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Category Archives: REH

Howard Days 2020

21 Monday Oct 2019

Posted by asdjfdlkf in Odd scratchings, REH, Scholarly works

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Robert E. Howard Days: Howard Days 2020 has dates and theme. June 12th and 13th, and the theme is “Celebrating REH in Comics”.

“Dimensione Cosmica” returns

20 Sunday Oct 2019

Posted by asdjfdlkf in New books, REH, Scholarly works

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Dimensione Cosmica has returned to regular quarterly publication in Winter 2018, after being absent for some years. This is an Italian language magazine of non-fiction, reviews and interviews, with a strong focus on the history of the fantastic.

Translated, titles of selected historical and Lovecraft articles for the issues to date…


No. 1.

* Lovecraft at 80. [Perhaps an article on Lovecraft’s ‘baseline’ presence in Italy in either 1970 (age 80) or 1980?]

* The Italian Star Wars.

* J.R.R. Tolkien, a professor with many anniversaries.

* Arthur Machen, scribe of miracles and magical realist.

* James Allison, a forgotten hero. [R.E. Howard]

* Conan and the Ninth Art. [R.E. Howard]

* Gnome Press: when science fiction conquered books.


No. 2.

* Neo-symbolism: features for an exegesis of the fantastic literature of Alex Voglino.

* The Babel Catalog: E. Vegetti: the story of a friend and his endless work.

* The Cosmic Dimension interviews: Alan Lee, the art of Middle-earth. [A leading Tolkien illustrator]

* The damned Bran Mak Morn. [R.E. Howard]


No. 3.

* Challenge to infinity: Futurism and the future.

* The thousand faces of Solomon Kane. [R.E. Howard]

* Welcome to the “Bradbury Center”. [Perhaps a Ray Bradbury museum in Italy?]

* The kingdom of Hyperborea, between horror and decadence [R.E. Howard]

* Is there a fantastic fiction crisis?

* Sounds from deep space: when music meets science fiction.


No. 4.

* Scientification: Alternative History of Italian Science Fiction.

* Ursula K. Le Guin: a true glory?

* Fantastica “Made in Italy” and the foreign market: a conversation with Alessandro Manzetti.

* 1828-2018: Verne is dead, live Verne! [Presumably a history of the reception and afterlives of Jules Verne in Italy?]

* Frazetta: when the flesh becomes art.


No. 5.

* Tolkien between Myth, Symbol and Literature.

* Tale of the Holy Grail and Lord of the Rings: two “intertwining” stories.

* The “Cosmic Dimension” in comics. [inc. Kirby]


No. 6.

* Mr. Urania: memories of Giuseppe Lippi. [Memories of the leading Italian Lovecraftian, by multiple authors]

* Of the attempt to obscure Tolkien. [Perhaps a history of the attempts at erasure by leftist critics, in the 1970s and 80s?]

* “Lo Smeraldo”: the dream-apocalyptic journey of Mario Soldati in the Italy of the future.

* Robert E. Howard and the Italian writers of the fantastic.

* Providence: between Lovecraft and Moore. [Presumably a review of Alan Moore’s completed Providence comic?]


No. 7 (summer 2019).

* Mystery is my job: interview with Alfredo Castelli.

* A nineteenth-century French Tarzan.

* The return of the myths of Cthulhu. [At a total guess, perhaps a survey of how clueless and gullible many modern ‘fans’ are about Lovecraft and his original mythos?]

* “From an enthusiastic Frenchman”: a letter from Jacques Bergier to Weird Tales.


The originals are in Italian, and the above are just my translations. The magazine also carries regular book reviews.

