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~ News & scholarship on H.P. Lovecraft

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Category Archives: Lovecraftian arts

Lovecraft and Warhammer

14 Wednesday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts, Podcasts etc.

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This week, Fluffenhammer’s inaugural podcast discusses H.P. Lovecraft’s influence on the works of Games Workshop and the Warhammer universes. For those not aware of it, Warhammer is a very popular table-top wargame played with hand-painted miniatures, and the game is accompanied by epic battle-tastic company-commissioned and fan-art illustrations.

The Horror of Lovecraft: Deluxe Edition

13 Tuesday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts, New books

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Possibly of interest, a new book of Lovecraft in Italian, illustrated by leading Italian illustrators. The Horror of Lovecraft: Deluxe Edition (Lulu, 2018). Squinting at it through Google Translate, I can’t quite figure out what it is: a set of illustrated translations of Lovecraft; or an anthology of Lovecraft pastiches / Mythos stories, illustrated. Mention is made of at least one translation, of “The Dunwich Horror”, so perhaps it’s a mix of Lovecraft originals and stories from Italian writers.

This is how you do a stylish cover. There’s also an affordable ebook PDF version, which will likely be a better medium than Lulu’s interior print for viewing the colour illustrations. Lulu is fine for paperback covers, re: colour quality, but my experience with their colour for interior pages and calendars has been less satisfactory.

Also of interest in Italian and with an equally elegant cover, GARDENS OF THE FANTASTIC: The wonders of botany from myth to science in literature, cinema and comics (2017). A brisk survey across history, including Lovecraft, and with about 40 illustrations. It might make someone the basis of an expanded and more heavily-illustrated English translation?

Man-Gods from Beyond the Stars (1975)

12 Monday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts, Odd scratchings

≈ 1 Comment

In the 1970s Lovecraft’s burgeoning reputation must surely have both benefited from and fed into the ‘ancient astronauts’ fad. Jason Covalito had a book-length survey of that nexus of influence, which arose mostly from the Morning of the Magicians (1960) and then fed forward, in his The Cult of Alien Gods: H.P. Lovecraft And Extraterrestial Pop Culture (2006, and I see that this is now available as an ebook).

An exemplar of this 1970s sub-genre, which reached even those not likely to read text-heavy and expensive UFO-ology paperbacks, was the fine $1 comic-magazine Marvel Preview #1, “Man-Gods from Beyond the Stars” (1975). I remember having a copy of this as a youth, a copy now long gone.

Marvel Preview was an oversize magazine-style b&w comics title, intended to test ideas for titles that would reach more mature audiences outside the censorship of the loosening Comics Code. Notable later in the run were two Sherlock Holmes (#5-6, 1976) and a fine John Buscema take on Merlin the wizard (#22, 1980).

Preview is now mostly known for launching the Star-Lord character (#4), but this first standalone “Man-Gods” issue riffed on the ancient astronauts theme with a long Doug Moench tale from a basic Roy Thomas concept/plot, beautifully illustrated by Alex Nino. The excellent letterer doesn’t appear to be credited, and so may have been Nino himself.

Page 2 had a full-page Lovecraft poster-quote from “The Call of Cthulhu”, against Easter Island statues. As well as the lead comic there was also a profile and timeline for the best-selling ‘ancient astronauts’ author von Daniken, and capsule reviews of all the key books for and against the ‘ancient astronauts’ theory (which in the 1960s and early 70s could still be deemed ‘undecided’ by many, including Carl Sagan, rather than ‘crackpot’). At the back there was a nicely-done modern monster-heavy tribute to the old EC-style ‘planet explorer’ tales.

Apparently the same issue was re-printed for Australia in 1981. There are evidently a lot of copies about on eBay in paper, but they appear to be priced at silly ‘ooh gosh, Neal Adams cover art’ prices. Anyway, if you squint the following set of page scans are just about readable, and have the whole of the issue’s central story…

Part 1.

Part 2.

Part 3. Conclusion.

Not much Lovecrafting here, other than the general theme and some archaeological interludes, and it’s more of an exemplary short science-fiction mash-up of space-gods and ‘sabre-tooth-tiger’ prehistory. Jack Kirby, also at Marvel, would explore similar ideas in his The Eternals (first issue July 1976).


