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Tentaclii

~ News & scholarship on H.P. Lovecraft

Tentaclii

Category Archives: Scholarly works

On Lovecraft and mazes

02 Tuesday Oct 2018

Posted by asdjfdlkf in Scholarly works

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“H. P. Lovecraft: the Maze and the Minotaur” (Volumes I and II), a scan of a 1975 PhD thesis by John Lawson Mcinnis III.

The purpose of this dissertation is to show the use of the Grecian myth of Theseus and the Minotaur in the writings of Howard Phillips Lovecraft, twentieth century American writer of fantasy and science fiction tales.

While the idea of ‘Lovecraft and the Minotaur’ may raise eyebrows today, the thesis appears to have a useful broader exploration of the related idea of ‘the maze’ in Lovecraft’s life and work. Prior to the Selected Letters, the author was able to use a Brown University thesis of 1950 to source quotes from the letters. Such as…

“No — we are not scared of the dark now, though we used to be prior to 1895 or ’96. Our grandfather cured us of this tendency by daring us (when our years numbered approximately 5) to walk through certain chains of dark rooms in the fairly capacious old house at 454 Angell. Little by little our hardihood increased.” [Lovecraft]

Within this early childhood experience may lie some of the roots of Lovecraft’s propensity for the maze, which appears here as a series of “chains of dark rooms.”

The thesis is noted on page 565 of S.T. Joshi’s Lovecraft Bibliography, where Joshi only briefly notes the challenge made to a key element of Mcinnis’s 1975 argument, that relating to “In the Walls of Eryx”. This part of the thesis was undermined just a year later, by a claim from Kenneth Sterling. Sterling — recalling an event some forty years earlier — had stated that he had been inspired toward the maze idea by an Edmond Hamilton story he had read, and that he had then presented Lovecraft with the ‘invisible maze’ idea fully-formed. The idea eventually became their co-authored science-fiction story “In the Walls of Eryx” (written 1936).

R. H. Barlow and ‘Tlalocan’

01 Monday Oct 2018

Posted by asdjfdlkf in Historical context, Scholarly works

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“R. H. Barlow and ‘Tlalocan'”, a poignant 1952 obituary and life-story for Robert H. Barlow, written by a close professional colleague in Mexico who actually knew and had read his weird fiction. The Annals of the Jinns stories, mentioned in the text, were all later collected in Eyes of the God: The Weird Fiction and Poetry of R.H. Barlow (2002).

The Spanish Circle of Lovecraft zine has a new article on the Barlow-Lovecraft friendship, “La complicada amistad de H.P. Lovecraft y Robert H. Barlow, discipulo y gran admirador de Lovecraft”.

Also, I read elsewhere recently that no less than nine biographers are known to have attempted a detailed account of Barlow’s fascinating life, but all have given up. Perhaps a crowdfunder is needed, to pay a professional biographer to write a sound biography that will actually be published?

Fumblings with the Acolyte

30 Sunday Sep 2018

Posted by asdjfdlkf in Historical context, Lovecraftian arts, REH, Scholarly works

≈ 3 Comments

A new clean scan of Lovecraft’s “Homes and Shrines of Poe” article. Originally in The Californian for Winter 1934, but here scanned from the early Lovecraft fanzine The Acolyte for Fall 1943. So far as I’m aware, despite its public domain status, the essay is only otherwise available in Collected Essays, Volume 4: Travel and via a rather clunky tiling image-viewer format at the Iowa Digital Library.

The issue is not on Archive.org, as yet, but they have The Acolyte for Summer 1945 with “Interlude with Lovecraft” by Stuart M. Boland, outlining his now-lost correspondence with R.E. Howard and H.P. Lovecraft in the mid 1930s. I see that Bobby Derie expertly scrutinised both of Boland’s 1945 claims in 2017, in an excellent long blog post “A Lost Correspondence: Robert E. Howard and Stuart M. Boland”. I’ve now added his essay to my Open Lovecraft listing, since the latter part concerns Lovecraft.

The Acolyte for 1944 Summer has a reprint of Lovecraft’s “8th century” warrior poem, done as a translation into a slightly stiff (perhaps deliberately so?) Victorian-era English. Possibly that poem is only otherwise available in The Ancient Track?

