New book: Poe and the Visual Arts

Poe and the Visual Arts, just published by Penn State University Press.

“the first comprehensive study of how Poe’s work relates to the visual culture of his time [and how] his enduring love of beauty and knowledge of the visual arts richly informed his corpus”

1. Poe’s Exposure to Art Exhibited in Philadelphia and Manhattan, 1838–1845.
2. Artists and Artwork in Poe’s Short Stories and Sketches.
3. Poe’s Homely Interiors.
4. Poe’s Visual Tricks.
5. Poe’s Art Criticism.

“Poe integrated visual art into sketches, tales, and literary criticism, paying close attention to the sculptures and paintings he saw in books, magazines, and museums”

It strikes me that this was one of the lessons Lovecraft learned from Poe. It would be interesting to have a similar art history book on Lovecraft.

Lovecraft’s writing style manual: Abner Alden’s The Reader (1802)

Lovecraft’s boyhood writing manual…

intro1

Download the first volume (in exactly the same 1802 edition as Lovecraft had), and also the second volume (probably not had by Lovecraft, since he mentions only a single volume).

It’s a little more interesting that simply a style and composition guide, being also an anthology of examples that serve as a guide-to-life…

Lesson LXXVIII
By Imagination man can travel back to the source of time: converse with successive generations of men … he can sail down the stream of time until he loses “sight of stars and sun, by wandering into those retired parts of eternity, when the heavens and earth shall be no more”


Lovecraft in a letter to Bernard Austin Dwyer, 3rd March 1927…

“Being highly imaginative, and sensitive to the archaic influences of this old town with its narrow hill streets and glamorous Colonial doorways, I conceived the childish freak of transporting myself altogether into the past; so began to choose only such books as were very old — with the “long s” — (which I found mainly in the banished portion of the library in a great dark storeroom upstairs) and to date all my writings 200 years back — 1697 instead of 1897 and so on. For my guidance in correct composition [in early boyhood] I chose a deliciously quaint and compendious volume which my great-grandfather had used at school, and which I still treasure sacredly minus its covers:

THE READER:
Containing the Art of Delivery—Articulation, Accent, ‘Pronunciation, Emphasis, Pauses, Key or Pitch of the Voice, and Tones; Selection of Lessons in the Various Kinds of Prose; Poetick Numbers, Structure of English Verse, Feet and Pauses, Measure and Movement, Melody, Harmony, and Expression, Rules for Reading Verse, Selections of Lessons in the Various Kinds of Verse.
By
Abner Alden, A. M.
Boston
Printed by J. T. Buckingham for Thomas and Andrews,
No. 45, Newbury-Street
1802.

This was so utterly and absolutely the very thing I had been looking for, that I attacked it with almost savage violence. It was in the “long s”, and reflected in all its completeness the Georgian rhetorical tradition of Addison, Pope, and Johnson, which had survived unimpaired in America even after the Romantic Movement had begun to modify it in England. This, I felt by instinct, was the key to the speech and manners and mental world of that old periwigged, knee-breeched Providence whose ancient lanes still climbed the hill […] Little by little I hammered every rule and precept and example into my receptive system, till in a month or so I was beginning to write coherent verse in the ancient style.

David V. Bush’s war poetry

I’ve been looking at some David V. Bush poetry, Poetry of Mastery and Love Verse (1922). Probably largely ghosted by Lovecraft, who had been doing extensive ghosting of poetry and prose for Bush since 1920.


This essay has been replaced by my new book of revised, expanded, and footnoted versions of my recent Tentaclii essays, Lovecraft in Historical Context: fifth collection.

cover_front_600px

Merrimack River Feline Rescue

I won the Public Domain Review caption competition. Looking around for a place to have them send the prize, I alighted on the Merrimack River Feline Rescue Society. Should anyone need a relatively local-to-Providence no-kill cat shelter to donate Lovecraftian competition / event surplus proceeds to, that might be it. They seem like a pretty solid organisation, and are just about the nearest such to Providence / the Necronomicon convention.

