On Benefit Street

A fine picture of 257-267 Benefit Street, Providence, perhaps 1940s or 50s? Here I’ve newly colourised the picture. It gives a flavour of the street as Lovecraft knew it. With the NecronomiCon convention and Henry Armitage Symposium set to visit Providence again later this year, I thought a few posts on the sights (such as they can be seen on Google StreetView and old pictures) would be in order,

This was perhaps Lovecraft’s most cherished street, after his birthplace. We see here a better section, just past the Athenaeum and the College Street ‘crossroads’ with Benefit Street. The homes are still there today, although the street is marred by parked cars (sadly the AI that removes parked cars from street photos has not yet been invented)…

The pillared porches are now a painted a dull brown, presumably to hide the staining from the vehicle pollution. The once-fashionable cladding of living vines has been torn down from the brickwork.

By the look of it on the map, this would be the way that Lovecraft would have taken to walk from No. 66 down to the passenger-docks. There to meet Loveman or Morton — or anyone else who preferred to visit by the New York boat rather than by the railway.

A large part of the north section of Benefit Street was becoming slum-like in his time, with weedy and refuse-strewn gardens around rented houses, and tight shutters on un-let houses. Lovecraft would remark on…

northern Benefit street, whose appealing old houses and romantic topography merit a better fate than the slumdom now overtaking them.

This half of the street having been allowed to decay, in 1959 the city and Brown swooped in with plans to bulldoze the top of the hill, including Benefit Street. In favour of grim 1960s modernist tower-blocks. Thankfully the scheme failed. Thus some Lovecraft sites remain.

F.E. Seagrave had kept a substantial astronomical observatory at 119 Benefit Street in Lovecraft’s youth…

Mr. Seagrave, who is connected with the astronomical department of Harvard University, and who is one of the foremost astronomers of the present time, formerly had an observatory on Benefit Street in this city.” (Lovecraft, 1914)

And this was where Lovecraft would have moved into, later in his life. Had the opportunity to rent 66 College Street not arisen, he would have spent his last years alone in a rented room in…

the old Seagrave mansion where the noted astronomer F.E. Seagrave dwelt & had his private observatory until 1914

Instead, from his window at 66 College Street, the treetops of Benefit Street rimmed the sunset views of his city with the darkening cosmos above it.

Possibly Lovecraft had the worrying decline of this northern section of Benefit Street in mind when writing the political fairy-tale “The Street” in 1919. At 135 Benefit Street was “The Shunned House”, also the inspiration for his poem “The House”.

The decline continued, after his death. By the early 1940s the real-life street harboured a “vice palace”, raided by the FBI. A depressing novel of the time, set in a seedy boarding-house in the northern part of the street, provoked While Benefit street was young (1943) and The pageant of Benefit street down through the years (1945), publications which defended the street against the impression that all of its mile length was now a slum. By the 1960s restoration work on the supposedly ‘beyond repair’ houses in the northern section had begun, brick sidewalks were renewed by craftsmen along with the addition of more in-keeping lamp-posts.

Further along the street again, Ken Faig Jr. has Lovecraft’s uncle living and working as a doctor at 186 Benefit Street. Lovecraft’s funeral service was held opposite, at 187 Benefit Street. The grim irony of a funeral parlour facing a doctor’s house would not have escaped the young Lovecraft. What appears to be a city Armory would have been alongside the doctor’s house, adding another layer of irony. Aka the Benefit Street Arsenal, or the Marine Corp Armory. Not to be confused, it seems, with the much bigger State Armory which was also in Providence.

Judging by Google Street View, 186 Benefit Street is now a car-park, but 187 remains…

The Poe-haunted St. John’s Churchyard could be accessed off Benefit Street. His beloved Pendleton House (‘Colonial House’) and the neighbouring RISD Museum were at 224 Benefit Street (on which more next week).

Under the hammer

The Brooklyn Museum is selling off its four period rooms (Neoclassical, Greek Revival, Southern USA, Gilded Age). The rooms in the Museum are said to have recreated the original dimensions and orientation, as well as the furnishings and fittings. The news and disposal are quite sudden and it’s reported the contents are to be auctioned by Brunk Auctions later in March 2024.