Other issues of The Acolyte are online in viewer form at the Iowa Digital Library. These have: Lovecraft’s “Poetry and the Artistic Ideal”; his “Notes on Interplanetary Fiction”; “a “discarded draft” of “Innsmouth” (readable format) in an issue with a very fine cover (see below); and Hoffman Price’s memories of Lovecraft (appears to be the same as the text reprinted under a different title in the now rather expensive Lovecraft Remembered).

Cover of the Spring 1944 issue of The Acolyte. The picture is signed “Ava Lee”, but inside the issue’s art is credited to “R. A. Hoffman and Alva Rogers”. Other covers by Alva are clearly signed “Alva Rogers” and are done in a much less refined style. R. A. Hoffman was the fanzine’s art director. I can find no details online of an “Ava Lee”. He/she apparently also produced a cover for the first issue, but the only scanned copy of No. 1 is missing the cover illustration. The artist was possibly trained/worked as a stage designer for the theatre, judging by the picture? It also appears to have been cropped from a wider landscape format picture, to make it fit a front-cover. Which again suggests it was originally a theatre-design concept illustration.

Revista Abusoes: special Lovecaft issue

28 Friday Sep 2018

Posted by asdjfdlkf in Scholarly works

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The Brazilian journal Revista Abusoes had a bumper crop of H.P. Lovecraft scholarship in Portuguese, in a 2017 special issue. 15 essays and two interviews with translators of Lovecraft, all open access and public. I can’t read Portuguese but the Contents page looks good to me, via Google Translate.

Too many articles to list individually on Open Lovecraft, but I’ve added the whole issue.

Added to Open Lovecraft

28 Friday Sep 2018

Posted by asdjfdlkf in Scholarly works

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* V. Napoli, “‘Apocryphal Nightmares’: Observations on the Reference to Damascius in ‘The Nameless City’ by Howard Phillips Lovecraft”, Peitho: Examina Antiqua, 1, 5, 2014. (Italian with English abstract).

‘Tryout’ Smith Grave Marker Dedication – event report

27 Thursday Sep 2018

Posted by asdjfdlkf in Historical context, Scholarly works

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A detailed post-event report from local media outlet WHAV on the recent ‘Tryout‘ Smith Grave Marker Dedication ceremony. The report also states that…

[Derrick M. Hussey’s] Aeroflex Foundation also supported the cataloguing and conservation of ‘The Tryout’ collection housed by the New York Public Library.

The Emergence of the Fourth Dimension

27 Thursday Sep 2018

Posted by asdjfdlkf in Historical context, New books, Scholarly works

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Released back in April 2018, The Emergence of the Fourth Dimension: Higher Spatial Thinking in the Fin de Siecle. Not just a book of the history of mathematics, but a survey of the cultural influence of the new discoveries at the time when Lovecraft was a youth and young man…

“the volume describes an active interplay between self-fashioning disciplines and a key moment in the popularisation of science. It offers new research into spiritualism and the Theosophical Society and studies a series of curious hybrid texts. Examining works by Joseph Conrad, Ford Madox Ford, H.G. Wells, Henry James, H. P. Lovecraft, and others, the volume explores how new theories of the possibilities of time and space influenced fiction writers of the period, and how literature shaped, and was in turn shaped by, the reconfiguration of imaginative space occasioned by the n-dimensional turn.”

Dune Encyclopedia

26 Wednesday Sep 2018

Posted by asdjfdlkf in New books, Scholarly works

≈ 1 Comment

I’m pleased to see there was a good encyclopaedia for Dune, back in the 1980s, Dune Encyclopedia. It was written as if ‘in-world’, and as such felt free to elaborate new ideas on the background and character back-stories. Today it can be understood as a possibly-correct history, with errors and misunderstandings made by some of the ‘historians’ involved. This is because Herbert himself later contradicted some of the elements in the Dune Encyclopedia, with his later Dune books.

Note that the new Dune Companion book from McFarland is apparently a stinker, and is to be avoided.

