It’s Barcelona in 1977, and you’re easing through the pungent alleyways of the Ramblas having bagged this new three-volume set of Relatos de los mitos de Cthulhu…

The above offers another peep at what Lovecraft looked like to the Spanish and Latin Americans in the 1970s, this time with rather more appealing covers than my 1972 example. The covers offer a nice visual mix of monsters, astrological constellations (as if seen low on the horizon through foliage), and what one might interpret as the ‘waves of time’ or ‘cosmic waves’ or simply the ocean.

The ‘Lovecraft and others’ bit suggests that the Spanish were getting a large helping of Derleth along with their Lovecraft, at this point in time. Derleth was apparently the editor. The set appears to have gone to at least another two editions, though with new and less appealing covers than these.

Primitive Organism 2 by Erika Kaniwa of Japan, one of a recent digital art series.

Brown to the Ashmolean, in 1936. If up-sized via AI, printed and glued, it could potentially be a nice prompt for a Lovecraftian RPG game.

Jonathan Goodwin’s ‘Don’t Go Into The Cellar!’ presents, for one night only, his theatre performance Lovecraft Lives!. 28th June 2020 at 9pm UK time, on Facebook. When he has 1,000 subscribers the shows will be live on the YouTube channel.

Celebrating H.P. Lovecraft’s keen interest in cats.

It’s 1972 in South America. You’re dodging fugitive Nazis in one-tap villages and cantering over the wide-open pampas on your lama, in search of the lost Nazca Lines. The 1972 El que acecha en el umbral is the edition of Lovecraft that’s in your saddle-bags…

Gallery Nucleus in Los Angeles staged a 20-artist show, “At the Mountains of Madness: A Tribute to the Writings of H.P. Lovecraft”.

There’s a set of pictures from the launch, artist list and details.