• About
  • Directory
  • Free stuff
  • Lovecraft for beginners
  • My Books
  • Open Lovecraft
  • Reviews
  • Travel Posters
  • SALTES

Tentaclii

~ News and scholarship on H.P. Lovecraft (1890–1937)

Tentaclii

Category Archives: Films & trailers

The Secret Adventures of Jules Verne

21 Tuesday Jan 2020

Posted by asdjfdlkf in Films & trailers, Odd scratchings

≈ Leave a comment

I’m pleased to discover The Secret Adventures of Jules Verne, a 22-hour series which was the flagship series for HD TV, back in 1998-2000 when HD was a new thing. They cast well, spent $2m an episode, had lots of VFX, and superb and inventive scripts. Judging by the first few episodes it seems it paid off, and is a welcome reminder of the days when TV stories were stories, not an excuse for a string of political lectures.

But who knew there was such a thing, in steampunk? I’d never heard of the show before, despite it being loved by a hardcore of (rather quiet) fans. Part of the reason for that is that the show has never been released on DVD. Comments in old Starlog magazines suggest there was a very poorly promoted HD showing, and one gets the impression that most sci-fi fans had no clue it was even running. Then it was badly converted to film (too dark and muddy), for showing on the American TV channels. At that point the channels could not handle HD, and the result looked disappointing to many. Thus it appears that the old VHS TV captures are all the fans have in 2020. Not ideal, with the sumptuous costumes being an especially regrettable loss — they get smudged into down into a dark haze. But appears to be quite watchable. A very fractious set of investors apparently prevent any new HD release in the 2020s, with the HD masters presumably crumbling away in a vault somewhere.

Starlog #287 (2001) has the best extended magazine article on the series and what it was trying to do.

2020 movies – the pick

30 Monday Dec 2019

Posted by asdjfdlkf in Films & trailers, Odd scratchings

≈ Leave a comment

What do we have coming up in terms of cinema movies in 2020? In order of appearance through the year, my interest is tweaked by…

Underwater. Sci-fi underwater horror. Appears to be an Alien/Abyss re-tread, but it might be more inventive than that.

The Color out of Space. Major modern adaptation of the H.P. Lovecraft story.

Come Away. British fantasy drama apparently combining Alice in Wonderland with Peter Pan. Has a big-name British cast, although past experience suggests that’s not always a guarantee of success with such things. They can tend to be rather more ‘worthy’ than entertaining, and the child-actor casting can often go badly wrong (e.g. Nesbit’s Five Children and It in the 2004 movie version).

The Call of the Wild. Jack London’s doggy wilderness epic, seemingly done straight. A lot will depend on how convincing the CG is, as there’s going to be a heck of a lot of fur.

The Invisible Man. The title grabs me, but the movie turns out to be a “very loose” and modernised semi-adaptation ‘domestic abuse horror’ movie of the famous ‘early Wells’ science-fiction tale.

Onward. Teen heavy-metal urban-fantasy animation from Pixar.

The New Mutants. Another and apparently the “final” X-Men franchise movie. It can’t be worse than the last, can it? But we may be surprised.

Antlers. A ‘scary deer’ horror? Another 2020 movie, Antebellum, is apparently a ‘scary butterflies’ horror. I’m sensing a trend here. I wonder if the Welsh Film Fund would be interested in my old screenplay Sheep: the blood-baaaath?

Green Knight. Based on the famous Sir Gawain and the Green Knight.

Artemis Fowl. Disney movie version of the books about a “12 year old master criminal” who does things like make supercomputers with stolen fairy technology. Apparently hugely popular among those born after 1990, and most likely to be appreciated by the under-14s and nostalgic 20-somethings. [Update: released, but apparently an utterly awful disaster]

BIOS. Unknown Tom Hanks sci-fi thriller, probably involving computer hackers and AI.

Morbius, the Living Vampire. A movie outing for one of Marvel’s supernatural/superhero characters. Likely to be middling summer fare, akin to the first Ghost Rider movie. I’d guess it may feed into a bigger spring 2022 Doctor Strange movie, which is said to have a strong Lovecraftian slant?

