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Category Archives: Picture postals

Venus in Westminster Street

21 Friday Feb 2020

Posted by asdjfdlkf in Astronomy, Historical context, Picture postals

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“The marvellous brilliancy of [the planet (that looks like a star)] Venus toward the close of the month will probably cause many persons ignorant of astronomy to mistake it for an artificial light; indeed, one evening about five years ago Westminster Street was lined with curious and excited watchers who pointed out the planet as the searchlight of an aëroplane.” — H.P. Lovecraft, “The September Sky” from his regular astronomy column.

Judging by the female fashions and the electric trams the picture might be the late 1900s, and thus about the time of the “about five years ago” Lovecraft refers to in his 1914 column. In the picture a sign for the Empire Theater can just about be discerned, in the distance on the right. Illiteracy is still a factor in everyday life — as evidenced by the visual shop signs such as a huge key for a locksmith and key-cutter, and an eye for an optician. Lovecraft’s College Hill is glimpsed, rising up as some smudges of green at the end of the street.

Cesare Augusto

14 Friday Feb 2020

Posted by asdjfdlkf in Historical context, Picture postals

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I can’t imagine that Lovecraft-the-Roman never once sought out this fine bronze statue of ‘Cesare Augusto’ on the Brown University campus.

The statue stood in front of Rhode Island Hall, an exact replica of an ancient statue of Caesar Augustus in Rome. It was installed at Brown in 1906, a gift from M. B. I. Goddard, and by the 1920s and 30s the statue’s surface and pedestal would likely have become somewhat softened in tone by natural weathering.

Standing before it, many aspects of the man would have flashed in Lovecraft’s mind. Not the least of which would be that here was monument to a fellow writer…

… it would pay to study other languages … Even Latin literature can be known pretty well through good English renderings of Caesar, Cicero, [etc, though] not all of them [to be read] complete, of course, but in balanced rations as recommended.

Encyclopedia Brunoniana reveals that after 1915 the Hall housed the Philosophy Department on the first floor and the Geology Department on the ground floor and in the basement. One then wonders if a visit to Providence by the geologist Morton might once have enabled Lovecraft to go inside the building with him, and be given a tour of the Geology dept.? Thus also admiring the statue on the way in and out. The statue stood there until 1952.

Predictably, toxic leftists are now demanding it be removed from the campus.

Houdini in Providence

24 Friday Jan 2020

Posted by asdjfdlkf in Historical context, Picture postals

≈ 2 Comments

Sold on eBay last week, a ‘Houdini in Providence’ photo-postcard. He is seen here in Exchange Place hanging in a straightjacket from the Evening News building, before a vast crowd. He is identified by the faint red circle on the card. An unreadable date, March 7th 19??, but Houdini scholars who read this blog may be able to supply the year.

In one 1920s letter to his aunts Lovecraft remarks that he never saw a “whole” show by Houdini, so perhaps this outdoor show was what he had seen at this point? Or perhaps he refers to the time of the “Pyramids” story, when he might have been talking with Houdini in his dressing-room while the warm-up acts of the show were happening on stage? Than he would presumably have gone out front into the audience to see the finale?

Update: Thanks to The Joey Zone for supplying the date. 1917, H.P. Lovecraft being then about age 26.

Update: Got a better, larger version, October 2021.

The Dexter Asylum

17 Friday Jan 2020

Posted by asdjfdlkf in Historical context, Picture postals

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Hope Street English and Classical High School […] was a good mile from Lovecraft’s 598 Angell Street home, but there was no closer public high school to which he could have gone. [His route to school was long and] perhaps skirting the large property housing the Dexter Asylum (a home for the indigent), which obtruded along his path. […] The trip was not insignificant, as is perhaps reflected in the fair number of times during his first term of 1904–05 that Lovecraft reported late [attendance, in the school records]” — S.T. Joshi, I Am Providence.

Also known as the Dexter Hospital.

Union Station

10 Friday Jan 2020

Posted by asdjfdlkf in Picture postals

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A 1911 photo postcard from Union Station, Providence. Possibly a useful bit of visual information for those crafting graphic novels featuring scenes from Lovecraft’s life. I imagine the trains were much the same a decade or so later. Passenger steam trains only appear to have begun to fade away in the mid 1930s, when one can find mentions of new diesel engines running passenger services on the Providence and Boston line.

