Audiobook: Arabian Nights: Volume 10 released

Burton’s Arabian Nights Volume 10 as an unabridged audiobook, including the Terminal Essay. Free from Librivox. I’d previously blogged on the earlier nine audiobooked volumes here, and had also linked to a means to lookup Librivox’s cryptic titling of the stories (such “Night 998”) and translate them into proper story titles.

If you don’t take to a reader’s voice, don’t forget that excellent free media players such as AIMP let you pitch-shift and speed-shift audio during real-time playback. Though that tends to work best on a desktop PC rather than an Android tablet.

Free book: Worlds imagined: the Maps of Imaginary Places

The catalogue for 2017’s Texas exhibition Worlds imagined: the Maps of Imaginary Places is now available as a 70Mb free-and-public PDF download.

I expected to open a 600-page book with Tiny Footnotes. It’s actually only 92-pages of content with Big Pictures. Still, even at a relatively short-and-sweet length, the book is obviously a quality survey and a fine-starting-point for the fantasy map beginner. Or for those refreshing their memories and catching up with the best of the newer maps.

The recent 2014 map of Lovecraft’s Dreamlands features, and the book closes with a bit of one of Robert E. Howard’s maps of Conan’s world.

Sadly it can’t be OCR’d for use with local search, as the PDF’s security is tightly locked down. Also, if you wanted to quote the text you’d have to screenshot with Microsoft Office’s OneNote and then “Copy text from Picture”.

There’s also a 25 minute video tour of the exhibition, usefully SteadyCam-ed to prevent sea-sickness in viewers.

New journal: The Russian Gothic

The journal Russian Literature Vol. 106 (May-June 2019) is a special issue on the Russian Gothic, including under the Soviets and after. Appears to be all in English, but is paywalled Elsevier stuff. Judging by the abstracts, it’ll help a lot if you’re conversant with the latest strands and currents of political thinking inside Russia — to know what they’re talking about when they refer to things like “the neo-Eurasian dream of a New Russian Middle Ages” etc.

A previous special issue was on Magic, Magicians and Russian Literature (Oct–Nov 2017) but there about half the essays appear to be in Russian.

Friday ‘picture postals’ from Lovecraft: Newburyport – part two

This is the concluding part of Friday ‘picture postals’ from Lovecraft: Newburyport – part one, looking at new views of Newburyport. Which was Lovecraft’s key model for Innsmouth.

Below are maps and postcards not seen before in posts on this blog (these posts have included part one, and Along the Innsmouth shoreline among others).


Maps:

“the youth drew for my benefit a rough but ample and painstaking sketch map of the town’s salient features.”


The Joppa clam shanties and Joppa landing:

“Not a living thing did I see, except for the scattered fishermen on the distant breakwater, and not a sound did I hear save the lapping of the harbour tides …”


Clam men at work:

“Once or twice I saw listless-looking people working in barren gardens or digging clams on the fishy-smelling beach below …”


The town:

A Lovecraft-a-alike figure heads to the Innsmouth-type hotel. “Despite what I had heard of this hotel [the Gilman House] in Newburyport, I signed the register, paid my dollar, let the clerk take my valise, and followed that sour, solitary attendant up three creaking flights of stairs past dusty corridors which seemed wholly devoid of life.”

“a curious sort of buzz or roar seemed to be increasing in the direction of Town Square.”

A Lovecraft-a-alike figure on the bench. “The open space was, as I had expected, strongly moonlit; and I saw the remains of a park-like, iron-railed green in its centre.”

“There would, I knew, be plenty of deserted doorways to shelter me in case I met any person or group who looked like pursuers.” As we can see here, one could hop over the fence either side of the door and down into the scraggly plants or let-down behind.

“The public first learned of it in February, when a vast series of raids and arrests occurred [in Innsmouth], followed by the deliberate burning and dynamiting — under suitable precautions — of an enormous number of crumbling, worm-eaten, and supposedly empty houses along the abandoned waterfront.”

MISSING CARD.

Scary driveway/entrance to the ‘homeopathic’ hospital.

“Complaints from many liberal organisations were met with long confidential discussions, and representatives were taken on trips to certain camps and prisons. As a result, these societies became surprisingly passive and reticent.”

The “Devil’s Den”, a name which some have noted is akin to Innsmouth’s offshore “Devil Reef”.

Lovecraftian tourism

Sahara Expedition 2020. It’s fascinating to learn that there may be a Lovecraftian medium-budget tourism industry emerging in Europe, what with this and CarcosaCon (RPG in a castle) and probably others…

a high-budget live action roleplaying game for 60+ players set against the most fascinating Sahara Desert and inspired by the Cthulhu Mythos of H.P. Lovecraft

You actually fly to Tunis and trek into the desert. Presumably on a camel, and packing a concealed-carry copy of the Necronomicon.

It has various dates but seems to be completely sold out through into 2020. I imagine that, as the world enters the era of the Great Abundance, this sort of upmarket ‘big treat in a small niche’ thing can only become more common.

A letter from Marblehead

Lovecraft must surely have noted this letter from his beloved Marblehead in Weird Tales for August 1926.

The idea of the high lonely house which “overlooks the ocean”, and in which the inhabitant opens the pages to let in weird imaginings, rather resembles Lovecraft’s “The Strange High House in the Mist”. Which was written 9th November 1926.

I can find nothing about a John Paul Ward in terms of his later activities. But it would be delicious to imagine that, perhaps one summer’s day in 1927, he might have had a knock at the door and found Mr. Lovecraft standing there proffering a personal copy of his new story (Weird Tales having turned the tale down in July 1927).

In 1931, recalling his vague ensemble of inspirations for the topography of the story, Lovecraft noted that “Marblehead has rocky cliffs — though of no great height — along the neck to the south of the ancient town.” (Selected Letters II). The house of a “J.M. Ward” is marked on an 1884 Map of Marblehead, out on ‘the neck’ near the lighthouse, facing out to the wild sea and in exactly the right position to be the home of the writer of such a letter. Could J.M.’s son or grandson have been J.P. Ward who wrote to Weird Tales, and perhaps inspired an H.P. Lovecraft story?

We know Lovecraft had been out on the Neck before summer 1927, since it is implied in a July 1927 letter to Moe about taking Wandrei there…

“took the ferry across to the Neck, where Wandrei communed with his beloved and newly-discover’d sea from the rugged cliffs. You didn’t visit the Neck…” (letters to Moe, page 154).

Lighthouse on the Neck, showing the scale of the sea-cliffs there.

Kittee Tuesday: Wain’s Cats Party

Celebrating H.P. Lovecraft’s interest in our fascinating felines.

Louis Wain, “The Cats’ Party”. Unknown date, but perhaps 20 years before “Ulthar”. Original was perhaps in colour?

Early in Lovecraft’s Commonplace Book, item #11…

   “Odd nocturnal ritual. Beasts dance and march to musick.”

Later used in “Ulthar”, minus the musick…

   “… little Atal, the innkeeper’s son, vowed that he had at twilight seen all the cats of Ulthar in that accursed yard under the trees, pacing very slowly and solemnly in a circle around the cottage, two abreast, as if in performance of some unheard-of rite of beasts.” — H.P. Lovecraft, “The Cats of Ulthar”.

Wain was enormously popular and there was a 1-shilling Louis Wain’s Annual each Christmas in Great Britain from 1901 (Lovecraft aged 11) onward, interestingly. And Lovecraft was of course a great cat-lover. Though, so far as I’m aware, Lovecraft never mentions Wain.