Monster Hunter. Apparently loosely based on a videogame. Probably just a mindless summer action romp.

The King’s Man. A Kingsman prequel movie. Looks like a very interesting start to the Autumn/Fall, and a welcome alternative to James Bond now that the November 2020 Bond appears to have gone the same way as Doctor Who.

The Witches. The Roald Dahl book, apparently given a “dark” adaptation for the “young adult” crowd — but the Guillermo del Toro screenplay promises quality for Halloween.

The Eternals. The first in Marvel’s hoped-for new mega-verse of movies, and based on the fondly-remembered space-gods comics series by Jack Kirby. It’ll be interesting to see how much they Kirby-ize the look of the movie, if at all, re: the possibility of blending film with the kind of toon-tech that brought us the recent Spider-Man: Into the Spider-Verse.

Dune. Another try at filming the famous science-fiction epic. Apparently this will only cover the first half of the first book, so presumably they anticipate a six or seven movie series if successful. Said to be visually ambitious in scale but twisting the story into politically-correct shapes. While you’re waiting, try the audiobooks.

The Croods 2. The first was a great bit of pure animated-comedy entertainment set in an amusing Stone Age, if rather forgettable after a few weeks. But I’d be up for more of that, provided they don’t pack it with eco-preaching.

Uncharted. A December movie and a spin-off from the videogame series, which features many ‘Lost City’ type settings in jungles and deserts. The December timing suggests quality. A lot will depend on how well they can mix machine-guns with mystery. I’d imagine that adding a slight Lovecraftian twist would suit the settings, and what are said to be ‘supernatural relics’, widening up the appeal of the movie version beyond the Indiana Jones crowd?

The Tomorrow War. Alien invasion meets time-travel, via military sci-fi. Again, the December slot inspires hope for some quality.


There’s no sign of the second ‘Young Tolkien’ bio-pic in the 2020 lists. Two were said to be filming, but only one has been released. There’s also no sign of the mooted adaptation of the early H.G. Wells horror The Island of Doctor Moreau.

Big-budget Dunwich Horror movie in early development

10 Sunday Nov 2019

Posted by asdjfdlkf in Films & trailers

≈ Leave a comment

“H.P. Lovecraft Trilogy Being Planned by the Makers of ‘Color Out of Space’”, reports the movie-making world’s media. The news arises from an interview with… “SpectreVision’s Elijah Wood and Daniel Noah” who want… “at least three of them”. They have the obvious choice of The Dunwich Horror in the “early stages” of development, for a… “Lovecraft adaptation that truly capture[s] cosmic dread without the camp”. Sounds good, but it’s also said to be likely to be set in the near-future, and will have the inevitable political “messaging” that seems inescapable these days.

Memory: The Origins of Alien

08 Sunday Sep 2019

Posted by asdjfdlkf in Films & trailers

≈ Leave a comment

Murray Ewing reviews the new documentary feature-film Memory: The Origins of Alien (Alien = the original movie) and offers a thoughtful emphasis on H.P. Lovecraft’s contributions.

Lovecraft Film Festival 2019

07 Saturday Sep 2019

Posted by asdjfdlkf in Films & trailers, Lovecraftian arts

≈ Leave a comment

H.P. Lovecraft Film Festival, 4th – 6th October 2019, USA. Now with guests and film-schedule announced.

Colour Out of Space – first glimpse of the movie

08 Thursday Aug 2019

Posted by asdjfdlkf in Films & trailers, Lovecraftian arts

≈ Leave a comment

It looks like Nicolas Cage’s big movie of The Colour Out of Space has a 1969-ish vibe to it, rather than being set in the 1920s, judging by the car in this newly released FX shot. I guess that makes sense, as such a date would allow the film-makers to layer in several political subtexts from the period, re: hippy LSD psychedelia, Vietnam defoliants, the anti-DDT books such as Silent Spring etc. In terms of audiences, such a period would also bring it closer to the era of popular shows such as Stranger Things.

