Talk: HPL in Greenwich Village

The Greenwich Village Village Preservation of New York has a pre-Christmas Lovecraft talk coming up soon. “Labyrinths of Curving Lanes”: Greenwich Village and H.P. Lovecraft will be on 14th December 2023, St. Mark’s in-the-Bowery Church, 131 East 10th Street. Booking now.

Actually, I see that the book being promoted popped out a few weeks ago with little fanfare. I though it was due in early 2024, but you can buy it now in both ebook and paper. I plan to get a copy once Lovecraft in Florida appears, and will hope to do a joint review.

Street & Smith proto-pulps to 1930, now online

Northern Illinois University has reportedly completed its scanning project for much of the output of the Street & Smith publishing company to 1930. At the Nickels and Dimes website one can now find, freely online, 113,342 well-scanned pages from 4,790 ‘dime’ novels and proto-pulp ‘story papers’. The work began as “a local initiative in 2013”, but grew over the years and then landed “a grant of $338,630 from the National Endowment for the Humanities” to ensure completion.

The site doesn’t yet have the new press-release about the project’s completion, but a sort-by-date shows it runs to 1930. Note that their U.S. public domain status only extends to 1928, and that only from 1st January 2024.

And there are enough pictures here, and since I have a snuffling cold, I feel can class this post as one of my weekly ‘Picture Postals’ posts. Especially since some of the serials are known to have been enjoyed by Lovecraft in his youth. Such as the ‘Nick Carter’ adventure-mysteries. For instance, one can imagine him being intrigued enough to at least pick this combo of kitties and Egypt off the news-stands for a thumb-through even at age 19…

Though if he read them that late appears to be unknown. Possibly not. Lovecraft recalled them in a letter for the musical and philosophical Galpin, suggesting they were intended for “small boys”…

“Nick Carter and Old Sleuth, dear to the small boys of other generations, and studied almost invariably without knowledge or consent of the reader’s parents!”

Though that would be small boys of the early 1900s, apparently able to read page after page of small text. Something that would likely be deemed beyond the capabilities of the screen-boggled boys of 2023.

Lovecraft read a lot of them…

“If I had kept all the nickel novels — Pluck & Luck, Brave & Bold, Frank Reade, Jesse James, Nick Carter, Old King Brady, &c. — which I surreptitiously read 35 years ago… I could probably get a young fortune for ’em today”.

As to dates, Joshi has him as reading…

“Street & Smith’s Popular Magazine around 1905–10; read the entirety of the Railroad Man’s Magazine (1906–13); he began reading the Black Cat around 1904.”

We also know he gave up on following Conan Doyle’s new Sherlock Holmes tales in 1908.

For ‘prime dime’ Street & Smith juvenile reading we’re probably more likely talking about Lovecraft at between the ages 9 – 16, the years 1899 – 1905. So those would probably be the years to look at first, on the now-completed Nickels and Dimes website. That said, his interest in occasional issues as late as 1913 can’t be ruled out. And, newly interested in the industry trends and markets for fiction, he would have at least glanced at Street & Smith’s covers on the news-stands during the mid 1920s.

He was likely drawn to Popular Magazine by the sequel to the famous She in February 1905.

Note that at Nickels and Dimes you need to enlarge the view before you go to fullscreen. You can’t enlarge once in fullscreen, it seems. Also note that key S&S magazines such as Popular Magazine appear to be missing. Evidently it’s the complete collection, but not complete in terms of the entire S&S output. If you can offer them a complete run of missing titles, or fill-in issues, I guess they’d be quite interested.

Raymond Chandler as a writer of the fantastic

Who knew? Wormwoodiana digs out Raymond Chandler’s Fantasies.

I for one want to know more about “The Four Gods of Bloon” and “The Rubies of Marmelon”, both of which sound almost like Dunsany titles.

Seemingly uncollected in one volume, suggesting an opportunity for a publisher. I assume they were actually written, and that they may still exist somewhere in an archive. Alternatively an opportunity for an anthology of noted writers, each asked to ‘write to one of his unwritten titles’ and in a somewhat Chandler-esque style.

The Conjurers (1974)

From The Armchair Detective, May 1975, newly arrived on archive.org…

The Conjurers by Marilyn Harris. The evil is connected with ancient megalithic circles [near] a village called Dormeshaven, close to Avebury and Stonehenge in Wiltshire [southern England]. Miss Harris uses themes and incidents that smack very much of some of H.P. Lovecraft’s work [and] the tender stomached may find The Conjurers a bit much at times. [Sadly the Oklahoma-based American] Miss Harris has failed to catch the atmosphere of Britain as a Briton.

The 1974 Random House novel is now on Archive.org.

More LORAs

More free add-ons, for use with free desktop software such as InvokeAI and free Stable Diffusion 1.5 models.

Monster Diffusion – 1.0. Photoreal or semi-toon monsters, and it can also emulate tabletop ‘hand-made figure’ monsters.

Jack Kirby inked by Wally Wood. Apparently the creator of this LORA isn’t convinced its results will pass the ‘sniff text’ among the Golden Age collecting crowd, those who know their Wally Wood from their Bob Wood. But it looks fairly good to me.

LORAs for the styles of Jim Steranko (Nick Fury era), Jack Kirby (late 1960s Marvel), Steve Ditko (Doctor Strange era). All from the same maker, and I didn’t think much of them on testing. But perhaps I was testing them with the wrong Stable Diffusion model (XenoGasm).

