Robert M. Price interview

Robert M. Price has a long interview on the January 2015 edition of End of Days Radio podcast. Discussed from 45 minutes onward are: his Human Bible and Bible Geek shows | Price’s biog & howling demons | Lovecraft and movies | del Toro, Godzilla. Then he veers off into a long account of Gnosticism, and ends up at the end in The Bible and creation stories and the sources for the movie of Noah. Warning: the .mp3 is 220Mb.

NecronomiCon games wanted

Game masters wanted for NecronomiCon Providence 2015

We’re happy to announce that most of the gaming we’re planning for NecronomiCon Providence 2015 will take place in far more spacious and comfortable accommodations at the Omni Hotel … For those of you who wish to run a game at Necronomicon whether it is a table top RPG, LARP, or board/card game please download and submit this information form … Also any suggestions or recommendations for games you wish to see at Necronomicon feel free to email us with the subject GAME IDEAS”

Added to Open Lovecraft

* Jeff Lacy & Steven J. Zani (2007), “The Negative Mystics of the Mechanistic Sublime: Walter Benjamin and Lovecraft’s Cosmicism”, Lovecraft Annual No.1, pp. 65-83.

* James Machin (2015), “Fellows Find: H.P. Lovecraft letter sheds light on pivotal moment in his career”, Cultural Compass, the scholarly blog of the Harry Ransom Center, University of Texas, 28th January 2015. (An account of finding a new and unknown 5,000 word letter by Lovecraft during archival research in the Ransom Center. The full text of the important 1924 letter is given as readable scans. The letter reveals Lovecraft’s initial ideas for shaping his planned novel Azathoth and the plot of the opening section of his apparently already plotted novel The House of the Worm).

* Chris J. Karr (2007, 2014), “The Black Seas of Copyright”, Chris J. Karr’s blog, 2014. (Updated 2014 edition of a collection of scholarly footnoted essays, on the topic of Lovecraft’s copyrights and the later Arkham House claims to these. Titles for sub-sections include: Lovecraft’s Fiction; Arkham House Publishers and the H.P. Lovecraft Copyrights; The Arkham House Copyright Hypothesis; The “Donald Wandrei v. The Estate of August Derleth” Hypothesis; Observations; and Conclusion)

Arcade Expo

Not Lovecraft, but some readers may be interested to hear of the popular culture Arcade Expo. 750 pinball machines, free to play for 3,000 convention attendees. It’s been and gone for 2015, but looks set to be back next year.

pinball

I wonder if something like a good pay-to-play digital Lovecraft pinball table, or three, might raise some cash for a local cats’ charity at NecronomiCon 2015? Someone would have to design the tables though, by re-skinning old public-domain classics, as I know of no Lovecraft themed tables.

The mysterious Mearle Prout

I took a quick look at the mysterious Weird Tales author of 1933-1937…

MEARLE PROUT.

The only genealogical candidate I could find was a Mearle Wilson Prout (1911-1964) from Texas. He was exactly the right age to have written the Prout stories, from circa age 21 to 25. Update: “Stillwater, Oklahoma” is his address in a letter to Weird Tales in 1937. Genealogy date adds: “Home in 1940: Medford, Grant, Oklahoma”.

* “The House of the Worm”, debut short story, Weird Tales for October 1933.

* “Masquerade”, short story, Weird Tales for February 1937. (Translated into French as “Le Carnaval de l’horreur”)

* “Guarded”, short story, Weird Tales for March 1938.

* Letter in Weird Tales for May, Aug 1937.

* Letter in “Discussions” column in Amazing Stories “while [the title was] under Gernsback’s control”.

5,000 word Lovecraft letter found in theatrical archive

A PhD student from London, James Machin, has found an (apparently new) 5,000 word H. P. Lovecraft letter in an American archive. It’s by Lovecraft to J.C. Henneberger, 2nd February 1924.

“It was a single item in a folder of theatrical ephemera and seemed strikingly anomalous in that context. Rick Watson at the [Harry Ransom] Center kindly investigated further and told me that the letter was likely part of the Albert Davis or Messmore Kendall collections, originally acquired by the University of Texas in 1956–1958, both consisting of performing arts materials. When I learned that the collection of Messmore Kendall (1872–195-), a lawyer and theatre entrepreneur, included material collected by Harry Houdini, the mystery seemed to solve itself. At the time Lovecraft wrote the letter, Henneberger had engaged him to ghost-write a story for Houdini called “Imprisoned With the Pharoahs,” published later that year in Weird Tales.”

And Machin has very kindly published the letter in good readable scans, on the Cultural Compass of the Harry Ransom Center.