Savage Sword of Conan – properly reprinted

12 Saturday Oct 2019

Posted by asdjfdlkf in New books, REH

≈ 1 Comment

I’m pleased to see that Marvel are producing beautiful crisp reprint print-books of their black-and-white Savage Sword of Conan magazines and its precursors. The first 1000-page volume is out now, with Vol. 2 due in mid November, and Vol. 3 in January 2020. According to the reviews Marvel have done an excellent job here, apparently marred only by some copyright trolls who are preventing the reprinting of stories featuring certain of R.E. Howard’s supporting characters. Vol. 3 has a bit of a naff front cover, which I’m thinking may be a ‘holding cover’.

These are the old magazines with black-and-white art by the likes of John Buscema, Gil Kane and Barry Windsor-Smith. The art hasn’t been given the usual gaudy re-colour, thankfully, though possibly the paper may feel a bit too bright n’ white. Scripts by Roy Thomas match the quality of the art, and being magazines aimed at an older market in the 1970s and 80s they were not subject to Comics Code censorship. Which means art that can get a lot closer to the Lovecraft-influenced bits that Howard employed in his Conan stories.

The PorPor Books Blog has pictures of interior pages in his review.

The reviews also usefully point out the poor quality of the previous attempt to reprint Savage Sword as collected volumes, and the superiority of the new Marvel books.

While one could tweak up a good .CBZ reader app’s contrast and saturation settings, on scans of old yellowed originals, these new 1000-page slabs seem the ideal — if rather costly — way to view the art in the crispest manner possible. Just make sure to also order a pair of the Conan™ Steel Wrist-bands, so you can heft and hold these slabs.

Poul Anderson’s English and northern fantasies

21 Saturday Sep 2019

Posted by asdjfdlkf in Odd scratchings, REH

≈ 3 Comments

I don’t think I ever got far into the work of Poul Anderson, and in 2019 I vaguely associate the name with 1960s space-opera science-fiction. Perhaps I encountered some of his short stories as “best sci-fi stories of…” collections, and I might have read a few of his galaxy-spanning novels in the early 1980s. But I rather suspect he was another of those libertarian science-fiction authors whose I was shoo-ed away from, in the early 1980s, by left-leaning gatekeepers.

But now I discover he also did historical fantasy / sword and sorcery novels. Some of these are even set in my native England and one has a nicely earth-mysteries dark-faerie twist, even. The mostly interesting one is partly set in the English West Midlands. Who knew? Not me, and I’m fairly well versed on such work if set in the Midlands.

I became aware of his work again thanks to some useful new survey blog posts on this side of his work. These being Poul Anderson’s “Northern Cycle”: Part One and Part Two. Part Three is still to come, but in the meanwhile the same blog has dug up two old articles from the defunct Crom Records heavy metal music website, surveying the relevant works in relation to their possible influence on metal bands… one and two.

His 1950s novel set in England under the Viking Danelaw looks somewhat interesting, The Broken Sword. Apparently best read in its rare first edition form, which launched into that curious dead-zone for public interest in fantasy (circa 1950-1964) and promptly vanished. It was hailed as a lost classic when re-discovered in the late 1960s, but even so I think it may have been one of the few to have escaped me in its 1980s paperback reprint form.

But looking most interesting to me is his A Midsummer Tempest (1974), an alternative history fantasy set in an England in which Shakespeare’s Fairy Folk are real and the English Civil Wars are partly an early-steampunk affair with airships. Super. I may have read it in the early 1980s along with the similar Keith Roberts, et al. But if I did, then I don’t recall it now. Sadly there appears to be no audiobook version, but at just 200 pages it’s not too daunting to tackle in paper or get through the letterbox — not one of those 1990s-style over-padded door-stopper fantasy slabs of 500 pages. It also skips briskly between short scenes, some with chapter headings indicating they’re set in the northern Midlands and thus near to me. It’s also said to take in another setting in which I used to live, at the other end of the West Midlands.

