HPLinks #40 – early fanzines, mad Jung, Meeplesmith, Doom and more…

04 Wednesday Jun 2025

Posted by asdjfdlkf in HPLinks, Lovecraftian arts

* New on Archive.org, a good scan of the Lovecraft fanzine The Acolyte #4 from 1943, with a number of Lovecraft articles.

* Also new there, scans of the early fanzines Dream Quest #1, along with #2 and #5. These being from the late 1940s. General, but with an obvious continuing interest in Lovecraft.

* Talking of the 1940s and 50s, I spotted this in the catalogue description of an archive of personal papers that is now seemingly up for sale from Mark Funke Books…

… fanzines publishing anything at all by Lovecraft carry clearance from us.” [seller’s quote from a 18th March 1957 letter from John Stanton at Arkham House, sent to Boyd Raeburn].

* Translated from a Spanish review in Contrastes Vol. XXX, No. 1 (2025), in which the reviewer compares Jung’s mad delvings to those depicted by Lovecraft…

JUNG, CARL GUSTAV. The Black Books: Notebooks of Transformation in 7 volumes. Buenos Aires: El Hilo de Ariadna, 2024. The publication of The Black Books represents a fundamental event for understanding the thought of Carl Gustav Jung. […] the English edition of these previously unpublished notebooks appeared in 2021 under the direction of Sonu Shamdasani […]. This [new Spanish version] is a colossal, private, and numinous work, in which Jung, on several occasions, seems to lose control of his own psychic experience. Published in facsimile format, it allows consultation of the original manuscript, which adds an additional layer of depth to the reading.

At first glance, The Black Books can be compared to the work of Jung’s contemporary, H.P. Lovecraft. Jung’s descriptions of the “primordial” beast striking similarities to the stories of the writer of Providence. Lovecraft’s Cthulhu is not very different from Jung’s archetypal visions, such as Atmavictu or Abraxas, that emerge in these texts. However, the distance between the two authors is significant: while Lovecraft cleaves to a materialistic and pessimistic vision of the cosmos, Jung opens up to the numinous dimension as a source of psychic and spiritual transformation.

* Be aware that Amazon shows the cover for the limited-edition ‘early Bird’ edition of the Druillet-Lovecraft book, which came with a slip-pocket and an additional set of prints as cards. What they actually ship is just the standard Druillet-Lovecraft book (Nov 2024) without such extras. At present the standard book is also currently still available direct from publisher Galerie Barbier in France, though I can’t help thinking that won’t last forever and it will probably sell out in due course. The sumptuous 288-page book has Demons et Merveilles (1976) reprinted in full, all the Necronomicon pages, the covers Druillet designed for Lovecraft’s books, plus additional “rare or unpublished paintings and sketches”.

Standard edition

* Nyarlathotep and Other Tales of Cosmic Dread (June 2025), a new album by David Thrussell & Flint Glass. No idea about the music, but the physical version has a pleasing look. Artwork possibly generative, but also possibly by ‘stefan alt’ who is credited with the design…

* Encountered at honest Abe’s used book emporium, a glimpse of what Lovecraft looked like in French in 1975…

* Last noticed here in September 2024, Meeplesmith’s “Lovecraft’s Monsters” appears since then to have added new lines in its paintable miniatures. Including what is effectively a shoggoth…

* The big headline-grabbing videogame Doom: The Dark Ages is now available, and it appears to be a critical and sales hit even before its first patch.

Many are noting the very strong Lovecraft influences in the new game. A small sampling…

     – “like Lovecraft was on the writing team”
     – “really good during the Lovecraft part of the game”
     – “adds a Lovecraftian style to Doom, mixing green hues, water, and tentacles to the usual mix”
     – “appears to be heavily influenced by the Cthulhu mythos”

Apparently there are also many spoilers to be had in the game’s early reviews and YouTube videos, so it’s perhaps best not to delve too deeply there before playing.

If it’s moddable, there may be some interesting ‘even more Lovecraftian’ fan-mods in due course.

* Adventures Fantastic has a review of the new Robert E. Howard biography. And I see there’s another new free and excellent audiobook reading of an REH ‘El Borak’ tale, this time “Son of the White Wolf”. Download as an .MP3 file, to avoid the ads.

* A useful guide to REH adaptations, a new (nearly) Complete Chronology of The Savage Sword of Conan. This publication being Marvel’s Conan magazine which offered around 50 pages of b&w story per issue, in an oversized magazine with quality artwork and (mostly) complete-in-this-issue storytelling. In this new list and guide, the magazine’s issues are carefully and newly sorted by Conan’s age (or apparent age) in each tale. (Note that Marvel’s Savage Sword is not to be confused with their equally long-running monthly Conan the Barbarian title, which was sold on the spinner-racks among the superhero and funnies comics. These monthlies were recently bundled by Darkhorse into over thirty reprint volumes, titled The Chronicles of Conan).

* One for ticket-baggers to watch, 30th Anniversary H.P. Lovecraft Film Festival in Portland in October. Can’t be long now…

details will be revealed in summer 2025, and the first deluxe and VIP tickets will go on sale in our annual Kickstarter fundraiser (tentatively planned for June/July)

* And finally, in Providence… the local newspaper reports Lovecraft’s real “Shunned House” sells for $1.8M (Archive.is link, to let readers outside America bypass the EU-triggered censorship).

— End-quotes —

* “Vermont did not form the end of my visiting; since W. Paul Cook, on his second trip up, repeated the process of kidnapping a helpless old gentleman and bore me away for a week’s visit to Athol, where I had the honour of seeing him send to press, with his own hands, the sheets of my story The Shunned House, which when published will form my first cloth-bound book, (albeit only a thin affair of sixty pages, with a brief preface by my Belknap-grandchild).” — Lovecraft to Zelia Bishop, July 1928. (The project fell through, and the sheets passed through various hands).

* From “The House” (Lovecraft’s poem on the real Shunned House, July 1919).

The rank grasses are waving
     On terrace and lawn,
Dim memories sav’ring
    Of things that have gone;
The stones of the walks
    Are encrusted and wet,
And a strange spirit stalks
    When the red sun has set

* Lovecraft’s own rough sketches of the real Shunned House in Providence…

HPLinks #39 – join the Esoteric Order, Lovecraft’s Dark Enlightenment, sculpting Lovecraft, Dunwich revived, Mayfair magazine, and more…

25 Sunday May 2025

Posted by asdjfdlkf in AI, HPLinks, Lovecraftian arts, Scholarly works

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HPLinks #39.

* S.T. Joshi’s blog has updated (19th May 2025). Among many other items, he is currently seeking a new acolyte to join his very own secret Esoteric Order. He also notes the ‘zine…

Nightlands no. 3 (Autumn 2024), containing my article ‘H.P. Lovecraft and Weird Art’ (an article I wrote years ago as liner notes for an album that never appeared)

* In German, a philosophy journal article whose fragmented title might best translate into English as ‘The Dark Enlightenment of H.P. Lovecraft’, from Weimarer Beitrrge No. 68 (2022, freely available online 2025)…

… he develops an atheistic-materialistic philosophy not only in his literature, but also in essays and especially his extensive correspondence, which can be understood as a “dark enlightenment”. What Adorno and Horkheimer do in their dialectics of the Enlightenment, based on de Sade and Nietzsche also applies, ‘mutatis mutandis’, for Lovecraft. His work unfolds an “intransigent criticism of practical reason” and its agent, the too “self-evident subject”. [Only by understanding the] basic positions of Lovecraft’s philosophy, as developed in essays and letters, does his poetics of form [become clear and] open us up to the full understanding of his literature. His works also provide directional concepts for the philosophy and philology of ‘the eerie’. […] Against this background [I engage in] a reading of his “The Color Out of Space” (1927)

* From Russia, “Preserving the Author’s Style in Translating The Dream-Quest of Unknown Kadath“ (April 2025). A short conference paper, freely available online. Partly in English.

* Deep Cuts considers the very late “Of Gold and Sawdust” (1975), by Lovecraft’s friend Samuel Loveman.

* “Making an Ultra-Realistic Portrait of H.P. Lovecraft” via 3D digital sculpting and texturing. A link from a few years back, but I don’t think I’ve linked to this ‘making of’ page before. Only to the results.

* New on Archive.org, a pack of three Historic Males SD 1.5 LoRAs including Lovecraft. These are free character add-ons for generating images with Stable Diffusion 1.5. Historical personage add-ons having been last week removed from CivitAI (the main Stable Diffusion download website) along with living celebrities. I guess CivitAI didn’t have either the manpower or the cultural savvy to know if a celeb was dead or alive, and thus they junked the lot.

Tip: you may want to put “Spock” in the negative prompt, if the LoRA wants to veer towards Star Trek’s Captain Spock. That seems to restore Lovecraft’s face. The above is an Img2Img style transform + the LoRA, starting from a Bondware Poser 13 render.

* Feuilleton has lengthy comments on the ‘history of Lovecraft in comics’ academic paper (linked to in my previous HPLinks). Reading this history has spurred him to finish his own unfinished adaptation of The Dunwich Horror… “This, then, is my major project for the next twelve months. The book as a whole will take at least this long to finish”.

* The Alan Moore World blog has “Lovecraft was an American William Blake”…

In writing about Lovecraft, as I’m doing at the moment, I want to understand where he was, to become him, as it were. We’re both pulp writers trying to express our vision of the truth. In this current book Yuggoth Cultures, I’m trying to divine that knowledge.” (Moore, 1993).