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Added to Open Lovecraft

* Jason Carney (2014), The Shadow Modernism of Weird Tales: Experimental Pulp Fiction in the Age of Modernist Reflection (Ph.D thesis for Case Western. Explores the extent to which the best writing in Weird Tales aligns with the canonical accounts of modernism, as given by the early theorists of the movement. The most ambitious of the Weird Tales authors wove new modernist approaches into conventional realism, and thus discovered ways to make ordinary phenomena seem weird)

* Jeffrey Michael Renye (2013), Panic on the British Borderlands: The Great God Pan, Victorian Sexuality, and Sacred Space in the Works of Arthur Machen (Ph.D thesis for Temple University, Philadelphia. Identifies Lovecraft as the first critical writer on Machen)

* Eleanor Toland (2014), “And Did Those Hooves: Pan and the Edwardians” (Masters dissertation for the University of Wellington, NZ. Surveys the curiously British mythos that various authors together evolved around Pan in Edwardian Britain. Sees the Pan mythos as ending with the advent of the First World War, and does not consider the later reception of the Pan stories or the example they gave of the rapid development of a new mythos from many hands)

169 Clinton Street sold for $3m

New interior photos of 169 Clinton Street, at the edge of the former slum of Red Hook, New York City. Sold recently for an amazingly cheap $3m (cheap by London standards, and given the size of the place). The interior is now changed, although Lovecraft might have actually found the ersatz-historical rooms (shown in the sale photos) to his 18th century taste. More interesting to Lovecraftians might be the complete floor-plan.

225x300169 Clinton St., 2014. Judging by the elevation this could even be Lovecraft’s first-floor room. If so, it looks like the owners tried to ‘exorcise’ Lovecraft by reaching back to the earlier history of the house.

169floorplanPlan: 169 Clinton St.

From 31st Dec 1924 H.P. Lovecraft had a $40-a-month (later $10 a week) first-floor apartment there in the north-west corner, with “two alcoves—one for dressing and the other for washing” (S.T. Joshi, A Dreamer and a Visionary, p.211). This room is the 15′ x 16′ front room on what is marked as the “Third Floor” on the above plan (it seems the lowest ‘Garden’ floor on the plan is what was formerly the sculleries/basement area?). He did not have the modern left-hand cupboard-bedroom (added later?), but had access to the small alcove and its walk-in-closet at the rear of the room. His own sketch plan of his room’s layout can be found near the front of I Am Providence.

He made the “shabby-genteel” place as homely as he could, following the lead of Everett McNeil who was his mentor in living-with-poverty in New York. The room hosted some of the meetings of the Kalem Club. But it appears that the whole place was basically fraying into being a slum, and what he thought was “shabby-genteel” was really a “dismal hovel”. It was under-heated and under-repaired, infested with bedbugs and mice, and (according to L. Sprague de Camp) “he found to his horror that he had Orientals as housemates”. Presumably he also had the daytime noise from the street as he tried to sleep (he was often out much of the night with the boys), since his room was directly over the street: there would have been less traffic in the mid 1920s, but probably noisier when it appeared, and there was also much more street life and children playing-out. Lovecraft was one night burgled by youths who had rented the adjacent room, and they stole his best suits and overcoat and Loveman’s $100 radio.

In that room he wrote “The Horror at Red Hook” and “Cool Air”, the complete plot of “The Call of Cthulhu”, the 1925 Diary, typed “He”, and wrote many letters…

“Something unwholesome—something furtive—something vast lying subterrenely in obnoxious slumber—that was the soul of 169 Clinton St. at the edge of Red Hook, and in my great northwest corner room.” (Lovecraft, Lord of a Visible World, p.167)

1925-169Picture: Lovecraft in front of 169 Clinton Street.

Lovecraft on the Web, linkrot purge

I’ve given the ‘Lovecraft on the Web’ directory its annual link check.

Fixed most moved links, unless it’s simply the case that someone has paid a vanity fee to remove the www. — http://www.site.com

Removed URLs (taken to Yuggoth by ye buzzing ones): Pulpfest/Pulpcon; Old Time Radio Horror; Miskatonic Archive; Mythos Books; Nemonymous; Lovecraft Scholars (Yahoo Group); Creeping List (Yahoo Group); Necropsy: The Review of Horror Fiction; Representations of Antarctica.

Atlanta Radio Theatre Company: Call of Cthulhu

Atlanta Radio Theatre Company report they have a new studio, and post an .mp3 sample to prove that “The Call of Cthulhu” radio adaptation is really on its way…

“It’s hard to believe that we started this production all the way back in 2010. Another casualty of our notoriously long production schedule – BUT! There is starlight at the end of the tunnel! The production is nearly finished and will certainly be released this year and we are excited about ARTC Studio, which should put an end to these interminably long wait times for new material from us.”