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~ News & scholarship on H.P. Lovecraft

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Category Archives: Odd scratchings

February 2022 on Tentaclii

03 Thursday Mar 2022

Posted by asdjfdlkf in Odd scratchings

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The winter has definitely turned the corner here in the English Midlands, and another February is over. The land is not yet in the sunny season of “sportive lambkins”, as Lovecraft once put it. But after four pounding and bitter northerly wind-storms, it’s now all calmed down again. During the final wind-storm it got so cold that I had to put the heater on for the first time this winter, for a few hours. But now our birds and plants are definitely saying that a sustained spring is just around the corner. The pandemic measures are also removed here in the UK, and a relative freedom also appears to be around the corner. One thing not being removed is costs, which are soaring everywhere and likely to go higher. As always, Tentaclii readers can help me to to enjoy the spring a bit more please, by giving a few $’s a month via Patreon or by boosting their donation. Or by buying my books and other fundraiser items.

In Lovecraft scholarship this month, I noted that the Polish Litteraria Copernicana journal was a Lovecraft special-issued titled “Lovecraftiana”. I linked the forthcoming ‘Symposium from the Untold Depths: Lovecraft and the Popular’ in the UK. S.T. Joshi will be in the UK in May, and giving at least one museum lecture here. This month I also completed a substantial piece for his Lovecraft Annual 2022 and submitted it.

On forthcoming books, there was news in The Fossil that the book Adventurous Liberation: H.P. Lovecraft in Florida is moving forward and the author stated it has “gone to the editor for final review”. Ken Faig, Jr.’s forthcoming book Lovecraftian People and Places has listed at Hippocampus.

In small historical context posts at Tentaclii, I was pleased to find a picture of leading New York educator Angelo Patri, who helped Lovecraft’s friend Everett McNeil at a crucial time. I stumbled on “Desultory Notes on Cats” (1844) by Edgar Allen Poe and it proved to be an obvious (if regrettably short) precursor to Lovecraft’s own essay. I was pleased to find a clear overhead photo of a favourite Lovecraft letter-writing spot on the Seekonk river, albeit from 1972 rather than 1932.

I noted a Ladd Observatory Event in Providence that appears to be an annual ‘open observing night’. I’m uncertain if a visitor can obtain access at other times, still less ease themselves into the observing chair. Most probably not the one Lovecraft would have used, but still.

In my ‘Picture Postals’ posts I took a visual look at Lovecraft’s visit to New Orleans; with maps and pictures I tested to destruction the possibility that the High Bridge was the site at which Lovecraft observed the 1925 eclipse; I looked at Lovecraft’s final attendances of public lectures at Brown, and found a glimpse of an inner lounge; and I also looked at the Yale quadrangles he enjoyed.

Over in Europe, Lovecraftian theatre seems to be still alive despite the pandemic. There was an announcement of a Lovecraft opener for the Kreuzgangspiele in May, and “Lovecraft, Mon Amour” will have another staging in April. The acclaimed Portuguese director Edgar Pera has also produced a new Lovecraft movie. There was also a touch of theatre activity in New York, where the Write Act Repertory called for Lovecraft plays.

Here in the UK the ITV TV station is apparently making a Lovecraft documentary of some sort, which will be interesting if there’s some costume drama added. In the USA a TV-movie adaptation of “Dreams in the Witch House” is said to be due in 2022.

In fiction I noted the new Dreamlands anthology New Maps of Dream (2021). I also noted a couple of Tolkien related items, which may have interested some readers.

In art the new ‘Dream by Wombo’ art-AI has interesting possibilities for weird art and illustration. Though the results are sadly ‘non-commercial use’ according to the two guys who are Wombo. The newspaper El Pais gave the world a very simple and pleasing Lovecraft caricature via a comic-strip. Chaosium offered a new video profile of their key artist Loic Muzy, titled ‘Illustrating Cthulhu’.

I didn’t look for anything game-related this month, but there’s likely to have been activity there both in videogames and RPGs.

In audio, the Voluminous podcast this month featured Lovecraft’s letters to fellow amateur journalist Edward Cole. Librovox popped out an unexpected public-domain reading of of Henry S. Whitehead’s “Editorial Prejudice Against the Occult” (1922), which gives a snapshot of magazine editor prejudice against the sort of stories that his friend Lovecraft was beginning to write. I also looked at Eno as weirdist and worked out an initial-listening set of albums for the instrumentals, from which one might pick out a refined playlist. I found the unusual archive of historic ‘Rhode Island Fish Sounds’ in audio, though sadly not under Creative Commons.

