Brown to the Ashmolean
02 Thursday Jul 2020
Posted in Lovecraftian arts
02 Thursday Jul 2020
Posted in Lovecraftian arts
29 Monday Jun 2020
Posted in Historical context, Lovecraftian arts
Dark Worlds Quarterly appreciates Long’s ‘Lovecraft years’, with the new article “Frank Belknap Long – Part One: 1920-1939”. Including a nice ink-drawing of him I’d not seen before, and a fine collection of his story and poetry header-art.
Update: Frank Belknap Long – Part Two: The 1940s.
Also at Dark Worlds, a new “Giant Spiders in Weird Tales“ visual survey.
25 Thursday Jun 2020
Posted in Lovecraftian arts
Jonathan Goodwin’s ‘Don’t Go Into The Cellar!’ presents, for one night only, his theatre performance Lovecraft Lives!. 28th June 2020 at 9pm UK time, on Facebook. When he has 1,000 subscribers the shows will be live on the YouTube channel.
24 Wednesday Jun 2020
Posted in Historical context, Lovecraftian arts
Bobby Derie revisits The Private Life of H. P. Lovecraft (1985), a memoir by his wife Sonia H. Davis.
Cover by Jason Eckhardt.
23 Tuesday Jun 2020
Posted in Lovecraftian arts
Celebrating H.P. Lovecraft’s keen interest in cats.
It’s 1972 in South America. You’re dodging fugitive Nazis in one-tap villages and cantering over the wide-open pampas on your lama, in search of the lost Nazca Lines. The 1972 El que acecha en el umbral is the edition of Lovecraft that’s in your saddle-bags…
14 Sunday Jun 2020
Posted in Lovecraftian arts
Gallery Nucleus in Los Angeles staged a 20-artist show, “At the Mountains of Madness: A Tribute to the Writings of H.P. Lovecraft”.
There’s a set of pictures from the launch, artist list and details.
11 Thursday Jun 2020
Posted in Films & trailers, Lovecraftian arts
The Lone Animator is back to blogging, with a fine ‘making of’ blog post.
This one is about his new adaptation of Lovecraft’s “The Elder Pharos”, part of the Fungi From Yuggoth cycle. The animation was released on YouTube a few weeks before the virus hit.
09 Tuesday Jun 2020
Posted in Lovecraftian arts
Celebrating H.P. Lovecraft’s keen interest in cats.
One of the best science-fiction stories of 1955/56… “The Game of Rat and Dragon”, from Galaxy for September 1955.
08 Monday Jun 2020
Posted in Lovecraftian arts
Graham Plowman has released a new soundtrack to an “unmade film” adaptation of H.P. Lovecraft’s At the Mountains of Madness.
Available now as free samples and as an $8 download.
07 Sunday Jun 2020
Posted in Lovecraftian arts
Just released, an interesting labour-of-love videogame from a former BioWare developer. Old Gods Rising is a single-player Windows game…
Old Gods Rising is a first-person adventure mystery. Duvall describes it as “what would have happened if H.P. Lovecraft had been running the Firewatch team.
In which you wander around an eerily deserted university campus and grounds. As you do, these days. I’ve no idea what Firewatch is but Old Gods sounds like it’s in the mould of the British game of a few years ago called Everyone’s Gone to the Rapture, but here with a scholarly and Lovecraftian layer. Old Gods is said to take about four hours for hardened three-games-a-week puzzler gamers, or perhaps three evenings for those who only play three games a year.
As with all large new PC games, it may be advisable to wait for a few bugfix patches before playing.
06 Saturday Jun 2020
I’ve found another early appearance of ‘Lovecraft as character’. It was mentioned in the Bloch letters, and takes the form of a three-page spoof story/sketch. Robert Bloch’s humorous “The Ultimate Ultimatum” appeared in Fantasy Magazine for August 1935. This purported to be an account, over three pages, of a very large convention of writers and fans. Supposedly having taken place recently in a large crypt, the ‘event’ clearly anticipated the form of ‘the large science-fiction convention’ as it later emerged — none had actually happened at that point, though regional ‘conventions’ were a thing in amateur journalism.