One of the Amazon reviews for The Cult of Alien Gods: H.P. Lovecraft And Extraterrestial Pop Culture (2006) is a cursory one but points out that Garrett P. Serviss’s Edison’s Conquest of Mars (1898) proto-pulp Edisonade got there first with such ideas…

“Edison’s “Conquest of Mars” has the Martians coming to Earth in the distant past, abducting humans, and then hanging around to build the pyramids of Egypt”.

That Lovecraft read Serviss’s book as a boy is highly likely (see my chapter on Lovecraft and Serviss, a favourite author in his youth and ‘the Carl Sagan of his day’, in my book Lovecraft in Historical Context #4). And there was a book reprint of Edison’s Conquest of Mars in a 1,500-copy limited edition in 1947, which was advertised for several years in the likes of Weird Tales. Its reprint edition would have been about the right time to hit France in the mid 1950s, if only as book reviews (Morning of the Magicians was written c. 1955-59 and published 1960 in French). But Covalito’s book convincingly shows that the Morning of the Magicians authors were strongly influenced by Lovecraft.

In theory then the route(s) of influence to von Daniken could be many:

Serviss [1947] -> Morning of the Magicians [mid 1950s] -> von Daniken’s ‘ancient astronauts’ [1960s].

Serviss [1898] -> Lovecraft [1920s] -> Morning of the Magicians [mid 1950s] -> von Daniken’s ‘ancient astronauts’ [1960s].

The most likely is, cumulatively:

Serviss [1898] -> Theosophy [1920s] -> Lovecraft [1920s] -> + more Theosophy and other 1930s historico-mystic currents [1930s and 40s] -> Morning of the Magicians in English [1963] -> other French copycats of Magicians [mid 1960s] -> von Daniken’s ‘ancient astronauts’ [later 1960s].

But quite whether the bulk of the 1970s UFO-logists bothered to look any further back than von Daniken after his 1971 American paperback and cinema movie, who knows? There was also an American documentary of the increasingly popular book, the TV programme In Search of Ancient Astronauts (NBC, 1973).

Though we do know that Terrence McKenna was influenced early by Lovecraft (see the memoir The Brotherhood of the Screaming Abyss), and many of the more literate hippies must have at least tried to read Lovecraft once he was in affordable paperback form. Some key Lovecraft ideas had also filtered through into Arthur C. Clarke’s trans-cosmicism — which had its own ‘ancient contact’ symbolism such as 2001‘s monolith among the primitive man-apes — so there may be more wormholes of influence to be considered there. Carl Sagan’s famously lyrical Cosmos TV series probably also had an influence (see Cosmos: Podcast Edition – Carl Sagan for a good audio-only version), with Sagan highly sceptical of post-1940s UFO contacts but not of alien civilisations per se.

Nor should we underestimate the power of oral transmission, in terms of the influences swirling through the tight but far-travelling counter-culture of the UFO-logists. I guess there must be good histories of ‘serious’ UFO-ology by now, which might tell us more about that swirl. But I expect that research on the now-unfashionable ‘ancient astronauts’ wing and the influence of Lovecraft is likely greatly hampered by big gaps in memory, caused by: i) the inevitable natural memory loss and distortion caused by age; ii) the natural ephemerality of the counter-culture’s diaries and suchlike; iii) the psychedelic drugs of the time (summed up in the saying “if you can remember the 1960s, you weren’t there”); and iv) the later 1970s heroin epidemic which burned through so many urban hippies.

Apparently this half-baked stuff is still popular, mainly through a rather shallow American TV ‘documentary’ series called Ancient Aliens. I’ve never seen that series, and didn’t even know it existed until today. It’s said that even ‘serious’ UFO-ologists shun the ‘ancient astronauts’ believers as a ‘fringe of a fringe’, but I guess it has some passing entertainment value as “what if?” TV pseudo-archaeology for the masses. Although, as Lovecraft suggested several times in his letters, such wild real-world historical-conspiracy theory is really best confined to speculative fiction which is its proper home.

It’s possible that such ideas won’t just be confined to junk TV and swivel-eyed YouTube channels in the near future. On the 50th anniversary of von Daniken’s book, Hollywood is obviously currently sniffing around the sub-genre, with Prometheus already leading the way and a proposed movie-trilogy based on Kirby’s Eternals comics being mooted.

Vintage Portuguese Lovecraft, 1941?

09 Friday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts

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The cover for The Case of Charles Dexter Ward in Portuguese translation, published from Lisbon in (apparently) 1941.

