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Tentaclii

~ News & scholarship on H.P. Lovecraft

Tentaclii

Category Archives: Lovecraftian arts

Bubble popped

24 Saturday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts, Odd scratchings

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Oh well, no more new posters and stickers on RedBubble, then. The first monthly royalty payments from Redbubble were $1.55 and $2.11 respectively. For around $20 a year income, it’s just not worth my spending time making more of them.

Update: Now on ArtStation as a bundle.

The Remorse of Nyarlathotep

24 Saturday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts

≈ Leave a comment

I’m hearing a wizzle of buyer remorse, albeit only from one buyer, about getting the Props of Nyarlathotep box-set. Thus I’ve added a cautionary rider to my recent post on the set…

It’s very expensive, though, so before a purchase you may want to find someone who has it and ask them if it was worth it.

Yes, posts can change, be corrected and updated. The Web is inherently unfixed. I’m not someone who sees a blog post as set in stone once I press “Post”.

H.P. Lovecraft’s Worlds

20 Tuesday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts, New books

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I’m always pleased to find another Lovecraft comics adaptation, and have just dug up news of two new volumes. H.P. Lovecraft’s Worlds Vol. 1: The Lurking Fear and Other Tales, and H.P. Lovecraft’s Worlds Vol. 2: Dagon and Other Tales. Both from Caliber Comics, 2018.

Vol. 1 is:

The Lurking Fear
Beyond the Wall of Sleep
The Tomb
The Alchemist

Vol. 2 is:

Dagon
Arthur Jermyn
Picture in the House
Statement of Randolph Carter
Music of Erich Zann

It looks like there’s a lot of heavy adaptation going on here, and apparently the author wrote a lot of new dialogue to ‘compensate’ for Lovecraft’s lack of it. Erich Zann is transferred to America. Dagon is updated to the nuclear submarine era. Harley Warren now works for the FBI. The Lurking Fear is set in the 1990s.

Judging by the pages of art for the “Picture in the House” adaptation that I found, you may want to try the Kindle free-sample before you pay money for copies. It’s not that it’s bad. The layout, framing and expressions are competent, it’s just rather unappealing and 1960s-looking compared to what I’d expect to see from a Lovecraft comics adaptation in 2018.

Props of Nyarlathotep

18 Sunday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts

≈ 1 Comment

New in 2018, and shipping from the H.P.L. Historical Society, the Masks of Nyarlathotep Gamer Prop Set. I don’t normally note gaming stuff here, but this luscious collection of 109 props, handouts, vintage maps and a CNN-worthy deluge of sniffable fake news clippings may also appeal to readers simply as an aesthetic item. These are all… “called for by the Chaosium game supplement Masks of Nyarlathotep“.

It’s very expensive, though, so before a purchase you may want to find someone who has it and ask them if it was worth it.

An in-depth review on RPG.net is glowing in its appreciation of the collection…

   “This is gaming history in the making. This product is so pioneering, so over-the-top in what it tries to achieve and how triumphantly it succeeds, that it deserves the creation of a whole new grading system. […] Excellence is not an adequate word for me to describe the quality of the components. I wouldn’t know where to start from. The multi-page Nansen passports, of whose real-world existence I learned because of this product, and the perfect (printed) copy of the duty stamp on them? The actual cut-out duty stamps of Australian, British and American provenance? The latter even have different identification numbers for crying out loud! The authentic yellowed facsimiles of maps of the era? The transparent stickers that will be used to emulate passport control stamps, and which include as detailed and different stickers as ‘cancelled’, ‘expelled’ or even ‘persona non grata‘? The gorgeous Chinese scroll (!), packed around two well-crafted wooden pieces?! I can’t verify whether the Chinese writing is legit, yet judging from everything else I have no reason to suspect that it isn’t. The attention to detail is astounding. The whole box smells of wood, probably because of the matches and the papyrus rolls. Newspapers smell like newspapers.”

I also read elsewhere that a slipcased hardback of Masks of Nyarlathotep shipped in the last few weeks, as a “revised and updated” edition which plays nicely with the latest edition of the core Call of Cthulhu tabletop RPG. No sign of this on Amazon UK or USA, but Chaosium has a page. I’m reliably informed it’s one of the two or three best add-ons for the Call of Cthulhu RPG.

Gou Tanabe’s The Shadow Out of Time adaptation completed

18 Sunday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts, New books

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Hot on the heels of Gou Tanabe’s English-translation of Lovecraft, The Hound and Other Stories (Dark Horse, due on the Kindle very soon), comes news that in Japan he has published…

“the last chapter of his The Shadow Out of Time (Toki o Koeru Kage) manga on Monday”.

Apparently he also has a lot more completed and waiting for English translation: “The Colour Out of Space”; “The Haunter of the Dark”; and “The Outsider”. Some of these are available in French, Spanish, and Italian translations, but it seems that only the The Hound and Other Stories has yet made it to English.

Event poster for Fantastika 2018

17 Saturday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts

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Lovecraft-themed event poster, newly added to the translated report on the Spanish event 10th Algeciras Fantastika – a Lovecraft special. Nice to see HPL as-if in his inherited late-Victorian finery and sporting one of his cherished canes.