These were presumably the rooms were once admired by Lovecraft. We know he did the Museum solo in May 1930, seeing the new ‘Colonial furniture and interiors’ wing which newly offered complete rooms arranged for Lovecraft’s lingering delight. I imagine that the politically incorrect “Colonial” word of the 1930s now = the more innocuous “Neoclassical” and “Greek Revival”, but I’m certainly no expert on American architectural periods and I could be wrong. He likely visited the rooms several times over the years, and in one letter he also enjoyed the “new dutch rooms”.

More LORA picks

A couple more new free LORAs (‘style-guide plugins’) spotted among the daily tidal wave of anime character LORAs, for use with local AI image generation on your PC.

Ernst Haeckel LORA. For creating bookplates showing deep-sea creatures.

Books World LORA, for characters in proper libraries with lots of books on shelves. The demo images are almost all anime, but it looks like it should also cope with a ‘painted photoreal’ look.

Back to school…

This week on ‘Picture Postals’, Lovecraft’s Hope Street high school, in an (admittedly rather mundane) view I’m fairly sure I’d not seen before…

And his Grandpa Whipple’s school, the East Greenwich Academy, in another more pleasing card…

This gave Lovecraft a very significant element of his own schooling, via a book from his grandfather’s time…

I had always had an ear for rhythm, and had very early got hold of an old book on “Composition, Rhetorick, and Poetic Numbers” […] used by my great-great grandfather at the East Greenwich Academy about 1805.

[As a young boy] for my guidance in correct composition I chose a deliciously quaint and compendious volume which my great-grandfather had used at school, and which I still treasure sacredly minus its covers:

THE READER:

Containing the Art of Delivery — Articulation, Accent, Pronunciation, Emphasis, Pauses, Key or Pitch of the Voice, and Tones; Selection of Lessons in the Various Kinds of Prose; Poetick Numbers, Structure of English Verse, Feet and Pauses, Measure and Movement, Melody, Harmony, and Expression, Rules for Reading Verse, Selections of Lessons in the Various Kinds of Verse.

By Abner Alden, A. M.

This was so utterly and absolutely the very thing I had been looking for, that I attacked it with almost savage violence. It was in the “long S”, and reflected in all its completeness the Georgian rhetorical tradition of Addison, Pope, and Johnson, which had survived unimpaired in America even after the Romantic Movement had begun to modify it in England. This, I felt by instinct, was the key to the speech and manners and mental world of that old periwigged, knee-breeched Providence whose ancient lanes still climbed the hill …

The edition is online at Archive.org.

Barlow’s house

In the latest H.P. Lovecraft Historical Society newsletter for winter 2023/24, a rare peep at the Barlow House. It’s is the “Featured Member” post re: a member in Cocoa, Florida. I kind of imagined it as much less rustic. Perhaps even more of a modern (for the early-30s) single-storey lakeside place, suiting a military man. But here it looks like an 1880s wooden building that one might find in a Lovecraft tale.

A skull for Christmas

The booklet Christmas with H.P. Lovecraft now has a page on hplovecraft.com, with detailed description and table-of-contents. This usefully shows that none of the letters were excerpted, which seems a pity. The publication is poems, “The Festival” and the ‘Christmas Greetings’ ditties sent to friends (and friends’ cats) at Christmas. One might have hoped that the compiler could have slipped in just two or three bits from the letters. Which Brown consider to be in the public domain. I mean, how could one leave out something like this…

[Yule (Christmas)] here was commendably cheerful — including a turkey dinner at the boarding-house across the garden, with a congenial cat meandering among the tables and finally jumping up on the windowseat for a nap. We had a tree by the living-room fireplace — its verdant boughs thickly festooned with a tinsel imitation of Florida’s best Spanish moss, and its outlines emphasised by a not ungraceful lighting system. Around its base were ranged the modest Saturnalian gifts — which included (on my side) a hassock [a cushioned wooden foot-stool] tall enough to let me reach the top shelves of my bookcases […]. Of outside gifts the most distinctive was perhaps that which came quite unexpectedly from one of the kid fantasy fan group […] when I had removed numberless layers of corrugated paper and excelsior, what should I find before me but the yellowed and crumbling fragments of a long-interred human skull!