Innsmouth in Italy

Gou Tanabe’s 2020 “Innsmouth” graphic novel is now available in Italian translation, in a two-volume set. In terms of size it’s a real graphic-novel, being presented as two slabs totalling 480 pages…

Despite the size it’s rather amazingly listed at only 15 euros for the box-set, by the Italian blurbs. I’m not sure how they can produce it at that price, unless perhaps the Italians have a different sort of euro. Perhaps there’s a huge market for such things in Italy and/or it’s very cheaply manga-style printed in Japan and then shipped to Italy on a very slow tramp freighter? Or perhaps the market has over-corrected, and the fabled paper shortage has now turned into a glut?

Anyway, no sign of it in English. Dark Horse have the English translation rights, and I had guessed at a Halloween 2022 release date for that. But no sign of it yet on the Dark Horse site.

A history and critical analysis of Blake’s 7

Possibly useful for my future reference, once I get around to finishing my stop-start Doctor Who re-watch, is the 1990 MacFarland book A history and critical analysis of Blake’s 7, the 1978-1981 British television space adventure. Newly found on Archive.org, to borrow. It appears to have just about everything you might want to know about the much-loved Blake’s 7 TV series, including episode synopses.

I also spotted the more fannish guide-book Maximum power! : the complete unauthorised guide to all 64 episodes of Blake’s 7 (2nd edition). Which has details of some of the more obscure spin-off items…

Warning of wobbly cardboard stage-sets and rubber-suit monsters: 1970s British sci-fi TV series are not for everyone, and are something of an acquired taste.

Literary Catcast

The Literary Catcast, a podcast about cats in literature.

Also a Rhode Island PBS Weekly programme which featured a short H.P. Lovecraft slot for Halloween 2022, and apparently it was their second such look. Online, at present. Only a couple of minutes, in a ten-minute programme rather more interested in witches and gory axe-murders.

Of the two, I think the Literary Catcast might be the better choice.

Call: The Lovecrafter requires assistants and contributors

Assistants are wanted for the German magazine The Lovecrafter. This is produced by and for the German Lovecraft Society, and their annual double-issue has just appeared. They are now gearing up for 2023. Obviously, good German would be required…

The Lovecrafter has been the official club magazine of the German Lovecraft Society since 2016. It provides the club members with information on the topics of weird fiction, cosmic horror, fantastic literature with a cthulhoid focus and other literary Yog-Sothothery. A double edition is currently published once a year. In addition, the Lovecrafter regularly publishes scenarios and NPC profiles for the role-playing game FHTAGN, and keeps an eye on any developments and releases that might interest RPG gamers. We are looking for backup!

No pay, but there are “expense allowances” available. Especially wanted are…

committed authors, proofreaders and editors … In addition, we are looking for layout artists, and people in general who are or would like to be familiar with the craft of journalism (including testing for readability, print and paper quality, etc).

It also looks like now would be about the right time to offer a German-language item as a contributor for the 2023 issue. The magazine’s 2023 double-issue themes are “Lovecraft as a poet” and “Robert E. Howard”.

Spellbound and Vuzz reprints

British readers of a certain age may be interested in a new digital reprint of Spellbound, which in the mid 1970s was a popular spooky supernatural-mystery weekly comic for girls. Spellbound Volume One is available now. This collects the vintage serial “I Don’t Want to be a Witch”, and pairs it with selected vintage one-off strips. There are also four modern one-off takes on the Spellbound formula, bundled in a 116-page volume. But note that back then a page of a British weekly could contain the equivalent in panels of three pages in a modern padded-out comic.

Also from the 1970s, Philippe Druillet’s Vuzz collected as a new oversized hardback, albeit of 72 pages.

Lovecraft on a Comet

A post title like ‘Lovecraft on a Comet’ might seem a nice co-incidence for Bonfire/Fireworks Night. Though here the Comet in question is a train, and not a blazing hunk of ice hurtling through the cosmos.

Many will recall that Lovecraft had a lifelong love of railway trains. This was not only confined to his youth, when he appears to have read the entire run of Railroad man’s Magazine, made scale-model tracks in the old carriage-house, then taken solo journeys in middle-childhood, and even published his own The Railroad Review ‘zine for family and friends (1901, one issue known) — complete with long humorous verse, perhaps his first really successful original narrative for an audience.

Some of his most enjoyable travels were had by train carriage and railway station, especially when fine landscape views were streaming past his window. Sometimes, an alternative view of a place gave him a completely different and more favourable impression, as when an unfamiliar rail route once took him into his friend Morton’s mundane New Jersey town. He also enjoyed the arrivals and departures, such as riding into New York City above the sidewalks on the famous ‘Elevated’, or departing the city for his honeymoon from the mighty gothic/classical Pennsylvania Station.

But what of Providence? We have a few wide pictures of the city station frontage, but what about behind the frontage in the last years of the great Age of Steam? I’ve found this vintage 1932 picture which gives a feel for the sort of mighty steam trains to be found there, on which Lovecraft would have departed and entered his city. Here the train is about to head westward and so presumably reach New York City. With thanks to the Providence Public Library. I’ve here colourised their scan of the picture.

[the pronunciation of ‘Cthulhu’] “is more like the sound a man makes when he tries to imitate a steam-whistle…” (Lovecraft).