After a little digging and testing I find that the reading order for unabridged audiobook readers is:—

1. Book 1: Dune. The unabridged audiobook reading by George Guidall is the best one to listen to. Also, note that the Scott Brick audiobook version is apparently abridged for some reason.

2. Interlude: “The Road to Dune”. A quite short work by Herbert that sits between the first two novels, to be found in his short-story collection Eye. There appears to be no audiobook of this, so it would need to be read in ebook form. Said to take the form of “a guidebook for pilgrims to the planet Arrakis”. (Update: A Scott Brick / Audio Renaissance audiobook titled “The Road to Dune” was released in 2012 – some say 2005 – but apparently it does not actually contain “The Road to Dune”!).

3. Book 2. Dune Messiah. The unabridged audiobook reading by Scott Brick et al.

4. Book 3. Children of Dune. The unabridged audiobook reading by Scott Brick et al. is the most listen-able.

There is also a Book 4, God Emperor of Dune. It’s by Frank Herbert, rather than some later cash-in writer. But it is widely said to be a rather depressing and dour coda to the original trilogy. It also departs heavily from the style of the core trilogy. As such, you may well be happy with just the original trilogy.

Note that each of the three core books appears to have “Deleted Scenes & Chapters from…” fannish ebook floating around the Internet, which might be looked at after each novel. Some of these are in audio as part of “The Road to Dune” audiobook mentioned above.

Hitchhiker’s Guide to the Galaxy as cosmic horror

25 Tuesday Sep 2018

Posted by asdjfdlkf in Lovecraftian arts, Scholarly works

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“Douglas Adams’s” Hitchhiker’s Guide to the Galaxy” as a Representative of Cosmic Horror”, a new B.A. undergraduate dissertation, in English from Hungary. Online and public. At first glance it looks short for a final dissertation, but that’s a trick of the formatting — since it does run to 6,000 words. It puts forward an interesting claim that some of this blog’s readers might want to note…

Douglas Adams’s Hitchhiker series is usually labelled as science fiction. [But] Adams abandons the traditional devices of science fiction and because he borrows from cosmic horror, it could be argued that the Hitchhiker series could be considered a representative of cosmic horror.

Listed as relevant factors are:

* “Cosmos as a threatening entity”.
* “Merciful ignorance”.
* “Merciful lack of self-knowledge”.
* “Irony – the effect and technique”.

Howard Days: recording of a panel on the Lovecraft – Howard letters

25 Tuesday Sep 2018

Posted by asdjfdlkf in Historical context, New books, Podcasts etc., REH, Scholarly works

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From 2015, a one-hour panel discussion by scholars of the two-volume A Means to Freedom: The Letters of H. P. Lovecraft and Robert E. Howard.

Part of Ben Freiberg’s fine and seemingly comprehensive collection of recordings of the ‘Howard Days’ panels and speeches. ‘Howard Days’ look excellent and, as as I’m never likely to get to Texas, a big thanks to Ben for placing clear recordings online.

“Robert E. Howard, Bran Mak Morn and The Picts”

24 Monday Sep 2018

Posted by asdjfdlkf in Historical context, Podcasts etc., REH, Scholarly works

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A curious thing, but welcome. A 54-minute reading of a scholarly essay, in an audiobook style more suited to reading Conan. The essay is by Rusty Burke and Patrice Louinet, “Robert E. Howard, Bran Mak Morn and The Picts”, and it appears to have been recorded because it was part of the Howard collection Bran Mac Morn: The Last King, Del Rey, 2005. Now on YouTube. Backup: Mirror.

Genuine Pictish or Irish brooch, circa 800 A.D. Note the ‘winged ones’ perched around the edge of the design which circles the amber stones…

Revenant: “Fearful Sounds” special issue

22 Saturday Sep 2018

Posted by asdjfdlkf in New books, Scholarly works

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A new 2018 issue of the open access journal Revenant: Critical and Creative Studies of the Supernatural is a “Fearful Sounds” special issue on supernatural sonics.

Looking back over the contents of their two earlier issues, I see that the essay “‘Stop All The Clocks’: Elegy and Uncanny Technology” also fits with the same theme, albeit with reference to establishment authors rather than to weird writers.

They have a page offering Guest Editing Opportunities for complete themed issues.

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