Selling at PulpFest 2019

Selling at PulpFest 2019, the official blog post telling potential sellers and dealers exactly what they get and when. This year there seems potential for selling items from beyond the pulps themselves…

We’ll be exploring the profound effect of the pulps on popular culture across the globe at this year’s PulpFest. The fiction and art of the pulps reverberated through a wide variety of mediums — comic books, movies, paperbacks and genre fiction, television, men’s adventure magazines, radio drama, and even video, anime, and role-playing games. Please join us at PulpFest 2019 for “Children of the Pulps and Other Stories.”

Friday “picture postals” from Lovecraft: the Rhode Island letter-carrier (postman)

The typical letter-carrier (in British parlance, ‘the postman’, in American ‘the mail-man’) of the 1900s, delivering the mail to houses.

One almost wonders if, at times, Lovecraft even had his own personal letter-carrier to haul up the hill his daily load of correspondence, subscription magazines and amateur journals, and occasional books. No doubt his aunts also had their share of correspondence and packages.

In full Colour

It’s official. SpectreVision has announced the leading actor Nicolas Cage will be starring in a big budget movie adaptation of Lovecraft’s “The Colour out of Space”. The film’s director will be Richard Stanley. He hasn’t directed a feature film since the early 90s (Dust Devil) after becoming entangled in a studio-doomed Island of Doctor Moreau reboot and falling out of features. But he has done documentaries, such as The Secret Glory (Nazi Grail hunting) and The White Darkness (Haitian voodoo) and The Otherworld (modern-day paranormal investigators in Cathar France). Principal photography on Colour is said to be starting next month, and the press-release lists a large phalanx of Producers who’ll keep the production on track. I don’t recognise any of the other actor names, apart from Cage, but it’s obviously going to be a quality production.

Of Poe and tentacles

A thoughtful new short survey of Poe in the comics, “Edgar Allan Poe: Immortality Is But Ubiquity in Time”. Though in its opening paragraphs, in seeming to follow only the elite academic sentiment on ‘reputation’, it overlooks the huge popular grassroots upswell of interest across America. I’m no expert on Poe, but from reading around Lovecraft I get the impression that Poe was hugely popular at the grassroots from roughly 1909 to 1929, after which many tastes changed and interest was dampened by the onset of the Great Depression.

The same comics blog has an amusing “Tentacle Tuesday” feature-post, in which tentacles from long-gone comics are on display. It’s worth plugging into your RSS news reader, though be warned that some pictures are “Not Safe for Work” in terms of nudity and tentacular probing / politically correctness.

Paperwork

This may be useful for Lovecraft scholars. Paperwork is free open-source desktop software that helps a scholar get to grips with and search inside their PDF folders. It copies and OCRs your PDFs and other documents, puts the new OCR versions in its new C:\Users\YOURNAME\papers\ folder, and then searches across them quickly.

It has an interface that is slick but is difficult to like, yet doesn’t demand you join a social network or hook your data into the cloud.

It could also be used simply as a batch OCR tool and folder-watcher. To create OCR’d PDFs to be searched by other more powerful desktop search tools — such as dtSearch Desktop.

There appears to be no support for German “black letter” OCR in Paperwork, so it may not handle your folder full of scans of the Necronomicon and similar.

The Arabian Nights

The Librivox readers are working through Richard Burton’s The Book of A Thousand Nights and a Night, aka ‘The Arabian Nights’, as audiobook readings and have just released volume 9. Which makes it almost complete, with just Vol. 10 to go. Presumably once Vol. 10 is done the team will then go on to do the six volume Supplemental Nights and other related material from Burton. There are sixteen volumes in total.

The free Librivox audio is per-story, but the raw title usually gives one no indication of the contents. For instance, “Forty-second Night”. One needs to look up the story title at The Thousand Nights and a Night at wollamshram.ca. There, for instance, one can see that the story for Night 908 would be “The Spider and the Wind”, and the other titles at wollamshram.ca are similarly descriptive.

The Arabian Nights was of course a formative influence on the boy Lovecraft. However the Burton edition was unlikely to have been the edition Lovecraft knew, though it is possible that the first nine volumes of the edition were available to his elders in Providence, and that he may have peeked into ‘forbidden’ copies of Burton later in the bookshops and libraries of New York City. S.T. Joshi comments on the matter in I Am Providence

The copy found in his library [Andrew Lang 1898 … could not have been read] at the age of five. … Sir Richard Burton’s landmark translation in sixteen volumes in 1885–86. Lovecraft certainly did not read this translation, either, as it is entirely unexpurgated and reveals, as few previous translations did, just how bawdy the Arabian Nights actually are. … My guess is that Lovecraft read one of the following three translations:

The Arabian Nights’ Entertainments: Six Stories. Edited by Samuel Eliot; translated by Jonathan Scott. Authorized for use in the Boston Public Schools. Boston: Lee & Shepard; New York: C. T. Dillington, 1880.

The Thousand and One Nights; or, The Arabian Nights’ Entertainments. Chicago & New York: Bedford, Clarke & Co., 1885.

The Arabian Nights. Edited by Everett H. Hale; [translated by Edward William Lane]. Boston: Ginn & Co., 1888.

I also spotted The thousand and one nights, or, The Arabian nights entertainments: translated and arranged for family readings, with explanatory notes on Hathi, in its 2nd edition, 1847. “Illustrated with six hundred woodcuts by Harvey and illuminated titles by Owen Jones.” That sounds like the sort of thing that might have been in a Providence drawing room circa 1895, and accessible to young children. One wonders if this might have been the book of the same title that Joshi refers to as being “Bedford, Clarke & Co., 1885”, with Bedford being a later reprinting?

On the inking style of Moebius

A Canadian illustrator of Lewis Carroll, Mahendra Singh, has 5,500 words which very perceptively try to work out the principles and methods of the inking style of Moebius…

Moebius… I Ink Therefore I am (1)

Moebius… On a clear-line day, you can see forever (2)

Moebius… I ink the body electric (3)

Moebius… Ink lightly into that dark night (4)

I’ve looked long and hard but there is no set of Moebius -style inking brushes for Photoshop or Krita. Everybody does easy grungy cross-hatching brushes, but almost no-one has lighter dash-shading brushes which swiftly lay down blocks of short dashes along the direction of brush-travel, or a similar series of irregular dots. Nor are there brushes that make his distinctive little noodling trailing-away lines that convey perspective. Nor, at present, is there an AI or style-transfer that can ‘dash into the shadows’ of a 3D render. Though Poser’s unique Sketch renderer might do that.