11th-31st August 2019 at the Providence Art Club, Rhode Island. Update: full list of exhibitor names for 2019.
At the Providence Art Club
25 Thursday Jul 2019
Posted in Lovecraftian arts
25 Thursday Jul 2019
Posted in Lovecraftian arts
11th-31st August 2019 at the Providence Art Club, Rhode Island. Update: full list of exhibitor names for 2019.
25 Thursday Jul 2019
Posted in Unnamable
Sahara Expedition 2020. It’s fascinating to learn that there may be a Lovecraftian medium-budget tourism industry emerging in Europe, what with this and CarcosaCon (RPG in a castle) and probably others…
a high-budget live action roleplaying game for 60+ players set against the most fascinating Sahara Desert and inspired by the Cthulhu Mythos of H.P. Lovecraft
You actually fly to Tunis and trek into the desert. Presumably on a camel, and packing a concealed-carry copy of the Necronomicon.
It has various dates but seems to be completely sold out through into 2020. I imagine that, as the world enters the era of the Great Abundance, this sort of upmarket ‘big treat in a small niche’ thing can only become more common.
24 Wednesday Jul 2019
Posted in Historical context, New discoveries
Lovecraft must surely have noted this letter from his beloved Marblehead in Weird Tales for August 1926.
The idea of the high lonely house which “overlooks the ocean”, and in which the inhabitant opens the pages to let in weird imaginings, rather resembles Lovecraft’s “The Strange High House in the Mist”. Which was written 9th November 1926.
I can find nothing about a John Paul Ward in terms of his later activities. But it would be delicious to imagine that, perhaps one summer’s day in 1927, he might have had a knock at the door and found Mr. Lovecraft standing there proffering a personal copy of his new story (Weird Tales having turned the tale down in July 1927).
In 1931, recalling his vague ensemble of inspirations for the topography of the story, Lovecraft noted that “Marblehead has rocky cliffs — though of no great height — along the neck to the south of the ancient town.” (Selected Letters II). The house of a “J.M. Ward” is marked on an 1884 Map of Marblehead, out on ‘the neck’ near the lighthouse, facing out to the wild sea and in exactly the right position to be the home of the writer of such a letter. Could J.M.’s son or grandson have been J.P. Ward who wrote to Weird Tales, and perhaps inspired an H.P. Lovecraft story?
We know Lovecraft had been out on the Neck before summer 1927, since it is implied in a July 1927 letter to Moe about taking Wandrei there…
“took the ferry across to the Neck, where Wandrei communed with his beloved and newly-discover’d sea from the rugged cliffs. You didn’t visit the Neck…” (letters to Moe, page 154).
Lighthouse on the Neck, showing the scale of the sea-cliffs there.
24 Wednesday Jul 2019
Posted in Lovecraftian arts
Now on Spotify and 2019 CD, the excellent and major new orchestral work by Guillaume Connesson: “The Cities of Lovecraft”, aka “Les Cites de Lovecraft”, aka “Les Trois Cites de Lovecraft”.
Also being played on three nights live in Houston, USA, later this year with the Houston Symphony Orchestra…
23 Tuesday Jul 2019
Posted in Historical context, Kittee Tuesday, New discoveries
Celebrating H.P. Lovecraft’s interest in our fascinating felines.
Louis Wain, “The Cats’ Party”. Unknown date, but perhaps 20 years before “Ulthar”. Original was perhaps in colour?
Early in Lovecraft’s Commonplace Book, item #11…
“Odd nocturnal ritual. Beasts dance and march to musick.”
Later used in “Ulthar”, minus the musick…
“… little Atal, the innkeeper’s son, vowed that he had at twilight seen all the cats of Ulthar in that accursed yard under the trees, pacing very slowly and solemnly in a circle around the cottage, two abreast, as if in performance of some unheard-of rite of beasts.” — H.P. Lovecraft, “The Cats of Ulthar”.
Wain was enormously popular and there was a 1-shilling Louis Wain’s Annual each Christmas in Great Britain from 1901 (Lovecraft aged 11) onward, interestingly. And Lovecraft was of course a great cat-lover. Though, so far as I’m aware, Lovecraft never mentions Wain.
23 Tuesday Jul 2019
Published this week from McFarland, Weird Tales of Modernity: The Ephemerality of the Ordinary in the Stories of Robert E. Howard, Clark Ashton Smith and H. P. Lovecraft.
22 Monday Jul 2019
Posted in Lovecraftian arts
A new stage adaptation of Lovecraft’s “The Hound”, in review. The very positive review has details of this successful adaptation’s changes and staging…
Bodine improves the story at its beginning and end, setting up the narrative’s frame with a phone call to Carter and adding a dramatic event to make the story’s inexplicable conclusion more plausible. When the hound finally does arrive, though he is not on stage, we see him, in Farnsworth’s terrified expression and in the hellish green light which emanates from a doorway.
22 Monday Jul 2019
Posted in Lovecraftian arts
On the island of Malta this summer, through to Christmas…
“The Other Side is divided into a number of sections reflecting some of the most captivating and long-standing themes of the collective imagination, such as ghosts and hauntings, vampires, witchcraft and magic, uncanny depictions of lunacy and erratic behaviour, but also utopian and, more often, dystopian visions of the future, the familiar otherness of extraterrestrial encounters, and imagined technologies of tomorrow. In re-launching the [revamped and extended] exhibition, the curators, in addition to the room entirely dedicated to H. P. Lovecraft’s legacy, devoted a new section to the seminal work of Edgar Allan Poe.”