Audio software was also a focus this month, which may have been of interest to readers who are also into podcasting and spoken-word production. As part of getting a historic interview into text, after a little research I was able to upgrade my tools. I found the desktop Nuance Dragon Professional 15 does pretty good offline AI auto-transcription from a podcast .MP3 file. I finally got rid of Audacity as an editor, and now have the equally freeware replacement Ocenaudio. And I discovered that Izotope RX is a great AI repair kit for various common glitches in spoken-word audio. Those faced with an old interview, which has echo and other problems, may find things like Izotope RX’s ‘Dialogue De-reverb’ module especially useful.

I’ve completed the next issue of Digital Art Live which will be on ‘Plants’, especially 3D-model alien plants. As a side-post I noted here on Tentaclii that Dark Worlds Quarterly has been doing a fine ongoing series on plant monsters in the pulps and golden age comics.

Ok, that’s it for the short and cold month of February. Onward into March…

Dig the plant monsters

28 Monday Feb 2022

Posted by asdjfdlkf in Odd scratchings

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Dark Worlds Quarterly has been doing valiant work in digging up plant monsters, and the series is continuing with the latest being January 2022…

Welcome to the Terror Garden

The Terror Garden: The Growing Terror

Plant Monsters in Weird Tales

Plant Monsters of the Golden Age

Plant Monsters of the Golden Age II

Plant Monsters of the Golden Age III

‘Keep Ohio Weird’

27 Sunday Feb 2022

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Who knew? Lovecraft alive and well, and serving as Mayor of the city of Gambier, Ohio — home of Kenyon College. His running slogan: ‘Keep Ohio Weird’.

The coming ‘Second Age’ TV series

24 Thursday Feb 2022

Posted by asdjfdlkf in Odd scratchings

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Contains plot spoilers.

I’ve been avoiding the news about the forthcoming ‘Second Age’ Tolkien-based TV series, on the assumption that it’d be a bit like the The Hobbit movie trilogy, or Waterworld, or The Phantom Menace. Meaning that in a few years some creative and clever Herbert will make a good fan-edit of it, cutting out all the annoying ‘Jar-Jar Binks bits’. We would thus get something quite watchable. That happened with The Hobbit trilogy, for instance, which was made very watchable by a fan-edit. Or it did until the hobbits tumble out of their fish-barrels in Lake-town. After that point in the plot, admittedly, you’re best advised to switch off immediately and continue the tale with a good audiobook on headphones (cutting back to the movie only when Bilbo goes down the stairs, for the short but magnificent Smaug + treasure scenes, then back to the audiobook post-dragon).

It’s fairly easy to know the broad outlines of what would be likely for a first season of the coming TV show…

The growth of the great sea-city of Numenor, and its early contacts with Middle-earth; Sauron building the fortress of Barad-dur in Moria; Numenor’s establishing of the elf-havens; Sauron posing as a friend of the dwarves of Moria and the elven smiths of Eregion, as he teaches them ring-making; the coming of Galadriel to Lothlorien; ending on Sauron’s making of the One Ring.

But it seems from the more considered commentary that this ‘Second Age’ TV series (let’s not call it The Lord of the Rings prequel) is going to be something else. Those dedicated to divining the TV runes now see clear signs in the interviews and profiles that it’s something of a Game of Thrones II in disguise. Elven power-politics and career games. Galadriel as sturdy warrior. Dwarven princesses. Dwarves without beards. Hobbits shoehorned in straightaway, probably set to become miserable refugees forced to trek over harsh mountains. It will also “feature adult content”, judging by one of the job-roles recruited. Probably also too much gore and bit too much modern leftist subtext.

Of course, all this could be proven wrong once we get the series. But for a future fan-work, that’s actually not so important.