The world premiere is at the Toronto International Film Festival, which is September 2019. The London (UK) opening is in early October 2019.

News from S.T. Joshi

31 Wednesday Jul 2019

Posted by asdjfdlkf in Films & trailers, New books

≈ Leave a comment

S.T. Joshi’s blog has updated.

* News of a Joshi-penned… “little detective novel featuring Lovecraft and Sonia as detectives, Honeymoon in Jail”, which sounds fun. Perhaps an opportunity there for an aspiring comics artist to do a graphic novel adaptation of this item, I’d suggest?

* There’s to be a Japanese documentary on Lovecraft, Dark Side Mystery which will screen in Japan in November. For which the Japanese makers took the trouble to jet to the USA and also to fly S.T. Joshi to the John Hay Library in Providence and interview him there carefully for several hours. It sounds promising, and one presumes it will eventually be released online with English subtitles.

* There’s also a documentary film being made with the “Canadian documentarian Qais Pasha”, which sounds like it could be on ‘Lovecraft and his places’. Update: the core of it is “Lovecraft’s visits to Quebec”.

New documentary: “Memory: Origins of Alien”

15 Saturday Jun 2019

Posted by asdjfdlkf in Films & trailers, Lovecraftian arts

≈ Leave a comment

Alexandre Philippe’s new feature-length documentary, Memory: Origins of Alien (2019, 94 mins) is currently doing the rounds of film festivals and related gallery shows…

On the eve of Alien’s 40th Anniversary, Memory (the title of the script’s first draft) unearths the largely untold origin story behind Ridley Scott’s cinematic masterpiece: its roots in Greek and Egyptian mythology, underground comics, parasitology, H.P. Lovecraft, the art of Francis Bacon, and the symbiotic genius of Dan O’Bannon and H.R. Giger.

Sundance reviews say it tries to take an intellectual angle, but is a bit wobbly in terms of achieving that. Also that it’s about the original 1979 Alien, rather than the later world-building and cash-ins.

The documentary is currently on pre-order on Amazon, with a “student grant-money cow-catcher” release-date of 2nd September 2019.

Dark Phoenix burns out

07 Friday Jun 2019

Posted by asdjfdlkf in Films & trailers

≈ Leave a comment

Oh no, my paper copies of the original Claremont ‘Dark Phoenix’ X-Men comics just plummeted in value! I was hoping them might go up in value, and I could sell them, durn it.

Because, while the original comics are still a pinnacle of comics-making, the new X-Men: Dark Phoenix movie is very dire indeed according to nearly all the reviews.

“Xcruciating, eXecrable and ineXcusable with its juddering mess of a storyline” — The Sun newspaper, the biggest UK tabloid.

“A Disastrous End To The X-Men Franchise” — ScreenGeek, and many other similar sentiments can be found in the U.S. reviews. “Burned out”. “Mediocre”. “A Phoned-In Conclusion to a Mutant Saga”. “X-Men Franchise Goes Down In Flames”. “Dark Phoenix is a cinematic shoulder shrug with no reason to exist.” And “biggest dud of X-Men franchise”.

What a pity. One of the greatest stories in superhero comics, trashed.

The Wandering Earth

06 Thursday Jun 2019

Posted by asdjfdlkf in Films & trailers, Odd scratchings

≈ Leave a comment

I’m liking the sound of the new $700m Chinese science-fiction epic movie, The Wandering Earth. A three-star review (three of five) in the latest Sci-fi Now magazine made me realise that this way-too-long-awaited movie had actually been released at long last. That’s the problem with too much hype too early, something also seen happening with the H.P. Lovecraft game The Sinking City for the last year. That game will probably be very good when released (it’s from the guys who made the superb Sherlock Holmes games, but this time they’re doing Lovecraft). But once the actual release happens many have long since switched off their attention for it, due to the years of vapid hype for something not yet available. I’m thinking that there’s a market for a magazine or website that only covers new stuff that’s actually released and fully complete, as a huge time-saver for busy people.

