01 Thursday Nov 2018
Posted in Lovecraftian arts, Podcasts etc.
HPL ‘in the groove’, with the 2016 techno track “I Am Providence”.
[youtube https://www.youtube.com/watch?v=kINYhLYjCjY?start=151&w=560&h=315]
I’m starting the embed here just ahead of HPL’s first vocal appearance at 2:30 minutes, but you’ll also want to enjoy the whole seven minute track which is a corker and deserves to be heard in full.
01 Thursday Nov 2018
Posted in Lovecraftian arts, Podcasts etc.
For this Halloween, Are You Morbid? XXXVI: A Heavy Metal Podcast offered listeners “Lovecraft Returns”. This being a two-hour discussion survey of the best Lovecraft heavy metal music, which sports track titles such as “In the Maze of Kadath”.
This is a “part two”, though, and follows last year’s three-and-a-half hour Lovecraft-a-thon Are You Morbid? XV – Lovecraft & Metal: A Beginner’s Guide, with lots of expert discussion about the music and where to start. Skip to around the ten minute mark, to get past the usual basic “Who is Lovecraft?” intro for metal folk who’ve (somehow) never heard of him. For those who feel they may need to skip over certain sections, the links above go to listennotes.com. The “…” on the sidebar there opens up to offer an MP3 link, and if you then right-click on this your Web browser should be able to force an MP3 download.
In the case of “A Beginner’s Guide” the track-listing also categorises the tracks by metal type, for those who have not yet correlated the mind-bending differences between Symphonic Black and Blackened Drone/Sludge/Doom Metal.
Sadly there appears to be no Spotify playlist for these track selections, and so perhaps someone might want to spend time combining these two ‘Are You Morbid?’ Lovecraft lists into one. And then posting a link to the playlist. Possibly www.playlist-converter.net can help with that, as it appears to be able to take a plain-text band name – track name list and turn it into a Spotify playlist, though I don’t trust it enough to give it Spotify account access. I’ve partially cleaned the combined list for such a conversion, removing accents, type brackets, dual track names and sending the “Everything” bands to their own list…
BAND NAME | TRACK NAME
Olyphant – Expedition to the Barrier Peaks
Terrible Old Man – Cosmic Poems
Terrible Old Man – Fungai from Yuggoth
Back To R’leyh – The Awakening
Last Fight of the Primordial Revenant – Prophecies of a Dying World
Aldebaran – Dweller in the Twilight
Swampcult – The Festival
Fiendlord – Neuromancy
Ripping Corpse – Dreaming With the Dead
Nile – Those Who The Gods Detest
Septic Flesh – Sumerian Demons
Morbid Angel – Gateways to Annihilation
Infinite Spectrum – Haunter in the Dark
Shoggoth – Mythos
Dreamlongdead – Madnessdeadgrave
Alkaloid – Liquid Anatomy
Lurking Fear – Out Of A Voiceless Grave
Colosseum – Chapter 1: Delirium
Chthe’ilist – Le dernier crepuscule
Hesper Payne – Unclean Rituals
Great old ones – EOD: A Tale of Dark Legacy
Obed Marsh – Innsmouth
Catacomb – In the Maze of Kadath
Arkham – Chapter III
Fiendlord – Neuromancy
Hypnos – Arcane Moon
Astrophobos – Remnants of Forgotten Horrors
Crafteon – Cosmic Reawakening
Ancient Niggurath – Horrors and Wonders
Barabas – The Arrival of Yog-Sothoth
Ultar – Kaddath
ceremonial castings – Cthulue
Bal-sagoth – Starfire Burning upon the Ice-Veiled Throne of Ultima Thule
Brown Jenkins – Dagonite
Brown Jenkins – Death Obsession
Swampcult – An Idol Carved of Flesh