Sadly, it appears that his Yuggoth Cultures was left in a London taxi-cab and thus lost. Not sure how the book overlaps with Moore’s comic-book series Yuggoth Cultures and Other Growths, but I’ll take it on trust that Alan Moore World knows that the published comics and the lost book are different things.

* I missed noticing this event, but managed to snag the poster at a small size. A ‘Lovecraft festival’ on the videogame service Steam, which has now been-and-gone.

But from this I was able to track down the larger and more appealing artwork (same artist, no artist credited) that the poster was partly made from…

* Bounding Into Comics reviews the new Re-Animator movie 4K UHD set, and itemises the many additional extras newly packaged with the movie.

* The publisher Dark Horse is preparing to ship a ‘special hardcover’ edition of Richard Corben’s “Lovecraft and backwoods terror” graphic-novel Rat God. 184 pages with “remastered lettering”. Unfortunately it’s also being coloured, having originally been in greyscale. Due in the autumn of 2025…

Terrible things stalk the forests outside Arkham in this chilling original tale from comics master Richard Corben.

* Viking (an offshoot of Penguin Books, last I heard) is reported in the book trade as being set to publish Penguin Weird Fiction later in 2025… “an anthology of stories featuring H.P. Lovecraft, Edith Wharton and Arthur Conan Doyle, among others”. The advance notice makes it sounds like the stories feature these authors as characters, but I suspect it’s not that interesting. Just another cash-in reprint, I expect.

* New on Archive.org, a set of Mayfair magazine (for several decades a leading mass-market British equivalent to the U.S. Playboy), which search shows had in its February 1970 issue a reprint of Lovecraft’s “From Beyond”. George Underwood was the artist…

* Another new batch of short SF/fantasy readings at LibriVox. This time around there are four by Lovecraft’s one-time protege Henry Kuttner, all public domain. Also, I didn’t realise any stories by Marion Zimmer Bradley had slipped into the public domain. But at least one of her stories must have, since she’s in this collection.

* And finally, a reminder to those who may be visiting Providence this summer, that I have a free Lovecraft’s Providence Map online.

— End-quotes —

“”Polaris” is rather interesting in that I wrote it in 1918, BEFORE I had ever read a word of Lord Dunsany’s. Some find it hard to believe this, but I can give not only assurance but absolute proof that it is so.” — Lovecraft to Dwyer, March 1927.

“As to the charge of modernism against me because of my predilection for Poe & Dunsany, why, Sir, I refute it!” — Lovecraft to Kleiner December 1919 (he instead hails his predecessors in the 18th century gothic, discovered and read in his childhood attic).

“When I think of Dunsany, it is in terms of “The Gods of the Mountain”, “Bethmoora”, “Poltarnees, Beholder of Ocean”, “The City of Never”, “The Fall of Babbulkund”, “In the Land of Time”, and “Idle Days on the Yann”.” — Lovecraft to Fritz Leiber, November 1936.

“… a few weird [stage] dramas such as Dunsany’s ‘Gods of the Mountain’ & ‘Night at an Inn’ have demonstrated how a natural expert can weave horror, dread, & mounting tension with skilfully managed dialogue.” — Lovecraft to Natalie H. Wooley, March 1935.

“I infinitely prefer Dunsany to Cabell — he was a genuine magic & freshness which the weary sophisticate seems to lack” — Lovecraft to C.A. Smith, August 1926.

“Imaginative artists have been few, and always unappreciated. [William] Blake is woefully undervalued. Poe would never have been understood had not the French taken the pains to exalt and interpret him. Dunsany has met with nothing but coldness or lukewarm praise.” (Lovecraft, “In Defence of Dagon”, January 1921).

HPLinks #38 – Lexicon bagged, history of Lovecraft in comics, Amazing tentacles, Baranger art-prints, Tower of Shadows, AI art-styles, a bad fire, and more…

16 Friday May 2025

Posted by asdjfdlkf in HPLinks, Lovecraftian arts

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HPLinks #38.

* The latest edition of the journal ImageTexT has “The Actual Anatomy of the Terrible: Gou Tanabe, Weird Ekphrasis, and the History of Lovecraft in Comics”. The first part surveying some of the history of Lovecraft in comics. Open-access, freely available online.

* The Passing Place this week blogs about a new project, having newly embarked on what sounds like a researched… “book about Lovecraft’s creatures and worlds”. The author has some form there. Having already produced a 2022 book, though I don’t think I had noticed it here at Tentaclii, a book titled Lexicromicon: A bluffers guide to the writings of H.P. Lovecraft.

For those impatient for this forthcoming book, note that there’s already Anthony Pearsall’s fine The Lovecraft Lexicon: A Reader’s Guide to Persons, Places & Things in the Tales of H.P Lovecraft (2005). Which I only have as a Kindle ebook purchase, not ideal for a quick ‘pull it off the shelf’ consultation. But I’m pleased to say that Passing Place’s post fortuitiously prompted me to check eBay just now, and thus I’ve bagged the Lexicon. In VG paper from a UK seller for a reasonable £12… nice. Normally the price is stuck at three times that. Thanks again to my Patreon patrons, for the PayPal used to bring such little treasures winging onto my book shelves.

* The Pulp Super-Fan looks back at the ‘The Library Lovecraftian’ series, itemising what was in this ill-fated mid-1970s attempt at a small Lovecraftian fiction ‘zine. The third issue managed to attract “The Horror on the Beach: A Tale in the Cthulhu Mythos” by Alan Dean Foster (by then a well-known SF writer, I seem to vaguely recall), but after that it folded.

* New on Archive.org and new to me, scans of what appears to be a full run of Cimoc. This being a Spanish local equivalent of Heavy Metal magazine, and which ran 1981-1996. There’s a wealth of fantasy and science-fiction artwork here, even if you can’t read the stories. How many of these monthly Heavy Metal equivalent Euro-comics were there? Quite a few, it seems, as I also recently discovered the Italian equivalent L’Eternauta, having already known about the various Toutain-edited titles and licenced editions.

* Talking of which, this week up pops Les magazines de bande dessinee en France (2025). It’s a new open-access book with various chapters on the history of the ‘BD’ comics form in France. Includes, among others, in French…

   – Influence of the North American underground in adult comics magazines in France, 1969-1976.
   – Rock in comic-book magazines from the 1970s and 1980s.
   – The place of sex in comic-strip magazines for adults in the 1980s.

* Turns out the major new exhibition ‘Astonishing Things: The Drawings of Victor Hugo’ may have a Lovecraftian feel in their Old Europe macabre mistiness, if the images shown in reviews are anything to go by. On now at the Royal Academy of Arts in London, until 29th June 2025, though with a hefty £17 ticket price. There’s a book catalogue.

* New on Archive.org, a fine scan of Amazing Stories for December 1929, with a delightfully tentacular cover that was new to me. One recalls Tolkien’s “The Watcher in the Water” here, and wonders if he ever saw the magazine in his friend Lewis’s pulp collection.

* Frontier Partisans has a brief “Centennial Salute to H. Rider Haggard”, 100 years after the adventure writer’s death.

* The Silver Key reviews the new biography Robert E. Howard, The Life and Times of a Texas Author (2025), and finds it worthy.

* Limited edition French Paper Art Club fine-art prints, featuring The Art of Francois Baranger. Some are already selling out their editions, with the ‘Mi-Go from space’ print already gone.

* Publisher Fantagraphics is reprinting lesser-known Marvel Comics material as pleasing new books. The first is Lost Marvels Vol. 1: Tower of Shadows (2025) which collects the new comics (not reprint material) that appeared in the Tower of Shadows supernatural anthology news-stand comic from 1969-1971. Included adaptations of Lovecraft’s “The Terrible Old Man” and “Pickman’s Model”.

Barry Windsor Smith in his Trimpe-emulating period, original artwork for a page of “The Terrible Old Man”.

* A new free Lovecraft Pulp Style LORA, a style add-on for Stable Diffusion SDXL-based image-generating AI models. The style is too ‘modern card-art for tabletop games’ for me, but some may like it and one user seems to have pushed it more towards Lovecraft’s landscapes.

* Talking of SD, I’ve been running workflow tests to see if a scene from Bondware’s Poser 12 can be translated to a new and convincing artistic style, using Stable Diffusion 1.5. The aim here was to keep exact Photoshop-layer registration with the original Poser render of the 3D scene (here deliberately made to look bad but also ‘SD friendly’). Such that the resulting image then can be consistently re-coloured and parts of it easily masked in Photoshop. Easy consistent clothes / heads / colouring / style being a Holy Grail in SD-made comics. Here a strong Controlnet, using a special type of render from Poser, holds the scene in place while allowing the SD style makeover to happen.

Using a difficult test scene from Poser I’ve had some success, as you can see. In this little demo a Lovecraft-alike visits an alien world and surveys the cosmos through his boyhood telescope. A wonky pose was applied to the Poser figure, meant for a steampunk airship with rigging for the figure’s hand to grasp. And it’s ‘too light, to too dark’, but that’s intentional. Plus getting a likeness of Lovecraft was tricky from a 768px starting render. Anyway… it’s a proof-of-workflow and you get the idea. Now I’m moving on to try to ‘Moebius’ the same scene.

* Talking of which, the new edition of The Comics Grid has the long article “Moebius and Digital Tools: From Experimentation to Remediation”. This examines how… “Moebius used digital tools throughout his career in a variety of ways, ranging from experimentation to remediation and back”. Remediation = ‘fixing unsatisfactory old artwork’.