So, a quality pre-PC West Midlands fantasy novel that I had no idea existed. Great stuff. I’ve no idea if the author ever set foot in the English West Midlands, but it’s a nice find all the same. The formatting on the ebook is bad, so I’ve bagged a first-edition hardback for much the same price at just £4 inc. postage. It has a horribly ugly cover, compared to the painted Bob Fowke cover of the Orbit paperback and the UK popular hardback reprint by Severn, but dustjackets can be removed…

“…a titanic achievement — a delightful alternate-history fantasy that brings the fictional worlds of Shakespeare’s plays to breathtaking life with style, wit, and unparalleled imagination.” (blurb from one of the reprints).

Nominated for the World Fantasy Award for Best Novel, Nebula Award for Best Novel, and it won the Mythopoeic Award — and that was back in the 1970s when such awards meant something and hadn’t become political vehicles.

There’s a linked story of The Old Phoenix in Fantasy & Science Fiction (May 1979), which should be read alongside the book.

Unfortunately in terms of his other works he’s another one of those 1950s-1980s writers with a vast and sprawling output, and this is often loosely interconnected in confusing ways. The one reader’s guide (Poul Anderson: Myth-Master and Wonder-Weaver: A Working Bibliography) which puzzled it all out is very firmly out-of-print and unobtainable. Apparently it went to five editions. Meaning that it’s difficult to know where to begin if one were to even sample him, though there have been various reprints in-series. Still, the blog articles linked above give a starter on the more R.E. Howard-like books. I see he also did one Conan book, Conan the Rebel (1980). The plot is said to be rather too convoluted, but looking at the writing it seems a good brisk pastiche in terms of the style. There appears to be no audiobook version for it.

Marvel buckles its swash with Solomon Kane

12 Thursday Sep 2019

Posted by asdjfdlkf in Odd scratchings, REH

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Hot on the heels of the success of the 17th century videogame Greedfall, Marvel has just announced they will add Robert E. Howard’s Solomon Kane to the comics line-up alongside Conan. Let’s hope he doesn’t end up joining The Avengers superhero-team and wielding a machine-gun — which is the sorry fate of Conan this month, under Marvel.

Judging by the fair-minded reviews, Greedfall is probably the closest thing to a game Lovecraft would like. Although he might tut at the authenticity of bits of it, and hope for a makeover mod that would steer it more toward the 18th century.

Probably best described as Skyrim meets Assassin’s Creed in 17th century America, via the pirate island of the excellent first Risen game + some mystical Witcher-like backwoods monsters.

A ‘new’ Howard letter

08 Sunday Sep 2019

Posted by asdjfdlkf in Historical context, REH

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A “New” R.E. Howard Letter, which had been hiding in plain sight in ‘The Eyrie’ in the Weird Tales issue for May 1926.

Howard recommends Nordic stories to the editor and readers. He singles out the Grettir the Outlaw vampire story from Iceland, presumably in the Sabine Baring-Gould translation (1890) rather than William Morris (1869) — though Howard scholars may know otherwise. But possibly younger readers of Weird Tales may equally have found it via Allen French’s popular and streamlined retelling for children The Story Of Grettir The Strong (1908) in their public library.


It would probably be useful for scholars to have a “complete Eyrie and Souk” to 1945, compiled into a single PDF with good OCR, once all the Weird Tales scans and related titles are on Archive.org. Or someone might produce an annotated and indexed ebook of such.

Getting started with Ardath Mayhar

04 Wednesday Sep 2019

Posted by asdjfdlkf in Odd scratchings, REH

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Where does one start when faced with the vast output of the East Texas writer Ardath Mayhar? Even the intro to her main Megapack Kindle ebook doesn’t provide a quick overview survey and guide. According to the Women SF Writers of the 1970s pages at Tor, she doesn’t even exist. But after a bit of searching and jiggling of Wikipedia I think I now have it roughly worked out…

Audiobook: Crazy Quilt: The Best Short Stories of Ardath Mayhar. I can’t get the table-of-contents for this in any format. Also in paper, but no ebook.