Swampcult – The Festival
Them Vultures – Weird Tales
Giant of the Mountain – Moon Worship
The Lurking Fear – Out of the Voiceless Grave
Philosopher – Thoughts
Beast Conjurator – Summoned to the Abyss
Beast Conjurator – Strange Aeons Comp
Smothered – The Inevitable End
Yogth Sothoth – Abominations of the Nebulah Mortiis
Nile – Amongst the Catacombs of Nephren-Ka
Massacre – From Beyond
Innsmouth – Consumed by Elder Sign
Cosmic Horror – Tales of the Macabre
Coffin Birth – The Bowels of Chaos
dawn of relic – Lovecraftian Dark
temple of the demigod – the great old ones
the uncreation – Dreaming in R’lyeh
Serapheum – Serapheum
Obed Marsh – Innsmouth
Thergothon – Stream from the Heavens
Aldebaran – Dwellers in Twilight
Aldebaran – Buried Beneath the Aeons
Solemn They Await – Sanctuary in the Depths
throng of shoggoths – The Cosmic Reconfiguration
Catacombs – In the Depths of R’lyeh
Innzmouth – Lovecraft’s Dream
Tyranny – Tides of Awakening
Tyranny – Aeons in Tectonic Interment
The Disciples of Zoldon – Blackened Theological Tome
Ripping Corpse – Dreaming with the Dead
Revenant – Prophecies of a Dying World
Deathchain – Death Gods
Aarni – Bathos
Shoggoth – Mythos
Tentacle – Ingot Eye
Skyler Alexandre – Whispers in the Dark
Arkham Witch – Legions of the Deep
Arkham Witch – I Am Providence
Mad God – Tales of a Sightless City
Evangelist – In Partibus Infidelium
Evangelist – Doominicanes
Black Temple Below – Into the Black Temple
aeon sphelion – Visions of Burning Aeons
tortured spirit – Arkham Sanitarium
Keziah – The Ocean Is Not Silent
evoke thy lords – Escape to the Dreamlands
Living Death – Protected from Reality
Mekong Delta – The Music of Eric Zahn
Payne’s Grey – Kadath Decoded
Back to R’lyeh – The Awakening
Back to R’lyeh – Last fight of the Primordial
Back to R’lyeh – The McMurdo Expedition 1909
Infinite Spectrum – Haunter in the Dark
EVERYTHING: BAND NAME | ALL TRACKS BY…
The Great Old Ones – Everything
teen cthulhu – Everything
Drowner – Everything
Portal – Everything
Puteraeon – Everything
Sulphur Aeon – Everything
Azrath-11 – Everything
Colosseum – Everything
fungoid stream – Everything
eyes of leigeia – Everything
Space God Ritual – Everything
Tyrant’s Kall – Everything
Yzordderex – Everything
Bretus – Everything
space mirrors – Everything
01 Thursday Nov 2018
Posted in Lovecraftian arts
A couple of delightful time-twirlings caught my eye today.
Christina Hess Illustration imagines a domestic time-travelling Lovecraft in England with a loving Jane Austen, and morning tea served by a tame tentacular beastie. Presumably that’ll be the ‘Jane Austen and zombies’ Jane. And Lovecraft is definitely developing an ‘Innsmouth look’.
Fantasy map-maker Robert Albauer mashes Lovecraft’s monsters with the medieval Crusades. Hmmm, yes… I can see a fruitful mash-up of R.E. Howard’s Crusader stories with the Cthulhu Mythos, if that hasn’t already been done. (Update: yes it’s been done, Simak did something similar in his LOTR-Lovecraft mash-up novel Where Evil Dwells (1982). More recently there was a Dark Ages + aliens mini-series of comic books).
01 Thursday Nov 2018
Posted in Lovecraftian arts
“Evolution of life” by Virgil Finlay, one of a series of illustrations he made for The Complete Book of Space Travel (1956).
30 Tuesday Oct 2018
Posted in Lovecraftian arts
I’m not taking much notice of videogames here, but the new Call of Cthulhu, released today, is so big it merits an exception to the rule.
