Foundation Trilogy as a TV series

I’m glad to hear that Isaac Asimov’s original Foundation trilogy is finally being filmed as ten-episode series. Although sadly it’s not being made for the cinema by the Independence Day director, as was mooted about a decade ago. It’s being made for TV in Ireland by Skydance for Apple Studios, by the director of the recent Ghost In The Shell. Filming reportedly starts next month, for a wrap-up in June 2020 and a screening in perhaps Fall 2020 or early in 2021.

I assume it’s the original trilogy (Foundation, Foundation and Empire, Second Foundation). Not the non-Asimov prequels now also available, or Asimov’s own sequel novels.

If you can’t wait, there’s a pre-PC 1973 Foundation Trilogy radio adaptation by BBC Radio on Archive.org, which runs eight hours. Sound design by the famous Radiophonic Workshop. There’s also another copy here.

The freeware AIMP Player and its “Headphones” preset is what you want to listen to this. Presumably it emulates more closely radio speakers, as in the original audio broadcast, dampening the sharp electronic music enough to make it listenable.

Savage Sword of Conan – properly reprinted

I’m pleased to see that Marvel are producing beautiful crisp reprint print-books of their black-and-white Savage Sword of Conan magazines and its precursors. The first 1000-page volume is out now, with Vol. 2 due in mid November, and Vol. 3 in January 2020. According to the reviews Marvel have done an excellent job here, apparently marred only by some copyright trolls who are preventing the reprinting of stories featuring certain of R.E. Howard’s supporting characters. Vol. 3 has a bit of a naff front cover, which I’m thinking may be a ‘holding cover’.

These are the old magazines with black-and-white art by the likes of John Buscema, Gil Kane and Barry Windsor-Smith. The art hasn’t been given the usual gaudy re-colour, thankfully, though possibly the paper may feel a bit too bright n’ white. Scripts by Roy Thomas match the quality of the art, and being magazines aimed at an older market in the 1970s and 80s they were not subject to Comics Code censorship. Which means art that can get a lot closer to the Lovecraft-influenced bits that Howard employed in his Conan stories.

The PorPor Books Blog has pictures of interior pages in his review.

The reviews also usefully point out the poor quality of the previous attempt to reprint Savage Sword as collected volumes, and the superiority of the new Marvel books.

While one could tweak up a good .CBZ reader app’s contrast and saturation settings, on scans of old yellowed originals, these new 1000-page slabs seem the ideal — if rather costly — way to view the art in the crispest manner possible. Just make sure to also order a pair of the Conan™ Steel Wrist-bands, so you can heft and hold these slabs.

Friday ‘Picture Postals’ from Lovecraft: the park bandstand

Lovecraft once recalled his youth thus… “I had just as good a time as I ever used to have in youth listening to the concerts of Reeves’ American Band at Roger Williams Park with my grandfather. Old days …. old days……”

“Reeves’ American Band from Providence”, 1902.

Lovecraft was still occasionally attending similar concerts in the early 1930s…

“The amiable if not excessively profound Thomas S. Evans [Lovecraft’s Providence acquaintance, 145 Medway St.] – he of the dramatick & playwriting predilections – called me up & urged me to accompany him to a concert of the newly organised Providence Concert Band in historick Infantry Hall (now re-modedelled on the interior, tho’ still possesst of that nauseous Victorian belfry), & having no striking objection, I acquiesced. Not a bad series of sound-wave patterns – I rather like a good brass band, anyway, since I have not the musical taste to appreciate the Galpinian subtleties of highbrow orchestral symphonies.” — Lovecraft in a letter to Moe, March 1931.

The stand seen from across the lake at night…

Later Reeves fell apart due to personality clashes and was replaced by the Banda Napoli for a few years, and then more permanently by Fairman’s Band.

“… he thereafter heard sounds as of a mighty cataclysm, although the city around him was quiescent”

Call for Applicants: Funded PhD in Music and Multimedia Composition at Brown University. To… “produce, analyze, and perform original works that may include the use of electronic music, acoustic composition and sound in combination with video, performance, installation and text. … full funding for 5 years … There will be two Open House events for prospective students this year, one on 18th October 18th and one on 22nd November”.