The Lovecraft bibliography has this as “1958?”, but the eBay seller who provided this scan and who had the book to hand stated 1941. Colour covers during wartime seems a little unlikely, though. But possibly they were expected on paperbacks in Brazil and wouldn’t sell well without colour?

An article on Lovecraft in Portuguese suggests “1956”, and — although that claim is unreferenced — the date does seem to match the illustration style and the use of colour.

Fleeing Flickr

07 Wednesday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts, Odd scratchings

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AppleInsider reports that Flickr is set to bring its free users down to a quota of 1,000 pictures, forcibly, from 8th January 2019…

“Flickr just says the deletion will begin “from oldest to newest date uploaded” until you’re down to the 1,000 limit.”

This will be a bit of a disaster for free users with lots of pictures. Many archival collections of pulp covers, ‘Lovecraft locations’, etc are going to be forcibly truncated. Many users are no longer around to save their collections, either having died or been locked out due to Yahoo/Flickr getting so badly hacked a while ago.

Escapees from the Yahoo/Flickr disaster-zone will need Bulkr Pro for bulk downloading. A year ago I backed up 2,100 full-res Flickr pictures into themed folders with relative ease. Account access is not needed, just publicly available photos. I then switched to the 500px service, which is relatively stylish and is about the best bulk ‘photo galleries’ option.

500px has some limitations, but cosmetic matters can be fixed with things like the “500px Download button and enable right-click” UserScript. One thing that can’t be so easily bypassed is that 500px are partnered with evil stock-photography megacorp Getty, which means they don’t allow Creative Commons tagging or CC downloads.

The best option for Flickr escapees is thus, in my experience…

* Bulkr Pro and a 500px account.
* a free WordPress blog with a good free gallery theme (Dyad 2) for your Creative Commons pictures.

Though the 500px browser-based bulk uploader is not ideal, and not everyone will love the new WordPress back-end user interface. Neither has dedicated Creative Commons tagging other than manually via the internal tag system.

If anyone can point me to a Flickr-hosted Lovecraft / R.E. Howard / Sci-fi / Pulp collection not likely to be saved from the January purge, then I can use my Bulkr Pro software to go get them in full-size.

Gou Tanabe’s Lovecraft manga on Kindle

06 Tuesday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts, New books

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New on Comixology as an ebook for Halloween, but not yet showing up on the Amazon Kindle store, is Gou Tanabe’s manga H. P. Lovecraft’s The Hound and Other Stories (2017). 163 pages in English translation. Noted manga artist Tanabe adapts three Lovecraft stories, “The Temple”, “The Hound”, and “The Nameless City”. There are done as faithful adaptations with strong historical research on how costumes and objects looked. ‘Faithful’, in the case of “The Nameless City”, will probably be interpreted by action-avid comics readers as ‘very slow and dull’. But for others it may be just the ticket.

“The Temple” is here shifted forward in time to the Second World War, and may be especially interesting to readers of the British Commando comics who are feeling starved of the supernatural in this long-running war comics series (Castle of Fear and A Soldier’s Luck being about as supernatural as we’ve had it, so far).

Update: the UK Amazon now has a page for it but suggests the Kindle release has been put back a month, until December. Perhaps Comixology has an exclusive period on it?

Early pre-production concepts for “The Nameless City”

05 Monday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts

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New costume designs and monster silhouettes for an adaptation of Lovecraft’s “The Nameless City”.

Similar-looking work seems to be ongoing at Zoetrope Interactive, though I’ve no idea if the two projects are connected or not. Possibly Zoetrope is thinking more of an Antarctica-set adventure, but the concepts seem to suit the desert setting of “The Nameless City” better.

HPL in the techno groove

01 Thursday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts, Podcasts etc.

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HPL ‘in the groove’, with the 2016 techno track “I Am Providence”.

[youtube https://www.youtube.com/watch?v=kINYhLYjCjY?start=151&w=560&h=315]

I’m starting the embed here just ahead of HPL’s first vocal appearance at 2:30 minutes, but you’ll also want to enjoy the whole seven minute track which is a corker and deserves to be heard in full.

Getting Heavy

01 Thursday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts, Podcasts etc.

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For this Halloween, Are You Morbid? XXXVI: A Heavy Metal Podcast offered listeners “Lovecraft Returns”. This being a two-hour discussion survey of the best Lovecraft heavy metal music, which sports track titles such as “In the Maze of Kadath”.

