At No. 169

This week on ‘Picture Postals from Lovecraft’, newly colourised views of 169 Clinton Street in 1935. These are two of the Sperr pictures, via the NYPL. 169 is the end residential building in the short row.

The building on the far right of the pictures had served as the New York Court of Special Sessions (of the Second Division, meaning Brooklyn, Queens and Richmond) since 1902… “The Second Division the Court of Special Sessions is now held at the corner of Atlantic avenue and Clinton street” at “171 Atlantic avenue”. The Court’s lease was renewed in 1922. This was the court for the trying of petty crimes. Meaning crime that merited either a fine, or some days in jail or in a youth reformatory. The presence of this court must have greatly increased the number of delinquent youths and low-life in the immediate vicinity of Lovecraft’s room, and on the sidewalks on the way to his nearby grocery store on the corner of Clinton and Atlantic.

One can just make out the “Tailor” sign, which may have been the Syrian tailor he mentioned and patronised. However, there was also a tailoring sign on might be small rentable units that ran down the side of the court building, so perhaps we can’t be quite sure. They may have been two tailors here, or one tailor with a shopfront and also a sign a bit further down the street.

The vacant and cleared lot was the site of the once lavish but later seedily decayed ‘Fouguera’ building, which was standing when Lovecraft lived at No. 169. 1934 was when the ‘slum clearance’ demolition boards went up on the ‘Fouguera’ building, as noted by the Brooklyn Eagle. Thus, walking down Clinton Street would have been a more canyon-like experience than the open sun-washed 1935 view above implies. Nevertheless, on a bright January day in 1925, it might not have looked too dark and gloomy…

Evidently in 1935 the roof had been changed and raised since 1926, to add the couple of attic rooms whose low windows we see in 1935.

AI “Nyarlathotep”

A new AI-voiced AI Lovecraft: Nyalarthotep on YouTube. One of the better voices, kind of like a somewhat harsh and staccato Gordon Gould (expert reader of Lovecraft for ‘Books for the Blind’, back in the day). But then, what can one expect… it is a robot. But such things might be fixed by downloading and then using a good desktop PC audio player (such as AIMP) to adjust speed, pitch etc.

I found the following to work well with AIMP and proper headphones:

Speed: 0.97

Pitch: -1.66 st

And this graphic equaliser setting…

Then it just needs the maker to do a re-recording of the few seconds where the AI stumbles over Lovecraft’s 18th century diction (TTS voices can usually handle a special in-text markup, which can help correct such things, or you can just ‘tweek du spellhing’). Plus a few spaces, added where the transition between sections is too abrupt.

David McCallum’s Lovecraft

1970s TV star David McCallum has passed away.

A formative but almost-forgotten part of my youth. I remember him in the TV show Sapphire and Steel (time-travelling super-agents, ‘gothic horror meets TV sci-fi’) and in The Man from U.N.C.L.E. spy-thriller movies as shown on TV.

Sapphire and Steel is a British sci-fi show which I (and most others) had forgotten, but I vaguely recall enjoying it a lot… and I may well revisit it now.

Anyway, David McCallum also recorded vinyl L.P. records of Lovecraft tales, for the Caedmon label. As you might expect, these are now on Archive.org…

“The Rats in the Walls”
“The Dunwich Horror”
“The Haunter of the Dark”

Some theses

The results of a quick bit of thesis hunting.

New to me, the PhD thesis ‘Determined To Be Weird’: British weird fiction before Weird Tales. Or perhaps I had looked at it, but then it was embargoed for years to come? Anyway its record page was modified a few days ago, and it’s now freely available as a PDF.

The author presents an “examination of the earlier weird fiction that fed into and resulted in Lovecraft’s work”, and also surveys the grudging changes in sentiment that occurred over time among elite critics. Ironically one might argue that by the time the elite critics had changed their minds on such things, only blurb-hunting publishers cared much about their opinions.

Another PhD I found is still embargoed for another three years, titled The Palimpsests of Cosmic Horror: space, mythicity, and rituality in the writings of H.P. Lovecraft and his Spanish successors. There’s an abstract, but it’s “Restricted until September 2026”.

Another, with a current embargo but no release date, is Predestination, textuality, and cosmic horror in the works of H.P. Lovecraft and their comics adaptations.

Lovecraft in Fabletown?