* A while back I blogged about Novelforge, the offline creative writing editor software with style assistants and a one-time $60 purchase. A new version had added a choice of free remote or local AI creative-writing assistants. Those who tried it then may recall that Novelforge unfortunately lacks a dark mode, but… I now find this can be forced with the latest $10 WindowTop Pro utility. WindowTop forces any Windows software to use a dark mode, while also trying to keep the user interface’s other red-blue-green colours the same. The effect can be toggled with a few keyboard presses. I tried several ‘dark mode forcers’, and this was the one that worked for Novelforge while also keeping the red-blue-green UI icons etc intact.

* On display at Lehigh University in Pennsylvania, until the end of June 2025, a selection from their new Lichtman Sci-Fi Fanzine Collection. The selection being exhibited aims to survey the collection’s “breadth and depth”…

… the Robert Lichtman Science Fiction Fanzine Collection amounting to over 15,000 items. This extensive collection spans nearly a century, dating from the late 1930s through 2022, and features commentary, fan fiction, criticism, conference proceedings, and other genres. Along with the printed works, the archive includes correspondence, original art, and several fanzine titles personally published by Lichtman.

It occurs to me that long-time fan collectors could now approach the Library, to see if their own collection might make a welcome and complementary addition (in due course)?

* And finally, Oregon Live has a long article recounting how last December, a couple purchased the sight-unseen contents of a storage unit in Lyons for $60, finding there…

“The original manuscript of H.P. Lovecraft’s 1924 short story, ‘Under the Pyramids’, which Lovecraft wrote on the back of old business letters.”

This turned out to have been stolen from…

James Strand’s collection [which was] probably the finest ever put together of science fiction and fantasy dealing with Lovecraft, [and also] Arkham House and the Arkham House writers. I can’t even think of an institution with a better collection.” (quote by L.W. Currey) […] Drug dealers and street-gang members quickly waltzed in after the medical examiner departed with Strand’s body [after his death]. They ransacked his library, stealing first editions, manuscripts and original art. [ Local police were not interested in the thefts, but …] The FBI [now] estimates $1 million in stolen books and comics have been recovered, but no one knows how many Strand books have disappeared into personal collections, burn piles or other storage lockers. If Strand kept a meticulous inventory, it disappeared in the looting of his home.

One hopes that, at least, no unpublished Lovecraft letters were lost. Such a pity the collection was never shipped to a university archive. But then in the case of some universities, you have to wonder if the archives themselves will be subject to purges a few decades along the line.

— End-quotes —

“I used to have the atlas [Mitchell’s Ancient Atlas], but it was lost during a household removal. Three removes [i.e. house moves], said old Dr. Franklin, are as bad as a fire!” — Lovecraft to Fritz Leiber Jr., December 1936.

“… the door of some Cyclopean furnace had been thrown wide, and the old mansion stood out black against a veritable holocaust of empyreal fire. The spectacle was a chromatick tumult unearthly and iridescent, nearly every colour having its place — even a vivid and sinister green which seem’d to typify the poisonous corrosion and putrefaction of the decaying elder America.” — Lovecraft to F.B. Long, November 1923, on encountering his own ancestral Simmonsville mansion amidst a violent sunset, during a walking tour of old family places.

“… [my] hands simply paralysed unless I hold’ em over the [portable oil] heater and thaw’ em out afresh for every beastly word. [Though] maybe I’ll survive through the night, since I see a fire has just been started in the furnace” — Lovecraft to Morton, November 1925 (Lovecraft, shivering in his New York room on the edge of Red Hook).

HPLinks #35 – a different Alcestis, Hobbes and other philosophy, magic detectives, Brown, modernism, Moebius, pop-ups and more…

24 Thursday Apr 2025

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HPLinks #35.

* The HPLHS Store now has the new Alcestis book version in stock…

… not only had the pair of them written a new prologue for the piece, but also presented after that a version of the play itself that was substantially different from other known translations, so we consulted with a classics scholar. In the end, instead of the lovely but simple pamphlet containing Sonia and Lovecraft’s version of Alcestis, we originally intended to produce, we are creating a casebound volume containing an explication of all of the new discoveries about this piece in the form of a paper by Helios Editor/Publisher N.R. Jenzen-Jones and classics scholar Carman Romano; Sonia and Lovecraft’s edition of Alcestis, complete with their prologue, and newly commissioned illustrations by several of our favorite artists.

* “Music for a blind idiot god: towards a weird ecology of noise” (2024). On “the horror of noise” in Lovecraft and others. Freely available for download.

* In the latest issue of the open-access journal Diaphonia, “Uma interlocucao entre estado hobbesiano com “O mito de Cthulhu” na literatura de H.P. Lovecraft”. It’s an awkward title to translate but, with reference to the abstract, this would about cover it: ‘A discussion between the absolutist Hobbesian state and the totalitarian sovereignty of Cthulhu as described in H.P. Lovecraft’s “The Call of Cthulhu”. Freely available online.

* A new contribution on ‘The Weird’ from Graham Harman, a leading philosopher in the field, “Weird Fallibilism: Feyerabend, Lakatos, and Justified True Belief” (2024). Freely available for download. Drawing on Lovecraft, he suggests the description of ‘weird fallibilism’ for a situation in which… “1) truth never corresponds to reality, and (2) objects never correspond to their own qualities”.

* A review in the new edition of Mythlore of the academic book Magic, Magicians and Detective Fiction: Essays on Intersecting Modes of Mystery (2025). The review is freely available online.

* The new academic book Deviant Landscapes: A Journey to Exotic and Imaginary Places and Spaces (2025). Intriguing title, but the only somewhat relevant chapter appears to be “Atmospheric Narrative Landscape, Stimmung and Place-Making in Edgar Allan Poe’s “Silence — A Fable””. Stimmung is German and means broadly ‘mood/atmosphere’.

* The recent visit by S.T. Joshi made me aware of the wider Weird Fiction Collections at Brown University. It’s not just the Lovecraft letters.

* Brown University Master of Fine Arts student Roman Johnson is reported to have been given the latest S.T. Joshi Fellowship by Brown University. No details yet about his research topic or aim.

* A Masters dissertation for Texas State University, “Our Eyes are Yet to Open: H.P. Lovecraft and Modernist Horror” (2023). Freely available online. The abstract shows a clear focus and the author examined the essays and letters as well as three tales…

examines Lovecraft’s essays and correspondence to highlight his concerns and philosophical perspectives with his modernist contemporaries. [A study of three tales shows that] Lovecraft’s fiction exhibits various themes and techniques associated with literary modernism more prominently than one might initially assume. [Integrating aspects of early modernism] allowed him to express his fears and philosophical viewpoints about modernist concerns through terrifying and cosmic imagery.

* Robert Silverberg on HPL’s “gloriously overwrought” Shadow Out Of Time, an article extracted to HTML from Asimov’s Science Fiction magazine (December 2005).

* Now on Google Books with a preview, the new biography Robert E. Howard: The Life and Times of a Texas Author.

* In the field of vintage comics appreciation, Deep Cuts has a new long post. Finding that there was an Italian edition of the Heavy Metal magazine ‘Lovecraft special’. The images shown reveal that the cover used an enlarged and coloured version of that issue’s fine b&w Moebius drawing. The long post has exhaustive details of the different editions, and many interior page and details. Here’s a good cover image I snagged from eBay, where collectors will still find several copies of the Italian edition for sale.

* Newly listed on eBay UK, Lovecraft’s Selected Letters: 1929-1931 from a UK seller and at a sensible £20 price. Though sadly there’s no ‘Click & Collect’ on offer, or I’d have had it. Still, some Tentaclii reader (with a big and accessible letter-box, able to take chunky books) may want it at that price.

* And finally, also on eBay and new to me, the Necronomicon Pop-up Book (2017) by ‘Skinner’ and Rosston Meyer…

— End-quotes —

“144. Hideous book glimpsed in ancient shop — never seen again.” — from Lovecraft’s Commonplace Book of story germs and ideas.

“To Whomsoever May Open This Book: This is set down as a Warning to you, Sir or Madam, that you are not to open this Book beyond the Place mark’d by a red Riband. It wou’d be better for you to throw the whole Book unopen’d into the fire; but being unable to do so myself, I cannot hope that you will. I do nevertheless adjure you to look nowhere in it beyond the Riband, lest you lose yourself to this World, Body and Soul; for truly, it is a Tomb for the Living.” — Lovecraft pens an original ‘book warning’, in his best circa-1780 style, in a letter to Morton of March 1937.

HPLinks #34 – Providence, Witch House, cosmic DC, Dexter Ward and more…

16 Wednesday Apr 2025

Posted by asdjfdlkf in HPLinks, Lovecraftian arts, Scholarly works

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HPLinks #34.

* In the new April 2025 issue of the academic journal Horror Studies ($ paywall), the lead article is “Dark Epiphany: The Lovecraftian in twentieth-century existential literature”.

* A call for papers from the British Fantasy Society. Their BFS Journal plans a special issue on ‘War in Fantasy’. I’m guessing that an article on “Dagon” and “The Temple” as wartime stories might have a chance? Or perhaps Derleth’s elaboration of the Mythos as a cosmic battleground?

* Newly published, issue 25 of the scholarly journal The Green Book: Writings on Irish Gothic, Supernatural, and Fantastic literature. A special issue on the author Le Fanu, it includes an overlooked poem by him and “a recently rediscovered monograph of Le Fanu written by his publisher”. Also a topographical article on his associations with places in Dublin.