Chaosium on the Call of Cthulhu videogame

15 Thursday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts

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Chaosium surveys the recent reviews of the Call of Cthulhu videogame, which attempts to put on the screen the essence of their famous Call of Cthulhu tabletop RPG. The first surveys picks comments about how the game compares to the tabletop RPG, and the second picks up comments and scores from more reviews of Call of Cthulhu.

Also of note is the four-star review in the respected Empire magazine, which praised the setting and faithfulness to Lovecraft’s vision…

“the game’s spot-on setting. Unfolding in 1924, on the fictional New England island of Darkwater, the game sees Pierce investigating the untimely, mysterious deaths of the Hawkins family. The decaying whaling town – wonderfully brought to dreary life by a host of eccentric inhabitants – and the Hawkins’ secret-filled estate provide the perfect stage for Call of Cthulhu’s disturbing, deliberately-paced plot.” … “Call of Cthulhu’s gameplay offers a surprisingly fresh take on the fright-filled genre.”

Javier Olivares does Lovecraft

15 Thursday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts, New books

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The noted Spanish artist Javier Olivares has produced a heavily illustrated Spanish edition of Charles Dexter Ward. It’s just been published by Anaya in 200-pages, and there’s a free sample in PDF.

Alternate covers? Or made less scary in the hope of a few extra sales to school librarians?

He’s also done Poe, Dracula, and The Hound of the Baskervilles, in a similar format.

DIY: make a ten-foot tall tentacle monster

15 Thursday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts, Podcasts etc.

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In the latest Forest of Immortals podcast…

“artist Dave Correia discusses making the Elder Thing sculpture, featured at the H.P. Lovecraft Film Festival. We talk through the process, challenges and lessons that came with making a ten-foot tall tentacle monster on a tiny budget.”

Lovecraft and Warhammer

14 Wednesday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts, Podcasts etc.

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This week, Fluffenhammer’s inaugural podcast discusses H.P. Lovecraft’s influence on the works of Games Workshop and the Warhammer universes. For those not aware of it, Warhammer is a very popular table-top wargame played with hand-painted miniatures, and the game is accompanied by epic battle-tastic company-commissioned and fan-art illustrations.

The Horror of Lovecraft: Deluxe Edition

13 Tuesday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts, New books

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Possibly of interest, a new book of Lovecraft in Italian, illustrated by leading Italian illustrators. The Horror of Lovecraft: Deluxe Edition (Lulu, 2018). Squinting at it through Google Translate, I can’t quite figure out what it is: a set of illustrated translations of Lovecraft; or an anthology of Lovecraft pastiches / Mythos stories, illustrated. Mention is made of at least one translation, of “The Dunwich Horror”, so perhaps it’s a mix of Lovecraft originals and stories from Italian writers.

This is how you do a stylish cover. There’s also an affordable ebook PDF version, which will likely be a better medium than Lulu’s interior print for viewing the colour illustrations. Lulu is fine for paperback covers, re: colour quality, but my experience with their colour for interior pages and calendars has been less satisfactory.

Also of interest in Italian and with an equally elegant cover, GARDENS OF THE FANTASTIC: The wonders of botany from myth to science in literature, cinema and comics (2017). A brisk survey across history, including Lovecraft, and with about 40 illustrations. It might make someone the basis of an expanded and more heavily-illustrated English translation?

Man-Gods from Beyond the Stars (1975)

12 Monday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts, Odd scratchings

≈ 1 Comment

In the 1970s Lovecraft’s burgeoning reputation must surely have both benefited from and fed into the ‘ancient astronauts’ fad. Jason Covalito had a book-length survey of that nexus of influence, which arose mostly from the Morning of the Magicians (1960) and then fed forward, in his The Cult of Alien Gods: H.P. Lovecraft And Extraterrestial Pop Culture (2006, and I see that this is now available as an ebook).

An exemplar of this 1970s sub-genre, which reached even those not likely to read text-heavy and expensive UFO-ology paperbacks, was the fine $1 comic-magazine Marvel Preview #1, “Man-Gods from Beyond the Stars” (1975). I remember having a copy of this as a youth, a copy now long gone.

Marvel Preview was an oversize magazine-style b&w comics title, intended to test ideas for titles that would reach more mature audiences outside the censorship of the loosening Comics Code. Notable later in the run were two Sherlock Holmes (#5-6, 1976) and a fine John Buscema take on Merlin the wizard (#22, 1980).

Preview is now mostly known for launching the Star-Lord character (#4), but this first standalone “Man-Gods” issue riffed on the ancient astronauts theme with a long Doug Moench tale from a basic Roy Thomas concept/plot, beautifully illustrated by Alex Nino. The excellent letterer doesn’t appear to be credited, and so may have been Nino himself.

Page 2 had a full-page Lovecraft poster-quote from “The Call of Cthulhu”, against Easter Island statues. As well as the lead comic there was also a profile and timeline for the best-selling ‘ancient astronauts’ author von Daniken, and capsule reviews of all the key books for and against the ‘ancient astronauts’ theory (which in the 1960s and early 70s could still be deemed ‘undecided’ by many, including Carl Sagan, rather than ‘crackpot’). At the back there was a nicely-done modern monster-heavy tribute to the old EC-style ‘planet explorer’ tales.