Anyway, Sci-fi Now talks of “the irony-free bombast of the whole thing”, and describes The Wandering Earth as “a gigantic, ludicrous over the-top disaster movie” — making it sound like a Chinese Independence Day. Great. That, and “irony-free”, is a very good thing in my book. Some other reviews (skimmed, to avoid plot spoilers) grudgingly admit it’s good romping save-the-world heroic entertainment. But one often gets the impression the reviewer feels that it’s not politically-correct or career-advancing to be seen to like such ‘gung-ho / can-do’ stories of sentimental heroism.

Despite the movie being slammed by IndieWire as “unwatchable” and unceremoniously dumped on Netflix with no publicity at all, one intelligent review confirms another reason for my interest it it. Its sheer difference from Hollwood pap such as the dire new Godzilla…

The Wandering Earth is a breath of fresh air. Its basic assumptions are sufficiently different from those of a Hollywood film that this increases our enjoyment of all the surprising turns, while making us think about the way in which certain civilisational differences can lead to new forms of artistic expression.

The characters in The Wandering Earth are engineers, workers of physical reality. Pleasure for them will come after their work is done. The Western viewer may be surprised that the movie contains no hint whatsoever of romantic or erotic interests.

Sounds even better, then. Proper sci-fi adventure, and not contorted by adding ‘love interest’. Johnny Depp’s awful nanotech sci-fi movie Transcendence (2014) was a prime example of that destroying a movie. There’s also that tedious new mode of… “We need to repeatedly bring the action to a grinding halt for eight minutes, to Talk Deeply About Our Feelings”, as seen in the second Guardians of the Galaxy movie, and the early series of Game of Thrones (until they got a bit more action-oriented).

It’s said that the American-English dub for The Wandering Earth significantly shifts the characterisation toward camp cheesiness, and also is rather American. Thus presumably the subtitled version is the one to try to watch the first time around, even though the vocal shadings will be lost (social class, emotional overtones etc) on a Westerner. Then see the English dub as one’s later ‘second viewing’ of the movie.

Doctor Who: a viewing guide for ‘the David Tennant years’.

14 Tuesday May 2019

Posted by asdjfdlkf in Films & trailers

≈ 1 Comment

Doctor Who: a viewing guide for ‘the David Tennant years‘:

This text has been hanging around since Christmas, and I’ve only now had time to polish it up a bit. Not very Lovecraftian, but plenty of sci-fi monsters!

Following a completed and complete re-viewing, here is my suggested “watch-list” for the 47 episodes of Doctor Who in which David Tennant was the Doctor. Tennant is generally regarded as the finest in a long line of Doctors. I don’t dissent from that opinion, but he was certainly given a few clunkers — by which I mean occasional poor episodes. Also some very mediocre series-padders, and three really dire episodes.

In all I’d suggest that six episodes and one Christmas Special can be skipped with no loss, thus saving about a day or two evenings of viewing time.

So… for what it’s worth here’s my concise “skip or watch” guide to the Tennant years. Spoilers are avoided.

Viewers completely new to Doctor Who should be aware that at the end of each episode there’s usually a trailer for the next episode, shown before the credits run. These can often act as spoilers, and as such you may want to have the means to hand to speedily zap these trailers when they start to run. Doing this also serves as a time-saver, since along with the credits you’re cutting two minutes or so off each episode. Over three series that adds up to about an hour saved!


The Core:

If you’re new to Doctor Who, and just want a day of ‘taster’ episodes, then try the unified plot thread in the Tennant series that stretches across:

“The End of the World”.
“New Earth”.
“The Runaway Bride”.
“Gridlock”.

The first of these enables you to understand the backstory for the next three, all three of which are all outstanding. Together these four will get you up to speed to view the following two episodes in Series 4 – which are some of the finest science fiction ever put on TV:

“Silence in the Library” (Part one).
“Forest of the Dead” (Part two).

These possibly inspired by Lovecraft (“There were awed sessions in libraries amongst the massed lore of ten thousand worlds”).