* HorrorBabble has a new free audiobook of Lovecraft’s “The Dreams in the Witch House”. This is a new 2025 recording and also includes subtitles (presumably for those who like to ‘read along’, or perhaps who need to see words spelled as they are spoken?).

* New on YouTube, Ray visits “H.P. Lovecraft Locations in Providence, RI”. He offers a swift 13 minute tour, made with a more-or-less steady camera and deftly edited.

* S.T. Joshi has also been in Providence, and his latest blog post is “A Trip to Providence”. Joshi dived into the immense Clark Ashton Smith Papers at Brown, which he catalogued forty-five years ago, but which he can now survey with a more experienced eye. He found, among other items, more unpublished letters (now destined for the “forthcoming edition of Smith’s Miscellaneous Letters”), and nine unpublished juvenile stories.

* Joshi’s new blog post also notes that the Best Adventures of Solar Pons is appearing in two paperback volumes, with the first having already appeared. These are the Sherlock-alike stories penned by August Derleth. Looks very affordable and the tales are something I have wanted to read for a while now, but… at present Amazon UK is iffy about shipping to the UK and there’s no eBay listing.

* New this week. “From Beyond: Five DC Titles that Scratch that Cosmic Horror Itch”. It’s a glossy listicle, but one from DC Comics itself. As such it’s a useful survey of Lovecraftian themes in their titles, made even more useful by good page illustrations from the comics discussed (DC being notoriously touchy about others showing their interior artwork).

* Talking of comics, some readers may be interested in the newly published book Drawn to the Stacks: Essays on Libraries, Librarians and Archives in Comics and Graphic Novels (March 2025). Apparently the first such book on the topic. The contents list suggests it is heavily and predictably leftist, but also that it has a number of essays addressing specific weird and supernatural titles. Also of note are the new books Horror Comics and Religion: Essays on Framing the Monstrous and the Divine (2024), and Supervillains: The Significance of Evil in Superhero Comics (2025).

* The new ‘post-apocalypse in the English countryside’ videogame, Atomfall, apparently has a touch of Lovecraft. The indie British-made game is described by DigitalSpy as a blend of…

Day of the Triffids by John Wyndham – whose name is given to Wyndham village in the game – and [the 1970s British TV series] Survivors, with some Wicker Man thrown in, and a bit of eldritch flair akin to something from H.P. Lovecraft’s The Colour out of Space.

* A new free reading of a long ‘El Borak’ desert adventure tale by R.E. Howard. “Hawk of the Hills” runs just over two hours, and has a good narrator.

* Robert E. Howard Days 2025: Events Schedule for June 2025. This year’s theme is ‘100 Years of Robert E. Howard’.

* Also R.E. Howard related, I note a minor update for the Stable Diffusion LORA plug-in Stygia, now at version 1.2. Designed for generating background images suitable for Conan tales set in Stygia or similar. These early (and arguably the most ‘creative’) SD releases are now very well supplied with LORAs and the tide is ebbing. Thus from now on I shall probably only mention Lovecraft / R.E. Howard / 1930s-noir SD LORAs in HPLinks — rather than in their own post.

* Talking of AI, AI 2027 is a dedicated and new ‘future scenario’ website, which actually goes out to 2030. Gripping, detailed, very lengthy and fairly plausible stuff which arises from serious think-tanking and war-gaming. Possibly of interested to Lovecraftians, in terms of the competing visions of future-AI as a blind tentacular all-devouring Lovecraftian monster, or a benign super-shoggoth that will “advance civilization by decades in a year or two”.

* And finally, I see from a current eBay listing there was a 1974 Signet mass-market U.S. paperback reprint of Lovecraft’s The Case of Charles Dexter Ward, although this was “abridged”(?) and the book padded by Derleth with several other tales by other authors. New to me…

— End-quotes —

“One long-destroyed tale [I wrote as a boy] was of twin brothers — one murders the other, but conceals the body, & tries to live the life of both — appearing in one place as himself, & elsewhere as his victim. (Resemblance had been remarkable). He meets sudden death (lightning) when posing as the dead man — is identified by a scar, & the secret finally revealed by his diary.” — Lovecraft to Kleiner, February 1916.

“[Dexter Ward] may get to 75 pages or so before its natural and logical conclusion appears. It centres around old Providence…” — Lovecraft to Donald Wandrei, February 1927.

“… of the tale now drawing toward its close [in its writing], and which I shall call either The Case of Charles Dexter Ward or The Madness out of Time. Like Midas of old, curs’d by the turning to gold of everything he touch’d, I am this year curs’d by the turning into a young novel of every story I begin. [… Ward ended up as 51,500 words, but… ] the typing of manuscripts of this length is utterly beyond the powers of a feeble old gentleman who loses interest in a tale the moment he completes it.” — Lovecraft to Frank Belknap Long, February 1927.

HPLinks #33 – Two Hearts, death and rebirth, mapping Lovecraft, Kitbash Kit, Cairn RPG as 1920s Lovecraft, and more…

09 Wednesday Apr 2025

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HPLinks #33.

* New from the HPLHS, Two Hearts That Beat As One is Sonia’s autobiography…

Businesswoman, milliner, writer, publisher, patroness — known to many as the woman who was married to famed ‘weird fiction’ writer H.P. Lovecraft — Sonia Haft Greene Lovecraft Davis was a woman of many names because she lived a rich and fascinating life. Scholar and editor Monica Wasserman, working with Helios House Press, is delighted to be publishing a beautiful case-bound hardcover edition of Sonia’s autobiography.

* Also new from the HPLHS, a set of HPLHS Vintage Prop Maps, including what appears to be a newly-made one showing the unexplored parts of the world at the start of the 1930s.

* Inklings-Jahrbuch 41: Defying Death: Immortality and Rebirth in the Fantastic, being the proceedings of a 2023 Symposium in Magdeburg, Germany. Now newly and freely available online. Includes, among others, “Death as a Character and Its Philosophical Depiction in Children’s Books” and “Immortality and Digital Rebirth in Science Fiction”.

* New in the open-access education journal Writing in Practice #9, the long article “Maps to Arkham: Lovecraft, Landscape and Visual Poetry”. Discusses creatively approaching Lovecraft via Situationist methods of walking in a city…

… his walking habits still embody a radical response to place and his negotiation of urban commercialism, coupled with a sense of alienation from the normal life of that environment, has fed into some of the fragmented visuals in ‘Maps to Arkham’. The sense of failure and the city are bound up in his fiction, much of which revolves around nightmarishly huge and hostile urban environments

* New on the Kitbash store, a Lovecraft Kit of 3D models of buildings, which you can then use royalty-free to assemble custom scenes for use with 3D digital artwork or games. A hefty price, but Kitbash are known for quality and they sometimes give away complete kits free — so it might be worth checking their store at Halloween 2025 for a freebie or two.

This Kit brings eerie New England streets to life, with shadowy apartments, a looming city hall, a forgotten library filled with forbidden tomes, and a museum hiding unspeakable artifacts. A solitary lighthouse stands against the dark, its beam barely piercing an endless mist. From dimly lit taverns to cursed houses, every corner whispers madness.

* Free on Itch.io from 2024, “a re-skinning of Cairn RPG, so that it takes place in a 1920s Lovecraft inspired world”. In a 71-page A5 PDF illustrated booklet for RPG gamers, which gives Cairn a comprehensive makeover. The adapted Creative Commons Attribution ShareAlike source, Cairn RPG is new to me but appears to be a streamlined game with very compact rules and thus suitable for absolute beginners. It has a strong fan-base and is popular because free/easy/fun. The description for its ‘Seven Silver Spheres’ introductory fantasy-forest adventure gives a flavour of a typical setting. I see the free ‘Barrow Delver’ is the game’s solo play ‘oracle’ and the free Cairn: Pocket Edition is a two-page at-a-glance wall-chart for the rules. There appears to be no AI-powered version of all this, at present, so you’ll need pens, paper and various gaming dice.

* Thomas Phinney’s Cristoforo font, free in .OTF format and free for any re-use. Be warned, however, that I think that ‘Call of Cthulhu’ done in this typeface would probably infringe a key Chaosium trademark. The font is a revival of Hermann Ihlenburg’s Victorian era typeface Columbus.

* Amazon UK is now listing the English translation of Gou Tanabe’s 194-page manga-style graphic novel of Lovecraft’s “The Colour Out of Space”. Due on 1st July 2025, from publisher Dark Horse.

* In Italy, the first issue of the new VersiPellis: rivista di miscellanea a tema fantastico e weird (February 2025) has, among others, the article “Lovecraft and Theosophy: an unconscious inspiration?”, and…

an editorial which makes it clear the desire to build a project that is not a simple container of stories or articles, but a meeting point between enthusiasts and scholars of the fantastic.

“23 pages of comics”. The editors are not averse to considering AI-assisted comics for publication, which may interest some.

* And finally, H.P. Lovecraft Ghibli edition, created with the new type of image generating AI. This works more like a Photoshop filter, in terms of being faithful to the input image, and need only a mimimal prompt for style rather than content. The image itself is not amazing, but works as a demo for the ‘style overlay’ technology behind it. This method of using existing images will change a lot of things in the creative world, once it’s open sourced and can easily be run locally on a PC. Currently, it’s only available as part of ChatGPT 4o.

