Asenath in Uniform

I’m now part of the way through reading O Fortunate Floridian, Lovecraft’s letters to Barlow. Only a few surprises so far, but I’m only up to late summer 1933 and they’re just getting warmed up.

One of the surprises was Lovecraft’s seemingly rather extensive cinema-going circa summer 1933, probably triggered by his spending Christmas 1932/33 in New York and seeing a number of the new movies there.

For instance, who knew that aspects of “The Thing on the Doorstep” were inspired by Lovecraft’s viewing at the cinema of the notorious Madchen in Uniform — just a month before the story was written?

The Marvellous A. Merritt

Who was “The Marvellous A. Merritt”? And why was he quite so popular among the cognoscenti in Lovecraft’s time? Sam Moskovitz investigated in 1960, in a detailed survey and appraisal which found its way into a British magazine…

Lovecraft met the famous author in January 1934 in New York, and proffered a copy of his “The Rats in The Walls” for consideration. In a letter to Barlow of 10th? February 1934, Lovecraft told Barlow he had found Merritt “genial and interesting … sincerely and deeply interested in the weirdness he portrays”. He later wrote to Galpin…

Among other new people I met was the fairly famous fantastic magazine writer A. Merritt, whose “Moon Pool” I have admired ever since its appearance in 1918.” — letter to Galpin, 28th April 1934.

The February letter to Barlow reveals that he had not yet read Merritt’s novel The Metal Monster (first version, 1920), since Lovecraft mentions it and implies he had not yet read it. At that point Barlow was offering to send him either The Metal Monster or the later version The Metal Emperor.

The Metal Monster had been left unread until that time, because Lovecraft had been told in 1920 that it was dull…

The Metal Monster, which I had never read before because Eddy told me it was dull. The damn’d fool! (nephew — not our late bibliophilick friend [‘Uncle’ Eddy, the Providence bookseller]). Actually, the book contains the most remarkable presentation of the utterly alien and non-human that I have ever seen. I don’t wonder that Merritt calls it his “best and worst” production. The human characters are commonplace and wooden – just pulp hokum – but the scenes and phaenomena… oh, boy!” — letter to Morton, 6th March 1934.

Incidentally, Lovecraft’s mention above of “our late bibliophilick friend” is another confirmation for Uncle Eddy of Providence, and faintly implies Uncle Eddy was not just a sour dealer in but also a lover of books.

Comparing the dating of this and the Barlow letter suggests that Lovecraft probably read the novel around the end of February 1934. Which version did Lovecraft read? He could have been sent the yellowing 1920 magazine pages by Barlow, but there was also a 1927-28 version that might have arrived instead…

“The Metal Monster” was serialized a second time in a Gernsback magazine, Science and Invention, from October 1927 to August 1928. (There were eleven parts in all.) The story was revised somewhat and re-titled “The Metal Emperor.”

This matters because “the first two chapters [are] missing in later prints”. Thus if one doesn’t have the 1920 magazine version, it’s a different beast. A very different beast, since…

“for [1927-28] Science & Invention magazine, Merritt really tore into the body of text, creating an entirely new version … This version focused on the sciency stuff, with Merritt backing-off the purple prose for which he is renowned.”

This strongly suggests that Barlow would have sent Lovecraft the original 1920 version, probably as tear-sheets. Barlow was likely savvy enough about such things to prefer The Metal Monster over The Metal Emperor. [Update: Yes, a 1934 postcard from Lovecraft reveals “The Metal Monster” was sent and read February 1934].

The original 1920 magazines containing “The Metal Monster” are not on Archive.org, but you may be pleased to learn that the original can now be had for $15 from Hippocampus Press.

Later in 1934, an August letter to Barlow reveals that Merritt had been given up as “hopeless”, in terms of a Lovecraft-Merritt correspondence. At the January meeting Lovecraft had given Merritt a copy of his “The Rats in the Walls”, but in August was still waiting for the tale to spark a letter and thus a possible correspondence between the two masters.

Lovecraft and Haggard

The International Walter Pater Society has announced Studies in Walter Pater and Aestheticism No. 4, which was due to be published November 2019…

The issue includes a cluster of articles on ‘Decadence and the Weird’, guest edited by Dustin Friedman and Neil Hultgren. Friedman questions gay identity in Teleny. Hultgren turns to proto-modernist form in Arthur Machen’s prose. Jessica Straley traces the threat and promise of anthropomorphized flora as depicted in Algernon Blackwood’s stories. Molly Youngkin argues that the women populating Rider Haggard’s tales inspired the later weird fiction of H. P. Lovecraft.

On Haggard, Lovecraft did at least try to dip into the famous author but may have succeeded only in reading She. He wrote to Kleiner in early February 1920 that…

Cook has also been kind, outlining a reading course in Haggard. I shall not tackle the gentleman in question till I am through with Algernon Blackwood, whose rather mediocre fantasies I am absorbing one after another. When I do read She, I will report my critical impressions in detail.