LovecraftHP_Letters_HennebergerJC_003

He goes into detail about what his novel Azathoth might contain. He also gives details for the story “The House of the Worm”, which by the sound of it had already been closely plotted. I’m pretty sure this is a wholly new insight into this ‘lost’ work, as Joshi’s I am Providence calls it “a novel about which we know nothing” (p.489). It…

“deal[s] with the frantic message sent by a dying and prematurely aged father to the boy who ran away twenty years before because of a nameless dread of his new stepmother…. the heiress who lived in the dark house in the swamp. The young man comes, and finds his father alone in the house (or castle — I’m not sure whether I’ll put it in New England or Old England or the German Black Forest)…. alone, yet not alone…. for he looks furtively around him… and other forms flit through remote corridors, strangely attracting swarms of flies after them… and vultures hover over the whole swamp…… and the young man sees things when he goes out on one occasion….”

One wonders if this fits the plot of the 1933 Mearle Prout story of the same name? Prout was a mysterious writer who opened with the Lovecraft-alike story “The House of the Worm” in 1933, much to Lovecraft’s amusement, then published another three stories and vanished. But sadly they’re not the same, it seems — Bobby Derie writes me that the plots are completely different.

Lovecraft also expresses admiration for Philip M. Fisher Jr.’s novelette “Fungus Island” in “a recent All-Story” [reprinted in Famous Fantastic Mysteries 1991], showing he was still reading the All-Story in 1923/4, albeit only when certain friends recommended stories in it. He also remarks that he had admired Victor Rousseau’s “The Sea-Demons” (invisible sea creatures living off the Shetland Islands, with a hive mind, plan to invade the land) back in the All-Story for January 1916.

NecronomiCon Providence – tickets on sale 6th Feb

Highlights from the latest NecronomiCon Providence 2015 news…

* “Convention passes (all levels) on sale 6th February 2015”, from 12 noon Eastern Daylight Time.

* “Most of the convention programming will take place at the Biltmore and Omni hotels, but there will be numerous satellite venues hosting external programming.”

* During the Convention… “a comprehensive collection of correspondence between Lovecraft and many of his friends and penpals on display at the gorgeously renovated John Hay Library at Brown University.”

Lovecraft and a World in Transition for the Kindle

Now available for the Kindle ereader, S.T. Joshi’s Lovecraft and a World in Transition: Collected Essays on H. P. Lovecraft (USA Amazon). Also at the UK Amazon where it’s at a low £6.66 price. Even if you can’t afford that, I’d presume that the 10% free sample is still worth having since this whopper is some 650 pages long in print and Amazon claims 742 pages for the digital copy. Contents list is here. Not sure if there are round-trip linked footnotes / endnotes on the Kindle version.

joshi2014

The 10 movies Amazon should make

With the news that Amazon is to effectively become a movie studio and release 10 or more movies a year, here are the Lovecraft movies I’d like to see…

1. A faithful “The Shadow over Innsmouth” feature film done in 1940s film noir style and setting.

2. A beautiful closely-observed steampunk/psychedelic/bromance art-house film of “Hypnos”, with just voiceovers.

3. A big psychological thriller of “The Temple”. The movie The Boat, basically, but First World War and done as a horror/fantasy movie. Maybe intertwined with an ancient Greece flashback back-story about the beautiful boy (borrow from “Iranon” and “The Tree”?), for occasional respite from the grim submarine interior.

4. “The Rats in the Walls” filmed and monster-designed by del Toro, from storyboards by Tim Burton and a script by Neil Gaiman.

5. “The Terrible Old Man” and “The Strange High House in the Mist” spliced together and filmed as a laconic Tarkovsky’s Stalker-meets-Visconti-meets-A Field in England-meets-Picnic At Hanging Rock landscape art-house movie, in which first the young thieves and later the professor struggle to journey across the overgrown lanes and bare headlands toward the strange high house, having started in a sunny Death in Venice-like Edwardian New England seaside resort.

6. “The Lurking Fear” but set in the wild 17th century Catskill Mountains, as a dark fantasy origin tale for a Solomon Kane -like figure, perhaps made even more spicy with borrowings of scenes from R.E. Howard.

7. “The Horror at Red Hook” spliced with “Pickman’s Model”, in a vivid 1920s New York setting.

8. “The Dream-Quest of Unknown Kadath” as a faithful animated feature adaptation.

9. A dreamy shadowy “The Haunter of the Dark” spliced with “The Evil Clergyman” (mysterious figures are the psychic residue of the Starry Wisdom) and (for less predictability) the ‘angles’ elements from “The Dreams in the Witch House” (angles were being researched and probed by the Starry Wisdom?). Might have an “Erich Zann” sub-plot or opening section?

10. Lovecraft’s life story, a bio-pic.