Rural weird/dark: Strange Doin’s in the Pine Hills: Stories of Fantasy and Mystery in East Texas, and A World of Weirdities: Tales to Shiver. The first is in Kindle ebook and is dark rather than weird, and the latter is in collectable paper with 29 stories, “many of them never before published”.

Other starter fiction:

i) As a starting point for her fantasy, How the Gods Wove in Kyrannon (1979) seems to be the best. It was her first such book, a set of tightly linked brief and delicately-Dunsanian stories followed by culminating sections. Its world-setting appears to have later been spun off as a three-volume series under the name Lords of the Triple Moon with these being aimed at a slightly younger audience than the first book? All are in Kindle ebook.

ii) The Ardath Mayhar MegaPack in two $2 Kindle books of stories. The first seeming to have the best and lighter stories in it, the second some darker material. I’m uncertain if these two collections form ‘the complete short fiction’ or are just a partial selection from her vast output. They seem to present the stories in no particular order, and include a number of westerns.

iii) Messengers in White sounds like the most interesting and successful of her science-fiction novels to start with. It’s available in Kindle ebook.

iv) Her ‘what happens when we make intelligent monkeys?’ novels sound perhaps-fun, but is probably not the science-fiction work to start with. These are found as Monkey Station: The Macaque Cycle, Book One and Trail of the Seahawks: The Macaque Cycle, Book Two, and both are in Kindle ebook. There was talk of a videogame, but I’ve found no evidence of a book three? Difficult to tell much more about it without proper reviews. It’s very difficult to find reviews for her work that are not flippant and cynical, and one gets the feeling that — like Clifford Simak — her robust rural Texan conservatism and blending of fantasy/sci-fi didn’t sit well with the sci-fi establishment of the 1980s and 1990s. (“Conservatism” doesn’t here = evangelical or religious, and a Starlog interview reveals that she was hounded locally by deluded Christians during the bizarre moral-panics over ‘Satanism’ in the 90s. Even today I encountered one prissy Christian on Amazon reviews, squeaking over discovering that Mayhar’s regionalist East Texas novels had dared to offer a tepid view of her local Church-goers).

Regionalist: So yes, there’s also a whole bundle of East Texas local rural novels and stories. Mostly ‘young adult’ tales with feisty heroines, though there’s also what is apparently her survivalist adult-novel masterpiece The World Ends in Hickory Hollow. I had my fill of that kind of post-apocalyptic novel in the 1980s, and I’m not sure I want more even now, but it’s well regarded.

Westerns: There are a great many robust pre-PC wild-western novels which might appeal to R.E. Howard fans. I’ve no idea were one might start with these.

Advice: Through a Stone Wall: Lessons from Thirty Years of Writing. Paper only. Seems to be well-regarded.

Autobiography: Strange View from a Skewed Orbit: An Oddball Memoir. Paper only. Said to be excellent.

Most of her books appear to be quite short by modern standards, many well under 200 pages. One associates the late 1980s and 90s with over-padded door-stopper books, especially in fantasy, but that doesn’t seem to be the case here.

So, that’s my somewhat hazy outline based on some online research scrabbling among scattered and sparse materials. Any advice or correction is welcome.

Tolkien and Howard

01 Sunday Sep 2019

Posted by asdjfdlkf in New books, Odd scratchings, REH

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The new Tolkien’s Library is a doorstopper, and thus the free 10% sample for the Kindle has all the introductions and the first 90 items (though curiously, the table-of-contents is missing, so one has no clue what’s in the appendices). One reads in Tom Shippey’s introduction that…

Tolkien mentions not only some of the early British classics of “scientific romance” … H.G. Wells; not only familiar British writers of fantasy, such as Dunsany and Eddison; but also several [1960s-70s] writers of commercial twentieth-century science fiction or fantasy, such as John Christopher, Frank Herbert, Sterling Lanier, Lyon Sprague de Camp. He did not like all of them, but one he mentions with mild approval is Robert E. Howard, creator of the “Conan” cycle. This is something of a surprise, given that Conan is the pre-eminent example of hairy-chested macho barbarian heroism, so very un-hobbitical. Perhaps Tolkien appreciated Howard’s efforts to create a sense of age, of lost civilisations?

