The house was moved to a new site in 1959, so in circa 1951/52 it would still have been there.

Even if the drawing doesn’t show No. 66 in the lower-left then — as a slightly sinister artwork of spidery trees and eye-boggling shifts in building scales — it still unconsciously evokes something of Lovecraft. Also his tucked-away courtyard garden at No. 66, in the shadow of the John Hay Library.

Friday ‘Picture Postals’ from Lovecraft: down College Street

More vintage pictures of Lovecraft’s College Street, more or less as Lovecraft would have seen it was he briskly walked down the hill from his home at No. 66 and approached the lower part of College Street. He possibly used the right-hand side as seen here, as the convention of the Hill was apparently that the left sidewalk was the one used by Brown students. Using the right sidewalk would also presumably avoid any possibility that one would be jostled by unsavoury nautical-looking types outside the Courthouse. The Court buildings are seen on the left of the picture. Even if he habitually chose to turn left or right here, on his way to the commercial district, he would still have seen the view depicted.

Note the slightly sinister well-like manhole at the intersection, with a tight circle of bricks around it. How it might have glistened in the moonlight, and led to thoughts of what might lie beneath

“Did we know, he asked, his sombre eyes intent on our faces, that recently, when early buildings on Benefit Street and College Street were razed to make way for new ones, deep tunnel-like pits, seemingly bottomless and of undetermined usefulness, were discovered in the ancient cellars?” — memoir of a visit by Lovecraft in 1934, by Dorothy C. Walter.

You can also just about see one of two courtyard entrances a little further down. This wasn’t the same “one of those old-fashioned courtyard archways (formerly common everywhere) for which Providence is so noted” on the slope of Thomas Street, which there led into the courtyard in which Lovecraft met the cat ‘Old Man’ at night. But I have photos of these College Street back-courtyards which evoke similar courtyard spaces. Of which more next week.

When Lovecraft was about level with one of the back-courtyard entrances he would be poetically poised between its antique allure on the one hand (if the doors were open), and on the other hand a forward view which now soared up into a towering modernity…

It appears that he actually didn’t mind this view too much, despite his yearning for the pre-modern. Long before he moved in to No. 66 he wrote about how he found himself walking up this particular street one evening when it was growing dark, which he had apparently never done before at that time of day. And it suddenly occurred to him to stop and turn and look back, since it would give a dusk view of Providence that he had never seen before. The Industrial Trust building (the tower seen here) was recently built by that time, and he found himself rather enchanted by the view he saw — differing grids and planes of distant lights rising up toward the stars.

New Book: Robert E. Howard: A Closer Look (Starmont Guide, update)

An interesting item, new from Hippocampus. Robert E. Howard: A Closer Look, this being the old Starmont Reader’s Guide for Howard, but overhauled and updated for 2020. Done by the original authors too, which is nice…

“the authors have now prepared a radically expanded and updated version of their monograph, taking account of these new discoveries” [by Howard scholars]

The book is structured by character rather than by date, which makes sense for a Reader Guide. The book also surveys his poetry and other work. So it all looks very useful as an introductory guide. Amazon UK has no listing for it yet, but let’s hope it gets on there and perhaps also has a Kindle ebook edition in due course.