“… the volume I stumbled upon was one of the unexpurgated German copies, with heavy black leather covers and rusty iron hasps”.

Bobby Derie has a new and comprehensive survey of “Robert E. Howard in the Biographies of H. P. Lovecraft”. The first half usefully steps us through how Howard gradually crept into the Lovecraft biographies, as decades of scholarship put the peices together. In the second half Derie surveys what uses various recent writers on Howard and Lovecraft appear to have made of the best biographies, and Derie finds most recent efforts wanting in some way. He usefully includes the two recent biographical Lovecraft graphic novels in this assessment, though gives the nod to one and finds only some slight dramatic licence in the other.

I’ve taken the liberty of using his final paragraphs as a source for a handy guide list:

* Don’t take De Camp at face value. Though pioneering, and with direct access to those who (hazily) remembered the 1930s, he didn’t have all the facts. Remember also that he was embedded in a particular cultural and publishing milieu, and that you need to know enough about that to spot where and how it’s influencing the text.

* Find out what the best recent Howard biographies are, read them and use them.

* Make sure you’re using the accurate Howard texts for the fiction.

* Read the volumes of Howard letters and Howard-Lovecraft letters.

* Don’t go in for heavy over-reliance on I Am Providence. A very great source, yes. But not if: i) you’re just rehashing it so as to crank out another tick-box article for your academic C.V.; and ii) you are assuming it’s exhaustive and that it’s ‘all that it is possible to say’; and iii) you’re assuming that certain key events (such as the rejection of “Cool Air”) haven’t been recoloured by new facts found since publication.

Manuskript 0.8

Writers may be interested to know that the free open source Scrivener-clone Manuskript has today popped out a Manuskript 0.8 version for Windows. Until Scrivener 3 for Windows finally appears ($45, 2019?), Manuskript is the best option for Windows desktops for fiction writers.

Though not for serious non-fiction. I’ve looked all over its UI and the wiki / changelog / website and it seems to completely lack a footnotes system or any plan for one. Scribus is useless at footnotes, and while Affinity Publisher is free it is still stuck in a footnote-less and buggy beta. So if you need open source software it seems your only currently-developed option for non-fiction is LibreOffice Writer.

The first thing you’ll want to do in Manuskript, when trying it, is change the tiny squished font in the main writer. Font settings are not easy to find initially, but are down in: Edit | Settings | Views | Text Editor | Font. You can also change padding, line-spacing, background colour and more. The full-screen view has its own font and background controls, also found by digging into the same Settings panel. Don’t accept the clunky defaults, and figure on spending about 30 minutes setting up the UI and fonts.

With Pandoc installed it can import more file formats than it supports ‘out of the box’.

The Phantagraph in the 1930s

New on Archive.org this week, a clean scan of The Phantagraph for July 1936 (Vol. 4 No. 4), with the Lovecraft Fungi poem “Nostalgia” (c. 1930?) on the cover. Also a short but useful signposting article on ‘weird music’, as it stood in the mid 1930s.

After the first substantial issue, July-August 1935 (“Volume 4, No. 1” because it was deemed a continuation of the Bulletin of the Terrestrial Fantascience Guild) the Hevelin collection also has some complete online scans of Donald Wollheim’s Phantagraph from the 1930s. Though with the archive’s ‘plastic hold-down’ scanner-strip visible across the scans…

* November-December 1935. (Letter from Lovecraft praising an article by C. W. Lonsdell on writing good science fiction; Lovecraft poem “The Dweller”; tongue-in-cheek article-squib “How I Get My Inspiration”, on how to ‘write Lovecraftian’ for Weird Tales).

* [July 1936 at Archive.org]

* June 1937. (Lovecraft poem “Halloween in a Suburb”)

* July 1937. (Lovecraft poem “The Well”, and Lovecraft’s c. 1920-21 prose poem “Ex Oblivione”)

* August 1937.

* September 1937.

Archive.org has one 1940s issue, and the Hevelin collection has a number of 1940s issues.

The FictionMags Index has a complete index and tables of contents. The above links are to the only online full scans that I can find from the 1930s.

In 1967 a slim hardcover collected the very best of the publication as Operation: Phantasy. The Best from The Phantagraph (Table-of-Contents).


I’ll add links to this page as and when I find future complete scans of the 1930s issues.

