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~ News & scholarship on H.P. Lovecraft

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Category Archives: Historical context

The Werewolf In The Ancient World

11 Tuesday May 2021

Posted by asdjfdlkf in Historical context, Odd scratchings, Scholarly works

≈ 1 Comment

A new book, The Werewolf In The Ancient World (Oxford University Press, 2021). News to me, and perhaps to you.

the werewolf is far older than [the medieval period]. The earliest surviving example of man-to-wolf transformation is found in The Epic of Gilgamesh from around 2,100 BC. However, the werewolf as we now know it first appeared in ancient Greece and Rome, in ethnographic, poetic and philosophical texts.

I wonder if Lovecraft knew that? If so, that would be relevant to his expressed interest in the possible writing of a werewolf saga (in the 1940s, but of course he never lived to explore the notion), and also his developing ideas for tales set in the African frontier of the Roman Empire. I’d always imagined that the unwritten werewolf saga would have been set on the mist-shrouded coasts of England and New England in the 18th century. But now I wonder… could he have had an eye on combining werewolves with Rome’s African frontier? Perhaps in a sort of transplanted revisiting of the themes of “Polaris” and Lomar, with a touch of Howard’s Solomon Kane? Of course, being Lovecraft it would likely have got a lot wilder than that (recall his comment about having “sympathy” for the werewolf), and could even have then jumped into having surviving Ancient Roman werewolves prowling his other favourite, 18th century London. He had spent so much time studying London of that period, that he felt he knew every inch of it. Sort of ‘H.P. Lovecraft via early Anne Rice’, is what I’m imagining.

Exploring the Worlds of REH #3

08 Saturday May 2021

Posted by asdjfdlkf in Historical context, New books, REH, Scholarly works

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A new ebook from Fred Blosser, Exploring the Worlds of REH #3. The survey essay “Home, Hearth, Heroes, and Hauntings: Howard’s Texas Weird Tales” introduces four chapters each discussing one of R.E. Howard’s ‘Weird Texas’ tales. As a Kindle ebook for a very small sum.

Related is the earlier Exploring the Worlds of REH#1: A Study of Two Texas Terror Tales (Dec 2020), which examines “Graveyard Rats” and “Black Wind Blowing”.

Readers of both may also want to have on their Kindle Mark Finn’s “Texas as Character in Robert E. Howard’s Fiction” which is free online.

Lovecraft as science-fiction

06 Thursday May 2021

Posted by asdjfdlkf in Historical context

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In the Christmas 2005 Asimov’s magazine, Robert Silverberg mused on “Lovecraft as science-fiction”. He recalls the immense impact on him of reading “The Shadow out of Time” in 1947.

A Dictionary of Fairies

02 Sunday May 2021

Posted by asdjfdlkf in Historical context, Scholarly works

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Now on Archive.org in open PDF, the pre-PC A Dictionary of Fairies. It has a hideous American cover and a different title as An Encyclopedia of Fairies, but it is the same as the British A Dictionary of Fairies — which in paperback had this excellent 1979 cover from Tony Meeuwissen, immediately serving to reassure uncertain readers that the book is not about the Tinkerbell type of fairy.

The book is still highly regarded, and commands high prices even in tatty paperback form. Incidentally Lovecraft also wrote on fairies, on which see his “Some Backgrounds of Fairyland”.

Theosophist sex orgies at Home

02 Sunday May 2021

Posted by asdjfdlkf in Historical context, New discoveries

≈ 2 Comments

Following yesterday’s post, here is a little more about Lovecraft’s friend James F. Morton. Recently on Archive.org, The American Mercury for August 1943. This issue ran the innocuous-sounding article “Brook, Farm, Wild West Style”. This was actually a brisk and vivid history of the ‘Home’ anarchist colony, written little more than 20 years after the colony failed. Morton had been a leading light, teacher and editor of the Home colony newspaper. Lovecraftians will note the classes in Theosophy and the wild accusations of “horrible sex orgies” which occurred during Morton’s time…

As well as espousing various forms of ‘free love’, many anarchists of the time were militant atheists. But the Home colony was very different. The historian Laurence R.R. Veysey noted this in The Communal Experience: Anarchist and Mystical Communities in Twentieth Century America (University of Chicago Press, 1978) stating that… “At Home, Theosophy and spiritualism gained widespread, persistent attention” and he remarked that Morton “lectured in [nearby] Tahoma on the unity of purposes between Theosophy and anarchism”. Veysey, having access to runs of the relevant paper and journals, also noted that “one encounters surprisingly frequent references” to Theosophy in the wider anarchist publications of the period. The “sex orgies” accusations were evidently hysteria, of the false sort that have since become wearyingly familiar. But the Theosophy was clearly fact and was being personally pushed by Morton. Since he was also the colony’s teacher, we might plausibly assume he was the one leading the classes in Theosophy.