— End-quotes —

“A drawing of myself by myself would have to be something like the accompanying enormity — which succeeds marvellously in looking like nobody I ever saw in or out of the mirror. I might get a job drawing portraits for Wonder Stories.” — Lovecraft to J. Vernon Shea, August 1931. Lovecraft includes a rough pen-sketch of his side profile.

“I have a curious and anomalous sense of kinship with the hawk-nosed, broad-templed Roman physiognomy. […] All other non-Nordic physiognomies repel me violently but the Roman features […] as displayed in the realistic portrait statuary of the republican age [of Ancient Rome], produce in me a profound feeling of stirred memories and quasi-identity. I have the curious subconscious feeling not only that people around me once looked like that, but that I once looked like that. Which is rather amusing in view of the fact that I am actually the utter reverse of Roman in appearance — tall, chalk-white, and of a characteristic and unmistakable Nordic English physiognomy.” — Lovecraft to C.A. Smith, December 1933.

“It is said that the Belgian stratospherist Prof. Piccard cuts his own hair — but when I look at the result in newspaper portraits I feel I am the greater artist!” — Lovecraft to Morton, January 1933. In later years Lovecraft cut his own hair with clippers, to save money.

HPLinks #31 – letters for sale, astronomy talk, REH, “From Beyond” filmed, Great Old Ones return, and one last Houdini ‘miracle escape’ (perhaps)…

26 Wednesday Mar 2025

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HPLinks #31.

* For sale, “Three autograph letters from Lovecraft to Clark Ashton Smith, 1929”. Newly at Honest Abe’s pulp and paper impoundment, but they could be liberated for a mere third-of-a-bitcoin. In one of these Lovecraft observes that…

Today neither Poe nor Baudelaire could expect the slightest hearing in a standard magazine.

* New on YouTube, a reading of “The People of the Pit” (1918) by A. Merritt, Since the tale was a precursor to the famous Lovecraft-fave The Moon Pool of the same year, it seems highly likely that Lovecraft encountered this story at some point. It’s here read, across 46 minutes, by the very able Josh Greenwood.

* On YouTube, a recording of “When The Stars Are Right: H.P. Lovecraft and Astronomy, a one-hour talk by Edward Guimont at the Seagrave Observatory, 5th October 2024. Starts at 2.00 minutes in, when the audio improves greatly.

* New and free in open-access, the academic book Fear of Aging: Old Age in Horror Fiction and Film (2025). Includes the chapter “‘With Strange Aeons Even Death May Die’: Aging in the World of Cthulhu”. Meaning in Lovecraft’s Mythos, not the wider mythos, games, movies etc.

* New from the University of North Texas Press, the chunky new hardcover book Robert E. Howard: The Life and Times of a Texas Author. Released 15th March 2025, apparently. It’s on Amazon UK already but is oddly listed in the “Paranormal” category, and it seems only Amazon US is able to ship it to the UK.

* The Robert E. Howard Foundation Press report that they are now shipping new “Ultimate Editions” of the letters.

* And there’s a further rich haul of R.E. Howard, in the latest LibriVox Ghost and Horror Collection #78. Public-domain readings of four REH tales including “The Skull in the Stars”. Also one by August Derleth.

* New on Archive.org, Mad Dreams And Monsters: The Art Of Phil Tippett and Tippett Studio.

* Some New York City readers may be interested in Syd Mead: Future Pastime, a large retrospective exhibition of the paintings by the science-fiction master. Being staged at a venue near Madison Square Gardens, New York City, and open from 27th March – 21st May 2025.

* An open-access / Creative Commons Attribution book review in Spanish, of El Gabinete Magico: Libro de las bibliotecas imaginarias (2023) (‘The Magic Cabinet: A Book of Imaginary Libraries’). The review is in HTML, and thus easy enough to auto-translate. The book is the…

product of almost thirty years of reading” and writing, distilled into “seventy-five entries”, a book in which “a tremendous amount of work is crystallized, tracing sources and organizing data”… “As an additional tool, the work’s name index, arranged in double columns and with a smaller font size, contains fifty-four tight pages that include the names of the writers and literary works, characters, films, articles, stories, and poems cited, not excluding the implicitly alluded references, identified in parentheses, and the authors or works where the aforementioned characters are located, preceded by an arrow. In this way, the interested reader can independently track down a specific writer or character in imaginary libraries, among other information.

Given this amount of effort, it seems curious Lovecraft is never mentioned in the book (I have access to a copy that can be searched). One would have thought that “The Shadow Out of Time”, at the least, would have merited a passing mention.

* I spotted another eBay scan of a postcard that may be of use to Lovecraftian RPG gamers, as a ‘vintage’ game prop…

U.S. Navy Hospital Corps training lab, Newport, Rhode Island.

* Here in the UK, “Filming set to begin on new horror film”. Billed as… “a respectful and faithful adaptation” of “From Beyond” by H.P. Lovecraft and with some substantial acting names attached to the project. But also…

stretching the boundaries of the genre with modern, scientific concepts” and modernising the tale… “a physics researcher tracks down her disturbed mentor to stop an experiment that could rip open a portal to a dimension of unimaginable horrors.

* Veteran Lovecraftian band The Great Old Ones release their new Lovecraftian album Lands Of Azathoth on 27th March 2025.

* Did you think the Fanac Fan History project had come to an abrupt halt? Nope, it’s just that the Site Update History has moved to a new URL. Today’s additions, one sees, include the [ERB] Burroughs Bulletin #23 (New Series). Lots more scans of ye olde skool fanzines to discover, and all free. Dig in.

* The Cancer of Superstition has supposedly been “found” and was due to be published as a new book on 24th March 2025. Paper only, and I guess it should be arriving in the mail about now for the pre-order buyers. Probably best to wait to see what the reaction to the actual book is on the Houdini forums, before ordering, I’d suggest.

* And finally, an excellent new March 2025 reading of Lovecraft’s “Cool Air” from The Lost Sci-Fi Podcast. The very listenable voice of Josh Greenwood reminds me a little of the great Gordon Gould, but with more rumble and bounce. There’s an advert and intro, then the story. The Lost Sci-Fi Podcast is definitely one worth following.

— End-quotes —

“Most of my nearly 43 years in New-England I have spent in semi-numbness & shivering from the rarely-interrupted cold […] as you can well appreciate from remembering [how] the poor old man shiver’d in Cleveland back in [19]’22, when the 5 o’clock lake breeze began to rattle the library windows!” — Lovecraft to Galpin, June 1933, delighting that he at last has reliable steam-heat in his rooms (he had moved to 66 College Street, and a house supplied with abundant heat by the adjacent boiler-room of the John Hay Library).

“At about 12:30 a.m. I was seated at my table writing when a curious & persistent popping or crackling outdoors arrested my attention. Lifting the dark curtain & peering out, I beheld a red world as light as day, with the falling snowflakes glittering weirdly. Seeking the source of the uncanny glare, I repaired to a north window. There, in full view, was the most impressive sight my eyes have ever beheld. Where that evening had stood the unoccupied Chapman house, recently sold & undergoing repairs, was now a titanic pillar of roaring, living flame amidst the deserted night — reaching into the illimitable heavens & lighting the country for miles around. The heat was intense — even here in the house — & the glare was stupendous. […] A high east wind was blowing, & the sparks flew freely, but ice-coated roofs saved the neighbourhood.” — Lovecraft to Kleiner, February 1920.

“And it is recorded that in the Elder Times, Om Oris, mightiest of the wizards, laid crafty snare for the demon Avaloth, and pitted dark magic against him; for Avaloth plagued the earth with a strange growth of ice and snow that crept as if alive, ever southward, and swallowed up the forests and the mountains. And the outcome of the contest with the demon is not known; but wizards of that day maintained that Avaloth, who was not easily discernible, could not be destroyed save by a great heat, the means whereof was not then known, although certain of the wizards foresaw that one day it should be. Yet, at this time the ice fields began to shrink and dwindle and finally vanished; and the earth bloomed forth afresh.” — Lovecraft to C.A. Smith, 1935.

“I literally don’t know what it is to be too hot. The hotter it gets, the more energy I seem to have — mental and physical alike. I perspire freely, but am comfortable for all that I can relish temperatures of 97° and 98°, and never want it cooler than 80°. Of course, I don’t know how I’d be in those inland regions [of the USA] where the summer temperature gets up around 120° — but judging from the available evidence I could stand it better than most.” — Lovecraft to Robert E. Howard, October 1935.

HPLinks #30 – Dragon-Fly, insectile Lovecraft, weird spaces and landscapes, dead goths, AI Shadow trailer, Barry’s Library, and more…

19 Wednesday Mar 2025

Posted by asdjfdlkf in HPLinks, Lovecraftian arts, Picture postals, Podcasts etc., Scholarly works

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HPLinks #30.

* On eBay, “two issues of Barlow’s The Dragon-fly, 1935 and 1936. The listing offers some interior pictures.

* New in open-access, the Routledge book The Insectile and the Deconstruction of the Non/Human (2023)… “tracks the insectile across the archives of psychoanalysis, seventeenth century still-life painting, novels from the nineteenth century to the present day, and post-1970s film.” Includes the chapter “The Insectile Informe: H.P. Lovecraft and the Deliquescence of Form”…

What resonates not only throughout Lovecraft’s work, but also across the scholarship establishing and legitimising him as a writer stretching his ear towards the non/in/anti-human, is the discourse of the valorisation of form: ‘man’ — the ultimate apparition of form— emboldened against the murmur, the buzzzzzzzzz of a background without form.

