New book: Progression of the Weird Tale

S.T. Joshi’s new essay collection The Progression of the Weird Tale is now available in an affordable £2.60 Kindle ebook. The second half is substantially Lovecraft and Barlow, plus a critical assessment of two novels by Frank Belknap Long and memoirs of several fellow Lovecraftians. Also many short encyclopaedia entries, but judging by the one on Arnold Bennett they only cover supernatural novels not short-stories.

His latest blog post also reveals a worthy new mammoth project, A World History of Atheism, expected to take about six or seven years. Sounds great. Grab the graphic novel rights now.

Recently on DeviantArt: Lovecraft the man

A few personal picks from the many recent ‘Lovecraft the man’ pictures, as posted on DeviantArt…

H.P. Lovecraft by Dvazart.

2020 by perimido. I guess the skeleton penguins are ‘Mountains of Madness’.

Ach-Pe-El by gjsx51.

H.P.Lovecraft – caricature by miguelzuppo.

HPL’s bathroom by Zeephra. As a physical sewn tapestry. Based on a pixelart version.

Inktober, 2020: H.P. Lovecraft by Snipetracker. Specifically, Lovecraft and Sonia while he was writing “Under the Pyramids”. You’ll recall that the story interrupted their Honeymoon.

H.P. Lovecat by JulianDemiurgo.

H.P. Lovecraft by Nick-OG.

New book: The Emotional Life of the Great Depression

Possibly of interest to some, re: learning more about the historical context for Lovecraft and the Great Depression. A new book by John Marsh, The Emotional Life of the Great Depression, from Oxford University Press. Rejecting the usual approach of a ghoulish focus on ‘the despair of the 1930s’, the book…

explores the 1930s through other, equally essential emotions: righteousness, panic, fear, awe, love, and hope.

The author appears to delight in Walt Whitman, also being the author of In Walt We Trust: How a Queer Socialist Poet Can Save America from Itself.

Sadly I can’t find a single public review of The Emotional Life of the Great Depression, even on Amazon. I even looked on Good Reads, a site I usually disregard.

News of the book leads me to recall my elderly history teacher once impressing on his class, way back, that the 1930s in the UK were actually a time when many had a good time, got ahead, worked hard, were relieved from drudgery by labour-saving inventions, saw amazing cinema and read lively magazines, enjoyed better health and healthcare, revelled in public libraries, moved to beautiful new and affordable suburbs, were broadly optimistic about the future (they didn’t know a World War was coming) and generally unaffected by all the hand-wringing and maudlin machinations among the intellectuals. He had actually been there in 1930s Midlands Britain, albeit as a lad, and had later studied the period. He felt the need to enlighten his students because of the distorting effects of the stark and grimy black-and-white depiction of 1930s — pit-head and dust-bowl poverty, etc. — that had been relentlessly promoted in the media from about the 1960s until the 1990s.

Party like it’s 1984…

A while back Archive.org put up the legendary science-fiction comics editor Josep Toutain’s first run of his Spanish-language 1984 title (#1 – 30). It’s still there.

The magazine actually ran on to #64. Now Archive.org also has Toutain’s 1984 #30 – #64 in PDF, newly arrived. Plus five Annuals (1980-84) and even two ‘specials’ in the year 1984 that appear to have been showcasing aspiring young comics artists.

The magazine was titled 1984 until the actual year of 1984 swung around… and of course this made an anachronism of the masthead. It was then continued, necessarily re-titled, as Zona 84 (#1 – #96, three annuals, four beginners anthologies, and what appear to have been four poster-magazines — the latter being a format that was hot at that time).

It’s not to be confused with the various licenced editions of the Spanish 1984 which appeared in other languages. In the USA this means Warren’s 1984 (later titled 1994) magazine, which offered a toned-down American competitor to the English edition of Heavy Metal and Marvel’s native Epic magazine. I never saw the Warren 1984 (1994) here in the UK, and it probably never even reached our comics shops, perhaps due to the import censorship and moral panics of the period — and thus never survived to be found later in the comics boxes of second-hand bookshops.

There was also the partial reprint of the Spanish title as a French-language magazine Ere Comprimee (#1 – #42). This seems to have been a high-quality competitor to Metal Hurlant (the French source of Heavy Metal) in France and Belgium, but heavier on the nudity and cartoon violence.

The Warren titles and Ere Comprimee did not just do straight translated reprints of the Spanish issues. They appear to have selected the strips they wanted, adding alongside them local artists and new unique editorial material. I would imagine the words also saw some buffing and shifting in the translations.

Which reminds me that we still need an auto-translate comics reader software for French and Spanish comics. The best we have is Project Naptha (May 2020), a browser addon at the Chrome store. It now works on the Opera browser as well, but can still only do ‘English to other languages’. We need a PDF/CBR reader than can attempt basic auto-translation of comics-lettering from French and Spanish to English. Ideally inline and replacing, as Project Naptha has shown is possible.

I seem to recall reading somewhere that other publishers in Europe also produced their own clones of the Spanish 1984, using translated material from the Spanish magazine. Possibly there are titles from Germany and Italy I’m not aware of.