In the following May 1926 letter Lovecraft has almost returned home from New York City, and his train is slowing on its approach into Union Station…

… I fumble with bags and wraps in a desperate effort to appear calm -THEN- a delirious marble dome outside the window – a hissing of air brakes – a slackening of speed – surges of ecstasy and dropping of clouds from my eyes and mind – HOME – UNION STATION­ PROVIDENCE!!!! Something snapped – and everything unreal fell away. There was no more excitement; no sense of strangeness, and no perception of the lapse of time since last I stood on that holy ground. […] Simply, I was home­ and home was just as it had always been since I was born there thirty­ six years ago. There is no other place for me. My world is Providence.” — from Selected Letters II.

Solstice special: College St. in the snow

21 Saturday Dec 2019

Posted by asdjfdlkf in Historical context, Odd scratchings, Picture postals

≈ 1 Comment

For the winter solstice and Christmas, a special look at Lovecraft’s College St. in the snow…

A cover of Brown Alumni Monthly, looking through the gates and down College St. in the late 1950s or early 1960s. On the right of the picture, at the corner of that tall white wall surrounding the John Hay Library, is the entrance to the unpaved lane that led to Lovecraft’s last home.

An elevated picture made by Prof. Bigelow from back of the same spot, this time looking down over the gates and along the top of College St. where boys are playing in the snow. A Lovecraft-alike man is seen passing through the gates. The John Hay Library is on the far right and Lovecraft’s home is behind it.

Looking up the street from the opposite direction and from about a third of the way down College St., looking up toward the Library and with the gates out-of-sight. Lovecraft’s lane entrance is seen on the right of the picture, the lane going away out of sight along the John Hay Library wall and thus leading to his garden courtyard and his home at No. 66.

In such heavy winter snowfall Lovecraft was inclined to stay indoors, though even in his later years he could be enticed out in such weather — if he felt socially obliged to go and could wrap up warm enough.

Ladd Observatory

15 Friday Nov 2019

Posted by asdjfdlkf in Astronomy, Picture postals

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A fine scan of a card showing the Ladd Observatory, including a building in the background not usually seen in views of the place.

Friday ‘Picture Postals’ from Lovecraft: the Fulton Street Fish Market.

25 Friday Oct 2019

Posted by asdjfdlkf in Picture postals

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Continuing the dockside theme of recent ‘Picture Postals’… the Fulton Street Fish Market, and a view of some of the towers of New York City as they appeared in 1930.

“Some years ago Long and I attempted to explore the Fulton Fish Market section of New York — which is full of quaint scenes and buildings. I don’t know where I left the lunch I had eaten an hour previously — for I was too dizzy to read the street signs! In the end I managed to stagger out of the stench without actually losing consciousness …” — Lovecraft in a letter of 1933, Selected Letters IV.

This brief mention suggests this daytime after-lunch visit perhaps followed a perusal of the large used magazines bookstore on that section of Fulton Street. Evidently Lovecraft had strayed too close to one of the main market-places, probably as it was being sluiced out at the end of the day’s trading, and his well-known reaction to the smell of fish took hold of him.

“New” Fulton Fish market, 1910.

Yet, according to Vrest Orton’s memoir of Lovecraft in New York, the same area was also a fairly frequent night-walk haunt, as he and Lovecraft went in search of 18th century remains (see his memoir in Lovecraft Remembered). How to explain the apparently incongruity? My guess would be that the fish-smell was less so in the dead of night, when the boats were away and fishing, and the disinfected slabs of the fishmongers awaited the dawn and the landing of the catch? There is also the weather to consider. Lovecraft could have explored with Orton in New York in the winter, whereas an early 1930s visit with Long might have been in high summer.

Friday ‘Picture Postals’ from Lovecraft: Outward Bound

18 Friday Oct 2019

Posted by asdjfdlkf in Night in Providence, Picture postals

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Providence R.I., outward bound, 1906.

