“No Eye-Witnesses” as a Lovecraft influenced story

An interesting and plausible suggestion that the Henry S. Whitehead story “No Eye-Witnesses” (pub. August 1932) might have had its ideas influenced by Lovecraft. In terms of: the protagonist’s “visit with his ageing father in Brooklyn” (specifically Flatbush, where the ‘old gent’ Lovecraft had lived); the New York City subway (which came to nauseate Lovecraft); and the time-travel idea (favourite Lovecraft daydream theme). The circa Q1-Q2 1932 writing date (copyright was registered 1st July) is also very congruent: Lovecraft had an extensive stay with Whitehead in summer 1931, during which they co-wrote “The Trap” and likely discussed his New York City breakdown. The H.P. Lovecraft Encyclopaedia notes the two worked on another story with a broadly similar ‘time slip’ approach…

In the spring and summer of 1932 HPL appears to have assisted Whitehead on another story, apparently titled “The Bruise.” [later “Bothon”, according to Joshi] This story (about a man who experiences strange visions after receiving a blow to the head) had been rejected by Strange Tales as too tame, and HPL devised an elaborate plot involving the man’s access to hereditary memory, so that he sees in his mind his distant ancestor’s experience of the destruction of the Pacific continent of Mu 20,000 years ago.”

“No Eye-Witnesses” is available in the new Wordsworth budget paperback and Kindle ebook Voodoo Tales: The Ghost Stories of Henry S. Whitehead. The Kindle version is currently available at half-price on Amazon UK.

Replicas of Weird Tales

“Page-by-page” replicas of Weird Tales. The store includes notable contents + a cover for all issues from the Lovecraft / Howard years. Evidently the ‘scanty gals’ covers only started appearing from May 1933.

weird1924

$34.95 each. The store-front makes no mention of the size of the replica, which makes me suspect they might be smaller than the original newsstand edition. “Page-by-page” also doesn’t quite reassure me that the adverts and the letters pages are included. The seller might sell more if he could place a YouTube video on the store, showing an example replica being flipped through.

Added to Open Lovecraft

* Isabella van Elferen (2014), “Hyper-Cacophony: Lovecraft, Speculative Realism, and Sonic Materialism”, IN Carl Sederholm and Jeffrey Weinstock (Eds.), The Age of Lovecraft, Palgrave 2015. (Pre proof version of the essay. Lovecraft in speculative realist philosophy, with a focus on Lovecraft’s symbolic use of music and more inconceivable sonics).

Appears to be destined for The Age of Lovecraft: Cosmic Horror, Posthumanism, and Popular Culture, a forthcoming book on “Lovecraft’s place in contemporary culture”.

Mythical Cosmos: now and then

Mythical Cosmos: now and then, a conference in Poland on 21st-22nd March 2015.

Is there some genuinely mythical potential in popular culture and the modern media arts? The conference will explore this question, and discuss how a mythical worldview might change as it travels into and beyond popular culture. The conference will interest those who investigate traditional cultures, ancient mythologies, modern day mythologies and popular culture.

Specifically inviting papers on Lovecraft. Deadline for abstracts: 30th December 2014.

Tales of the Marvellous and News of the Strange

The earliest Arabic tales of the weird, Tales of the Marvellous and News of the Strange, published in English for the first time.

…it lay unread and gathering dust, a ragged manuscript that no one even knew existed, until 1933 when Hellmut Ritter, a German Orientalist, stumbled across it and translated it into his mother tongue. An Arabic edition was belatedly printed in 1956.”

The stories…

dealt with all things that challenged human understanding, including magic, the realms of the jinn, marvels of the sea, strange fauna and flora, great monuments of the past, automatons, hidden treasures, grotesqueries and uncanny coincidences. … The sheer mad inventiveness of “The Story of Mahliya and Mauhub and the White-Footed Gazelle”, with its jumbling of Muslim, Christian and pagan beliefs and rituals would take some beating. Here we have a mechanical vulture, visionary dreams, conversation with a pagan god, magical transformations, thrones of wrath and of mercy, an enchanted gazelle, a herder of giant ostriches, lustful jinn, speaking idols, a queen of the crows, a weeping lion, a fortress guarded by talismans, a crocodile with pearls in its ears, the sacrifice of virgins to the Nile and much else.”

The hardcover seems to have sold out, but a Kindle edition is available.

Reiniger-achmed30-bigStill from Reiniger’s Achmed.