Lovecraftian Proceedings in Kindle ebook

I see that the third issue of Lovecraftian Proceedings slipped out as an ebook when I was out in the sunshine, at the start of August 2019. The Proceedings contains the papers presented at the symposium element of NecronomiCon. Issue No. 3 contains the 2017 papers plus abstracts.

I’m pleased to learn they’re all now available to a UK buyer, for just £1 each in Kindle ebook.

No. 1.

No. 2.

No. 3.

“Herbert West” as a BD

A French BD* adaptation of Lovecraft’s Home Brew shocker “Herbert West” by David Peeters. The book appears to have been released spring 2019 after a successful Kickstarter, and is now listed as sold out. Here’s a look at the black-and-white edition.

* BD = French shorthand term for a long comic-book, usually with a complete story, in their A4 ‘album’ format of at least 64 pages (sometimes 72 inc. cover).

Kittee Tuesday: The Office Cat at the Brown Daily Herald

Celebrating H.P. Lovecraft’s interest in our fascinating felines.

The Office Cat at the Brown Daily Herald, the student newspaper of Brown University, Providence. Daily since 1891.

Such newspaper and office cats not only protected the back-files and picture-libraries from destructive mice, but also had other uses… “The office of the famous New York Sun (a great newspaper, now defunct) always had a complement of working cats … ‘the office cat’ made readers laugh when it was blamed for mistakes in the paper.” Also, if the editors did not wish to report a tendentious item or vapid bit of puffery, then “the office cat ate it”.

Thus when Lovecraft ‘borrowed’ cats for his study, he was adding an element that would be common to the editorial experience of the time.

Diseases of the Head

Advance notice of a volume coming in “Winter 2020”, containing essays on “the intersection of speculative philosophy and speculative horror” drawn from the Harman-ised wing of contemporary philosophy.

Diseases of the Head is set to include:

* David Peak / “Horror of the Real: H.P. Lovecraft’s Old Ones and Contemporary Speculative Philosophy”.

* Chloe Germaine Buckley / “Encountering Weird Objects: Lovecraft, LARP, and Speculative Philosophy”.

* Eric Wilson / “When the Monstrous Object Becomes a Tremendous Non-Event: Rudolf Otto’s Monster-Gods, H.P. Lovecraft’s Cthulhu, and Graham Harman’s Theory of Everything”.

The Dunwich Orchestra

In Germany…

Comic strip artist and illustrator Andreas Hartung from Berlin and The Dunwich Orchestra are adapting H.P. Lovecraft’s classic weird-fiction story “The Color from Space” as a dark, episodic multimedia picture show with an atmospheric live soundtrack and a matching stage show.

The “Lovecraft as a multimedia picture show” article runs through Google Translate fine, and the foot of the article has links to two YouTube videos of part of the show.

Spreading the word to mystery buffs, 1966

It wasn’t just wall-to-wall hippies, back in 1966. Here we see evidence for the spreading of the word about Lovecraft to mystery buffs, via the Edgar Wallace Mystery Magazine (March 1966). One assumes that “The Festival” was provided for free by Derleth, in exchange for the intro blurb which strongly puffs the three Arkham House volumes of Lovecraft.

Friday ‘Picture Postals’ from Lovecraft: riverside cafes

On his return from New York, Lovecraft’s favourite low-cost cafe was “Jake’s” or “Jacques”. I had previously been unable to find an address, but as I had suspected this was indeed on or near the “riverfront” — a word used in a mention of it in a recent monograph by Ken Faig, which he kindly shared with me recently.