The Full Watch/Skip List:

We’re still in the non-Tennant Series 1 here…

WATCH. Series 1: “The End of the World” (2005). An excellent early episode in the series. This introduces two characters who will later appear in Tennant’s first proper episode, and who will make a lot more sense then. Being episode two of Series One, this is a good general introduction to the basic idea of ‘who The Doctor is’, and also his companion Rose. You’ll also get a good look at the style of the Doctor which Tennant replaced, Christopher Eccleston.

WATCH. Series 1: “The Parting of the Ways” (2005). The final episode of the Eccleston series. This will introduce you to two continuing characters, and has the old Doctor Who (Eccleston) regenerating into the new (David Tennant). One of the continuing characters will only make sense much, much later in the Tennant run.


SKIP! Christmas Special – “The Christmas Invasion” (Xmas 2005). Dire. You should avoid this one entirely. Especially in terms of it being a potential starter for watching the Tennant years. I fear that those unfamiliar with Doctor Who would start by watching this first… but then just not bother watching the other three series — assuming that it would be more of the same cringe-inducing low-grade TV.


Series 2 (2006).

WATCH. 1. “New Earth”. Outstanding. A great sci-fi ‘opening episode’ for Tennant, and a marvellous recovery from the 2005 Christmas Special disaster. Best seen after a viewing of “The End of the World” (2005) (see above), as it has two continuing secondary characters from that episode.

WATCH (optional). 2. “Tooth and Claw”. A good historical/horror episode. It’s not vital, but there’s no reason to skip it. For newcomers to Doctor Who it’s as good an introduction as any to this episode type. Though the genre-shift may be a little jarring for some, coming straight after the space sci-fi of “The End of the World” + “New Earth”.

WATCH. 3. “School Reunion”. A modern-day Earth episode, and as such it’s again likely to be a startling genre-shift for newcomers to Doctor Who. It looks slightly cheaper then the previous episode, but is terrific fun throughout. Also introduces a key new (old) character to the series.

* SKIP. 4. “The Girl in the Fireplace”. An unwieldy mash-up between historical-drama and spaceship setting. Mildly watchable and it has two good jokes, but is not at all vital. It also pushes the Doctor slightly out-of-character.

WATCH. 5. “Rise of the Cybermen” (part 1). The first of a Cybermen two-parter, the Cybermen being one of the Doctor’s main ‘enemy’ races. Very mediocre, yet it is fairly brisk and effectively told. It also sets up the arc for two future characters, so you will need to see it.

WATCH. 6. “The Age of Steel” (part 2). ”

* SKIP. 7. “The Idiot’s Lantern”. A minor filler episode. Quite well done, as a costume-historical episode set on Earth… but has a very conventional second half. Definitely skippable.

WATCH. 8. “The Impossible Planet” (part 1). An effective space-based two-parter, that also sets up a race who will appear many times.

WATCH. 9. “The Satan Pit” (part 2). ”

WATCH! 10. “Love and Monsters”. An unusual Earth-set episode of Doctor Who, but one of the most memorable.

WATCH! 11. “Fear Her”. Another Earth-set episode. Excellent, of its kind.

WATCH. 12. “Army of Ghosts” (Finale, part one). Enjoyable, but not a wholly satisfying finale because… it’s all ‘too easy’ at the end. It does however wrap up threads from earlier in the series.

WATCH. 13. “Doomsday” (Finale, part two). Briefly introduces a key new character.


Series 3 (2007).

WATCH!! Christmas Special – “The Runaway Bride” (Xmas 2006). After last Christmas’s dud episode, this one is a classic. 1,000% better than the previous Christmas. Also introduces a very key new character.

WATCH. 1. “Smith and Jones”. A mediocre enemy and setting, but the episode has to be watched since it introduces yet another key character.

* SKIP. 2. “The Shakespeare Code”. A rather straightforward historical costume-drama horror episode, with a creaky plot.

WATCH! 3. “Gridlock”. Outstanding far-future sci-fi, done well. One of the most memorable of the Tennant episodes. Continues to introduce a race and characters from the previous series.

