New book: Indagine oltre le tenebre

A new-ish Italian book that had escaped my notice a year ago. Indagine oltre le tenebre : H.P. Lovecraft e le opere interattive appeared in November 2018. In 134 pages it appears (from the translated blurb) to be mostly a discussion of the videogame Eternal Darkness: Sanity’s Requiem (2002), highly thought of in gaming circles. Plus the cinema of John Carpenter. Also…

the volume avails itself of the direct contribution of Denis Dyack, author of Eternal Darkness, which comments on the various phases of the videogame telling its genesis and also includes the contribution of Christopher Vogler, screenwriter and professor at UCLA.

Solstice special: College St. in the snow

For the winter solstice and Christmas, a special look at Lovecraft’s College St. in the snow…

A cover of Brown Alumni Monthly, looking through the gates and down College St. in the late 1950s or early 1960s. On the right of the picture, at the corner of that tall white wall surrounding the John Hay Library, is the entrance to the unpaved lane that led to Lovecraft’s last home.

An elevated picture made by Prof. Bigelow from back of the same spot, this time looking down over the gates and along the top of College St. where boys are playing in the snow. A Lovecraft-alike man is seen passing through the gates. The John Hay Library is on the far right and Lovecraft’s home is behind it.

Looking up the street from the opposite direction and from about a third of the way down College St., looking up toward the Library and with the gates out-of-sight. Lovecraft’s lane entrance is seen on the right of the picture, the lane going away out of sight along the John Hay Library wall and thus leading to his garden courtyard and his home at No. 66.

In such heavy winter snowfall Lovecraft was inclined to stay indoors, though even in his later years he could be enticed out in such weather — if he felt socially obliged to go and could wrap up warm enough.

Issue Zero: “The Case for Conan The Barbarian”

In the new Issue Zero podcast, comics writer Fred Kennedy (The Fourth Planet, due Jan 2020) makes “The Case for Conan The Barbarian” in comics. He gives a potted history of Conan and makes the case that he’s a…

tragically underrated and misrepresented hero” in comics … “just like his creator” Robert E. Howard.

In related news, comics veteran Roy Thomas will be the guest of honour at the Robert E. Howard Days in Texas in 2020. While the covers of the latest Marvel Conan book looks iffy (Conan is apparently now running around in the far-future, with a high-tech cyber-sword…) you can’t fault the old Savage Sword of Conan runs from Marvel.

Lovecraft’s Influences and Favorites

Now released in the final public version, Librivox’s audiobook anthology Lovecraft’s Influences and Favorites. Not complete, and there appear to be a couple of “an early critic once suggested he could have been influenced by this…” items. But it looks like a good starting point, and it’s free.

As it’s Librivox one could add to this with one’s own additional readings, and other free readings, and thus build on it. While also weeding out the items with a shakier claim to influence.

It’s also mirrored at Archive.org where there’s a handy .torrent file.

New book: Letters with Donald and Howard Wandrei

S.T. Joshi reports in his latest blog post that the new Lovecraft Letters with Donald and Howard Wandrei and to Emil Petaja volume is now shipping. This being, in 554 pages, a…

revised version of Mysteries of Time and Spirit (2002), with the addition of the letters to and from Howard Wandrei and the letters to Emil Petaja (the manuscripts of which I recently helped the John Hay Library acquire).

Rodionoff / Breccia graphic novel being adapted for TV

Hollywood-watchers report that work is underway on adapting the Hans Rodionoff / Giffen / Breccia graphic novel Lovecraft (2003). The adaptation is mooted as a possible costume horror-drama which “will take place in the 1920s”. Sounds good, though the first sixth of the 130-page book is actually set in the 1890s with Lovecraft as a boy, which would entail two sets of period costumes. But I guess the zillion TV-series now being made have produced a thriving behind-the-scenes trade in costumes-and-props, and that a Lovecraft adaptation could be cost-effectively costumed with cast-offs from the likes of Babylon Berlin and Penny Dreadful.

The Lovecraft graphic novel then goes on to feature the adult Lovecraft as the central character. It’s very much a “his monsters and cultists are real” gory fantasy-horror rather any kind of straight bio-book. “Real” in the sense that, for example, in one scene Lovecraft brains a hostile cultist to death with his typewriter. It’s a book that has many good moments in the first half, but in the end the art outshines the baggy story — and it doesn’t help that the dialogue often seems stilted or clunkily expository.

However, the TV writers have previously worked on something called Game of Thrones and thus have landed a “multi-year deal with Netflix”. So they obviously have the talent to hammer out the flaws in the book. My guess would be that, if not a movie, Lovecraft could become a five-part mini-series destined for late-night screening in the run-up to Halloween 2021? There’s no politics in the book, though doubtless there will have to be all sorts of politically-correct changes and slantings made before it can be allowed to reach the screen. Still, if the project can negotiate the inevitable leftist whining without being ruined, then I have a hunch it might even be the first substantial big-budget TV depiction of Lovecraft-as-character?

Off the daily posting schedule, for Xmas and New Year

Lovecraft news is getting very slow, as we head toward the Yule-tide. Last year I could fill the holiday schedule with catch-up items, but not this year. Thus I’ll be taking a break from daily posting until early in the New Year. This break will also help to give me time to work on books.

There may well be some posts here over the period, if I happen to spot worthy stuff in the feeds. But Tentaclii posts won’t be chugging along on a daily schedule for the next few weeks.

R’lyeh: nuke from orbit…

Robert B. Stroud’s C.S. Lewis Mere Inkling blog asks…

Where do all the satellites go when their utility ends? No, they don’t all just burn up on reentry into the Earth’s atmosphere as their orbits decay. Many are too large for that, and they must be escorted to a remote and desolate Spacecraft Cemetery. … And what better place than the dark depths of the ocean? Among the craft that have been scuttled at the spot are unmanned satellites . . . and, possibly most remarkably, the entire decommissioned Russian space station, Mir.

The isolated location of this unique graveyard is near the “oceanic pole of inaccessibility,” which marks the location on earth which lies the farthest from any land. The cemetery, which is already the final resting place for more than 260 spacecraft from Russia, Europe, Japan and the United States, lies on the deep seabed approximately 1,500 miles between Pitcairn Island, Easter Island, and Antarctica.

This remote locate is truly mysterious [but, so the author is informed] this “oceanic pole of inaccessibility” is virtually identical with the location of R’lyeh […] wherein Cthulhu awaits his terrible awakening.

Now there’s a cue for a Lovecraftian story, if ever I heard one. Lovecraft effectively ‘reached’ the zone some 50 years before the formal calculation of where it lay. So far as I recall, from my reading of S.T. Joshi’s book-length survey of Lovecraftian fiction, I don’t remember hearing of it being used before. Even by Stross, who apparently removed R’lyeh to the Baltic of all places.