“Into this bay of [Providence] used to come the shipping of all the world, and about a century ago it was a veritable forest of masts. The great storm of 1815 caused the bay to overflow and inundate the whole waterfront. Full-rigged ships were cast up on Market Square, and one schooner was driven some distance up Westminster Street — past the corner known as Turk’s Head. Never hath so great a storm lash’d the shore since. The shipping has sadly fallen off during the last fifty or sixty years, but the bay is still beautiful — as it will always be in spite of decadence and Bolshevism [i.e.: the revolutionary socialism of 1919].” — Lovecraft, letter to Galpin, 30th September 1919.

“Providence, of the old brick sidewalks and the Georgian spires and the curving lanes of the hill, and the salt winds from over mouldering wharves where strange-cargoed ships of eld have swung at anchor.” — Lovecraft, “Observations on Several Parts of America”, 1928.

“Providence, whaling ships, streets and roads that climb uphill and end against the sky, long s’s [in 18th century books], narrow winding streets with old bookshops near a waterfront amidst which one cannot be sure where one is, dark rivers with many bridges…” — Lovecraft, letter to Morton, January 1931.

“The effect of night, of any flowing water, of the peep of day, of ships, of the open ocean, calls up in the mind an army of anonymous desires and pleasures. Something, we feel, should happen; we know not what, yet we proceed in quest of it.” — R. L. Stevenson, noted by Lovecraft as entry No. 222 in his Commonplace Book of story ideas. He had found it quoted in John Buchan’s The Runagates Club (1928). It was to be his last entry in his Commonplace Book.

Friday ‘Picture Postals’ from Lovecraft: the park bandstand

11 Friday Oct 2019

Posted by asdjfdlkf in Night in Providence, Picture postals

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Lovecraft once recalled his youth thus… “I had just as good a time as I ever used to have in youth listening to the concerts of Reeves’ American Band at Roger Williams Park with my grandfather. Old days …. old days……”

“Reeves’ American Band from Providence”, 1902.

Lovecraft was still occasionally attending similar concerts in the early 1930s…

“The amiable if not excessively profound Thomas S. Evans [Lovecraft’s Providence acquaintance, 145 Medway St.] – he of the dramatick & playwriting predilections – called me up & urged me to accompany him to a concert of the newly organised Providence Concert Band in historick Infantry Hall (now re-modedelled on the interior, tho’ still possesst of that nauseous Victorian belfry), & having no striking objection, I acquiesced. Not a bad series of sound-wave patterns – I rather like a good brass band, anyway, since I have not the musical taste to appreciate the Galpinian subtleties of highbrow orchestral symphonies.” — Lovecraft in a letter to Moe, March 1931.

The stand seen from across the lake at night…

Later Reeves fell apart due to personality clashes and was replaced by the Banda Napoli for a few years, and then more permanently by Fairman’s Band.

Friday ‘Picture Postals’ from Lovecraft: riverside cafes

04 Friday Oct 2019

Posted by asdjfdlkf in Historical context, Night in Providence, Picture postals

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On his return from New York, Lovecraft’s favourite low-cost cafe was “Jake’s” or “Jacques”. I had previously been unable to find an address, but as I had suspected this was indeed on or near the “riverfront” — a word used in a mention of it in a recent monograph by Ken Faig, which he kindly shared with me recently.

This cheap cafe had been discovered by Lovecraft in 1926, after his return from New York. Having rubbed shoulders with juvenile hoodlums and hardened gangsters in the cafes of Red Hook, sharing a cafe with the “stevedore” clientele of a docks cafe in Providence was presumably less daunting to him than previously. Here is his friend Loveman recalling one of the Brooklyn cafes and its seedy clientele, albeit from the very hazy distance of 1975…