* SKIP. 4. “Daleks in Manhattan” (part one). Another costume-historical episode set on Earth, which are always a bit hit-and-miss. In this case it’s very creaky, and also often blatantly padded out to add length. The histrionic dialogue doesn’t help at all, and there is some woefully over-acting in response to the bad writing. Even the fearsome Daleks are made to be ridiculous, and the budget was obviously low. A big fat waste of time.

* SKIP. 5. “Evolution of the Daleks” (part two). ”

WATCH. 6. “The Lazarus Experiment”. Quite well done, and it sets up a key plot thread for the end of the series.

* SKIP 7. “42”. Pure filler, except for a tiny cut-away bit at the end… which gets amply recapped in another episode.

WATCH! 8. “Human Nature” (part one). A costume-drama two-parter, but this time it’s an outstandingly good one. It also serves as a great lead-in to the concluding episodes of the series.

WATCH! 9. “Family of Blood” (part two). ”

WATCH! 10. “Blink”. A highly effective and memorable ‘horror’ episode, with lots of time-travel twisty-turny-bits. Sets up a new enemy race.

WATCH. 11. “Utopia.” (part one). The first of a grand finale three-parter. Excellent, and links with through from the earlier episodes 8 and 9. Pace yourself, to savour it all, rather than risk getting binge-fatigue at the end of the series.

WATCH. 12. “The Sound of Drums”. (part two).

WATCH. 13. “The Last of the Time Lords”. (part three).


Series 4 (2008).

WATCH. Christmas Special – “Voyage of the Damned” (Xmas 2007). Entertaining, yet not especially memorable. Worth seeing, but it could be skipped if you’re short of time.

WATCH. 1. “Partners in Crime”. A very mediocre central plot, but… with lots of interesting side-plots and some vital ongoing new characters packed around it.

WATCH 2. “The Fires of Pompeii”. The usual second-episode costume drama, but this one is well-paced and very good.

WATCH. 3. “Planet of the Ood”. A strong episode which develops a previously introduced race.

WATCH. 4. “The Sontaran Stratagem”. (Part one). Creaky and hackneyed to start off with, but by the time it enters the second part of the two-parter it’s suddenly much better. Introduces a continuing new race which becomes important for ‘the next Doctor’, but the episode could be skipped by those short on time.

WATCH. 5. “The Poison Sky”. (Part two). ”

* SKIP. 6. “The Doctor’s Daughter”. Production values are somewhat high, but it’s all very forgettable and in the end rather pointless. Seems to have only been made so the BBC could make a spin-off comic-book, but that failed too.

* SKIP. 7. “The Unicorn and the Wasp”. A mid-series period costume-drama, rather more well-made than usual – but very forgettable and also rather silly throughout.

WATCH!!! 8. “Silence in the Library”. (Part one). Now this is great. One of the best Doctor Who episodes ever filmed, the first of a two-parter. Must watch, and also some of the most excellent science-fiction shown on TV!

WATCH!!! 9. “Forest of the Dead”. (Part two). ” It helps the flow if you skip the trailer at the end of episode one, and the recap at the start of episode two.

SKIP. 10. “Midnight”. A strange departure from the usual formula. A claustrophobic shouting-match, which soon becomes very boring indeed. The episode is a big comedown after the sublime script of the last two episodes. Skip unless you like confined-space psychological drama, with lots of screaming matches.

WATCH. 11. “Turn Left”. (Part one). Series finale, with very high production values. Tries to tie up about 50 different plot threads. A good intro to the final episodes.

WATCH. 12. “The Stolen Earth”. (Part two). ”

WATCH. 13. “Journey’s End”. (Part three). ”


Series 4 ends here. There were then five Tennant “specials” that linked Series 4 and Series 5, and helped to fill the long 2008–2010 gap between full series, while a new Doctor was found.

SKIP. 14. “The Next Doctor”. A Christmas Special. A Victorian costume-drama for Christmas. Definitely skip this.

