A new comics anthology of Lovecraft adaptations, Lovecraft: The Myth of Cthulhu, and it’s wholly new in English.

“Illustrated in haunting black and white by Esteban Maroto over 30 years ago, these comics are re-presented in a new edition, adapting three of H.P. Lovecraft’s most famous stories involving the Cthulhu Mythos: “The Nameless City”, “The Festival”, and “The Call of Cthulhu”.”

Very pleasing artwork and lettering…

It if reminds you a bit of the best 1970s Eerie or the oversize b&w Marvel Comics, that may be because the same artist did Red Sonja with Roy Thomas and appeared as an artist in Eerie. Thought it seems that these strips didn’t appear there, and are new translations from the Spanish. They are said to have appeared in the back of the Spanish children’s comic Capitan Trueno, of all places, and then vanished. The artist never had his art back from the publisher, but he recently found good photostats and has now republished the strips in English.

I’m not keen on the cover, but I guess ‘Show The Monster On The Cover’ is what gets a few extra sales in today’s crowded comic-store marketplace. Currently the book is only available in paper, and runs to 80 pages. If this gets onto Kindle at £3.99, once the print-run sells out, it should sell very well there.

French publisher Ki-oon is set to launch a new series of Lovecraft graphic novel adaptations, done in the Japanese b&w manga style by the best Japanese horror-manga artists. At The Mountains of Madness is released in French on 4th October 2018. Here’s a sample of a spread…

It’s being picked up by Dark Horse, for English publication.

Which stories might I want to read in Shadows Over Baker Street, the well-known Sherlock Holmes-Lovecraft mash-up anthology? I rarely glance at such anthologies and, even when I do, I’m not someone who slogs through all stories. Roll on the day we get ‘the Spotify for stories’ and can do our own remix anthologies. In the meantime I just want the best in any given anthology or collection, and am prepared to do 30 minutes of research to find out which stories are deemed the best.

Nor do I care for ‘sidelong stories’, of the sort that often pad anthologies by strapping a minor character into some tangentially connected setting. For instance, Shadows Over Baker Street has a reportedly good story featuring Sebastian Moran on a tiger-hunt in India. But neither the setting or the minor character appeals to me. I don’t read Sherlock Holmes stories for their jungle settings.

Let’s see what the reviews say about the book:—

Baker St. Dozen has a biting review from a sceptical Sherlockian perspective. They only strongly commend the following stories, which use the expected setting and approach:

* Steven Elliott-Altman, “A Case of Royal Blood”.
* Brian Stableford, “Art in the Blood”.

Kirkus has its usual snippy review, though this one is less cutting than usual. They note:

* Neil Gaiman, “A Study in Emerald”.
* Brian Stableford, “Art in the Blood”.
* F. Gwynplaine McIntyre, “The Adventure of Exham Priory”.

The latter is singled out by Kirkus as a “stunning” and “ingenious reworking of the familiar incident of Holmes’s misadventure at the Reichenbach Falls”. An Amazon review also claims it to be darkly comic, if one reads it in the right way.

The Harrow Review has:

* Neil Gaiman, “A Study in Emerald”.
* Steven-Elliot Altman, “A Case of Royal Blood”.
* James Lowder, “The Weeping Masks”.

Innsmouth Free Press singled out:

* Neil Gaiman, “A Study in Emerald”.
* F. Gwynplaine McIntyre, “The Adventure of Exham Priory”.

Note that several of the more fannish reviewers, who I also consulted, also disliked Neil Gaiman’s “A Study in Emerald”. Apparently for its too-whimsical approach. You either love it or hate it, it seems. My own reaction to it takes the form of a short Holmes pastiche story “The Case of the Purloined Prose”.

I then skittered over the Amazon reviews, but failed to spot claims for as-yet un-noticed gems in the collection. F. Gwynplaine Macintyre’s “The Adventure of Exham Priory” did have another bit of acclaim in one such review.

Thus, for those who don’t want to slog through all 480 pages of what is widely regarded as a very patchy collection, Shadows Over Baker Street appears to boil down to…

* Neil Gaiman, “A Study in Emerald”.
* Steven-Elliot Altman, “A Case of Royal Blood”.
* Brian Stableford, “Art in the Blood”.
* James Lowder, “The Weeping Masks”.
* F. Gwynplaine McIntyre, “The Adventure of Exham Priory”.
* Simon Clarke’s “Nightmare in Wax” – this ends the volume, and does get occasional tepid mentions in the reviews.

Only half a dozen. Still, the book is now on Kindle for just 99 pence (about $1.30). Even just for a handful of such crossover stories, that’s not a bad price.

Finally, talking of Cthulhu and Sherlock, avoid this new book series like the plague. Great covers, but bloody awful books from both a Lovecraftian and Sherlockian perspective. And just plain bad writing too.

The Art of Ploog (2015), a comprehensive 9″ x 12″ retrospective of the career of a very fine comics artist, who mostly did weird and horror work with an very polished and recognisable style. Still in print, for now. Many will remember Mike Ploog best for drawing The Planet of the Apes, Man-Thing, and his own Weirdworld in the 1970s for Marvel. Also for strips in Heavy Metal and Epic in the 1980s. He was also a storyboarder for the likes of Carpenter’s The Thing and The Dark Crystal.

Original art from Marvel’s Weirdworld.