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Tentaclii

~ News & scholarship on H.P. Lovecraft

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Category Archives: New books

New book: H. P. Lovecraft: Vida y Obra Ilustradas

05 Tuesday Feb 2019

Posted by asdjfdlkf in Lovecraftian arts, New books

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New from Spain, some sort of illustrated life of Lovecraft. H. P. Lovecraft: Vida y Obra Ilustradas weighs in at 280 pages but doesn’t appear to be a graphic novel. It seems to be a heavily illustrated book, pitched at the Spanish-reading comics-buying / young adults market…

This book offers an illustrated journey through the life and work of the dark Providence Solitary, from his precocious and strange early fictions to the abominable masterpieces of his maturity.

That sounds like the stories, as well as the life, are being illustrated. The book is also on Amazon UK, without a “Look Inside…” flash.

10,000-word survey of Lovecraft RPG publishing in 2018

04 Monday Feb 2019

Posted by asdjfdlkf in Lovecraftian arts, New books

≈ 3 Comments

The Cthulhu Reborn blog has completed a handy and succinct “helicopter” overview of all the Cthulhu/Lovecraft-related RPG releases of 2018. Including pointers to some rather polished new gaming magazines. The survey is now complete, and will thus move on to review individual titles. My Tentaclii blog doesn’t cover such game-books, unless they’re also of use as reference works for writers. But I’m pleased to find someone who does, and who provides a highly informed annual overview which helps non-gamers to keep a finger on trends and sensitivities over in the publishing gamer-verse…

Cthulhu in 2018: A Retrospective, part 1

Cthulhu in 2018: A Retrospective, part 2

Cthulhu in 2018: A Retrospective, part 3

Cthulhu in 2018: A Retrospective, part 4

Fine work. I ported all four parts into Word (a simple copy-paste to Word also auto-imports the pictures) and got a 10,000-word PDF for sending to my Kindle.

For those short of time, the three most interesting points for non-gamers are:

1) the new full-colour magazine, whose cover is seen above, which may well interest artists and writers as well as gamers.

2) there’s now a full-cast high-quality audio production of the all-time role-playing gaming classic Masks of Nyarlathotep, so that non-gamers can now enjoy it too. Select the “MP3’s only” option in the easily-overlooked dropdown box, which has a £27 download option for the six episodes.

3) there’s now (finally, after more than thirty years) a £20 introductory starter-pack for total newcomers to the Call of Cthulhu RPG game, with a rule-book of a mere 24 pages and various other starter bits and pieces.

Caballistics, Inc. complete

03 Sunday Feb 2019

Posted by asdjfdlkf in Lovecraftian arts, New books

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Caballistics, Inc. was a Lovecraftian strip in the famous British comic 2000 A.D.. Acclaimed, it ran 2003-2007 but abruptly terminated before the grand finale in 2007.

Now there’s a new 300-page trade paperback The Complete Caballistics Inc., which is due in mid February. It collects all the strips, and adds a newly produced finale. Print only for now, though presumably an ebook version will be out soon.

A mysterious reclusive rock star recruits a team of paranormal investigators to delve into Lovecraftian things and cults. All done in a rather British Doctor Who manner, and with nicely stylised art. The same artist went all the way with the strip, and 2000 A.D. didn’t swop in new artists.

The Perennial Apocalypse: How the End of the World Shapes History

30 Wednesday Jan 2019

Posted by asdjfdlkf in Historical context, New books, Odd scratchings, REH, Scholarly works

≈ 1 Comment

Those interested in the sweeping intellectual and emotional influence of Spengler on the 1920s and 30s might be interested in a new long review of the out-of-print book The Perennial Apocalypse: How the End of the World Shapes History (1998). Spengler’s ideas and their popular interpretations touched enduring writers such as H.P. Lovecraft and R.E. Howard. In science-fiction, Asimov’s ideas about psychohistory also spring to mind. Thus this new review seems relevant to mention here. The review states that the book looked at…

Spengler alongside a long tradition of historical models that all pointed towards an “end of history.” These summaries of historical narrative modes are the best parts of the book. The project of The Perennial Apocalypse is more ambitious than to provide summaries, though. […] The central argument of The Perennial Apocalypse is that prevailing historical models of how history should go, must inevitably go, play their part in shaping events. But history almost never proceeds in the predicted fashion as a result.

A fascinating idea, re: how intellectual doom-mongering and an associated wrong-headed consensus among the gullible classes and journalists, might act as bumpers on the fast-moving pinball-table of emerging historical events. It’s something I discuss from time to time, over on my 2020 blog, and there are other books on it such as Herman’s The Idea of Decline in Western History.