I came to New York City in 1924, worked nine months for a Jewish-Hungarian louse in his book establishment on Fourth Avenue, and when I found out he was releasing me for the summer, I quit. Before returning to Cleveland, I took up quarters in H.P.L.’s rooming house at 169 Clinton Street, Brooklyn. The landlady seemed refined but had seen better days; the house was run down in a slattern way. Lodgers seemed to come and go. In May, 1925, I stayed there about two weeks. … To the best of my recollection we lived on the first floor in separate rooms. Due to skin trouble, H.P.L.’s toilet [personal washing] took at least two hours. His nights were practically sleepless. After Howard and I were robbed — he of most of his clothes and I of my radio — I went back temporarily to Cleveland. During this period in Brooklyn, and even before, H.P.L., Rheinhart Kleiner, and myself (and probably a fourth person) used to meet regularly at a Scotch bakery and restaurant in the immediate neighborhood. The toughs (and I mean toughs) from Red Hook used to congregate there nightly. We listened to them recounting their marauding and robberies in the choicest and vulgarist Brooklynese slang; it was an unforgettable experience. Howard was enthralled. His mimicry of their conversations, at which he was so adept, went to the final writing of his masterpiece of a story — “The Horror at Red Hook”. (“Of Gold & Sawdust”)

The Great Depression changed much, even in Providence, and by 1933 a Lovecraft letter sadly notes that “Jake’s” had taken to allowing unspecified “extremes in the matter of clientele” to take a seat. In 1933 this change was too much even for someone who had seen the inside of Red Hook’s cafes, and it inclined Lovecraft to patronise a cheap establishment named “Al’s” instead. This was “Al’s Lunch (Alphonse Scatto) 99 N Main, Providence”. Judging by its location Al’s was likely a cheap student cafe serving the adjacent RISD’s students at the height of the Great Depression. I’m not sure if this was then a permanent change for Lovecraft, but it’s possible he didn’t have that many options for a main meal at the low prices he required.

There were probably also other ad hoc cafes, fit for a simple coffee and snack but unfit to take out-of-town visitors to. His aunt once told a friend that he would eat ‘all over’ the city at all hours of the day and night. That was in the 66 College Street years, in which he tended to be somewhat seasonal, since as he grew older Lovecraft tended to stay in during the colder weather rather than go walking about the city.

I looked for Jake’s again online, and was pleased to see that the 1934 Providence Directory is newly on Archive.org (uploaded April 2018). In this there is no Jack’s or Jake’s, but there are two Jacques. Of these, from its location this one seems open-all-hours and cheap…

Jacques – 126 Wickenden

If I have the correct Jacques then this puts it back of the Fox Point ship departure/arrival point for New York City, and a short walk back from the riverside and a key bridge. The position likely gave it a triple clientele depending on time of day: arrivals and departures for the New York short-hop passenger liners; sailors and crew; and rail terminal workers and dock-hands in need of an early breakfast. We can probably reasonably assume it was thus an ‘open all hours’ establishment, whereas the other address seems more likely to have served the RISD art students and local workers. Indeed, in one later letter to Moe’s son, Lovecraft remarks that his old “stevedore” lunchroom of “Jake’s” had closed for good in September 1935. A “stevedore” is a dock-worker.

A family historian puts this photo at “the corner of Wickenden and Benefit Street around 126 Wickenden Street”, and (although he yearns to date it earlier, to fit his family history) the style of the van and amount of wires suggest to me the late 1920s or early 1930s. Sadly I can’t get it bigger, but evidently a photo of or near No. 126 exists.

Here’s the night-time context for this branch of Jacques. The view looks down the river, with Fox Point in the distance on the left. One can see two of the New York boats docked.

The Wickenden Street Jacques is approximately here on the above card…

Possibly he patronised both at various times. It would have been natural to patronise this branch of Jacques when seeing friends off on the New York boat. As for the other Jacques, which is also a possibility, despite its more central location I can’t get a picture for it.

[Update: he knew of the Wickenden Street Jacques, and mentions it in letters, but if he ever set foot there is unknown]

Friday ‘Picture Postals’ from Lovecraft: In the Stacks

27 Friday Sep 2019

Posted by asdjfdlkf in Historical context, New discoveries, Picture postals

≈ 1 Comment

H.P. Lovecraft once had a ticket allowing him to freely access the lower “stacks” or “stack house” of the Providence Public Library, to browse among shelves inaccessible to the general public. If the public ever overheard librarians talking of “the stacks”, they probably vaguely imagined tottering towers of books stacked up in some mouldering basement. But by the time of Lovecraft’s youth the nation’s libraries employed more modern methods of bulk storage for their little-consulted items. The picture above shows what the Providence “stacks” looked like when first installed, before being filled with books and journals. They appear to have been of the usual tall sliding-case type, where the shelves are on sliders and can be compressed together to save space. The usual situation for access is that one then turns a knobbed and wheeled device at the end of certain cases, which then cracks open a walkway sufficiently large to allow entry for book or journal retrieval. One doesn’t linger, as one feels there could be another browser cranking a wheel elsewhere that could close the cases. Many such “stacks” must still exist behind the scenes, though I suspect that not many students encounter them today on the open library floors.