New book: Born to Be Posthumous

“Edward Gorey: master of the macabre” The Spectator Australia reviews the new book Born to Be Posthumous: The Eccentric Life and Mysterious Genius of Edward Gorey. The reviewer echoes the complaint of one of the Amazon reviewers when he says that “There’s a great deal of repetition in this book”, but finds it assiduously thorough.

Perhaps that opens an opportunity for someone to make a heavily abridged graphic novel, or a heavily illustrated abridged version, at some point?

Friday ‘picture postals’ from Lovecraft: Cross Plains

Did Lovecraft ever receive ‘picture postals’ from R. E. Howard, dropping through the mailbox in Providence? Perhaps. Although Cross Plains, Texas, does not seem to have been the sort of place one would make a postcard of — unless perhaps one could do something artistic with sagebrush and cattle and a sunset. But if they did once make such things as postcards, then it seems that a view of the town bank and main row of stores might have been the standard ‘town view’…

Rogers photo, 1920s, newly repaired and colourised.

I had a dig around on Archive.org and found the town’s water-tower, as seen behind the stores in the above picture, in full-length and in detail. One can see figures standing on the top railing and sitting on the bottom struts, for scale…

Added to Open Lovecraft

* T. W. Melvaer, “Imagining the Unimaginable: Lovecraft in Popular Culture”, Masters dissertation for the Norway Technical and Natural Sciences University, 2018. (Surveys the use of Lovecraft and Cthulhu in recent popular culture: Rick and Morty; South Park; Batman: The Doom That Came to Gotham; and the videogame Darkest Dungeon).

* J. R. C. Pacheco, “Apropiaciones Lovecraftianas de temas teosoficos”, Melancolia, Vol. 3, 2018. (In Spanish. A student of the Center for the Study of Western Esotericism discusses theosophical references in Lovecraft, especially… “Blavatskian anthropogenesis and the myth of the Book of Dzyan”).

Holy Monsters, Sacred Grotesques

The new book Holy Monsters, Sacred Grotesques: Monstrosity and Religion in Europe and the United States is one of those elite $115 essay collections seemingly aimed at collecting dust in University and (in this case) ecclesiastical libraries.

I’ve only just noticed it, and see that it appeared in the summer of 2018. It’s only of interest here for the one chapter: “Lovecraft’s Things: Sinister Souvenirs from Other Worlds” by Jeffrey Andrew Weinstock. Curiously an essay of the same title, and by the same author, also appeared in the similar (though now rather less costly) book collection The Age of Lovecraft (2016), so the 2018 essay seems to be a reprint — though I suppose it could also be revised and/or expanded version.

For those wondering what’s in that essay, since the new book has no previews as yet… after introductory and theoretical ‘thing theory’ sections, the final third of Weinstock’s Age of Lovecraft essay surveyed Lovecraft’s re-use of the stock Gothic props of the Castle (“Rats”), the Portrait (“Pickman”), and the Forbidden Book (guess), especially in terms of their uncanny quasi-personification in Lovecraft’s texts. It is suggested that such a form of personification might raise in Lovecraft’s readers a dimly resonant recall of a superstitious world, a world in which liminal objects and object-places (such as castles) had once been psychologically ‘enchanted’ with both dread and wonder. Such personification of earthly ‘things’ might also be understood as foreshadowing Lovecraft’s later deployment of monstrous cosmic forces in his fiction, outer entities that indifferently understand humans only as ‘things’. (The essay somewhat feeds into academic theory’s current notions of trans-species psychology, a future eco-animism, and a post-human planet).

Amateur Correspondent

New on Archive.org, the Amateur Correspondent for May-June 1937 (Vol. 2, No. 1), with H.P. Lovecraft on the cover in the now well-known Virgil Finlay cover art. Inside this issue of “the magazine for the amateur fantasy writer” is a lively short tribute to Lovecraft from E. Hoffmann Price. Lovecraft had died a few months earlier in March 1937, so this issue was a tribute issue. But not wholly so when one looks inside — the reader senses that the news of the death was then still slowly percolating through fandom.

Archive.org also has the Amateur Correspondent for November-December 1937 (Vol. 2, No. 3) with Clark Ashton Smith giving lengthy advice to writers on “Atmosphere in Weird Fiction”.