This cheap cafe had been discovered by Lovecraft in 1926, after his return from New York. Having rubbed shoulders with juvenile hoodlums and hardened gangsters in the cafes of Red Hook, sharing a cafe with the “stevedore” clientele of a docks cafe in Providence was presumably less daunting to him than previously. Here is his friend Loveman recalling one of the Brooklyn cafes and its seedy clientele, albeit from the very hazy distance of 1975…

I came to New York City in 1924, worked nine months for a Jewish-Hungarian louse in his book establishment on Fourth Avenue, and when I found out he was releasing me for the summer, I quit. Before returning to Cleveland, I took up quarters in H.P.L.’s rooming house at 169 Clinton Street, Brooklyn. The landlady seemed refined but had seen better days; the house was run down in a slattern way. Lodgers seemed to come and go. In May, 1925, I stayed there about two weeks. … To the best of my recollection we lived on the first floor in separate rooms. Due to skin trouble, H.P.L.’s toilet [personal washing] took at least two hours. His nights were practically sleepless. After Howard and I were robbed — he of most of his clothes and I of my radio — I went back temporarily to Cleveland. During this period in Brooklyn, and even before, H.P.L., Rheinhart Kleiner, and myself (and probably a fourth person) used to meet regularly at a Scotch bakery and restaurant in the immediate neighborhood. The toughs (and I mean toughs) from Red Hook used to congregate there nightly. We listened to them recounting their marauding and robberies in the choicest and vulgarist Brooklynese slang; it was an unforgettable experience. Howard was enthralled. His mimicry of their conversations, at which he was so adept, went to the final writing of his masterpiece of a story — “The Horror at Red Hook”. (“Of Gold & Sawdust”)

The Great Depression changed much, even in Providence, and by 1933 a Lovecraft letter sadly notes that “Jake’s” had taken to allowing unspecified “extremes in the matter of clientele” to take a seat. In 1933 this change was too much even for someone who had seen the inside of Red Hook’s cafes, and it inclined Lovecraft to patronise a cheap establishment named “Al’s” instead. This was “Al’s Lunch (Alphonse Scatto) 99 N Main, Providence”. Judging by its location Al’s was likely a cheap student cafe serving the adjacent RISD’s students at the height of the Great Depression. I’m not sure if this was then a permanent change for Lovecraft, but it’s possible he didn’t have that many options for a main meal at the low prices he required.

There were probably also other ad hoc cafes, fit for a simple coffee and snack but unfit to take out-of-town visitors to. His aunt once told a friend that he would eat ‘all over’ the city at all hours of the day and night. That was in the 66 College Street years, in which he tended to be somewhat seasonal, since as he grew older Lovecraft tended to stay in during the colder weather rather than go walking about the city.

I looked for Jake’s again online, and was pleased to see that the 1934 Providence Directory is newly on Archive.org (uploaded April 2018). In this there is no Jack’s or Jake’s, but there are two Jacques. Of these, from its location this one seems open-all-hours and cheap…

Jacques – 126 Wickenden

If I have the correct Jacques then this puts it back of the Fox Point ship departure/arrival point for New York City, and a short walk back from the riverside and a key bridge. The position likely gave it a triple clientele depending on time of day: arrivals and departures for the New York short-hop passenger liners; sailors and crew; and rail terminal workers and dock-hands in need of an early breakfast. We can probably reasonably assume it was thus an ‘open all hours’ establishment, whereas the other address seems more likely to have served the RISD art students and local workers. Indeed, in one later letter to Moe’s son, Lovecraft remarks that his old “stevedore” lunchroom of “Jake’s” had closed for good in September 1935. A “stevedore” is a dock-worker.

A family historian puts this photo at “the corner of Wickenden and Benefit Street around 126 Wickenden Street”, and (although he yearns to date it earlier, to fit his family history) the style of the van and amount of wires suggest to me the late 1920s or early 1930s. Sadly I can’t get it bigger, but evidently a photo of or near No. 126 exists.

Here’s the night-time context for this branch of Jacques. The view looks down the river, with Fox Point in the distance on the left. One can see two of the New York boats docked.

The Wickenden Street Jacques is approximately here on the above card…

Possibly he patronised both at various times. It would have been natural to patronise this branch of Jacques when seeing friends off on the New York boat. As for the other Jacques, which is also a possibility, despite its more central location I can’t get a picture for it.

[Update: he knew of the Wickenden Street Jacques, and mentions it in letters, but if he ever set foot there is unknown]