We shouldn’t underestimate the fans and their capacity to make something more durable, which has been proven several times now. Given four or even five seasons and a billion dollars of spending, there will surely be enough good material for an ambitious fan-editor to make something reasonably ‘Tolkien’ from it. Even if the fans have to supply new voice-over links between sections or newly-filmed section inserts along the lines of the fan-films The Hunt for Gollum and Born of Hope. I mean, there’s going to be a lot of footage and audio to work with, and also the existing audiobooks and soundtracks. There are some very talented vocal mimics in the world, too, able to do any actor perfectly. By 2032 we may well have a six or eight-hour Second Age fan-edit worth watching and ‘as Tolkien’ as possible, though the planning for that probably needs to start now.

In the meantime, the Martin Shaw audio reading of The Silmarillion might not be a bad place to start, if you’re already familiar with The Hobbit and The Lord of the Rings. I’d really hesitate to recommend all 15 hours of it to even the hardiest and hairiest harfoot mountain-trekker, as after the first few hours even the hardiest will be lost in the blizzards of names and places. But if you just want the Second Age then it’s relatively short and has several characters, races and places you’ll already know from LoTR. Start in the Silmarillion audiobook at “Akallabeth” and listen on to the end from there, which should not be too wearying or too long at two and a half hours.

To be precise, this means:

CD 11 – (54:30 to the end 01:08:00, 14 mins)

CD 12 – (all, 64 mins)

CD 13 – (all, 69 mins) (final CD)

1972 on the Seekonk

23 Wednesday Feb 2022

Posted by asdjfdlkf in Historical context, Odd scratchings

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Popped up on eBay, a 1972 bird’s eye view of one of Lovecraft’s favourite summer places. The wooded bluffs above the Seekonk, Providence. Specifically the bluffs either side of York Pond.

At the present moment I am seated on a wooded bluff above the shining river which my earliest gaze knew and loved. This part of my boyhood world is unchanged because it is a part of the local park system [Blackstone Park, alongside the Seekonk] — may the gods be thanked for keeping inviolate the scenes which my infant imagination peopled with fauns and satyrs and dryads!” (Selected Letters IV)

It strikes me that an annual and thorough ‘Lovecraft March’ litter-pick (U.S.: trash-pickup?) across the bluffs might be a nice way of honouring his memory, each 1st March? Or whenever the ground becomes less moist in Rhode Island.

Two useful audio tools

22 Tuesday Feb 2022

Posted by asdjfdlkf in Odd scratchings, Podcasts etc.

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This may not be news to some savvy Tentaclii readers, but I’ve discovered the wonderful automatic speech-transcription feature of Nuance Dragon Professional 15. This used to be known as the Dragon Dictate software. Works on a desktop PC back to Windows 7, offline and with no Cloud required. It must be the Professional edition, not lesser editions, as only Professional uses a trained AI and auto-transcribes. It does this surprisingly well from a clear .MP3 — if the speaker has good diction and good English on a good microphone.

It then still needs work to polish up the interview transcript, which for my use-case was not too much hassle as I only needed to use it for one old audio interview (Digital Art Live does interview by email now, sending a list of questions). But after several hours of research it looks to me like this software is the best offline ‘one-time payment’ solution. There are of course various online / subscription sign-up option from other services. The online version of Microsoft Word now also offers free audio transcription, and Microsoft recently purchased the company that makes Dragon for a gazillion dollars. Which may mean Dragon’s offline transcription days are numbered, at a guess.

Another AI-powered and offline wonder appears to be the well-recommended Izotope RX, a desktop PC suite of audio-repair VST modules for speech audio. But that’s not yet been tested by me.

I’ve also replaced the old Audacity audio editor with the fine Windows desktop freeware Ocenaudio. Like Audacity but prettier and a bit simpler. Easy to use, supports VST plugins like Audacity did, and bundles FFmpeg codecs and other codecs (like Audacity didn’t).

Lovecraft’s bathtub mystery

17 Thursday Feb 2022

Posted by asdjfdlkf in Odd scratchings

≈ 3 Comments

L. Sprague deCamp’s Lovecraft: A Biography has it that… “A caller once found Lovecraft’s bathtub full of empty candy boxes.” I recall seeing this elsewhere too. Can anyone direct me to a more precise reference and source, please?

Bran Mak Morn: A Play

17 Thursday Feb 2022

Posted by asdjfdlkf in Odd scratchings, REH

≈ 1 Comment

A new Robert E. Howard Foundation Newsletter (February 2022) including “Bran Mak Morn: A Play” – Typescript”. 1922/23, and published before in Bran Mak Morn: A Play & Others (1983, Robert M. Price as editor). Very difficult to find out more about it than that, though one source has it as a “fragment” rather than a complete play.