Yet, while the reviewer finds in the book an interesting and well-written discussion of the structural commonalities of such predictions, he also finds few examples of their strong influence on the flow of history…

Reilly never managed to give many thorough examples of this kind of process at work. The Perennial Apocalypse ends up dwelling far more on the stuff of the great totalizing narratives of history than how they manifest in intellectual spheres and end up steering society.

Too many variables in the mix, perhaps, which in a way is kind of encouraging. Since it might lead to the supposition that no matter how much the cultural elites try to ‘put bumpers on the pinball table of history’ or tilt the table to ‘correct’ it by pounding on it with their fist, they can’t ultimately beat the inbuilt structural elements of the table. Elements which inexorably channel the probabilities of the ball’s direction across an implacable and unreachable table-base. The pinball always ends up in the hole at the bottom of the table.

The book is said to be discursive and goes beyond its main thesis, to detour into…

obscure 19th century millenarian scientific romances, H.P. Lovecraft, theosophy, Christian eschatology, and the evils of the worlds envisioned by Arthur C. Clarke.

It sounds fascinating. The original promotional blurb ran…

In every culture, history is a story, and the end of that story is the end of the world. This work describes the surprising similarities among the various forms that the ‘end of history’ has taken around the world and throughout time. Further, it explores how the image of the end has affected actual historical events, from the rise of millenarian cults to the evolution of the idea of progress.

Regrettably the book now appears to be totally unavailable, unless one pops up on eBay or Abe. There’s not even an Amazon listing for it on either Amazon UK or USA. Although the table of contents is still available along with a free bit of Chapter 2. A good example, I’d suggest, of how certain early self-published POD books are likely to become the real collectable ultra-rarities for the mid 21st century book collector.

Howard’s story openings – the systematic survey

30 Wednesday Jan 2019

Posted by asdjfdlkf in New books, Odd scratchings, REH

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The new Marvel comics Conan reboot opens with a defenceless Conan adrift at sea, before he goes “stumbling” into Stygia. Sounds like a rather mundane way to start, Marvel. I don’t read Conan for an approach which goes…

Hither wandered Conan the Cimmerian, black-haired, depressed, no sword, bedraggled and stumbling, to hobble over the weary dust of Stygia with his blistered feet.

The new Marvel approach is to be enlivened by “romance and comedy”, apparently. Oh dear… it doesn’t sound good. But I’m probably not their intended audience, these days.

What would R.E. Howard have done, to make the big ‘splash’ opening just a touch more gripping and forceful? Mark Kirby posted a fine guide to that, a week ago…

Robert E. Howard did not leave us much in the way of personal writing advice. The few direct comments we have by him on the topic are gleaned from his letters, or revealed by Novalyne Price Ellis in her biography … There are eight primary elements most often used by Robert E. Howard in opening narratives.

A Brief REH-Inspired Guide to Writing Great Story Openings (Part One)

A Brief REH Inspired Guide to Writing Great Story Openings (Part Two)

He also usefully points to the currently-active main forum for Howard discussion.

I Luoghi di Lovecraft

29 Tuesday Jan 2019

Posted by asdjfdlkf in Maps, New books

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Now available from the Italian Amazon site, the Italian travel guidebook for Lovecraft, I Luoghi di Lovecraft: novissima guida ad uso del viaggiatore. In English translation it’s something like, “The Places of Lovecraft, a new guide for the use of travelers”. Published by the Imaginary Travel Ltd and written by Michele Mingrone, Caterina Scardillo and Sara Vettori.

Apparently written to the Lonely Planet series style-guide, although the book is not one of their titles. Which means one gets things like history and shops, monuments to see, hotels, transport, and so on. It even ventures out of New England and has sections on Antarctica, the Nameless City, and even the Dreamlands.

Robert E. Howard: A Literary Biography

28 Monday Jan 2019

Posted by asdjfdlkf in Historical context, New books, REH, Scholarly works

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One book I seem to have unintentionally overlooked, in my blog’s rolling survey of such in Sept/Oct of last year, is Robert E. Howard: A Literary Biography (Oct 2018). The new book is intended as a reliable and well-written introductory biography for those new to Howard and his work, and who are not historians. It weighs in at 250 pages as a trade paperback or budget Kindle ebook. There’s a foreword by Rusty Burke, who praises the author and notes that the text was peer reviewed by Howard scholars. Howard’s fiction is stepped through in chronological sequence, with judicious plot summaries. Lovecraft and the backroom editorial matters at Weird Tales are covered adequately. The ‘deep background’ on Howard’s family history and early childhood is briefly surveyed in only a few pages, as this material can now be found elsewhere in good form.