* A new open-access book from Italy, in Italian. In translation the title is Geometries of Terror: architectural spaces and weird literature (February 2025). Includes, in Italian…

— The Localization of the Supernatural Between Weird and Modernism

— Howard Phillips Lovecraft’s “The Tomb” and the Representation of Places of the Unknown

— The Word and the Void: Ghostly Spaces in Western Literature

— The Architecture of the Unconscious: Hauntings, Places and Non-Places in the Works of Robert Aickman

The book is under Creative Commons Non-commercial, thus translations for a non-profit ‘zine or blog are possible.

* The open-access Journal of the Short Story in English has a new special issue on ‘Creative and Critical Responses to Landscape and Temporality in Short Fiction’ (2024). Includes “Fragmented Temporality, Digression and Experiments in Consciousness Representation: Arthur Machen’s “The White People””.

* Leslie Klinger, talks about his annotated books in a new podcast interview, including his two hefty volumes of annotated Lovecraft.

* I’ve newly found a postcard of the “Dunwich Woods”. Actually of the English Dunwich, perhaps circa the 1920s, but it could easily be from Lovecraft’s Dunwich. Possibly of use to RPG gamers, as part of a prop pack?

“Dunwich Woods”

* The editors of the Cardiff University open-access journal Studies in Gothic Fiction have issued a February 2025 official notice — they have suspended activities and are no longer accepting submissions. The seventh and final issue was themed ‘The Popular and the Weird: H.P. Lovecraft and Twenty-First-Century Adaptation’, and is still available online for now.

* More Lovecraft and modern philosophy. In the Italian PhD thesis Ontologies of the Future in Contemporary Philosophy: Stiegler and Meillassoux (2021), near the end one finds the long chapter “Overpassing Mediation: Meillassoux and Lovecraft”. Meillassoux being a French philosopher. Freely available online, in English and open-access.

* In Spain, the event CTHULHUton 2025 at the end of March 2025…

* Comic-book industry/history magazine publisher TwoMorrows has been left unpaid, following the financial collapse of the huge Diamond distributor. Diamond had long distributed comics and associated niche magazines to retail stores. TwoMorrows ask readers of their long-running ongoing magazines (Cryptology, RetroFan, Comic Book Creator, Jack Kirby Collector, etc), to “renew their magazine subscriptions” if possible, to help with cashflow. To those of us in the UK they’re offering “new lower international shipping rates” or bookshop distribution via Turnaround Distribution. Lovecraftians everywhere may be especially interested in the one-off monster books page.

* On YouTube, an impressive trailer/visual-pitch for a big-budget movie adaptation of “The Shadow Out of Time”.

* And finally, the sumptuous illustrated catalogue for the auction of The Library Of Barry Humphries, 26th March 2025. Freely available online, as a .PDF file. Slaver over the gothic and weird goodies you could have had, if only you’d sold a couple of bitcoins and the auctioneer’s hammer had fallen in your favour.

— End-quotes —

“[On the streets of College Hill] I acquired a fascinated reverence for the past — the age of periwigs and three-cornered hats and leather-bound books with long-fs. My taste for the latter was augmented by the fact that there were many in the family library — most of them in a black windowless attic room to which I was half-afraid to go alone, yet whose terror-breeding potentialities really increased for me the charm of the archaic volumes I found and read there. […] Living in an ancient town amidst ancient books, I followed Addison, Hope, and Dr. Johnson as my models in prose and verse; and literally lived in their peri-wigged world, ignoring the world of the present.” — Lovecraft, “Ec’h-Pi-El Speaks”.

“As a devotee of the past, I have naturally read more English than American books, and have felt profoundly the charm of those scenes and events amongst which my race-stock was moulded and developed; so that my conception of home and of natural beauty has come to centre in that soil around which so vast a majority of ancestral associations hover — “This blessed plot, this earth, this realm, this England.” — Lovecraft, “In Defence of Dagon”.

“I am not really literary in the purest sense of the word. Books & authors, as such, do not interest me; since I want only what they transmit. It is beauty — the beauty of wonder, of antiquity, of landscape, of architecture, of horror, of light & shadow, line & contour, of mystic memory & hallowed tradition — that I worship, & I never think of talking about books when I can talk of the stars or the hills or the abbey towers of dim, far lands or the steep roofs that cluster on the slopes of archaic towns. That is why I have read so relatively little, & why science with its breathless mysteries & inconceivable vistas has so often crowded mere letters from my sphere of paramount interest.” — Lovecraft to Donald Wandrei, February 1927.

“So many promising & deeply interested weird fans live in places where bizarre books are unobtainable — places like Milltown, Mont., Asotin, Wash., Auburn, Cal., West Shokan, N.Y., &c. &c. — that we feel we ought to give them the benefit of whatever volumes of the sort we may chance to possess. Hence a rather active programme of borrowing is carried out among ‘the gang’. And it is not only the small-towners who need to borrow — for even the largest city libraries are sometimes devoid of the most important weird items.” — Lovecraft, to Natalie H. Wooley, January 1935, on the ‘underground library’ he helped to run in the 1930s.

HPLinks #29 – Schultz, Pera, ‘We Are Providence’ stage play, Faunus in PDF, a pagan thesis, antique monsters, clouds and more…

13 Thursday Mar 2025

Posted by asdjfdlkf in HPLinks, Lovecraftian arts, Scholarly works

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HPLinks #29.

* Deep Cuts has a guest article examining “The Multi-Dimensional Career of Weird Literature Editor and Book Designer David E. Schultz”. A man well known to Lovecraftians as one of the editors and annotators of the triumph-of-scholarship that is the Lovecraft’s Letters series of books.

* A Spanish news site has a new article on “Filme de Edgar Pera com Pessoa, Lovecraft”, which reveals the director is set to follow his acclaimed ‘Lovecraft meets Pessoa’ movie Telepathic Letters (2024) with… “an upcoming project inspired by Lovecraft tales”. No further details as yet.

* Popping up on Abebooks, a 1983 French ‘BD’ comic-book adaptation of Lovecraft’s “Innsmouth”. New to me…

* Forthcoming on the New York stage, two plays about Lovecraft’s life. ‘Lovecraft in Brooklyn’ has been staged before, but is now being paired with ‘We are Providence’ which is billed as… “a new play set in Providence, Rhode Island”. The two plays are part of a spring and early-summer series that also features one with R.E. Howard…

On 24th April 2025, the series continues with ‘I have Known Many Grim and Loveless Gods’ [about] creator Robert E. Howard on the last day of his life reckoning with his creations and his mother’s illness.

* Robert E. Howard Days: The 2025 Howard Days Official Poster, revealed.

* Now in Kindle ebook, the first two volumes of Roy Thomas’s Barbarian Life: A Literary Biography of Conan the Barbarian. The third has yet to be an ebook, and note that Amazon misleads by selling a “Barbarian Life (3 book series)” that only has two ebooks. The three-book paperback set is significantly more expensive than the ebooks, at £45 UK.

* A new archive for Faunus, the Arthur Machen journal…

all [50] back issues of Faunus will shortly be available to members to download in PDF format for the first time

* All copies of the core An H.P. Lovecraft Encyclopedia have suddenly become insanely expensive on both Amazon and eBay. Time for a budget ebook edition?

* New from Spain, “Revising paganism in the fiction of H.P. Lovecraft” (2025), in English. It appears to be a Phd thesis, for the University of Granada. Judging by the contents pages it seems something of an encyclopedia on the topic. Freely available online.

* Set for June 2025, the new Oxford Handbook of Biblical Monsters.

* S.T. Joshi’s new The Wind in the Portico: Horrors from Classical Antiquity (2025). Available now, a collection of…

instances of horror fiction, poetry, drama, and other work from classical authors (some of them translated by myself—taken from my book Classical Papers), but writings by John Buchan, H.P. Lovecraft, Edward Lucas White, Rudyard Kipling, and many others utilising classical myth and history for their horror tales.

* Newly on Archive.org, the article “The Vortex of the Weird: Systemic Feedback and Environmental Individuation in the Media Ecology of Ito Junji’s Horror Comics”. This led me to track down its source, Stockholm’s Orientaliska Studier No. 156 (2019), a special journal issue on ‘Manga, Comics and Japan’. Now freely available online.

* A new £130 academic book from Springer, “The Call of the Eco-Weird in Fiction, Films, and Games” (2025). Includes the chapter “Departing the Place Once Familiar: Lovecraft’s Eco-Weird Thought”.

* Back in 2019 I looked at Lovecraft’s spring 1931 musing on the possibility that rain clouds and drizzling mists might be partly influenced by fluxes in incoming cosmic-rays. 1931 was long before the idea was first proposed in 1959 by Ney in his Nature paper “Cosmic radiation and weather”. In 2025, an interesting bit of additional research evidence… “Cosmic-Ray Showers Play Pivotal Role in Triggering Lightning Flashes” on earth.

* Some of the indie titles among this week’s wave of Lovecraftian videogame news, Cthulhu: The Cosmic Abyss (first-person thriller/investigation), The Mound: Omen of Cthulhu (four-player co-op adaptation of “The Mound”, by the makers of the worthy game Zeno Clash), and Cthulhu’s Reach: Devil Reef.

* Newly released and of possible interest to Mythos writers, the desktop writing assistance software NovelForge 3.x now has full LLM AI assistance. Still standalone and affordable, at $60. AI’s can be used free, and there’s a video showing how.

* And finally, some readers may be interested in seeing the documentary movie We Are As Gods (2021), on the life and legacy of the counterculture publisher and Long Now thinker Stewart Brand.