The young Lovecraft may well have had “behind the scenes access” to the public library, and a “stacks” card. He certainly became very fond of a Cataloguing Room Messenger & Stacks boy of about his own age, Arthur J. Fredlund. Arthur was a young and slight Swedish boy, the newly arrived Swedes then forming the largest immigrant group in Providence. Such a flood of blond beauty into the city, at such a formative time for Lovecraft, no doubt permanently influenced his conception of ‘the nordic’ in physical form. According to the Library Report Fredlund was a Messenger Boy in 1905, but Lovecraft talks of him working in the ‘stacks’ in 1906…

I came across a superficially bright Swedish boy in the Public Library. He worked in the ‘stack’ where the books were kept and I invited him to the house to broaden his mentality (I was fifteen and he was about the same, though he was smaller and seemed younger.) I thought I had uncovered a mute inglorious Milton (he professed a great interest in my work), and despite maternal protest entertained him frequently in my library. … But ere long he uncovered qualities which did not appeal to me … I never saw him more…” (21st August 1918, letter to Alfred Galpin)

Other data points for Lovecraft’s life show that their friendship lasted only from Spring to Autumn 1906, and had followed Lovecraft’s… “nervous breakdown (winter ’05-’06)” (Lord of a Visible World, page 32).


By the mid 1920s we know that Lovecraft definitely carried not only a regular Public Library borrowing card, but also a further card that would allow him to access the ‘stacks’. This was probably due to the goodwill of the head librarian, “good old William E. Foster”.

The stacks, and perhaps others like them in New York, probably contributed to Lovecraft’s idea of the library in “The Shadow Out of Time”…

These cases were stored in tiers of rectangular vault — like closed, locked shelves — wrought of the same rustless metal and fastened by knobs with intricate turnings.

I thought of the locked metal shelves, and of the curious knob-twistings needed to open each one. My own came vividly into my consciousness. How often had I gone through that intricate routine of varied turns and pressures in the terrestrial vertebrate section on the lowest level! Every detail was fresh and familiar. If there were such a vault as I had dreamed of, I could open it in a moment.

My feelings toward these shelves cannot be described — so utter and insistent was the sense of old acquaintance. … My [human] fingers, half-numb from climbing, were very clumsy at first; but I soon saw that they were anatomically adequate. And the memory-rhythm was strong in them. Out of unknown gulfs of time the intricate secret motions had somehow reached my brain correctly in every detail — for after less than five minutes of trying there came a click whose familiarity was all the more startling because I had not consciously anticipated it. In another instant the metal door was slowly swinging open with only the faintest grating sound. Dazedly I looked over the row of greyish case-ends thus exposed, and felt a tremendous surge of some wholly inexplicable emotion. Just within reach of my right hand was a case whose curving hieroglyphs made me shake with a pang infinitely more complex than one of mere fright. Still shaking, I managed to dislodge it amidst a shower of gritty flakes, and ease it over toward myself…

The insistent need for silence in opening the cases in “Shadow” may reflect something of the need to prevent creaking and rumbling when using the stack cases of the Providence Public Library. Incorrect or fumbling openings and slamming closings might have caused annoying sounds to be heard by the patrons of the silent Library above. In those days public libraries were real libraries, not children’s centres with a computer circle and a few books in one corner. A hushed silence was strictly enforced.

Another point of comparison suggests itself. Look again at the picture above an notice these items…

The lower cone-like section appears to me to bear comparison with the cone body-shape of the alien Great Race of Yith, the librarians in “Shadow”. Literary critics seeking sources always make the mistake of assuming that inspiration can only come from other literature, and the more prestigious the better. Writers know that inspiration can come from anywhere, and the more obscure it is the better they like it.

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