However, it appears he did not go on to assemble and then peruse Cook’s course. Since Joshi notes that Haggard’s most famous work was left unread for many years…

HPL did not read the novel [She] until 1926, and obtained his personal copy of the book still later.

Specifically he had to read She, probably at some speed and along with many others, to prepare his Supernatural Literature survey essay. A letter to Derleth, 31st October 1926, further illuminates…

I’ve recently begun reading the work of Sir H. Rider Haggard for the first time. ‘She’ is very good, & if the others are at all commensurate, I have quite a treat ahead”.

Yet, with the resources available to me, I can find no evidence that he read anything of Haggard other than She. Certainly Joshi’s Lovecraft’s Library lists only She, thus I assume there is no other evidence of Haggard to be found anywhere else in Lovecraft’s letters. If Lovecraft had read some of Haggard’s other books, one would have thought he would have mentioned them to at least one correspondent.

But if he did read some after She, what might they have been?

Obvious candidates are the She sequel Ayesha, the Return of She; and the well-known adventure King Solomon’s Mines and its sequel Allan Quatermain. The vivid Ancient Egyptian settings of Morning Star and (in part) The Wanderer’s Necklace might have appealed, and their publication dates would have put them on Cook’s 1920 “reading course”. The other possibility that Cook would surely have noted is Doctor Therne (1898), a ‘tormented scientist’ confessional about a plague that sweeps England. It might have been hard to obtain by circa 1926, but Cook was reputed to have a vast library until 1930 and would probably have lent it. It may interest some to know that Therne is told from Dunchester, a name which evokes the similar-sounding Dunwich.

In The Mouth of Madness

Dark Arts reviews Devil’s Advocates: In The Mouth of Madness (2018), a 124-page film studies monograph. The book focuses on Lovecraft’s influence on movie-maker John Carpenter, and specifically his under-studied In The Mouth of Madness (1995). The book’s author, the reviewer finds…

… suggests that In the Mouth of Madness is a critical reading of the way in which audiences of horror often treat the genre with the same ardor as followers of religion do. While the religious discussion in the book was fantastic, I thought it was a shame to have not linked it with Lovecraft’s Cthulhu Mythos, especially in relation to the dream-like sequences of the film. Nevertheless, the religious argument was highly compelling.

Call for papers: The Worlds of Giger

Call for papers: The Worlds of Giger: between literature and the arts. Deadline: 26th April 2020, for a (hopefully) post-virus conference in France on 25th-27th November 2020. It appears it won’t be wall-to-wall Alien

Hans Ruedi Giger (1940-2014) is undoubtedly one of the most famous Swiss artists … But there is a pre-Alien Giger as well. His work includes paintings, drawings, sculptures, designed objects, and comics [and in such work he] often paid homage to one of the masters of the genre, H.P. Lovecraft. It is the first time an international conference has been devoted to him…

A snippet of Goodenough

The local Brattleboro newspaper has a new appreciation of Arthur Goodenough. The newspaper doesn’t appear to block visitors from outside the USA.

Their new local history article focuses on Goodenough’s speaking out against the state-enforced sterilisation of 250 “idiots, imbeciles, feebleminded or insane” in Vermont, to prevent them from having children. That was in 1931, and the Great Depression was beginning to grip. To many at that time, it must have seemed quite a sensible move.

But Goodenough rightly worried about what would now be called ‘mission creep’. Worried that, once such a thing was permitted, the public would come to accept it and doctors would treat it as routine. Then the apparently limited policies would slowly grow into a self-serving bureaucracy that could start to encompass anyone deemed ‘aberrant’…

He stated that it is unknown if physical or mental infirmaries might visit the lawmakers later in life; or find their way into the lives of friends, children or grandchildren. With passage of the law any of them could find themselves visited by the sterilization knife as well.

Back Issue! #121: Conan special

Back Issue! #121 (due in two months, 10th June 2020) is in Previews, and will be a special issue on Conan and similar in the comics. Includes among other items…

* the 50th anniversary of Roy Thomas’s Conan #1,
* the Bronze Age barbarian boom,
* top 50 Marvel Conan stories,
* Marvel’s not-quite Conans (from Kull to Skull),
* Joining Roy Thomas are Kurt Busiek, Ernie Colon, Chuck Dixon, Mike Grell, Ron Randall, Dann Thomas, Timothy Truman, Marv Wolfman, and many more.

“I’ll feel amply empowered to shoot you a free copy.”

That strange scurrying noise? It’s a horde of Lovecraftians burrowing into a HPLHS dropdown-menu, to get at the free .MP3 of the Dark Adventure Radio Theatre: The Rats in the Walls radio drama…


On moving into 66 College St. Lovecraft had discovered a… “narrow and hideously nighted space in the attic under the eaves — reached from the attic proper by low doors, and having no windows whatever. … I am wholly alone in the house now, with my aunt at the hospital and the downstairs neighbour on the high seas bound for Germany — but what was that creaking above me last night? Part of that black space [in the attic] is directly over my desk. Perhaps it was only the rats…” — H.P. Lovecraft, to CAS, June 1933.