Murray Ewing has an interesting long account of promoting his Alice at R’lyeh…
“…different subcultures have very different attitudes to self-publishing. In the UK comics scene, there is a thriving self-publishing community, which sees the fact that something is self-published as a genuine plus-point. It actively welcomes the diversity of the sort of things people produce when they’re let loose on their own. Other areas, though, see self-publishing as an active minus-point, if not an outright automatic rejection. Searching for places to send a review copy of Alice at R’lyeh to, I often came across “no self-published work” notices, which started to annoy me as much as the “no fantasy, science fiction or children’s fiction” notices you find in The Writers & Artist’s Yearbook list of literary agents.”
Personally I have distant but strong roots in comics and SF fandom, and a more recent interest in artists’ books and print-on-demand. So I see self-publishing — if done with care — as perfectly fine and as adding a nice frisson of authenticity.
Ewing usefully points to the fannish conventions as places to sell. But unless you’re going anyway, then the travel + ticket + table costs would seem likely to drain any profit from your sales. For instance, Continue reading →