Is there confirmation to be found in the Morton-Lovecraft Letters? Not unless you were digging for it and, even then, hardly anything. I have the book as a Kindle ebook and a search there for theosophist brings nothing and theosophy brings just one result. At the back of the book Morton looks back on his intellectual career and he remarks, very much in passing and without any precision about years, that… “For a much longer period I clung to Theosophy, and for a number of years engaged in the different aspects of what is called Occultism”. “Occultism” seems to indicate Blavatskian Theosophy, then.

There is another interesting though more tenuous parallel with Lovecraft’s work, re: “The Shunned House” (1924). A deranged gunman, claiming to be an anarchist though with no discoverable connections to them, assassinated U.S. President McKinley in 1901. This caused a great deal of trouble for the Home colony and Morton. At the assassin’s funeral… “The remains of the murderer were buried and destroyed by means of a carboy of commercial sulphuric acid poured upon the body in the lowered coffin.”

Home failed in 1921, and it was in 1922 that Morton and Lovecraft began to know each other. [Update: I mean, know each other beyond their initial acquaintanceship]. If Morton verbally conveyed much about Blavatskian Theosophy must remain doubtful, though. Since in February 1933 Lovecraft did not recognise what his fellow weird writer Smith was then using to develop some new tales…

What you say of your new tale, and of the [new] myth-cycle which you have dug up, interests me to fever heat; and I am tempted to overwhelm you with questions as to the source, provenance, general bearings, and bibliography of all this unknown legendry? Where did you find it? How can one get hold of it? What nation or region developed it? Why isn’t it mentioned in ordinary works on comparative folklore? What — if any — special cult (like the Theosophists, who have concocted a picturesque tradition of Atlanteo-Lemurian elder world stuff, well summarised in a book by W. Scott-Elliott) cherishes it? [Later…] I’m quite on edge about that Dzyan-Shamballah stuff, the cosmic scope of it — Lords of Venus, and all that — sounds so especially and emphatically in my line!

Evidently Lovecraft had read little more than W. Scott-Elliott, and probably not much of that. He had either skipped large sections of the book(s) or had simply forgotten by 1933 that Scott-Elliott had much to say about the Lords of Venus and the Book of Dzyan and related notions.

Certainly Lovecraft could not have had his memory jogged about such things in summary from a key book on his shelves, since Spence’s An Encyclopaedia of Occultism (1920) discusses Theosophy at a fairly high ‘spiritual’ level and does not offer any of the cranky details. Nor, obviously, had Lovecraft been hearing “all that” from Morton in the early and mid 1920s. Which is not to say that Morton was not able to draw on those old ‘cosmic’ ideas at that time, perhaps presenting them as story possibilities in his discussions and without any obvious Theosophist hallmarks. That is speculation but it does offer one interesting possibility for a tangential influence of occult ‘knowledge’ on Lovecraft, if one needs to find such things.

A modern readable history of Home can be easily found the short book, Trying Home: The Rise and Fall of an Anarchist Utopia on Puget Sound, Oregon State University Press, 2014. Original title: Trying Home: The Rise and Fall of an Anarchist Colony on Puget Sound. Presumably the title was changed when the word “Colony” caused shrieking and wailing among anarchist reviewers.

Morton’s glow-in-the-dark collection

01 Saturday May 2021

Posted by asdjfdlkf in Historical context, New discoveries

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New on Archive.org, a note from Rocks and Minerals (July 1946) concerning Lovecraft’s friend Morton and his appearance in Lovecraft’s “The Call of Cthulhu”…

This led me to the mentioned “Passing of a noted mineralogist” obituary for Morton, in the October 1941 issue of the same monthly journal…

Lovecraftians will note here that Morton was keen on collecting the fluorescent (i.e. glow-in-the-dark) minerals, which is something about him that I had not heard before. Indeed, he made a “finest in the world” collection of such. The American Mineralogist obituary makes no mention of these, but the writer does not appear to have personally seen the Paterson collection.

And is this a possible photo of Morton in his prime? It seemed to me unlikely that the writer (the editor and publisher, Peter Zodac) would be so crass as to have his own picture on an obituary of a colleague. Although the large signature hinted otherwise. Could it be Morton with his waved hair shaved down, no moustache and wearing glasses? I then quickly rescued the picture from the microfilm, as far as is possible, to get a better look. Though I did not colourise it as I was not convinced they had the right file-photo. It could also be a picture of Zodac, the editor.

I then found a comparative picture of Zodac. Though he was turned, picking through a rock-pile in the late 1950s…

Yes, on looking at that and another picture I’m now certain that the editor really did slap his own picture on Morton’s obituary. Oh well, so… it’s not a new picture of Morton all spruced up with a haircut and shave and ready for his museum job. Maybe Zodac was rushing for a printer’s deadline, and had left space but at the last minute found he still had no picture of Morton? Such are the tough decisions of an editor with a deadline to meet.

But at least he reveals to the world Morton’s “glow in the dark” minerals collection. One wonders where this world-class part of the collection is now, and if it still glows?