— End-quotes —

“Effective weird-fictional language, through rhythm & associative word-values, must always have a certain undercurrent of menacing tensily — shadows, gathering clouds, & all that. […] Very, very few things in Weird Tales ever achieve the desired degree of atmospheric menace” — Lovecraft to C.A. Smith, November 1930.

“In Quebec one of the most striking things is the sky — the odd cloud formations peculiar to northern latitudes and unknown in R.I. [Rhode Island]. Mist and vapour assume fantastic and portentous forms, and at sunset on Labour Day I saw one of the most impressive phenomena imaginable from my vantage-point on the Citadel overlooking the river and the Levis cliffs beyond. The evening was predominantly clear; but some strange refractive quality gave the dying solar rays an abnormal redness, while from the zenith to the southeastern horizon stretched an almost black funnel of churning nimbus clouds — the small end meeting the earth at some inland point beyond Levis. From a place midway in this cloud-funnel, zigzag streaks of lightning would occasionally dart toward the ground, with faint rumbles of thunder following tardily after. […] With such bizarre skies, I do not wonder that the northern races excel those of the south in fantastic imagination.” — Lovecraft to C.A. Smith, September 1933.

The young Lovecraft photographs cloud types, New Year 1907…

CLOUD PHOTOGRAPHY. This work was performed by a new 6.5 × 8.5 camera. The following types were taken:

Cumulus
Cirrus
Stratus
Cirro-Stratus
Cirro-Cumulus
Cumulo-Stratus
Cumulo-Nimbus, or Thunder-Cloud.

Celestial views were also taken.

“It seems, in the light of recent discoveries, that all matter is in a state of balance betwixt formation and disintegration, evolution and devolution — and that the infinite cosmos is like a vast patch of summer sky, out of which little cirrus clouds gather here and there, presently to be dissolved into blankness again. The universes we know correspond to the little cirrus clouds of that summer sky, being merely transient aggregations of electrons condensed from that field of ungrouped electrons which we call space, and soon to be dissolved into that space again. This process of formation and destruction is the fundamental attribute of all entity — it is infinite Nature, and it always has been, and always will be.” — Lovecraft, “The Materialist Today”, 1926.

HPLinks #28 – Whelan and Mountains, authenticity, REH Borak audiobooks, Sinking City 2, and more…

05 Wednesday Mar 2025

Posted by asdjfdlkf in 3D, HPLinks, Lovecraftian arts, New books, Podcasts etc., Scholarly works

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HPLinks #28.

* Artist Micheal Whelan recalls his career breakthrough 1976: Year in Review (Part One)…

Staking everything on a letter from Donald Wollheim that promised a [book] cover assignment, bolstered by recent success selling his work at conventions, Michael packed his VW Beetle and with trailer in tow headed to New York City to pursue illustration…

At the foot of this portion from his pleasingly-illustrated memoirs, Whelan also notes that he will shortly be…

adding a small preliminary painting from [Lovecraft’s] “At The Mountains of Madness” to our shop. An exclusive preview of the original art will be available for our paid subscribers on Substack before the art is released to our shop on Wednesday, 5th March [2025] at 11am EST

* In the new £140 academic libraries book on Authenticity and Adaptation (Palgrave, Feb 2025), the chapter “”I have looked upon all that the universe has to hold of horror”: The Authentic Lovecraftian Image in Film and Television”. Seeks to identify an authentic core of Lovecraft-inspired visual media, amid its exuberant abundance…

The ‘Lovecraftian’ can be seen everywhere in twenty-first-century visual culture.

* New in Italian and available via Amazon Italy, Yog-sothothery, Oltre La Soglia Dell’immaginario Di H.P. Lovecraft (‘Yog-Sothothery: H.P. Lovecraft Beyond the Threshold of Imagination’) (October 2024). Being a multi-author volume of what sounds to me like literary essays, in Italian. The essayists explore Lovecraft’s…

fantastic stories, considered among the most innovative and intense ever committed to paper, [in] seven essays […] which take the premise that ‘to appreciate Lovecraft you need to have suffered a lot’.

* At the University of Rennes, France, the three-day Le Festival Sirennes. Set for 20th-22nd March 2025…

* In Spanish, another journal review of the book A traves del abismo: H.P. Lovecraft y el horror ontologico (2024) (‘Through the Abyss: H.P. Lovecraft and ontological horror’). Freely available in open-access.

* The German Lovecraftians want a team leader for their Literature Team, which is…

currently working on a volume of essays from German-speaking countries, and a translation project of Lovecraft’s letters and essays

Also, some readers may wish to know that the Tolkien Society’s Amon Hen mag-a-journal is still seeking a volunteer graphic designer, and has been for over a year now.

* New on YouTube, Robert E. Howard’s “Blood of the Gods” (featuring his El Borak adventurer character) in audiobook, Part One and Part Two (120 minutes total). Plus another El Borak tale “The Daughter of Erlik Khan” (150 minutes). Both with a good professional reader. Since the 2012 El Borak audiobook is off-the-market (read from the Del Ray collection by another reader, Michael McConnohie) and totally unavailable, these seemingly-new El Borak recordings are very welcome. Several commenters complain about “ads” in these YouTube readings, but I assume they’re somehow clueless about ad-blockers and/or .MP3 YouTube downloader freeware such as that offered by MediaHuman.

* Want even more desert adventure from Robert E. Howard? Yup, there’s more, via a free audiobook from Horrorbabble reading “King of the Forgotten People” (53 minutes). 1930s adventurer Jim Brill goes seeking a missing scientist in the far reaches of the Gobi Desert.

* Also of note in free audiobooks. New and free on Librivox, the collection The Lost Valley and Other Stories by Algernon Blackwood. Also The Magician by Somerset Maugham. The latter centres on a lightly disguised Aleister Crowley circa 1907/08, and… Lovecraft it is not. Though the final description of the creepy Victorian house interior in the Staffordshire Moorlands is well done.

* One of the best big-budget Lovecraftian videogames of recent years now has a Kickstarter page for its planned sequel, The Sinking City 2. The campaign launches on 6th March 2025.

* Possibly of use for Mythos writers for games, the free Llama-3.1-8B-BeyondReality, a relatively lightweight free and local AI specifically designed for suggesting “interactive fiction scenarios” for “text-based adventures”.

* And finally, E-Arkham makes a growing series of fab monsters for the free 3D software DAZ Studio. Load, pose, choose a suitable eerie lighting preset, and then render in 3D. And potentially also then use these renders as seeds for AI enhancements / stylisation in Stable Diffusion. All his items are rather expensive at present, but those experienced in DAZ and Poser know to Wishlist and then come back when the big 70%-80% discount sales are on. All royalty-free, so you can use your renders commercially if you wish.

— End-quotes —

“The advent of Spring — even technically — is surely pleasant to think of. — […] a warm day sent me splashing through the mud & melting snow of the fields & woods […] I never before saw the ponds & brooks so high — & when I crossed the broad gorge of the Blackstone I found the lower banks [of the river] completly over-flowed; with great trees & cottage roofs projecting above an aqueous expanse like reliques of sunken Atlantis.” — Lovecraft to Toldridge, 29th March 1934.

“A sense of rushing through chartless corridors seized me, and I saw dates dancing in aether—1923—1924—1925—1926—1925—1924—1923—crash! Two years to the bad, but who the hell gives a damn? 1923 ends 1926 begins! Even the spring had delay’d so that I might see it break over Novanglia’s [New England’s] antient hills! I have lost 1924 and 1925 [to New York City], but the dawn of vernal 1926 is just as lovely as I view it from Rhodinsular [Rhode Island] windows! […] There is no other place for me. My world is Providence. […] The vista from my pseudo-ariel desk corner [at 10 Barnes St.] is delectable — bits of antique houses, stately trees, urn-topp’d white Georgian fence, and an ecstatic old-fashion’d garden which will be breathlessly transporting in a couple of months. Westward, from the brow of the hill, the view is awesome and prodigious — all the roofs, spires, and domes of the lower town, and beyond them the violet expanse of the far rolling rural meadows. [The State House and its] proud copper dome is the dominating feature of the Providence skyline. The view from this dome is said to be absolutely unparalleled — countless steepled towns, league on league of undulating countryside, and the beautiful blue bay to the south, gemmed with emerald islets. One can, the genial sexton says, see as far as Newport on good days; and he has promised to let me up there with a spy glass whenever I feel like making the climb.” — Lovecraft to Belknap Long, 1st May 1926, on Lovecraft’s return home from his long exile in New York City.

“… glimpses of a charming and mysterious gap in the far-off, vapour-wreath’d purple hills. There birds sang, and the sun filter’d down thro’ delicate vernal foliage and trac’d strange faery patterns on the grass and sand of the lane.” — Lovecraft describing his habitual place of outdoor writing, used daily while visiting Dwyer in “the West Shokan hinterland”. — Lovecraft, Travels in the Provinces of America, 1929.

“And so I emerg’d from under the Roman arch and beheld the city. The morning sun was high and brilliant, and the summerish air told me at once that I had at last set foot in that gentle Old South of which I have so often dream’d. Green and white were omnipresent — springtime leaves and grass, and delectable expanses of aethereal cherry-blossoms …” — Lovecraft in Washington, to Aunt Lillian, 21st April 1925.

R’lyeh rises

01 Saturday Mar 2025

Posted by asdjfdlkf in Lovecraftian arts

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1st March 1925, South Pacific. R’lyeh rises.