This is a “part two”, though, and follows last year’s three-and-a-half hour Lovecraft-a-thon Are You Morbid? XV – Lovecraft & Metal: A Beginner’s Guide, with lots of expert discussion about the music and where to start. Skip to around the ten minute mark, to get past the usual basic “Who is Lovecraft?” intro for metal folk who’ve (somehow) never heard of him. For those who feel they may need to skip over certain sections, the links above go to listennotes.com. The “…” on the sidebar there opens up to offer an MP3 link, and if you then right-click on this your Web browser should be able to force an MP3 download.

In the case of “A Beginner’s Guide” the track-listing also categorises the tracks by metal type, for those who have not yet correlated the mind-bending differences between Symphonic Black and Blackened Drone/Sludge/Doom Metal.

Sadly there appears to be no Spotify playlist for these track selections, and so perhaps someone might want to spend time combining these two ‘Are You Morbid?’ Lovecraft lists into one. And then posting a link to the playlist. Possibly www.playlist-converter.net can help with that, as it appears to be able to take a plain-text band name – track name list and turn it into a Spotify playlist, though I don’t trust it enough to give it Spotify account access. I’ve partially cleaned the combined list for such a conversion, removing accents, type brackets, dual track names and sending the “Everything” bands to their own list…

BAND NAME | TRACK NAME

Olyphant – Expedition to the Barrier Peaks
Terrible Old Man – Cosmic Poems
Terrible Old Man – Fungai from Yuggoth
Back To R’leyh – The Awakening
Last Fight of the Primordial Revenant – Prophecies of a Dying World
Aldebaran – Dweller in the Twilight
Swampcult – The Festival
Fiendlord – Neuromancy
Ripping Corpse – Dreaming With the Dead
Nile – Those Who The Gods Detest
Septic Flesh – Sumerian Demons
Morbid Angel – Gateways to Annihilation
Infinite Spectrum – Haunter in the Dark
Shoggoth – Mythos
Dreamlongdead – Madnessdeadgrave
Alkaloid – Liquid Anatomy
Lurking Fear – Out Of A Voiceless Grave
Colosseum – Chapter 1: Delirium
Chthe’ilist – Le dernier crepuscule
Hesper Payne – Unclean Rituals
Great old ones – EOD: A Tale of Dark Legacy
Obed Marsh – Innsmouth
Catacomb – In the Maze of Kadath
Arkham – Chapter III
Fiendlord – Neuromancy
Hypnos – Arcane Moon
Astrophobos – Remnants of Forgotten Horrors
Crafteon – Cosmic Reawakening
Ancient Niggurath – Horrors and Wonders
Barabas – The Arrival of Yog-Sothoth
Ultar – Kaddath
ceremonial castings – Cthulue
Bal-sagoth – Starfire Burning upon the Ice-Veiled Throne of Ultima Thule
Brown Jenkins – Dagonite
Brown Jenkins – Death Obsession
Swampcult – An Idol Carved of Flesh
Swampcult – The Festival
Them Vultures – Weird Tales
Giant of the Mountain – Moon Worship
The Lurking Fear – Out of the Voiceless Grave
Philosopher – Thoughts
Beast Conjurator – Summoned to the Abyss
Beast Conjurator – Strange Aeons Comp
Smothered – The Inevitable End
Yogth Sothoth – Abominations of the Nebulah Mortiis
Nile – Amongst the Catacombs of Nephren-Ka
Massacre – From Beyond
Innsmouth – Consumed by Elder Sign
Cosmic Horror – Tales of the Macabre
Coffin Birth – The Bowels of Chaos
dawn of relic – Lovecraftian Dark
temple of the demigod – the great old ones
the uncreation – Dreaming in R’lyeh
Serapheum – Serapheum
Obed Marsh – Innsmouth
Thergothon – Stream from the Heavens
Aldebaran – Dwellers in Twilight
Aldebaran – Buried Beneath the Aeons
Solemn They Await – Sanctuary in the Depths
throng of shoggoths – The Cosmic Reconfiguration
Catacombs – In the Depths of R’lyeh
Innzmouth – Lovecraft’s Dream
Tyranny – Tides of Awakening
Tyranny – Aeons in Tectonic Interment
The Disciples of Zoldon – Blackened Theological Tome
Ripping Corpse – Dreaming with the Dead
Revenant – Prophecies of a Dying World
Deathchain – Death Gods
Aarni – Bathos
Shoggoth – Mythos
Tentacle – Ingot Eye
Skyler Alexandre – Whispers in the Dark
Arkham Witch – Legions of the Deep
Arkham Witch – I Am Providence
Mad God – Tales of a Sightless City
Evangelist – In Partibus Infidelium
Evangelist – Doominicanes
Black Temple Below – Into the Black Temple
aeon sphelion – Visions of Burning Aeons
tortured spirit – Arkham Sanitarium
Keziah – The Ocean Is Not Silent
evoke thy lords – Escape to the Dreamlands
Living Death – Protected from Reality
Mekong Delta – The Music of Eric Zahn
Payne’s Grey – Kadath Decoded
Back to R’lyeh – The Awakening
Back to R’lyeh – Last fight of the Primordial
Back to R’lyeh – The McMurdo Expedition 1909
Infinite Spectrum – Haunter in the Dark