From my other encounters with Shippey I get the sense he is definitely not a Howard fan for some reason. And is thus probably unaware that Howard was also Tolkien’s equal — and arguably his actual superior — in setting up, setting out and then describing complex battles in epic fantasy worlds. Nor is he probably aware of the close comparisons that can be made in terms of a few central plot devices found in the longer Conan works. However, having not seen the rest of Tolkien’s Library, I’m unsure about what item Shippey is resting this remark on. Is there a new finding, or is this the same old de Camp memory? As I wrote here in March 2019, that Tolkien read Howard…

all boils down to what L. Sprague de Camp remembered in 1983 a snatch of conversation had with Tolkien in a garage in 1967, so it’s pretty slim as evidence goes.

Free book: Worlds imagined: the Maps of Imaginary Places

28 Sunday Jul 2019

Posted by asdjfdlkf in New books, REH, Scholarly works

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The catalogue for 2017’s Texas exhibition Worlds imagined: the Maps of Imaginary Places is now available as a 70Mb free-and-public PDF download.

I expected to open a 600-page book with Tiny Footnotes. It’s actually only 92-pages of content with Big Pictures. Still, even at a relatively short-and-sweet length, the book is obviously a quality survey and a fine-starting-point for the fantasy map beginner. Or for those refreshing their memories and catching up with the best of the newer maps.

The recent 2014 map of Lovecraft’s Dreamlands features, and the book closes with a bit of one of Robert E. Howard’s maps of Conan’s world.

Sadly it can’t be OCR’d for use with local search, as the PDF’s security is tightly locked down. Also, if you wanted to quote the text you’d have to screenshot with Microsoft Office’s OneNote and then “Copy text from Picture”.

There’s also a 25 minute video tour of the exhibition, usefully SteadyCam-ed to prevent sea-sickness in viewers.

Published: Weird Tales of Modernity

23 Tuesday Jul 2019

Posted by asdjfdlkf in New books, REH

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Published this week from McFarland, Weird Tales of Modernity: The Ephemerality of the Ordinary in the Stories of Robert E. Howard, Clark Ashton Smith and H. P. Lovecraft.

Oriental Stories, Winter 1932

16 Tuesday Jul 2019

Posted by asdjfdlkf in Historical context, Odd scratchings, REH

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Newly on Archive.org for the first time, a good crisp scan of Oriental Stories for Winter 1932, Farnsworth Wright at the helm of this Weird Tales clone, and Robert E. Howard providing “The Sowers of the Thunder”.

The letters page has mention of The Cross Plains Review in Howard’s home town. A title obviously well known to Howard scholars, but it’s new to me. Howard thus appears to have had a strong local friend in the form of the town’s newspaper editor, something I hadn’t known before. It led me to find that there are now digitized scans of this newspaper online in PDF from a university, albeit the 1920s and 1940s and not the 1930s.

I also found a rather nice painting of The Cross Plains Review editorial building as it would have been…

Call: The Dark Man journal

10 Wednesday Jul 2019

Posted by asdjfdlkf in REH, Scholarly works

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The Dark Man: Journal of Robert E. Howard and Pulp Studies, call for the Vol. 10, No. 2 issue…

Note that during their Howard Days presentation the editors said they were also interested in Lovecraft and wider pulp magazine history of the period. Though I’d imagine that papers on these would probably be most welcome if they featured themes and concerns found in Howard’s work and/or life.

I wonder if “The Small Town” might be such a theme, and if it might even make a special themed issue, with essays on the early pulp-magazine use of the theme by Howard, Lovecraft, Simak, Bradbury and others. Possibly also an examination of the demographics and spread of the readership, to determine how ‘remote’ and small-town some of the readers were, and what the pulps meant to them in that context.

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