ITV Lovecraft documentary

14 Monday Feb 2022

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S.T. Joshi’s blog has updated. He notes the passing of Richard L. Tierney, who first revealed the Derleth mythos to the world…

Tierney initiated a revolution in Lovecraft studies with an essay, “The Derleth Mythos,” that occupied exactly one page in the impressive anthology HPL, edited by Meade and Penny Frierson (1972). This article exposed the egregious misinterpretations of Lovecraft’s mythos perpetrated by August Derleth.

Among many current projects noted by Joshi…

a documentary on Lovecraft for ITV, the independent television station in England” and the musical “My Songs from Lovecraft and Others [is set] to appear (with accompanying CD) from Hippocampus Press later this year.

The documentary is being filmed with Joshi in Providence. ITV is a major name in British TV production, and has historically tended to skew more toward the mass-market end of TV viewership. Though (not having had a TV for three decades now) I don’t know if that skew continues. I’d imagine the natural broadcast slot would be just before Halloween 2022.

Wilbur Smith Adventure Writing Prize

12 Saturday Feb 2022

Posted by asdjfdlkf in Odd scratchings

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The Wilbur and Niso Smith Foundation has inaugurated a new ‘Wilbur Smith Adventure Writing Prize’ 2022, for the “Author of Tomorrow”…

The competition is open to young people across the world who have completed a short piece of adventure writing in English.

Free to enter. Deadline: 22nd April 2022.

Wilbur Smith (1933-2021) was for many decades the author of bestselling adventure novels, which gave rise to seven movies. More recently he published a series of novels set in Ancient Egypt (1993-2021), one of which became a 1999 TV mini-series. But his later books show a decline and the best starting point to his work is often said to be the much earlier 17th century maritime trilogy, Birds of Prey, Monsoon, and then Blue Horizon. These prequels then lead naturally into one of his best series, the ‘Courtney’ series set in Africa.

Eno as weirdist

06 Sunday Feb 2022

Posted by asdjfdlkf in Lovecraftian arts, Odd scratchings, Podcasts etc.

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The Weird Studies podcast’s latest Episode 115 drifts into the observation lounge of Brian Eno’s famous and seminal album Ambient 1: Music for Airports.

This album followed the instrumentals on Another Green World and Before and After Science, and the instrumentals on the Bowie collaboration albums. It then heralded a small but perfectly formed set of such music spread across three solo albums and two made with Cluster.

Much of this then-new type of music could certainly evoke a sense of big weird empty landscapes.

The introductory listening-list of albums would be, in date order:

Another Green World (just the instrumentals)

Before and After Science (just the instrumentals)

Low (with David Bowie, just the instrumentals)

Heroes (with David Bowie, just the instrumentals)

Then the albums:

Ambient 1: Music for Airports

Music for Films

Cluster & Eno (with Cluster)

After the Heat (with Cluster)

Ambient 2: The Plateaux of Mirror

An argument might also be made that Eno’s early lyrics are also profoundly weird, if in a dreamy ‘British surrealist’ way rather than horror-shocker kind of way. But that’s for another post.

News from Germany

05 Saturday Feb 2022

Posted by asdjfdlkf in Lovecraftian arts, Odd scratchings

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The Deutsche Lovecraft Gesellschaft’s report for January 2022 notes two items of interest.

Their free open-source Lovecraft RPG now has a website at https://fhtagn-rpg.de/. The site is in dual English/German, but the rulebook translation to English is not yet complete. As part of this overall project they have a wiki and are currently calling for German-language wiki contributions about the writers Lovecraft classed as his ‘idols’ during his lifetime.

They also notice what sounds like a substantial German screen/theatre piece which will open a major festival in early May 2022…

The summer season of the Kreuzgangspiele begins on 5th May 2022 with a special premiere for Alexander Ourth and Ulrich Westermann’s theatre project based on the work of American author H. P. Lovecraft, considered the most important author of fantastic horror literature of the 20th century and one who influenced numerous successors. There are performances in the Regina Lichtspiele on 5th, 6th and 7th May 2022, each at 8 p.m.

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