Regular readers of Tentaclii will know I’ve been reading through the 22 trade paperback collection of the acclaimed series Fables. I was pleased to spot a clear Lovecraft reference, late on. Young Splinter is exploring her new home for the first time, a giant castle magically concealed in the midst of New York City. The exiled fables are moving in too, and so is the Library. There Splinter is drawn to a copy of the Necronomicon

It’s in a short 20-page side-story which fronts the final three volumes, and the art is not by the regular artist. It also introduces ‘the rats in the walls’ (possibly another Lovecraftian nod?) who are then never encountered again. Looks to me like this ‘short’ is setting up a whole other story-arc, beyond the final volumes. And possibly one with Lovecraftian monsters? Well, now Fables has been sent into the public domain I guess that story can be written… if anyone cares to do it…

King Kulled

New this week, a look at “Stephen King on Robert E. Howard”. Not just REH. Back in the day, the article finds that…

King chose to manufacture a sensationalized version of events to present H.P. Lovecraft and Robert E. Howard as “mutilated personalities.

The end of the article also praises the new book of essays Beyond the Black Stranger and Others: New Essays on Robert E. Howard and H. P. Lovecraft (2023). These being essays by Charles Hoffman, which I linked here last week.

Comet madness

Freely online at the Library of Congress, the popular science/history book Comet madness : how the 1910 return of Halley’s comet (almost) destroyed civilization (2023).

Hairy Stars: Fear and Loathing in the Heavens
From Astrology to Astronomy
Whither the Comet?
The Fabulous Flammarion
A Dangerous Tail
The Unexpected Visitor
Cyanogen Gas!
From Science to Science Fiction
Aetna and the Wheel of Anxiety
Apocalypse Now
The Death of Kings
Rationality Won’t Keep Out The Rain
Up on a Roof
Cosmic Death Ray
Hysteria’s Highwater Mark
Syzygy
The Case of the Missing Tail
And We (Mostly) Lived Happily Ever After.

Amazon UK will happily take your £17 for the ebook, but the LoC officially has it free.

Lovecraft made a substantial scientific entry on the comet, for 26th May 1910, but seems to make no reference in the letters I have access too. Other than…

I saw Halley’s in 1910 — but missed the bright one earlier in that year by being flat in bed with a hellish case of measles!

Tolkien had an interest in astronomical phenomena, but I am told that his diary does not note Halley’s Comet of 1910. To be fair, he was only a schoolboy at the time and swotting hard for vital exams in central Birmingham, a big industrial city not then noted for its pristine ‘dark’ night skies and star-gazing.

Germany calling…

The German Lovecraftians have posted their club’s monthly update. Items of note:

* Their annual Lovecrafter double-issue magazine is bagged, stacked and ready to mail.

* Notes what sounds like a survey / overview article elsewhere, on…

Lovecraft in film [which] appeared in the German issue #15 of the film magazine Art of Horror. The feature looks at Lovecraft’s own attitude towards the medium, which was still young at the time, the direct film adaptations of his work, and productions that are indirectly influenced by his ideas on cosmic horror.

* The best of Weird Tales has been published in German as a 100th anniversary slipcase edition containing five hardcover books… “This anniversary edition, limited to 999 copies, contains 111 creepy and bizarre stories from the magazine’s first phase (1923 to 1954). Most of them appear for the first time in German.”

* There’s also a panning review (spoilers) of Alan Moore’s Providence comics series / graphic novel. Spoiler-free quote…

But rarely does it [the ‘inspired by Lovecraft’ thing] happen as clumsily and — in my opinion — disrespectfully as here. [The tale becomes] completely disrespectful after the great first volumes. What a story ‘Providence’ could have told if Moore had limited himself to telling a Lovecraftian story. In the ‘Neonomicon’ he succeeded [but] it’s a real shame that at the end of ‘Providence’] Moore resorts to the cheapest of twists to bring this great series to an utterly undignified end. […] Do yourself a favour and skip the ending [of ‘Providence’]. It’s a fiasco.

Speculative Poetry and the Modern Alliterative Revival

The forthcoming book Speculative Poetry and the Modern Alliterative Revival: A Critical Anthology (December 2023) may interest some readers…

If a literary movement arises but no one notices, is it still a movement? […] this anthology collects for the first time over fifty speculative poets. […] Alongside such established names as C.S. Lewis, Patrick Rothfuss, Edwin Morgan, Poul Anderson, Jo Walton, P.K. Page, and W.H. Auden, this anthology also includes representative texts from cultural movements such as contemporary neo-paganism and the Society for Creative Anachronism.