The first reviews are out, for the major new videogame Call of Cthulhu (Cyanide Studios, 2018), which makes a serious attempt attempts to embody and package Chaosium’s Cthulhu table-top RPG game into a single-player narrative-driven mystery-horror videogame.
Big ambitious games such as this are best played on the PC desktop about 18 months after release, when multiple bug-fixing patches and mods have fixed their inevitable release-day problems. At that point there are often DLC expansion chapters to be had, and the overall price is cheaper.
But, on initial release today, the fan-boy and magazine reviewer sentiment seems to be broadly favourable. Though many of the (often spoiler-packed) reviews chafe at the usual Big Game gremlins…
* Unconvincing and stiff character animations, on characters that have to be low-poly so they can run on consoles.
* Characters are generic, and sometimes tell you about stuff that hasn’t yet happened in the game.
* Decent voice-acting, but some East Coast Americans may notice inconsistent dialogue accents.
* The stealth mechanics could benefit from a buff up.
* Some tiresome ‘key collecting’, a couple of annoyingly obtuse puzzles.
* Lacks ‘action’, for gamers who expect machine-guns and monsters every 30 seconds.
* The muted and gloomy colour palette and environments of the New England coast (Darkwater Island in 1924, standing in for Innsmouth) also spur some gripes, from those who might have preferred a more vividly-hued game.
But gamers are used to such things, and for a big RPG none of the gripes are really specific to this title. Generally the game looks like it’s made a fairly good landing on its first day, and is getting healthy amounts of praise. If the PC Windows version can be modded, and/or gets heavily patched (Cyanide Studios are good on that, I hear), infrequent game-players may well find that it’s worth a look this time next year. It’s probably likely to be more impressive to those who only play three games a year, than to the jaded seen-it-all-before types who play three games a week.
30 Tuesday Oct 2018
Posted in Lovecraftian arts, New books
A new illustrated artbook edition of “The Call of Cthulhu”, in French translation.
This one is, according to one translated review…
a fully illustrated edition of grand paintings by French artist François Baranger, concept illustrator of movies such as Harry Potter, Beauty and the Beast, and videogames like Heavy Rain and Beyond: Two Souls. […] Instead of blood, sharp fangs, mutilated bodies and other things we associate with terror today, Baranger emphasizes the suppressed, hidden horror that Lovecraft slowly escalates in such a masterly manner. It is not entirely unreasonable to claim that Lovecraft would give his ‘thumbs up’. […] The bound book is of a monstrous size (20 x 28 inches) [and] the quality of the edition is high for its price, with thick, shiny pages and a hard cover that should survive many readings.
Some of the illustrations are also available as movie-like print posters in limited editions of 120. I’m not sure if there are other painted illustrations and/or b&w pen-and-line illustrations inserted in the text, but “fully illustrated” implies that there might be.
30 Tuesday Oct 2018
Posted in Lovecraft as character, Lovecraftian arts, New books, Odd scratchings
Do we have enough “Lovecraft as character” appearances to do The Encyclopaedia of H. P. Lovecraft as Character, focussed only on the appearance of H.P. Lovecraft and his close circle as characters in stories, graphic novels, rock songs, games and more? I think we do. By now there must be at least a hundred such depictions of Lovecraft himself.
For instance, my recent Good Old Mac biographical book on Everett McNeil, the keystone Lovecraft Circle member, found ten such instances of him alone. And I haven’t even read the various books which treat the Lovecraft circle to a detective novel outing (such as the recent novel by Joshi), in which he likely also appears as a character. Nor the various table-top RPGs. McNeil had another depiction in one of the new graphic novels of Lovecraft’s life, He Who Wrote in the Darkness, and I would suspect he may also appears in the other new graphic novel Some Notes on a Nonentity: The Life of H. P. Lovecraft (though I haven’t yet seen that). That’s just one often-overlooked member of the Circle, and yet there’s already material enough for an Encyclopaedia chapter.