Apparently the same issue was re-printed for Australia in 1981. There are evidently a lot of copies about on eBay in paper, but they appear to be priced at silly ‘ooh gosh, Neal Adams cover art’ prices. Anyway, if you squint the following set of page scans are just about readable, and have the whole of the issue’s central story…

Part 1.

Part 2.

Part 3. Conclusion.

Not much Lovecrafting here, other than the general theme and some archaeological interludes, and it’s more of an exemplary short science-fiction mash-up of space-gods and ‘sabre-tooth-tiger’ prehistory. Jack Kirby, also at Marvel, would explore similar ideas in his The Eternals (first issue July 1976).


One of the Amazon reviews for The Cult of Alien Gods: H.P. Lovecraft And Extraterrestial Pop Culture (2006) is a cursory one but points out that Garrett P. Serviss’s Edison’s Conquest of Mars (1898) proto-pulp Edisonade got there first with such ideas…

“Edison’s “Conquest of Mars” has the Martians coming to Earth in the distant past, abducting humans, and then hanging around to build the pyramids of Egypt”.

That Lovecraft read Serviss’s book as a boy is highly likely (see my chapter on Lovecraft and Serviss, a favourite author in his youth and ‘the Carl Sagan of his day’, in my book Lovecraft in Historical Context #4). And there was a book reprint of Edison’s Conquest of Mars in a 1,500-copy limited edition in 1947, which was advertised for several years in the likes of Weird Tales. Its reprint edition would have been about the right time to hit France in the mid 1950s, if only as book reviews (Morning of the Magicians was written c. 1955-59 and published 1960 in French). But Covalito’s book convincingly shows that the Morning of the Magicians authors were strongly influenced by Lovecraft.

In theory then the route(s) of influence to von Daniken could be many:

Serviss [1947] -> Morning of the Magicians [mid 1950s] -> von Daniken’s ‘ancient astronauts’ [1960s].

Serviss [1898] -> Lovecraft [1920s] -> Morning of the Magicians [mid 1950s] -> von Daniken’s ‘ancient astronauts’ [1960s].

The most likely is, cumulatively:

Serviss [1898] -> Theosophy [1920s] -> Lovecraft [1920s] -> + more Theosophy and other 1930s historico-mystic currents [1930s and 40s] -> Morning of the Magicians in English [1963] -> other French copycats of Magicians [mid 1960s] -> von Daniken’s ‘ancient astronauts’ [later 1960s].

But quite whether the bulk of the 1970s UFO-logists bothered to look any further back than von Daniken after his 1971 American paperback and cinema movie, who knows? There was also an American documentary of the increasingly popular book, the TV programme In Search of Ancient Astronauts (NBC, 1973).

Though we do know that Terrence McKenna was influenced early by Lovecraft (see the memoir The Brotherhood of the Screaming Abyss), and many of the more literate hippies must have at least tried to read Lovecraft once he was in affordable paperback form. Some key Lovecraft ideas had also filtered through into Arthur C. Clarke’s trans-cosmicism — which had its own ‘ancient contact’ symbolism such as 2001‘s monolith among the primitive man-apes — so there may be more wormholes of influence to be considered there. Carl Sagan’s famously lyrical Cosmos TV series probably also had an influence (see Cosmos: Podcast Edition – Carl Sagan for a good audio-only version), with Sagan highly sceptical of post-1940s UFO contacts but not of alien civilisations per se.

Nor should we underestimate the power of oral transmission, in terms of the influences swirling through the tight but far-travelling counter-culture of the UFO-logists. I guess there must be good histories of ‘serious’ UFO-ology by now, which might tell us more about that swirl. But I expect that research on the now-unfashionable ‘ancient astronauts’ wing and the influence of Lovecraft is likely greatly hampered by big gaps in memory, caused by: i) the inevitable natural memory loss and distortion caused by age; ii) the natural ephemerality of the counter-culture’s diaries and suchlike; iii) the psychedelic drugs of the time (summed up in the saying “if you can remember the 1960s, you weren’t there”); and iv) the later 1970s heroin epidemic which burned through so many urban hippies.

Apparently this half-baked stuff is still popular, mainly through a rather shallow American TV ‘documentary’ series called Ancient Aliens. I’ve never seen that series, and didn’t even know it existed until today. It’s said that even ‘serious’ UFO-ologists shun the ‘ancient astronauts’ believers as a ‘fringe of a fringe’, but I guess it has some passing entertainment value as “what if?” TV pseudo-archaeology for the masses. Although, as Lovecraft suggested several times in his letters, such wild real-world historical-conspiracy theory is really best confined to speculative fiction which is its proper home.

It’s possible that such ideas won’t just be confined to junk TV and swivel-eyed YouTube channels in the near future. On the 50th anniversary of von Daniken’s book, Hollywood is obviously currently sniffing around the sub-genre, with Prometheus already leading the way and a proposed movie-trilogy based on Kirby’s Eternals comics being mooted.

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