Such titles also appear to have inspired Cheval Noir (1989-1994), an American Heavy Metal-like title in which Dark Horse reprinted the best continental European comics in English. It offered a mix of standalone shorts, and ongoing strips, in black and white. Probably other long-forgotten magazines were also around in this ‘free’ period between the censorship of the 1950s/60s and the prudish political correctness of the later 1990s. While the stories in these various titles veer toward excuses for titillating 1970s-style nudity and gory battle, the comic art and sci-fi inventiveness is fabulous.

‘Picture Postals’ from Lovecraft: a view of early Providence

1914 at Providence Opera house, the Act 1 backdrop for a celebration of Brown University’s 150th anniversary.

1914 at Providence Opera house. S.T. Joshi dates Lovecraft’s regular theatre attendance at 1896 to c.1911-1915 in I Am Providence, and a letter in Letters to Family implies he visited a show there in 1917. So it’s possible the above 1914 show might have be seen by him, assuming it was not a ‘one-night only’ show reserved for the Brown University crowd. Certainly the ‘historic Providence’ aspect would have appealed to him. Probably he also saw the designs given in the local newspaper or magazines, if not exhibited at somewhere like the Art Club.

The new Letters to Family reveals that in his youth he had trodden the very boards of the Opera House. He had “slung from the stage” of the Opera House great slabs of a Shakespeare tragedy, given with “vigorous, orotund delivery”.

Providence Opera House, Gallery entrance on Eddy Street.

On hearing the news of the impending demolition of the Providence Opera house, in spring 1929 he decried the philistinism of a city that could leave itself without a stage fit for “a high-grade play”. He also recalled…

What a second home the old Opera House used to be to me!” — in Letters to Family

I also recall that Lovecraft once spotted his house on a richly painted theatre curtain showing a similar historic vista of Providence. I can’t find the reference offhand, but it was likely at the Opera House.

By 1936 the place had long gone, as he remarked to a young correspondent…

… alas! Indeed, the Opera House was torn down in 1931, & its manager (with a tragic timeliness worthy of the Muse whose temple he had tended) died the following year.

Many years earlier he had recalled this fellow for Kliener…

… we [the family] were acquainted with Mr. Morrow, lessee & manager of Providence’s chief theatre — The Providence Opera House — (he lived directly across the street) so that it was not thought too shocking to let my aunt take me to see something [there, when a boy]” — H. P. Lovecraft, letter to Kleiner dated 16th November 1916.


Incidentally, the indexing of the entry for ‘Providence Opera House’ is slightly astray in the new Letters to Family. Page ‘1026’ should read ‘1028’.

Loveman’s “young” friend Gervaise Butler

Here I take a brief look at Samuel Loveman’s “young” friend Gervaise Butler. H.P. Lovecraft him met several times in short succession in Boston in early 1929, in the company of Loveman. Later that springtime Lovecraft remarked in April 1929 that he had been “seeing” young Gervaise, seemingly without Loveman, and a year later he recalled that this had been in New York City. Lovecraft also refers to him as being a “find” made by Loveman. “Find” being an amateur journalism term, used in terms of recruitment. Lovecraft calls Butler “young” several times, but the footnotes to the Letters to Family have him as born in 1888, making him two years older than Lovecraft. That didn’t seem quite right to me. Why would he repeatedly refer to someone older than himself as “young”, and do so across multiple letters? He did occasional use the term “good old”, mostly for old men, but that is not the sense he is using “young” here. Could there have been another Gervaise Butler? Indeed there was. Here are the two candidates, then…

1. There was a Gervaise Butler who left Bloomington High School, Illinois, in 1922. He was an boy actor with the local troupe, able to play “the comic bell boy” in 1923, and by 1927 he was film critic of the Bloomington Pantagraph. Bloomington is about 60 miles SW of Chicago. The dates would make him “young”, if he had left High School at 18 that would place his birth date at around 1904. Nearly 15 years younger than Lovecraft, and aged 25 if they had met in Boston in 1929. A short partially accessible biography in Trend reveals more and confirms the 1904 date and suggests a writer…

GERVAISE BUTLER. Born in 1904 at Bloomington, Illinois. Mr. Butler has, since that time, pretty well covered the United States and Europe. He studied journalism at the University of California at Berkeley; he reviewed books for the San …

My feeling is that the “studied journalism at the University of California at Berkeley” covers his 1924-26 period.

2. There was another Gervaise Butler, from Muscatine, Iowa. He was the manager of the Doubleday bookshop (Greybar Building, Manhattan, NYC) in 1932 (Publishers Weekly). One F. Minot Weld (poss. b. 1910) and Gervaise Notley Butler opened their own bookshop in 1933. The shop closed in 1955 when F. Minot Weld retired. (Publishers Weekly). A Publishers Weekly profile of Weld and Butler (only very partially available online) states he had been writing from childhood in Iowa, had seen publication in The Century magazine and others. In the 1930s he “became owner and editor of Decorative Furniture” magazine. Given the “N.” this seems likely to be the same Gervaise N. Butler who later wrote extensively as a dance critic for the Dance Observer (1934-) and who served on the board of the title. He it must be who has the 1888 birth date given in Letters to Family.