WATCH. 15. “Planet of the Dead”. An Easter Special.

WATCH. 16. “The Waters of Mars”. An award-winning episode.

WATCH. 17. “The End of Time”, Part One.

WATCH. 18. “The End of Time”, Part Two. Regeneration from Tennant to a new Doctor.


Series 5 (2010).

This opened with a new non-Tennant Doctor, Matt Smith. Smith was also an excellent Doctor, and it’s well worth considering a re-watch of his series too.


There’s more! The Big Finish full-cast audio adventures, known as The Tenth Doctor Adventures, now have two series in which Tennant reprises his role as the Doctor alongside Donna.

The Tenth Doctor Adventures 1 and The Tenth Doctor Adventures 2. These are audio-only, but are full-cast and have all the production polish of the TV series.

A third series, The Tenth Doctor Chronicles, is out in June 2019, though the cover art makes it look as though Tennant takes a back seat? Anyway, together these three audio series will effectively represent a whole new TV series in terms of length and quality.

Terry Gilliam’s Don Quixote – released

20 Saturday Apr 2019

Posted by asdjfdlkf in Films & trailers

≈ Leave a comment

I’m pleased to see that Terry Gilliam (Monty Python, Time Bandits, Brazil) has released his major new movie Don Quixote, and that it’s getting positive reviews. Good acting, with a central actor able to grounds the flights of fancy. Lively and fun, inventive cinematography, fantastical. Given that it’s been 25 years in the making, it has a few rough edges but I’ve looked at eight reviews from the New York Times to Hey U Guys and it looks good. It’s great that such a film can make it to a cinema release in 2019, and with a full 2 hour running time. You should be able to catch it at U.S. cinemas now. Official Website.

← Older posts
Newer posts →

 

Please become my patron at www.patreon.com/davehaden to help this blog survive and thrive.

Or donate via PayPal — any amount is welcome! Donations total at Easter 2025, since 2015: $390.

Archives

  • June 2025
  • May 2025
  • April 2025
  • March 2025
  • February 2025
  • January 2025
  • December 2024
  • November 2024
  • October 2024
  • September 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • April 2023
  • March 2023
  • February 2023
  • January 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • August 2015
  • July 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • March 2014
  • February 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • September 2013
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • April 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012
  • November 2012
  • October 2012
  • September 2012
  • August 2012
  • July 2012
  • June 2012
  • May 2012
  • April 2012
  • March 2012
  • February 2012
  • January 2012
  • December 2011
  • November 2011
  • October 2011
  • September 2011
  • August 2011
  • July 2011
  • June 2011
  • May 2011
  • April 2011
  • March 2011
  • February 2011
  • January 2011
  • December 2010
  • November 2010
  • October 2010
  • September 2010
  • August 2010
  • July 2010

Categories

  • 3D (14)
  • AI (60)
  • Astronomy (70)
  • Censorship (14)
  • de Camp (7)
  • Doyle (7)
  • Films & trailers (100)
  • Fonts (9)
  • Guest posts (2)
  • Historical context (1,094)
  • Housekeeping (90)
  • HPLinks (42)
  • Kipling (11)
  • Kittee Tuesday (92)
  • Lovecraft as character (54)
  • Lovecraftian arts (1,595)
  • Lovecraftian places (19)
  • Maps (69)
  • NecronomiCon 2013 (40)
  • NecronomiCon 2015 (22)
  • New books (958)
  • New discoveries (165)
  • Night in Providence (17)
  • Odd scratchings (984)
  • Picture postals (276)
  • Podcasts etc. (425)
  • REH (178)
  • Scholarly works (1,443)
  • Summer School (31)
  • Unnamable (85)

Get this blog in your newsreader:
 
RSS Feed — Posts
RSS Feed — Comments

H.P. Lovecraft's Poster Collection - 17 retro travel posters for $18. Print ready, and available to buy — the proceeds help to support the work of Tentaclii.

Proudly powered by WordPress Theme: Chateau by Ignacio Ricci.