HPLinks #27 – Lovecraft in Welsh, Providence Film Fest dates, book covers, Night Wire, Lovecraft in a cleft, and more…

26 Wednesday Feb 2025

Posted by asdjfdlkf in HPLinks, Lovecraft as character, Lovecraftian arts

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HPLinks #27.

* Hippocampus Press now has a page for A Sense of Proportion: The Letters of H.P. Lovecraft and Frank Belknap Long and the pre-order discount is active. This page is for the 500 limited-edition hardcover, said to be due in March 2025.

* New and free in open-access, the book Horror in Classical Antiquity and Beyond (2025). This touches on various topics of possible interest to Lovecraftians, such as Roman antiquity and its legacy in horror, hybrids in Ovid (again), and Mythos writers may also be interested in discovering new gobbets of true-grue in the chapter on ‘Recipes for Horror in Graeco-Roman Magic and Medicine’.

* The ultimate horror, having to read Lovecraft in Welsh. Now you can, as there’s a new book of translations titled Galwad Cthulhu a Straeon Arswyd Eraill (Feb 2025). Translated by…

acclaimed Welsh novelist and short-story writer Peredur Glyn, whose story collection Pumed Gainc y Mabinogi was shortlisted for Welsh Book of the Year in 2023.

* “Existentialism as Cosmic Indifference in Works of H.P. Lovecraft” (2020), an undergraduate dissertation. Currently under embargo, but I see it’s set to be available for public download on 17th June 2025.

* The forthcoming 2025 H.P. Lovecraft Film Festival – Providence has dates, 22nd to 24th August 2025.

* The organisers of the 2025 Howard Days have a new blog post, which notes that…

The Windy City Pulp & Paperback Convention is happening 4th-6th April 2025 in Lombard, Illinois, where they are kicking off the ‘100 Years of Bob Howard’ festivities! Windy City is one of the best Pulp Cons in the country, and will celebrate Ol’ Two-Gun with dealers, auctions and a REH panel.

* Edward Gorey at 100, from the Gorey Charitable Trust. A round-up of Gorey events for his centenary year.

* Medievalists.net on “Laughing at Evil: The Hidden Purpose of Gargoyles” in churches.

* Another ‘Lovecraft as character’ tale, discovered. Equoid (2013) by Charles Stross. A novella, at 109 pages and one that is seemingly now collectable in hardcover. But there’s also an affordable Kindle ebook. The cover illustration and blurb are spoilers. But suffice it to vaguely say that a British secret-agent is sent to probe strange doings in the Sussex countryside, and these events are then interwoven (in the first half) with H.P. Lovecraft’s confession of his youthful encounter with an ancient horror.

* A new AI 1970s Sci-Fi Book Covers generator, on Glif.app. Glif.app appears to be yet another of those ‘here today, gone tomorrow’ online AI generator sites at which you buy credits. But it has enough free-trial credits to try it out about ten times.

* New on Archive.org, the 1974 UK edition of New UFO Breakthrough. This is a real 1970s paperback and I had it when I was a lad. I would have read it alongside Lovecraft and R.E. Howard. Wow… looking at the book now I see I was sipping from a “big ol’ keg o’ hot moonshine”. Not just normal cloud-skimming UFOs here, but also orgone accumulators, serpent people from Atlantis, underwater UFOs, alchemists, and polar entrances to an ‘inner earth’. Great stuff for the imagination, though, and possibly also a sort of youthful ‘innoculation’ against pure moonshine.

* Talking of which, Erik Davis (author of the classic Techgnosis) has a new long review, of the 1990s The Invisibles DC comic-book series. One I missed encountering back then, as the comic-book scene largely crashed and burned. But according to Davis…

one of the great representative works of the 90s […] a sometimes brilliantly illustrated tale of a team of colorful mutant punks taking on Lovecraftian archons in a metaphysical postmodern blender […] the last gasp of high and mutant psychedelic subculture that stretches back through Hakim Bey, the Church of the Subgenius, Illuminatus!, the Merry Pranksters, and the Discordian Society

* And talking of boyhood influences equally as whacky, but rather more British, I see the BBC has newly turned their old Radiophonic Workshop core sound-bank into a purchasable archive for download. Doctor Who’s old sci-fi wooshes, splurts, blips and whizzles, yours to re-use… for $200. Or sci-fi/horror audio crafters could just pop over to the huge Freesound.org (which incidentally has recently been ingested into Stable Audio Open, the AI sound-FX generator) and get much the same for free.

* New on YouTube, the classic “The Night Wire” by H.F. Arnold (1926, Weird Tales). With period audio FX and a dramatized reading, in 22 minutes. In 1936 Lovecraft thought it one of the few old Weird Tales stories worth reprinting. He wrote of… “certain obscure but desirable items which have anciently appeared in W.T. [Weird Tales] or elsewhere. It would have been simply barbarous [for lack of reprinting] to prevent the present generation from reading The Canal, The Night Wire, Bells of Oceana, The Floor Above, Beyond the Door, etc.” — Lovecraft to Hoffmann Price, 1936.

* ‘Call of Cthulhu Live’ in summer 2025. An official five-city tour of the UK for Chaosium’s flagship tabletop RPG game.

* The usual tidal-wave of Lovecraftian videogames thunders in each week and Tentaclii never has the time to comb the beach afterwards. But this week I noticed not one but three new one-man indie videogames, and liked the sound and look of all of them. Do No Harm: A Doctor Simulator with a Lovecraftian Twist; The Stamp; and HPL: Nyarlathotep Rising.

* And finally, a thought. President Trump has several times expressed a hankering for a huge new ‘Garden of National Heroes’. It sounds like a new National Park that would contain many thousands of statues and other forms of sculpture, most likely set along verdant long-distance walking trails. Far bigger than a sculpture park, but smaller than the regular-size National Park. It thus occurs to me that, once the bidding-war is over and the winning U.S. state begins to establish the new Garden-Park, it might offer a secure home to the currently-homeless Lovecraft statue? Perhaps the statues of the nation’s horror writers (possibly only the greats who had to struggle heroicly for their art — Poe, Lovecraft, Smith?) might be displayed inside a deep and dark natural rock-cleft? That would afford some protection from spray-can jockeys, while also offering suitable ambience and lighting. A cleft with the stars still visible above at night.

— End-quotes —

[I found myself in …] “a dank, foetid, reed-choak’d marsh under a grey autumn sky, with a rugged cliff of lichen-crusted stone rising to the north. […] I ascended a rift or cleft in this beetling precipice, noting as I did so the black mouths of many fearsome burrows extending from both walls into the depths of the stony plateau. At several points the passage was roof’d over by the choaking of the upper parts of the narrow fissure; these places being exceedingly dark, & forbidding the perception of such burrows as may have existed there. In one such dark space I felt conscious of a singular accession of fright, as if some subtile & bodiless emanation from the abyss were ingulphing my spirit; but the blackness was too great for me to perceive the source of my alarm. At length I emerg’d upon a table-land of moss-grown rock & scanty soil, lit up by a faint moonlight which had replac’d the expiring orb of day. Casting my eyes about, I beheld no living object; but was sensible of a very peculiar stirring far below me, amongst the whispering rushes of the pestilential swamp I had lately quitted. […]” — Lovecraft to Donald Wandrei, November 1927.

The poet enters a dark, sinister and ever-narrowing valley …

The walls contracted as I went
Still farther in my mad descent,
Till soon, of moon and stars bereft,
I crouch’d within a rocky cleft
So deep and ancient that the stone
Breath’d things primordial and unknown.
My hands, exploring, strove to trace
The features of the valley’s face,
When midst the gloom they seem’d to find
An outline frightful to my mind.

— Lovecraft, part of a poem he sent to Kleiner, 1918.

Tentaclii

~ News & scholarship on H.P. Lovecraft

Category Archives: Lovecraftian arts

HPLinks #40 – early fanzines, mad Jung, Meeplesmith, Doom and more…

HPLinks #39 – join the Esoteric Order, Lovecraft’s Dark Enlightenment, sculpting Lovecraft, Dunwich revived, Mayfair magazine, and more…

HPLinks #38 – Lexicon bagged, history of Lovecraft in comics, Amazing tentacles, Baranger art-prints, Tower of Shadows, AI art-styles, a bad fire, and more…

HPLinks #35 – a different Alcestis, Hobbes and other philosophy, magic detectives, Brown, modernism, Moebius, pop-ups and more…

HPLinks #34 – Providence, Witch House, cosmic DC, Dexter Ward and more…

HPLinks #33 – Two Hearts, death and rebirth, mapping Lovecraft, Kitbash Kit, Cairn RPG as 1920s Lovecraft, and more…

HPLinks #31 – letters for sale, astronomy talk, REH, “From Beyond” filmed, Great Old Ones return, and one last Houdini ‘miracle escape’ (perhaps)…

HPLinks #30 – Dragon-Fly, insectile Lovecraft, weird spaces and landscapes, dead goths, AI Shadow trailer, Barry’s Library, and more…

HPLinks #29 – Schultz, Pera, ‘We Are Providence’ stage play, Faunus in PDF, a pagan thesis, antique monsters, clouds and more…

HPLinks #28 – Whelan and Mountains, authenticity, REH Borak audiobooks, Sinking City 2, and more…

R’lyeh rises

HPLinks #27 – Lovecraft in Welsh, Providence Film Fest dates, book covers, Night Wire, Lovecraft in a cleft, and more…