Cityscape & character cumulonimbus cloud for creating one of those ‘Cthulhu walking as a cloud on the distant horizon’ pictures. Obviously you would use Photoshop to combine the cloudscape with a more suitable lower-half.

New book: Ancient Egypt and Popular Culture (open access)

Of possible interest to Tentaclii readers, the new multi-author volume titled How Pharaohs Became Media Stars: Ancient Egypt and Popular Culture. Not a MacFarland book. This one’s from Archaeopress, as Archaeopress Egyptology #48. Only on Amazon as a paperback, but I see that the publisher has a free open-access PDF version for no-hassle download. The book leads with a useful overview of “Theories on Pop Culture and Egyptology”.

The otherwise £170 Megaliths of the World Vol. 1 may also interest some Tentaclii readers. Also open-access, it’s free in PDF.

New Book: Tolkien e Lovecraft

My ideal book, and… it’s in Italian and I can’t read Italian. Urg. Tolkien e Lovecraft: Alle origini del fantastico is newly published in the Historica Edizioni series.

J.R..R. Tolkien and H.P. Lovecraft: the gods of fantastic writing, co-founders of a genre that is both deeply ancestral and very modern. The conventional view would place them at opposite ends of the fantastic ecosystem: light and shadow, black and white, Tolkien synonymous with airy fantasy and Lovecraft with deep horror. Yet in the epic of Tolkien’s Middle-earth there is no shortage of flashes of darkness and terror, just as in the dark Lovecraftian cosmos, populated by unspeakable entities, fairy-tale horizons of enchantment and wonder are also found. By analysing their masterpieces, and the reading that inspired both men, this book aims to read the two great architects of the imagination from a more flexible perspective, one which attempts to frame and understand them within their authentic complexity.

Soon to be available via Amazon Italy, which has a 28th November 2023 publication date though the book is not currently listed as shipping. Amazon UK “knows ‘a nurthing” about the book.

Tomas Jr.’s Innsmouth

Due in November and seemingly shipping now, an illustrated “The Shadow Over Innsmouth” by Spanish artist Tomas Jr.

Tomas Jr. is a renowned illustrator and a great admirer of the work of H.P. Lovecraft. He has illustrated J.R.R. Tolkien and has collaborated with Guillermo del Toro and the Jim Henson Company.

Tomas Hijo is, in my estimation, one of the great modern engravers” — Guillermo del Toro.

Published by Ediciones Minotauro. I can’t immediately find a Minotauro website, and there’s nothing on the UK or Spanish Amazon sites. I guess a Spanish bookseller might get it for you.

The release prompts Spanish pop purveyors Dawn to note that Dawn also…

published this summer the youth adaptation of The Shadow Over Innsmouth, written by Adri Ortiz and illustrated by Maria Garcia.

At Tomas Jr.’s website, I see there’s also a print of Lovecraft available.

And, nicely timed for a post on Spain, S.T. Joshi’s blog offers a lengthy new “A trip to Spain: the photo essay”.

A folksy map of Providence

This week on ‘Picture Postals’, a folksy hand-draw map postcard which names, and also sometimes sketches, many of the city locations mentioned by Lovecraft in his letters. Possibly 1920s, judging by the design of the back and the existence of the Shepley Library as a possible destination.

As you can see, it can be turned three ways according to whatever direction the holder is walking. As Lovecraft once said…

everything cannot be carry’d in memory; so that it is well always to have a map in one’s pocket.

More new LORAs

More new additions to Stable Diffusion 1.5 LORAs, used for text-to-image AI image generation. Pulp / sci-fi ones such as these, of possible interest to Tentaclii readers, are swamped by the zillions of LORAs being produced daily for each-and-every Japanese anime character. But they do appear quite frequently, for those willing to hunt for and find them among all the new fluff.

Art Deco Architecture – v1.0. Of obvious use for 1930s and 40 sci-fi backdrops. Seemingly trained on wide-scale deco concept art produced by architectural illustrators of the period.

Sumerian Architecture – v1.0.

One can combine LORAs for generating the same image, so the combinatorial possibilities should be obvious for science-fantasy illustration. Possibly these two may combine in interesting ways with the also-new Multiversal Vistas – v1.0, said to be trained on “strange futuristic vistas, forgotten technology and monumental artifacts”.

Also of possible interest, though this time to the retro crowd, is the 1950s style but highly polished Romance Comics – v1.0. (Warning: can also do nudity). Seemingly trained on slick cleaned reprints, rather than scans of the original yellowing comics. SD 1.5 knows what Lovecraft looked like, so I guess one might be able to have this produce a comic featuring Lovecraft. With the era-correct suit, shirt, shoes. But I’ve yet to try that.

(Limbo) Liminal Space Style – v1.0. In the influential ‘spooky silhouette’ style of the ground-breaking Limbo videogame.

And Dictionnaire Infernal (updated today).

“18th century Antarctica with heavy Lovecraftian elements”

Two wranglers of the fiendish 3D software Blender require a visuals impresario

We’re making a cRPG set in late-18th century Antarctica with heavy Lovecraftian elements [and] we’re looking for someone to help out in terms of aesthetics & visuals

Probably must be familiar with the look that’s possible in videogames with only a three-man team. No modding of a retail game is talked of, so I assume they’re building from scratch with the aid of the rich ecosystem of add-ons and Blender’s new off-the-shelf modules.

What my AI suggests…