Either would be fitted to be Loveman’s friend. But Lovecraft’s repeated “young” does rather suggest that Loveman’s friend could be the other Gervaise Butler, born 1904 and picked up by Loveman as a 24 year-old amateur journalism protégé and “find” — most likely on his coming to New York City circa 1928.

February on Tentaclii

The mighty sun-ward wall of Tentaclii Towers slowly thaws, in the earliest spring sunshine. In the groves beyond the moat, the pussy-willow buds fluff a little. Catkins dangle and twist in the chill wind. A low sunlight browses over a stack of bargain-priced books containing Lovecraft’s letters, each begging to be read with note-taking. But for now three Tolkien tomes must take precedence.

February brought many new discoveries about Lovecraft’s places and people. I took a look at the Providence Courthouse and especially the louver-boarded tower that Lovecraft could see from his windows at 66 College St., and found there an unexpected connection with “The Haunter of the Dark”. I also sauntered down Riverside Drive, NYC, in the 1920s, a place where we almost lost Lovecraft — had he taken up a dare he could easily have become a gory squish on the railroad tracks that lay far below a Riverside Drive bridge. This led to me considering the place in relation to Morton’s apartment in Harlem and the Roerich Gallery — I saw that one could walk between these points by going down the pleasant shorewalk. Lovecraft and Morton might even have walked on south along the shore and into Hell’s Kitchen to see McNeil, but that possibility is not yet confirmed. I also took a look at Morton’s actual north Harlem building at No. 211 and discovered more about the curious fellow who owned it. I was also pleased to discover more about the whereabouts and doings of Lovecraft’s friend Arthur Leeds, including the possible location of an unpublished memoir of his life among 1930s crime writers and new data on his fronting of a Chicago human freak show in 1927. As a lead-in to this Leeds post, a ‘Picture postals’ post was on Jean Libbera, a freak-show attraction and (accordingly to Leeds) a Lovecraft fan.

This month a Patreon patron asked for more about the attempts of “HPL & Robert E. Howard” to meet. Not having much Howard material to hand yet, my answer may have appeared a bit basic to Howard scholars. But I think I successfully outlined the three points in time at which they could have met. I also looked this month at some of the historical context for Lovecraft’s ‘cats fly to the moon’ idea in his Dream Quest, and along the way noticed a new source for his early local newspaper column on the possibility of man one day reaching the Moon.

Not many new non-fiction books in this short month. Lovecraft: The Great Tales is a weighty new non-fiction survey of the tales. Old World Footprints also reappeared as a reprint book, newly annotated and richly illustrated. In Lovecraft-related books, I noted a crop of new introductory books of interest to those curious about ‘the Stoic Lovecraft’, and pointed out the need for a more accessible ‘For Beginners’ type book on Lovecraft’s philosophy.

In journals, the first issue of S.T. Joshi’s annual scholarly mega-journal Penumbra became available in ebook, and the new Spectral Realms #14 is said to be a themed ‘poems about Lovecraft’ issue. The Fossil #386 appeared and in it David Goudsward presented a rich seam of new data about the early life of Lovecraft’s friend Mrs Miniter. One can see why she appreciated the sober Lovecraft and the amateur journalism life, after an early life with a drunken husband. Several reviews of Lovecraft items popped up in newspapers and zines, and were linked to and partly translated if needed.

In music, Joshi’s Songs from Lovecraft and Others is forthcoming. Another Tentaclii post brought news of a forthcoming new psychobilly album by the band The Arkhams (U.S. backwoods rockabilly with Lovecraftian lyrics), and a successful Kickstarter for Dunsany Dreaming: An Eldritch Folk Album. In audio I noted that the novel The Wanderings of Alhazred is now available as a nine-hour audiobook, a fictional account of the life of Lovecraft’s Alhazred.

In the visual arts, I gathered the Druillet covers used for a popular edition of Lovecraft in French. A Call of Cthulhu Graphic Novel is forthcoming, seemingly pitched at the slow readers in the youth/schools market. Apparently Netflix is also planning a one-off TV-movie vaguely involving Cthulhu. But don’t get too excited, as the title makes it sound like a quickie Indiana Jones spoof/parody. The Myst-like Lovecraftian videogame The Shore was released and seems to have been a modest critical success but with the usual first-day technical niggles taking the shine off reviews. The lone developer of The Shore is said to be working on a VR expansion for it, so it’s probably one for occasional gamers to keep on hold for a year until there’s a bug-fix patch and expansion.

Finally, a big crowdfunder was launched to purchase the Lovecraft-Long letters (not to be confused with the Long-Lovecraft letters, mentioned by S.T. Joshi in a recent blog post). The letters will go to the Brown repository if the campaign is a success. Many are said to be unpublished.

That’s it for February 2021. Please consider becoming my Patron on Patreon to help Tentaclii continue through 2021. Even $1 a month is encouraging.