More details on Ave atque Vale

28 Monday Jan 2019

Posted by asdjfdlkf in New books, Scholarly works

≈ 1 Comment

S. T. Joshi has a new blog post, which usefully pins down the differences between the forthcoming-soon book Ave atque Vale: Reminiscences of H. P. Lovecraft and 1998’s Lovecraft Remembered…

“we have included most of the material in that [1998] volume (some items were omitted for copyright issues; others for editorial reasons) and included several newly discovered memoirs not included in Peter’s volume.”

Right, so it sounds like the Lovecraft scholar would still need both. The new book will be a $30 trade paperback, Joshi states, as well as a hardback.

Should one be considering sampling some of Dunsany’s vast output, on whom Joshi is also the expert, he usefully notes…

“Darrell Schweitzer’s “How Much of Dunsany Is Worth Reading?” (first published in Studies in Weird Fiction, Fall 1991)”

This has been reprinted in the new The Green Book: Writings on Irish Gothic, Supernatural and Fantastic Literature (#11, 2018). It can also be found in Schweitzer’s essay collection Windows of the Imagination: Essays on Fantastic Literature.

Spectral Realms #10

27 Sunday Jan 2019

Posted by asdjfdlkf in Lovecraftian arts, New books

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The latest issue of the weird poetry journal Spectral Realms is out, with fine cover design and art by Kim Bo Yung (art) and Dan Sauer (design). This issue “includes an index to the first ten issues of Spectral Realms.”.

There’s also an offer to get two back issues of your choice for $15, albeit with shipping on top.

Une nuit avec Lovecraft – free online

19 Saturday Jan 2019

Posted by asdjfdlkf in Lovecraftian arts, New books

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I’m pleased to see that the graphic novel Une nuit avec Lovecraft (‘One night with Lovecraft’, October 2018) is now available for free in its entirety, online at the website of the artist. The French edition is also on Amazon UK and US in print only, and — since it’s free in French — I feel able to note here that there’s a free English translation to be found on LibGen, the sister site of SciHub.

A new edition of Brumal and a new Brazilian book

16 Wednesday Jan 2019

Posted by asdjfdlkf in New books, Scholarly works

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The new issue of the open access journal Brumal has appeared. Vol 6, No 2 (2018) is ‘Horror and the Fantastic’. English abstracts, then Spanish, Portugese or French texts. On a first pass, the specifically Lovecraft items are:

* “Towards a classification of space in fantastic horror texts”. In which… “we outline three sorts of spatial categories: the natural, the supernatural, and the preternatural spaces, and take incomparable English-speaking authors as a starting point, such as H. P. Lovecraft” before moving on to consider Spanish writers.

* And a review in Portuguese of the book O Fantastico: Procedimentos de Construcao Narrativa em H.P. Lovecraft (2017). [trans: The Fantastic: H.P. Lovecraft’s Procedures of Narrative Construction]

The book can be obtained from Brazil and I see it was also reviewed recently in Revista Abusoes. It appears to be a two-volume Masters dissertation from 1979, which gathered dust for nearly 40 years before being rediscovered, hailed as something special, and published.

New Book: Barbarian Life: A Literary Biography of Conan

14 Monday Jan 2019

Posted by asdjfdlkf in New books

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Marvel comics veteran Roy Thomas has an auto-biography of his life in Conan comics, and his wider fascination with the Conan character. DMR Books has a good review of the 296-page Volume One, which quietly scaled the walls of the Elephant God of Amazon just before Christmas…

Barbarian Life: A Literary Biography of Conan the Barbarian (Volume One), by Roy Thomas. In this book, Roy shares not only his memories of writing the first 53 issues of the comic book (Volume Two will cover the rest of his more than 100 issue run), but his own obsession with Conan and his creator.

I expect this book might be usefully paired with Barry Windsor-Smith’s The Freebooters, for an insight into the role of the artist in sword-and-sorcery comic-book making. Despite the publisher pitching this as simply a trade paperback collecting the Freebooter stories from the BWS: Storyteller magazine, it’s far more.

The IGN review explains…

This collection is unlike anything I have ever read. Part comic, part behind-the-scenes article, Barry Windsor-Smith’s The Freebooters is definitely unique. […] Most trades* these days give a slight glimpse into the creative process, but not like this. Readers will see unfinished pages, progressive pieces showing rough sketches to final, colored pieces. We also get a narrative that guides us through the thoughts and decisions that BWS made.

* = a trade paperback book collecting a series of comic books or strips, usually formerly issued in episodic pamphlet comic form to comics shops and collectors. Also abbreviated to ‘tpb’.

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