New on Archive.org

28 Wednesday Apr 2021

Posted by asdjfdlkf in Historical context

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A few snippets from items newly arrived on Archive.org…

1. Lovecraft, as understood by a book reviewer for a journal for high school English teachers, January 1946. He reviews the then-new HPL by Derleth, and Supernatural Literature. This is not to be found in the collection of early Lovecraft criticism, A Weird Writer In Our Midst. The reviewer makes the interesting observation that it was only with a long radio dramatization of “The Dunwich Horror” that Lovecraft really “arrived” in the national consciousness.

Henry I. Christ was, incidentally, a real person and not Derleth using an especially grandiose pen-name.

2. Also new is Venus on the half-shell and others, collecting various pseudonymous and pen-name tales by Philip Jose Farmer. The introduction briefly itemizes a few of his planned stories in this vein that were never written or completed by Farmer. His interminable Riverworld series managed to put me off him for life, after a few books… but I wouldn’t have minded reading his take on “The Feaster from The Stars”. “Unfinished” suggests it exists somewhere as a draft and/or notes.

“I have frequently reread those phantasmagoria of exotic colour”

27 Tuesday Apr 2021

Posted by asdjfdlkf in Historical context, New books

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I’ve found a new source for the colour in “The Colour out of Space”, on which more in my forthcoming review of Lovecraft Annual 2020. In the meanwhile, those fascinated with the histories of colour may be interested in the latest shelf-trembler from Bloomsbury. The mammoth A Cultural History of Color runs to six handsome volumes, and costs £395. Which I think is roughly about $500.

A pity, perhaps, that there wasn’t also a pre-history volume surveying and summarising what we now know about colour in the deep past. Although, admittedly, the emphasis might have been largely on the various shades of ochre and umber.

Rhode Island History, 1942-2011

25 Sunday Apr 2021

Posted by asdjfdlkf in Historical context, Scholarly works

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Now arriving on Archive.org from microfilm, the last of a run of the local history journal Rhode Island History 1942-2011 with indexes. They were previously only online to 2008, and only at the Historical Society website — for which the old Web link now yields only the bare warning “Forbidden”.

Lovecraft appears to be unmentionable in the journal after 1954, but one early and fair assessment is found in Randall Stewart’s survey article on “Rhode Island Literature” (January 1954)…

The journal has occasional pictures, but these have not been treated kindly by the microfilming process.

“… the gaunt showman was seldom to be deceived by such tactics”

25 Sunday Apr 2021

Posted by asdjfdlkf in Historical context, Scholarly works

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There’s a new issue of The Fossil freely available online.

David Goudsward tugs on a jungle creeper and swings manfully over the early Tarzan movies filmed at Silver Springs, Florida. He finds them to be mere phantasms of the river-mists, and that Lovecraft was actually wrong in his letters. None of the Tarzan films made during Lovecraft’s life were filmed along the river, though Goudsward posits that some ‘splicing in’ of old newsreel clips of underwater swimming in the pools. This would have allowed the Silver Springs promoters to make the claim and technically be correct. The article gives a taster of his new book Adventurous Liberation: H.P. Lovecraft in Florida, now said elsewhere in The Fossil to be set for a release late in 2021.

There is also an article and several reviews of recent academic work on the changing age profiles of amateur journalism, in the years before Lovecraft’s birth.

The Author and Journalist, 1916-69

24 Saturday Apr 2021

Posted by asdjfdlkf in Historical context, Odd scratchings

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Newly on Archive.org, the U.S trade magazine for writers The Author and Journalist. It appears to be a complete 1916-69 run.

November 1961, a science-fiction special.

August 1948 had Lovecraft’s tips for constructing a tale, via Rimel…

The canny sub-editor has paired the then-unusual name with an article on choosing a distinctive pen-name, and a verse about love.

June 1959 also has Derleth on “The Biographer’s Goal”…

… in virtually nothing of his work save his letters did H.P. Lovecraft emerge, except by indirection, as a reclusive introvert, who lived far more in the past than in the present … it required some psychiatric knowledge to be able to put together even so short a biography as H.P.L. … The Facts — the known facts — occupied only 12 pages of the biography …

The run, as it stands on Archive.org, also includes The Student Writer.

‘Hang them durn new-fangled plots…’

23 Friday Apr 2021

Posted by asdjfdlkf in Historical context

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Lovecraft circle member Everett McNeil, giving good advice in The Student Writer for March 1923.

One can almost hear an echo of his voice at a meeting of the Kalems…

Don’t be deceived by the editorial howl for original plots. Editors don’t want original plots, and authors could not supply them if they did. The last of the strictly original plots was used centuries ago. Even Shakespeare did not create an original plot. An editor would shy violently at sight of an honest-to-goodness original plot. It would be something he had never seen before, something that no magazine, at least in his generation, had tried out.

To which we might imagine Lovecraft pushing back with a comment on new modern ways of telling the story, at least, and musing “Hmmm… The Call of Cthulhu…”.

McNeil may also give us a hint of why he was paid such low rates for a book…

The [book royalty] payments may be scattered over all the years of the copyright, fifty-six in all.

Though that still does not explain why an elderly (elderly, by the expectancy of the 1920s) professional writer would settle for terms that would outlast him by some forty years.

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