The Lunatic Plague

I’ve managed to get hold of Wandrei’s I.V. Frost story “The Lunatic Plague” (August 1936). The writing is workmanlike pulp…

In the smoky haze that passed as atmosphere, the outlines of buildings shimmered. The tall apartment houses lining Riverside Drive seemed outlined in flame against the sun and shaken by tremors of earth. New York was suffering one of the annual heat waves that made seven million people wonder why they’d ever arrived at or stayed in that infernal congestion of dirt, detestable odors, torrid humidity, and air, street, and harbor pollution. Inspector Frick punched the bell under a brass plate, green with verdigris that almost concealed the name: I. V. Frost.

Once I got past a certain stiffness felt on the early pages, it proved enjoyable and fast-paced. In a pre Marvel/DC era it must have seemed a very weird plot to many readers used to more mainstream detective-mystery tales. I’m not a DC-fan, but I’d suggest that one might glimpse in this story the pre-DC origins of The Joker (introduced Spring 1940). And the later re-invented Joker, via the obvious surmise of what might have happened had the villain of this story actually made contact with the asylum… and taken it over.

I noted a few possible links with Lovecraft. Frost talks like Lovecraft…

Frost stated, “Insanity as such is not communicable in the sense that various diseases are. However, some infections result in mental derangement, and the person contracting an infection of that kind could loosely be said to have caught insanity as a secondary product of a primary disease. Mob hysteria, war fever, lynch-gang fury, and other mass demonstrations have been considered proof by several psychologists that mental disorders can be contagious, but other authorities have challenged the conclusions. In meanings rather than words, there has not yet appeared the slightest evidence that lunacy can be epidemic, or that a normal person can catch it from a victim of insanity.”

He walks like Lovecraft…

He hiked off, his long legs carrying him out at a pace that would have meant a brisk trot for the average man.

Wry and detached, he appreciates “cosmic” irony like Lovecraft…

Frost smiled at the host of detectives who thronged around him in the Grand Central Terminal. A beatific expression lighted his features, as with secret, supreme appreciation of some cosmic jest. He drawled, “Life is sometimes inspiredly lunatic.”

He even looks somewhat like Lovecraft…

Frost sat on a stool at one of the tables. With his great height and thinness, his ascetic face in profile against a window, he looked like a specter or the incarnation of a bird of prey.

Not having access to the rest of the stories, I can’t say if there are more such Lovecraft-like characterisation of Frost. But it may be something to look out for, if you get the new $50 Frost complete collection.

New books

S.T. Joshi’s blog has updated. On Lovecraft…

Upcoming are the huge volume of Lovecraft’s Letters to Family and Family Friends (the bulk of which consists of his letters to his aunts), a volume of his letters to E. Hoffmann Price and Richard F. Searight, and new editions of the letters to Alfred Galpin and Rheinhart Kleiner, each augmented with letters to several other individuals.

“We have also prepared a new edition of [Samuel] Loveman’s Out of the Immortal Night (2004) — a volume that we thought had included the bulk of his work, but which has now been augmented with a number of additional pieces, along with a long interview of Loveman conducted by a colleague in the 1960s.”

Also what sounds like a useful one-volume collection of Machen’s autobiographical works, now in the public domain…

“I am assembling a volume of Machen’s autobiographical writings (his three formal autobiographies — Far Off Things, Things Near and Far, and The London Adventure, augmented by a few separate essays), as a kind of supplement to my recent edition of Machen’s Collected Fiction.”

One assumes he’s aware of Strange Roads (1924) and will include it.

Added to Open Lovecraft

* P. N. Harrison, Book review of H.P. Lovecraft: Selected Works, Critical Perspectives and Interviews on His Influence, Mythlore, Fall/Winter 2019. (Finds this affordable academic book useful for introductory classroom use).

* R. R. Menegotto with J.C. Arendt, “Genero, Opressao E Horror Cosmico: a Caracterizacao De Lavinia Whateley em O Horror de Dunwich, de H. P. Lovecraft”, Scripta Uniandrade, Vol. 17 No. 1, 2019. (In Spanish. The characterisation of Lavinia Whateley in “The Dunwich Horror”).

* P. Pyrka, “Haunting Poe’s Maze: Investigative Obsessions in the Weird Fictions of Stefan Grabinski and H. P. Lovecraft”, Avant, Vol. VIII, No. 2, 2017. (Suggests that Lovecraft’s writing style arises out of a desire to write ‘like’ Poe, but also his inability to do so).

Monster trolls

Evil sludge company and trademark-trolls, Monster Energy, bully a maker of a children’s storybook. They threatened to set their lawyers on the author of Albert and the Amazing Pillow Monsters, and have seemingly prevented him from publishing more such books.

Many readers of this blog are experts and historians of horror art and metal music. As such does anyone out know of any “prior art” on the Monster Energy “claw” logo + the word “Monster”, which would help invalidate such claims? The company began 2002, and I can’t believe there isn’t some sort of “prior art” on some old heavy metal album cover, videogame, or even a pulp magazine cover.


Update: I’ve already found Monster manual (1994). I’d imagine this would hold up quite well in court as “prior art” on the matter in relation to books and comics and suchlike.

Moi, Lovecraft

Moi, Lovecraft is a new book illustrated by Yann Sougey-Fils, with texts by Jean-Christophe Malevil. H.P. Lovecraft returns to the hospital on 10th March 1937, and in the five days before his death he “tells his story in the first person”.

It’s from the tiny press Editions des Tourments, and runs 112 pages. It doesn’t seem to be using the letters translated to French, but I’m guessing it may perhaps be counterpointing scenes from Lovecraft’s “death diary” with happier scenes from his life? Nor is it clear how heavily the book is illustrated.

Anyway, Moi, Lovecraft is published in French in about a week’s time. The same artist has a 64-page colour ‘BD’ French comics adaptation of The Dreams in the Witch House, to be published by the same press alongside Moi, Lovecraft. 64-pages is standard in France, and as such it’s not quite what the Anglosphere would call ‘a graphic novel’ (compared to the 130 pages of art one would expect here, in a 152 page trade paperback), more of a long graphic story.