EVERYTHING: BAND NAME | ALL TRACKS BY…

The Great Old Ones – Everything
teen cthulhu – Everything
Drowner – Everything
Portal – Everything
Puteraeon – Everything
Sulphur Aeon – Everything
Azrath-11 – Everything
Colosseum – Everything
fungoid stream – Everything
eyes of leigeia – Everything
Space God Ritual – Everything
Tyrant’s Kall – Everything
Yzordderex – Everything
Bretus – Everything
space mirrors – Everything

Twirls in time

01 Thursday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts

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A couple of delightful time-twirlings caught my eye today.

Christina Hess Illustration imagines a domestic time-travelling Lovecraft in England with a loving Jane Austen, and morning tea served by a tame tentacular beastie. Presumably that’ll be the ‘Jane Austen and zombies’ Jane. And Lovecraft is definitely developing an ‘Innsmouth look’.

Fantasy map-maker Robert Albauer mashes Lovecraft’s monsters with the medieval Crusades. Hmmm, yes… I can see a fruitful mash-up of R.E. Howard’s Crusader stories with the Cthulhu Mythos, if that hasn’t already been done. (Update: yes it’s been done, Simak did something similar in his LOTR-Lovecraft mash-up novel Where Evil Dwells (1982). More recently there was a Dark Ages + aliens mini-series of comic books).

“Evolution of life”

01 Thursday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts

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“Evolution of life” by Virgil Finlay, one of a series of illustrations he made for The Complete Book of Space Travel (1956).

Call of Cthulhu game released

30 Tuesday Oct 2018

Posted by asdjfdlkf in Lovecraftian arts

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I’m not taking much notice of videogames here, but the new Call of Cthulhu, released today, is so big it merits an exception to the rule.

The first reviews are out, for the major new videogame Call of Cthulhu (Cyanide Studios, 2018), which makes a serious attempt attempts to embody and package Chaosium’s Cthulhu table-top RPG game into a single-player narrative-driven mystery-horror videogame.

Big ambitious games such as this are best played on the PC desktop about 18 months after release, when multiple bug-fixing patches and mods have fixed their inevitable release-day problems. At that point there are often DLC expansion chapters to be had, and the overall price is cheaper.

But, on initial release today, the fan-boy and magazine reviewer sentiment seems to be broadly favourable. Though many of the (often spoiler-packed) reviews chafe at the usual Big Game gremlins…

* Unconvincing and stiff character animations, on characters that have to be low-poly so they can run on consoles.

* Characters are generic, and sometimes tell you about stuff that hasn’t yet happened in the game.

* Decent voice-acting, but some East Coast Americans may notice inconsistent dialogue accents.

* The stealth mechanics could benefit from a buff up.

* Some tiresome ‘key collecting’, a couple of annoyingly obtuse puzzles.

* Lacks ‘action’, for gamers who expect machine-guns and monsters every 30 seconds.

* The muted and gloomy colour palette and environments of the New England coast (Darkwater Island in 1924, standing in for Innsmouth) also spur some gripes, from those who might have preferred a more vividly-hued game.

But gamers are used to such things, and for a big RPG none of the gripes are really specific to this title. Generally the game looks like it’s made a fairly good landing on its first day, and is getting healthy amounts of praise. If the PC Windows version can be modded, and/or gets heavily patched (Cyanide Studios are good on that, I hear), infrequent game-players may well find that it’s worth a look this time next year. It’s probably likely to be more impressive to those who only play three games a year, than to the jaded seen-it-all-before types who play three games a week.

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