The relevant issue of Fantasy Magazine is not online, and nor is the item itself, but here is a taster dug out of a later magazine article on Bloch…
It was a big convention. Lovecraft was there. So was Clark Ashton Smith, August Derleth, and Otto Binder. Ray Palmer was present, and Stanley Weinbaum. Also there was I, thrilled and proud at attending this gathering of masterminds.
In his letter to Bloch, Lovecraft commented on Bloch’s “The Shambler from the Stars” story in which he had also featured as a character. He added… “the spoof also is extremely clever — I can recognise myself except for the pipe”.
An endnote for the letter adds a little more text from “The Ultimate Ultimatum”…
Howard Cthulhu Lovecraft … sat in the corner, puffing furiously at a skull-shaped pipe.
So far as I can tell the spoof has never been collected, and the Fantasy Magazine for August 1935 has its only appearance. It’s unknown if there were illustrations, but probably there weren’t. It might make for an interesting 1960s Mad magazine -style comics adaptation, today, by a good caricaturist.
30 Saturday May 2020
Posted in Lovecraftian arts
Looking for a Saturday-night movie, tonight? The movie Cast a Deadly Spell (1991) has reportedly arrived on Amazon Prime in the USA, and this week Film School Rejects has a short appreciation (warning: plot spoilers!) of this ambitious and successful attempt to create a fun mix of H.P. Lovecraft and 1940s gumshoe film noir…
Cast a Deadly Spell is pure fun, first and foremost. That said, the movie is also a prime example of how great storytelling and imagination are two of the most magical ingredients in any film. This movie has those qualities in abundance, and it deserves to be appreciated by a wider audience.
When it first appeared, Darrell Schweitzer noted in a fanzine that the original title was to have been H.P. Lovecraft: Private Eye. The central character is indeed named Lovecraft, and the actor has a mild facial resemblance, but otherwise he’s a typical 1940s Private Investigator. Schweitzer also compared the movie to Disney’s equally retro The Rocketeer (1991), but with more overt humour and (I would add) the budget put into FX and hand-made monster-puppets rather than big shiny stunt-planes and jet-packs.
It even has the coveted Stamp Of Approval from S.T. Joshi, who knows his gumshoe detectives as well as his Lovecraft…
it ingeniously combines the Mythos with hard-boiled detection in its portrayal of a tough private eye, H. Phil Lovecraft … While not directly based on a specific Lovecraft story, it captures the essence of the Cthulhu Mythos surprisingly well.
In I Am Providence Joshi singled it out as a “striking performance” … “highly effective”. Although he calls it a “two hour” film, so it’s possible he saw a naughty convention screening of a print made before the editor trimmed it back for cable TV running times? Just my guess. The stated running-time is actually one hour and 36 minutes. I don’t seen any mention of some 14 minutes or so of out-takes being available elsewhere, on YouTube or the laser-disc version.
It appears that Cast a Deadly Spell was a cable-only U.S.-only show for many decades, with an old VHS tape being just-about obtainable and a laser-disc being almost unobtainable… but no DVD was allowed lest it interfere with cable showings. However, my UK version of Amazon now offers a £10 Spanish import DVD with multi-language including English. In terms of current streaming, nothing is visible on the UK Prime — at least to a UK Amazon user who shuns Prime. Such are the stupidities of the region-system. The UK is a big profitable market, with buyers who would spring instantly for a £3.99 streaming version. Yet instead we have to risk an import DVD, or dodge among the dodgy torrents, or peer at a 480px VHS-rip on YouTube.
Fangoria magazine #106 (1991) had a long article on the movie and many spoiler-pictures of the various monsters, as part of their ‘Lovecraft special’ issue. This same issue also has a long article from Will Murray in which he surveys Lovecraft adaptations to 1990…
Note that an early 1990s scan of Fangoria magazine is probably not ‘safe for work’ in 2020.
Beware also that there was a Cast a Deadly Spell sequel in 1994 with a different star and different cast, less charm and humour, and the Lovecraftian lore was cut. But those were the years of the virulent ‘satanic panic’ hysteria, so we’re probably lucky that either movie was made and then reached a mass mainstream American audience.