Omen Exitio

Each month it seems a tidal-wave of ‘inspired by Lovecraft’ games surges past, heading on into oblivion. I don’t usually pay attention to them. But it seems worth noting the new Omen Exitio. It’s a ‘visual novel’ from Italy, and has high design-values and some minimal solo-play game elements…

“inspired by the [‘choose your own adventure’] gamebooks of the ’80s and ’90s”

The game elements are stats-gaining, not point-and-click puzzles, it seems.

Looks fun, though it needs Windows / Steam and is not for the Amazon Kindle.

Talking of the Kindle, the makers of the award-winning 80 Days are prepping their new game. It’s a science-fiction adventure in space, featuring lost races, linguistics and archaeology. Probably mid 2019. (Update: it’s out now, and is sadly not for the Kindle as their last game was).

Terry Gilliam’s Don Quixote – released

I’m pleased to see that Terry Gilliam (Monty Python, Time Bandits, Brazil) has released his major new movie Don Quixote, and that it’s getting positive reviews. Good acting, with a central actor able to grounds the flights of fancy. Lively and fun, inventive cinematography, fantastical. Given that it’s been 25 years in the making, it has a few rough edges but I’ve looked at eight reviews from the New York Times to Hey U Guys and it looks good. It’s great that such a film can make it to a cinema release in 2019, and with a full 2 hour running time. You should be able to catch it at U.S. cinemas now. Official Website.

New: The Dark Man, Vol 9

A new edition of The Dark Man: The Journal of Robert E. Howard and Pulp Fiction Studies Vol. 9 (Feb 2019), now in Kindle on Amazon.

Of interest to Lovecraftian scholars is…

* “The Outside Scholar: Robert E. Howard, H. P. Lovecraft, and Scholarly Identity. Part Two: A Complex and Baffling Question”, by Karen Joan Kohoutek.

This follows Part One in The Dark Man Vol. 8, No. 1 (2015), also in Kindle ebook format.

I also note an article in The Dark Man that I had overlooked, an article to be found in the Vol 7. No. 1 (December 2012) issue. This volume is not on Amazon in ebook, so far as I can tell, but is in ebook as an ePub from Lulu.com. The article is…

* “I ‘n’ I a-Liberate Zimbabwe: Motifs of Africa and Freedom in Howard’s The Grisly Horror”, by Patrick R. Burger.

This seems likely to be of interest to those writing about Lovecraft’s interest in and use of Zimbabwe (the remarkable hilltop fortification, not the nation).

Friday Picture Postals: Friend’s Beans

Above: (top) possibly late 1940s judging by the style and use of colour; (bottom) an ‘instant communication’ postcard on 1909, presumably of use to those with very poor handwriting.

Lovecraft once wrote…

Prof. Kittredge of Harvard has written a book of old New England lore based on the Farmer’s Almanack — its contents and history. I have this volume — you really ought to read it! It’s as much a part of a New England education as Friend’s Beans!” — Lovecraft letter to Morton, October 1927.

Beans were a local Boston speciality and were of course a favourite and staple of Lovecraft’s frugal diet…

Fortunately I have reduced the matter of frugal eating to a science, so that I can get by on as little as $1.75 per week by purchasing beans or spaghetti in cans and cookies or crackers in packages.

Although when living alone in New York City it seems he was forced to Heinz beans…

… you take a medium-sized loaf of bread, cut it in four equal parts, & add to each of these 1/4 can (medium) Heinz beans & a goodly chunk of cheese. If the result isn’t a full-sized, healthy day’s quota of fodder for an Old Gentleman, I’ll resign from the League of Nations’ dietary committee!! It only costs 8 cents — but don’t let that prejudice you! It’s good sound food…

One hopes the results were then simmered in a pan or placed in an oven, but I have a feeling that for Lovecraft it was often a cold dish. Especially during the killer heatwave summers New York had at that time.

The choice of Heinz was perhaps because they were cheaper (we tend to forget how expensive food was compared to the cheap abundance of today). Or that Friends’ was not a brand popular in New York City and thus unobtainable there. Many food and restaurant brands were regional rather than national, at that time. Made in Boston, the brand had historical roots which would have appealed to Lovecraft’s regional rootedness…

Note also here the canned bread, presumably canned in much the same way as pemmican.

Incidentally, the book mentioned above by Lovecraft was The old farmer and his almanack. Lovecraft had acquired the 1904 original, not the 1920 edition linked above. The Hartmann letters on astrology show that Lovecraft had had The old farmer and his almanack since shortly after its publication in 1904. Judging by the contents list, one wonders if it occasionally served as an inspiration-mine for Lovecraft…

George Lyman Kittredge (1860-1941) was an expert on aspects of English literary history (Gawain, Shakespeare and others), who later became learned on aspects of the publications of Cotton Mather and the history of New England Witchcraft belief. Kittredge was the sort of person who Lovecraft might have ventured to address by letter on some point of fact, but I’m not aware of him being a Lovecraft correspondent.

New: Zothique #2

Zothique #2 from Italy. 192 pages in Italian. Here’s the translated gist re: the non-fiction and new translations…

This second issue of Zothique begins with a theoretical essay on the horror fiction, but the highlight is a large and exclusive Dossier that takes stock of the writer Ambrose Bierce, of which five unpublished weird stories are also presented in Italian, as well as bibliographic guides and essays on this author and his stories.

We then move on to the Belgian Thomas Owen, one of ‘the fathers of the fantastic’, and after an introductory essay we present four of his stories which step between the surreal and the fantastic, also in first Italian translation.

Also the first part of a long essay dedicated to the poetry of Robert E. Howard.

Michael J. Evans and “The Music of Erich Zann”

Noted from 2016, Michael J. Evans and “The Music of Erich Zann”. An album-length classical music interpretation of Lovecraft’s “Erich Zann” by Michael Evans and the Sirius Quartet. There’s an interview and links…

Q: This piece also includes some pretty wild effects and manipulation from the players. Do they relate to the narrative of the story in any way?

A: Absolutely! They all do. In general, when composing, I try to only use effects if they have a purpose or meaning. In this piece, there is the sound of creaking stairs, a squeaky door, and a ton of effects representing the things that are entering from another dimension. There are also air sounds, microtonal passages, and harmonics. These are all enhanced by the use of electronic effects, and they can all be performed live.

Reviewed by the H.P. Lovecraft Historical Society in 2017…

The Sirius Quartet, it can determined right away, is an excellent group of musicians and a great choice for the performing ensemble.

YouTube sample and Amazon samples.