Late in his life Lovecraft also managed to get aboard a new Providence ‘super-train’ for a guided tour, when the train first arrived in his city. This was a new super-streamlined tubular-aluminium and air-conditioned diesel train named The Comet

Early artist’s impression of what the new train might look like.

The service in operation.

Sadly I can’t re-find Lovecraft’s account of the tour he was given, but I recall it filled at least a long paragraph or so. It’s in the published Letters somewhere, probably given to one of his younger correspondents. April/May 1935 appears to be the target date, judging by press photos and news coverage at that time. But I can find nothing in the Bloch or Rimel letters.

Apparently the design was a one-off and it was the only train ever designed by Zeppelin in Germany. Some in the press billed it as a “rail-Zeppelin”. In those pre-war days the Germans and Americans could work on such joint projects. Lovecraft no doubt approved of the Teutonic styling, with the train-ends rather resembling Wagnerian helmets. The Comet went into service in June 1935 on the Providence to Boston (South Station) run, making the run in 44 minutes including a stop at Back Bay in Boston. The train was double-ended for a quick turnaround at its destinations. The livery was “blue, silver, and white”, and was very plush inside for its 160 passengers. It was a great success, and proved itself totally reliable during the following 1935/36 New England winter.

Such a ‘new’ train must have seemed a remarkable change from the grimy and older steam-trains Lovecraft was used to, and quite a harbinger of the future. Steam-trains may have their charms. You could slide down the carriage windows for fresh air, for one, and passengers were not sealed in a “pre-paid suffocation chamber” (as Lovecraft once termed air-sealed public-transport). But they were also heavy and noisy, and one might encounter soots and smoke as one boarded.

I don’t know if he ever actually travelled to Boston on The Comet. He preferred a more leisurely landscape view from his train windows, and even a one-way ticket may have been deemed an expensive extravagance. He did visit the Boston area to see Cole and his family, from 3rd-5th May 1935, as he notes for several correspondents (e.g. Rimel letters, p. 273), and did so again some time later. But he would surely have mentioned it to them if he had ridden on the new Comet to reach Boston.

Imagining Horror in the Late Middle Ages

““Lothly thinges thai weren alle”: Imagining Horror in the Late Middle Ages”, a newly open-access chapter from the book New Directions in Supernatural Horror Literature: The Critical Influence of H.P. Lovecraft (2018).

Also in academia, I spotted a talk on “The cosmic mythology of Wisconsin”. It’s a talk that’s recently been and gone, but it may be useful to some Tentaclii readers to know that “UW-Whitewater at Rock County English professor John Pruitt” is interested in “Wisconsin author August Derleth”, and not only in terms of his localist / regionalist Wisconsin writings.

Also, the open access journal Kaiak: A Philosophical Journey has its latest issue themed as “Weird”, and this includes one English essay on “The Weird and the Ineffable: H.P. Lovecraft’s Inverted Theology”. Also has other essays in Italian.

Pietro Rotelli

I’m pleased to discover the website and online gallery of Pietro Rotelli, the Italian illustrator who had the cover for the latest Italian Studi Lovecraftiani edition. You may recall the artwork…

His site made me aware of another Italian Lovecraft publication, Voci da R’lyeh (Voices of R’leyh), which appears to be his own…

He makes his own comics / graphic novels, which can be had in Italian on Amazon including in ebook format.

He’s also a comics letterer for hire, and it appears he can do a very nice line in ‘Moebius emulation’ in lettering.

New books: two new volumes of Lovecraft’s letters

My thanks to Martin for a blog comment pointing out that the new volumes of Lovecraft’s letters, Miscellaneous Letters and Letters to Woodburn Harris and Others, appear to be shipping. I had spotted Miscellaneous Letters listing on Abe a week ago, usually a sign that a new book is shipping. But I wasn’t sure. On looking at Amazon UK today, I see they have “20th October” and appear to be willing to ship.

However, note that neither book can yet ship to an Amazon delivery locker in the UK. I assume this means Amazon has no ready-to-go UK warehouse stock. Other older volumes in the series can be shipped to your UK Amazon locker, so I assume that Amazon pre-prints some print-on-demand books to hold in its warehouses for fast shipping. It is thus likely waiting for stock on the new books. Of course, you can also order from Hippocampus, and may also find combo deals there with other items.

Congratulations to all concerned in producing these volumes, and for swinging into sight of the ‘finishing-line’ for the series. According to S.T. Joshi’s blog post on the matter, the final volumes left to come are now…

* Letters to Hyman Bradofsky and Others

* Letters with Frank Belknap Long (2 Vols.)

+ the single volume mega-index to all the published volumes of letters, presumably also including volumes published by others (e.g. O Fortunate Floridian, the Barlow letters from Florida University Press).

New book: Two Hearts That Beat as One: an Autobiography by Sonia H. Davis

A promising Kickstarter for a proposed Two Hearts That Beat as One: an Autobiography by Sonia H. Davis book. This appears to be set to contain the manuscript autobiography of Lovecraft’s wife, “reproductions of both issues of Sonia’s zine The Rainbow”, and “photos and papers from her archives” plus the joint play Alcestis. All wrapped in a handsome book.

This autobiography appears not to be the already published “European Glimpses” + “Howard Phillips Lovecraft as His Wife Remembers Him”, since the archives list for the Sonia H. and Nathaniel A. Davis papers does show a number of folders of “Autobiography”…

I assume these have been transcribed and annotated, for the new book.