21 Sunday Jul 2019
Posted in Astronomy, Lovecraftian arts, Odd scratchings
Another possible public-domain cover for a Lovecraft book on his astronomy. Trouvelot’s “The great comet of 1881”. Taken from the largest .TIF, and tightly cropped from its white frame, and then given a slight edge-fix and clean in Photoshop. Saved to a less unwieldy .JPG with only slight compression while maintaining 300dpi. Again, it’s of a large enough size to be a front/back cover for a 6″ x 9″ Lulu POD book.
The Lovecraft connection is a little lacking, though. 1881 rather than his birth-year of 1890, and an observatory unlike that of the Ladd at Brown. Still, if historical veracity wasn’t a concern then one might paint out the door, and paint in a backlit HPL silhouette standing in the doorway.
21 Sunday Jul 2019
More Joshi-tastica from Necronomicon Press. Alongside the ‘best of the essays’ volume recently noted here, he’s also assembled a new $20 selection of the best of Lovecraft’s poetry. To a Dreamer: Best Poems of H. P. Lovecraft appears to be newly available now in simultaneous hardback and paperback….
This volume provides a cross-section of the very best of Lovecraft’s poetry. While his weird poems take pride of place, other bodies of work are not neglected. In particular, Lovecraft was skilled at satirical poetry, inspired by the pungent work of John Dryden and Alexander Pope. He condemned contemporary poetry in ‘Amissa Minerva’ and also wrote an exquisite parody of T. S. Eliot’s ‘Waste Land’, titled ‘Waste Paper.’ He even satirized himself in ‘The Dead Bookworm’ and other verses.
Quite substantial at 228 pages, but less of a wrist-strainer than the latest 600+ oversize pages of the latest edition of The Ancient Track: The Complete Poetical Works of H. P. Lovecraft. Which, incidentally, is also big as well as heavy and gets annoyingly floppy with use — a scholar will likely want to go for the hardcover before its gets really expensive, if you can afford it.
21 Sunday Jul 2019
Posted in New books
A new monograph in English on Jodorowsky, The Seven Lives Of Alejandro Jodorowsky, from Humanoides. The Humanoides catalog says August 2019, while Amazon USA has an “Oversized Deluxe Hardcover” on pre-order for early November.
20 Saturday Jul 2019
Posted in New books, Scholarly works
I’m still digging up newly-encountered stuff which appeared 2015-2017.
Such as the £1.99 Kindle ebook of The Lurking Chronology: A Timeline of the Derleth Mythos (2015). Only 46 pages (Amazon says 44), but I can imagine that new Mythos writers will probably want this sitting alongside the old Chronology out of Time pamphlet (which laid out the interior chronology of the Lovecraft stories) and the latest edition of the 400+ page Cthulhu Mythos Encyclopedia which puts it all in a handy A-Z format.
The Lurking Chronology is so short that the 10% Kindle sample includes none of the actual Chronology, so I don’t know how telegraphed or fulsome the dated entries are. Given the apparently large size of the Derleth Mythos, I imagine it’s a fairly brisk canter through the dates. There’s only one brief review worth having, and even that only says it’s a “useful tool” in “40 pages of text”, with no details of the format of the entries.
Anyway, finding this vague item spurred me to plug “Derleth” into Amazon, to see what’s out there in 2019. It appears that there’s still no ‘Best of the Derleth Mythos’ in audiobook, sadly. I prefer good audiobooks for fiction, these days. If there was such a thing, and ideally from a reader of Wayne June or Phil Dragash quality, then it might persuade me to consider spending some time revisiting the Derleth Mythos. I had read him way back when I first discovered Lovecraft, via some of the UK’s Panther 1970s paperback reprints of the ‘collaborations’, but I don’t really recall his tales now.
But my search for “Derleth” on Amazon did pop up a new affordable £3.86 Kindle ebook of the A Look Behind the Derleth Mythos: Origins of the Cthulhu Mythos (2015) which is stated by the Amazon page to be a “3rd edition”. I knew there were two editions, the hardback and then the revised paperback, and that much of the “academic apparatus” was said to have been jettisoned for the paperback.
Amazon’s 10% free sample, sent through to my Kindle, proved to be very substantial. It also gave me the element I most wanted, which is the opening section. This usefully collates evidence for Lovecraft’s attitudes to: i) his own use of small elements and hints gleaned from previous writers, ii) his comments on the unfixed nature of his own evolving backdrop of story-lore, iii) the tacit encouragement he gave to fellow writers to make occasional passing mention of his story-lore, and iv) Hugh B. Cave, who Lovecraft evidently felt had ‘overstepped the mark’. The chapter doesn’t also look to the poetry for evidence, as it might, in poems such as “On the Thing in The Woods”.
As a text the sample for A Look Behind the Derleth Mythos is extremely slick. But I’m not inclined to pick through the rest of its twists and turns re: Derleth. I’m really not that interested in post-1945 Mythos stories, as none I’ve tried make me think “I’m reading a lost Lovecraft story”. But I may well get the full book for review at some point in the future, and skim some of the sections which appear to painstakingly assess and categorise Derleth’s output. I’d focus instead on any biographical elements related to Lovecraft’s estate, such as the precise details of Derleth’s relations with and shunning of Barlow shortly after Lovecraft’s death — I assume the book examines that key historical pivot in detail.
The 10% free sample confirms the “3.0” or third edition, and that it’s “revised”, but the sample has no details of what’s been fixed or changed. Perhaps there’s a changelog at the back of the full book, but that’s just my guess.