It might be organised by date and by cultural milieu:
Lovecraft as ‘living character’; pre-1937.
The War Years: 1938-1949.
The Depths of the Cold War: 1950-1964.
The Counter-culture: 1965-1975.
The De-censorship Decades: 1976-1996.
Gone Global: 1997-2007.
Haunting the New Puritans: 2008-2018.
Lovecraft’s Circle as Characters.
Due to the estimated cost of making it I won’t be the one to do such an Encyclopaedia, but if the idea tickles both your fancy and wallet then please feel free to give it a go. Bear in mind that acquiring all the works needed to comprehensively make such a book will require either a vast collection and/or a very plump wallet.
30 Tuesday Oct 2018
Posted in Lovecraftian arts
“The Innsmouth Look”.
29 Monday Oct 2018
Posted in Lovecraftian arts
Tags
Each October, inkers all over the world do a ‘drawing a day’ challenge which goes under the title Inktober, and post with a (this year) #INKTOBER2018 tag.
Here are a few Lovecraft ‘Inktober 2018’ drawings that caught my eye on DeviantArt.
By trapperkeeper, really capturing that old-time pulp feeling, with the help of some ‘Kirby krackle’…
Guarded by CAdamsIllustration…
There’s still time to do the last few challenges, Double | Jolt | Slice, which all offer possibilities for pulpy Lovecraft fun.
If you’re new to digital drawing, on a desktop have a look at the free open source Krita 4, its Inking 101 starter guide and Wolthera’s free Inking Brush pack for Krita 4. The brushes in Krita can have real-time smoothing applied, so as to smooth the freehand strokes made by shaky hands. It helps to have a ‘draw on the screen’ pen monitor, which are expensive but Ugee makes good budget models (I have a £300 1910B). As an alternative you can probably pick up a used large Wacom digitizer pad for about £50, but make sure the pen is still with it and fully working.
There are of course many Android drawing apps for tablets, the best of which used to be Autodesk Sketchbook. That’s no longer on the Amazon Kindle App Store, so (unless you want to do a fiddly sideload of it) the translated Japanese app called Tayasui Sketches + is a good alternative choice for inking on a Kindle HD 10″ tablet.
27 Saturday Oct 2018
Posted in Lovecraftian arts
Illustrator Ysemay Dercon visits Lovecraft’s former home at 10 Barnes St, for Halloween. I like the ‘collected leaves’ idea.
Perhaps one could draw on the actual leaves, incising them with the tiny tip of a fine scratch-board pick? And then record their drying out and changing colours and crumbling into weirdness. Or how about shaping them subtly into tiny dreamland-ish face masks?
27 Saturday Oct 2018
Posted in Lovecraftian arts, New books, Podcasts etc., REH
S.T. Joshi’s latest blog post notes an interesting audiobook, The Gods of Easter Island and Other Poems by Robert E. Howard.
27 poems expertly read and with some musical accompaniment. Available as a physical CD by mail-order from Fedogan and Bremer Books.
23 Tuesday Oct 2018
Posted in Lovecraftian arts
I’ve extracted the best Eddie Jones interior art from the run of Vision of Tomorrow, a short-lived 1969/70 British attempt at a high-quality science fiction magazine which featured occasional cosmic horror.
That’s how you do spreads when you only have black-and-white to work with. Very nice work.
There’s a fine in-progress biography of Eddie Jones, which is so comprehensive that it even tells me that I have a slight tangential connection — he did the covers of the Novacon convention programme booklet a couple of years before I did. Though the biography lacks the wider economic context. He produced a huge amount of painted covers for the German sci-fi paperbacks, a few for Sphere in the UK, and later some covers for the Star Trek paperbacks. But, like many in the UK, he was hit very hard by the 1978-1983 period of economic chaos, collapse and grinding recovery. He never had a book collection.
There was one fairly brief interview with him, in the short-lived British magazine Vortex (#5, 1977).