No mention of Tolkien, but I guess it may have been difficult or expensive to get the Tolkien Estate’s permission to reprint?

See also the 2021 article in Studies in the Fantastic, titled “Antiquarianism Underground: The Twentieth-century Alliterative Revival in American Genre Poetry” on…

a wholly neglected subset of the alliterative revival [which] involves American genre poets working in fantasy, horror, and science fiction.

In ‘The Cabinet’

This week on ‘Picture Postals from Lovecraft’, the old home of the Rhode Island Historical Society. No interior pictures that I can find though, which seems a pity. Still, here’s the exterior…

On the right we see the former home of the Rhode Island Historical Society, aka ‘The Cabinet’, and with the name carved above the entrance. Opened in November 1844, an event in which one William Gammell (Professor of Rhetoric) gave the opening address. Gammell was of course the family name of Lovecraft’s aunts. I don’t have the genealogical wizardry of Ken Faig Jr. at my fingertips, but I wonder if Prof. Gammell was somewhere in Lovecraft’s family tree?

The city’s Public Library was then able to furnish me with a bigger but rather more garish scan of a postcard using the same picture…

It housed the Society’s library, and by the early 1890s had added a two-story domed extension. At this point a booklet was produced titled The Library and Cabinet of the Rhode Island Historical Society (truncated scan) and which gave an overview of the contents of its special collections. The booklet reveals the Society held the “Whipple papers” for 1661-1791, which I guess might have been Lovecraft’s grandfather’s line? They certainly later took the papers of Lovecraft’s uncle…

After his death last year, the R.I. Historical Society took over his unpublished manuscripts.” (November 1916, Letters to Rheinhart Kleiner)

One wonders if they still have them? Has any Lovecraftian ever looked through them?

Anyway there we have two reasons why Lovecraft might have occasionally visited. Also noted by the 1890s booklet are 1,700 bound local newspaper volumes. There are no further details of the library holdings, which would have been beyond the scope of the booklet, but at that time it held 15,000 books and 35,000 pamphlets.

Then “Brown acquired the [old] building in 1942”, according to the current Brown Repository notes. I’m uncertain of the exact date of the move of the library but Joshi has…

At the very end of his life Lovecraft saw the opening of the John Brown house (1786) as a museum, and it is now the home of the Rhode Island Historical Society.” (Joshi, I Am Providence)

New home of the Historical Society.

“At the very end of his life” and the “1942” date both suggest that in the colour postcards above we see the location for the “Historical Society” that Lovecraft would have known and used, when he wrote things like …

I looked up the R. I. [Rhode Island] Casey line in J. O. Austin’s Genealogical Dictionairy of R. I. at the R. I. Historical Society. I hadn’t done any looking since over a year ago, and had never tackled this book before — but bless me…” (Selected Letters II, page 323).

This was written in March 1929, so “over a year ago” suggests he may have been there late 1927, for some post-“Dexter Ward” work.

Also note that in his “The Shunned House”…

I was forced to ransack both the Rhode Island Historical Society and and Shepley Library

And in Dexter Ward, Ward’s…

hours were spent mainly at home, in rambling walks, in his classes and drills, and in pursuit of antiquarian and genealogical data at the City Hall, the State House, the Public Library, the Athenaeum, the Historical Society, the John Carter Brown and John Hay Libraries of Brown University, and the newly opened Shepley Library in Benefit Street.

Today the ‘old’ Historical Society building is ‘Mencoff Hall’ (68 Waterman Street, Providence). Luxuriously renovated and modernised, expanded up to four floors, and now devoted to Brown’s advanced post-doc training in Population Studies — seemingly as the subject relates to disease and public health.

In a nice nod to history, today the Rhode Island Historical Society’s online catalogue is still called ‘The Cabinet’.

I’d welcome interior pictures of this pre-war ‘Cabinet’, if anyone knows of any.

Audio recordings from PulpFest 2023

Streaming audio recordings from PulpFest 2023, now available. The list includes, among others…

* Sword and sorcery in “The Unique Magazine” [Weird Tales]

* Weird Tales on radio

* Those weird men’s adventure magazines

* Illustrating Conan for the commercial market

* Weird Editors

* Doc Savage and his offspring

No .MP3 downloads, but anyone handy with “Inspect element” and DIV-wrangling will find the link they want.

There are also dates for your 2024 diary. PulpFest 2024 will be in Pittsburgh, USA, from the 1st – 4th August 2024.